Tales of London and the swinging sixties rock scene evolve as Ray Davies, lead singer and songwriter with The Kinks, reveals his life and times. Carnaby Street, Top of the Pops, the Cavern Club, The Beatles, The Rolling Stones, The Who, and other fixtures of the period feature in this narrative.
I am a huge fan of the Kinks and have been since I bought their first album back in 1964, and then a few years later the classic "Face to Face," "Something Else," "Village Green," and "Arthur"--albums that for my money are among the greatest rock records of all time (and that sound even better now in the recently released and remastered "deluxe" editions). Sadly but not surprisingly, this autobiography by Ray Davies--the genius who led the band and wrote and sang all of its greatest songs--is no
I am a huge fan of the Kinks and have been since I bought their first album back in 1964, and then a few years later the classic "Face to Face," "Something Else," "Village Green," and "Arthur"--albums that for my money are among the greatest rock records of all time (and that sound even better now in the recently released and remastered "deluxe" editions). Sadly but not surprisingly, this autobiography by Ray Davies--the genius who led the band and wrote and sang all of its greatest songs--is not on a par with those records. If it were, it would be up there with James Joyce's "Portrait of the Artist as a Young Man" or Flaubert's "Sentimental Education." But Davies' medium is rock 'n' roll, not literature, and so I would no more expect him to produce a great book than I would expect Joyce to produce a rock classic like "All Day and All of the Night" (interesting thought...) Still, despite a clumsy narrative gimmick that wears thin after the first few pages, there is some interesting inside stuff in the book--about Davies' family, his marriage, and the heady early days of the "British Invasion"--so it is by no means a complete bust. But neither is it "Waterloo Sunset" or "All Day and All of the Night."
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I think this is the book Morrissey wanted to write. The prose is excellent throughout. Davies was a pioneer. He paved the way for androgynous performers like Bowie and his wilful non-rock'n'roll lyrical vocabulary (From the dew soaked hedge crawls a crawly caterpillar) can be seen as the only real precursor of Morrissey's lyrics for The Smiths. This book is a historical document of London in the 60's with an endearing take on family life in Muswell Hill's terraced streets. His introduction to th
I think this is the book Morrissey wanted to write. The prose is excellent throughout. Davies was a pioneer. He paved the way for androgynous performers like Bowie and his wilful non-rock'n'roll lyrical vocabulary (From the dew soaked hedge crawls a crawly caterpillar) can be seen as the only real precursor of Morrissey's lyrics for The Smiths. This book is a historical document of London in the 60's with an endearing take on family life in Muswell Hill's terraced streets. His introduction to the guitar through his tragic sister is poetic and touching. The book is not without tales of rock n roll excess, particularly with regards to his younger brother Dave 'the rave' Davies. I loved this book and I now love The Kinks even more after reading it.
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It's not too often I rate four stars to books that inhabit the genre of 'poptastic'. Ray Davies has written a biography that is most certainly unique. 'X-Ray' from 1994, just two years before The Kinks split, is much more than a memoir of the swinging sixties. Introduced on the front cover as 'The Unauthorized Autobiography' Davies has written this in an almost Kafkaesque style.
The man himself shape shifts in and out of shadows, dark memories, light humour with the backdrop of music business may
It's not too often I rate four stars to books that inhabit the genre of 'poptastic'. Ray Davies has written a biography that is most certainly unique. 'X-Ray' from 1994, just two years before The Kinks split, is much more than a memoir of the swinging sixties. Introduced on the front cover as 'The Unauthorized Autobiography' Davies has written this in an almost Kafkaesque style.
The man himself shape shifts in and out of shadows, dark memories, light humour with the backdrop of music business mayhem.
The reader is never sure which ego, or alter ego is between the lines. "Most people are the sum total of many parts; as varied in temperament and layers of character as there are molecules in the human body." The man that wrote 'Acute Schizophrenia Paranoia Blues' is alive and as well as can be expected within these pages. "When in doubt, trust your paranoia, it's probably the most accurate reading of the world. Whatever they tell you otherwise."
One thing that comes across from reading 'X-Ray', this man is not like anybody else!
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