(Berklee Press). Winner "Best Book of the Year" 2014 award from the Jazz Journalists Association. In Learning to Listen, Gary Burton shares his 50 years of experiences at the top of the jazz scene. A seven-time Grammy Award-winner, Burton made his first recordings at age 17, has toured and recorded with a who's who of famous jazz names, and is one of only a few openly gay
(Berklee Press). Winner "Best Book of the Year" 2014 award from the Jazz Journalists Association. In Learning to Listen, Gary Burton shares his 50 years of experiences at the top of the jazz scene. A seven-time Grammy Award-winner, Burton made his first recordings at age 17, has toured and recorded with a who's who of famous jazz names, and is one of only a few openly gay musicians in jazz. Burton is a true innovator, both as a performer and an educator. His autobiography is one of the most personal and insightful jazz books ever written.
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Paperback
,
384 pages
Published
August 1st 2013
by Berklee Press Publications
The first jazz concert by a major figure I attended was by the Gary Burton Quartet, when I was about 17. It was an amazing evening, and I've been a fan ever since. So when I saw this on my friend Rob's shelves and asked him about it, he replied that Burton was not a great writer, but the facts are there.
That sums it up pretty well. The very talented Burton has had a remarkable career, and any fan would find this book worth reading. I doubt it's compelling enough to enthrall anyone who is not al
The first jazz concert by a major figure I attended was by the Gary Burton Quartet, when I was about 17. It was an amazing evening, and I've been a fan ever since. So when I saw this on my friend Rob's shelves and asked him about it, he replied that Burton was not a great writer, but the facts are there.
That sums it up pretty well. The very talented Burton has had a remarkable career, and any fan would find this book worth reading. I doubt it's compelling enough to enthrall anyone who is not already a Gary Burton fan, though; Burton was level-headed enough from an early age to avoid Charlie Parker-like drama, for the most part. The major internal conflict Burton recounts is his long struggle to realize and accept that he's gay, and he doesn't overplay the story. And two years in the quartet of the unpredictable saxophonist Stan Getz provided a lifetime's worth of drama.
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I was totally let down with this book. I was wanting to find out insights into Burton's passion for playing and basically found he doesn't really have that. In fact, he tells how he doesn't practice, doesn't touch his instrument for months! It seems that playing is a means to making money to pay for everything. Constantly in the book he writes about how he was never sure if he was gay (believe me, my gay friends have known they were gay from the get go). He falls for women, marries, has babies w
I was totally let down with this book. I was wanting to find out insights into Burton's passion for playing and basically found he doesn't really have that. In fact, he tells how he doesn't practice, doesn't touch his instrument for months! It seems that playing is a means to making money to pay for everything. Constantly in the book he writes about how he was never sure if he was gay (believe me, my gay friends have known they were gay from the get go). He falls for women, marries, has babies with them, is devastated when they leave him, then decides because he has attractions for men he's gay. Gary, you are bi!
The best part of this book is the asides about other musicians and their careers and talents. I am just so disappointed to find that he never used the word "passion" to describe anything about his playing vibes etc.... Kind of heartbroken that someone I revered as a musician never really had that fire.....
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This is a refreshing autobiography of an incredibly talented guy. He went on the road with George Shering and Stan Getz when he was around 20. Recorded over 65 albums, played with all the major jazz legends from Grapelli to Mingus. Yet the book is very honest and humble. He is always very complimentary about his colleagues and forgiving of their faults. This is not an "as told to" book. It is straight from the heart (and he has had 6 heart surgeries). A really enjoyable read. My only gripe is th
This is a refreshing autobiography of an incredibly talented guy. He went on the road with George Shering and Stan Getz when he was around 20. Recorded over 65 albums, played with all the major jazz legends from Grapelli to Mingus. Yet the book is very honest and humble. He is always very complimentary about his colleagues and forgiving of their faults. This is not an "as told to" book. It is straight from the heart (and he has had 6 heart surgeries). A really enjoyable read. My only gripe is that 2/3rds of the book covers his early career (first 10-12 years from 1962-1972 or so) and I am more familiar with his career since he teamed up with Chic Corea. Great book.
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I enjoyed this book immensely. For me it could have easily been twice as long. More about Stan Getz, George Shearing, road trips, what makes great music, and the life of a musician. The book is a well put together narrative and it's made me want to explore more of his music. What more could one ask for? As I said, a little more about everything!
The first jazz record I ever bought was Gary Burton's Duster. I've always enjoyed his music but after reading this realized I've missed large portions of
I enjoyed this book immensely. For me it could have easily been twice as long. More about Stan Getz, George Shearing, road trips, what makes great music, and the life of a musician. The book is a well put together narrative and it's made me want to explore more of his music. What more could one ask for? As I said, a little more about everything!
The first jazz record I ever bought was Gary Burton's Duster. I've always enjoyed his music but after reading this realized I've missed large portions of it. I suppose that says a lot about jazz, how little credit the musicians get, and how under the radar most of them truly are. After all the years of Grammy nominations and thousands of gigs and tours how is it more people don't seem to know him? Perhaps they do and it's just that I've been living under a rock, not listening to the right radio stations, or watching the right tv shows. I never remember seeing him in Texas where I grew up. We hunted the record stores for his releases. Now with the Internet and MP3 online stores it will be much easier to find his music.
I enjoyed his honesty and it was pretty eye opening about his early years. Even with his level of musicianship and enormous luck and support he still had to work hard to establish himself as a leader and get his first band off the ground. I felt he downplayed his leadership and would have liked to have read more about the different sides of the music business. Still it's a great overview of his life and career... And the book could have been much longer.
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I was a young vibist at the University of N. Colorado in the summer of 1971. I had previously met Gary as the head of the NW Jazz Festival in Bremerton WA when we brought him in as an adjudicator. So, while at UNC I heard that he was performing at the Senate Lounge in Denver, so I drove down and we hung out after his gig. He laid a Berklee catalog on me, saying that he was to begin teaching there that Fall, so I uprooted, moved to Boston, and studied with him. I did the four years in three, then
I was a young vibist at the University of N. Colorado in the summer of 1971. I had previously met Gary as the head of the NW Jazz Festival in Bremerton WA when we brought him in as an adjudicator. So, while at UNC I heard that he was performing at the Senate Lounge in Denver, so I drove down and we hung out after his gig. He laid a Berklee catalog on me, saying that he was to begin teaching there that Fall, so I uprooted, moved to Boston, and studied with him. I did the four years in three, then joined the faculty for another four.
It was very interesting to read this book, especially since I experienced a lot of what he talks about first hand (including his wedding to Catherine). However, the best part for me was learning how he got started, his early gigs and experiences, and how he learned the business side of the Music Business, which many musicians don't master.
The greatest thing I learned from Gary besides improvisation and musicality was interconnectivity in melody or harmony. These ideas can be projected out into everyday life as well, and I do know that anytime I strayed from that was where my greatest mistakes have occurred. This all was very evident to me as I read this book, because Gary's linearity runs uninterrupted from Page One to the end. Yes, doors opened along the way and life-altering opportunities came to him, but he never deviated from the path that eventually led him to being one of the finest musicians in the world.
Gary is quite frank about his personal life, and his honesty is to be commended. Also, there are lots of anecdotes about the famous names he has encountered and/or worked with during his long career (Miles Davis, Samuel Barber, Stan Getz, George Shearing, Duke Ellington, Johnny Rivers, to name a few). This is a must-read for anyone interested in jazz in particular, and music in general.
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I heard Gary Burton's first album around 1970 when I was a high school percussion student and he was a new young player. It inspired me to learn to play the vibraphone well. Fortunately, I had a rented vibraphone and a good private teacher and I learning to play a few 4 mallet arrangements fairly well for a high school kid. I've continued to follow Gary's career and music and so I was pleased when his autobiography came out. I was doubly pleased when I started reading it and found it engaging an
I heard Gary Burton's first album around 1970 when I was a high school percussion student and he was a new young player. It inspired me to learn to play the vibraphone well. Fortunately, I had a rented vibraphone and a good private teacher and I learning to play a few 4 mallet arrangements fairly well for a high school kid. I've continued to follow Gary's career and music and so I was pleased when his autobiography came out. I was doubly pleased when I started reading it and found it engaging and very well written. I enjoyed reading the behind the scenes aspects of the music business and also the personality quirks of many of the artists that Gary worked with over the years. A really great book for anyone interested in the music business.
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I am huge fan of Gary Burton and his music. I have almost every album he has recorded. I really enjoyed the honesty and candor in which Gary told this story. I haven't read a lot of autobiographies of musicians (maybe because there aren't many) but I would recommend this to anyone in the music industry and especially if you play vibes. I read this as part of a book club I host called BookChattr (
www.drumchattr.com
). I have written some posts and created a playlist of the albums Gary talks about
I am huge fan of Gary Burton and his music. I have almost every album he has recorded. I really enjoyed the honesty and candor in which Gary told this story. I haven't read a lot of autobiographies of musicians (maybe because there aren't many) but I would recommend this to anyone in the music industry and especially if you play vibes. I read this as part of a book club I host called BookChattr (
www.drumchattr.com
). I have written some posts and created a playlist of the albums Gary talks about in this book. Check them out.
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Fantastic if you're interested in the author, but it is written in a simple, conversational style, and doesn't go into as much depth as I might've liked. Still, an enjoyable read.
Be sure to read the chapter "Understanding the Creative a Process" where Burton describes how he communicates to his "inner player" in images. Practical advice for any performer.
Burton has an interesting story, and he also shares some observations on music/jazz that made me use my Kindle's "highlight" feature for the first time.