Waylon Jennings relates the story of his life as a country music star. His beginnings were poor but he became Buddy Holly's protege before sinking into drug abuse and 3 failed marriages. His success came when he met his present wife, Jessi Colter.
Even though for years I was more into rock and jazz (though I've made many excursions into classic country, bluegrass, and alt-country), I've always listed Waylon Jennings "Dreamin' My Dreams" as one of my all-time favorite discs and probably one of the best-produced discs of all time. I stand by that opinion. I think producer Jack Clements helped capture not only a specific feeling and sound on that disc but the sort of both raw and polished creativity that rarely gets laid down on any recordin
Even though for years I was more into rock and jazz (though I've made many excursions into classic country, bluegrass, and alt-country), I've always listed Waylon Jennings "Dreamin' My Dreams" as one of my all-time favorite discs and probably one of the best-produced discs of all time. I stand by that opinion. I think producer Jack Clements helped capture not only a specific feeling and sound on that disc but the sort of both raw and polished creativity that rarely gets laid down on any recording. I was pleased to read in this autobiography that Waylon Jennings knew very well it was the best record he ever made. Waylon has lots of stories to tell and he tells most of them in this book with candor, honesty and a sense of humble humour about himself and his industry image. Yes, he had his moments of being a wild man and a rebel but, mostly, he was just trying to get down the sounds he had in his head without outside interference. Anyone interested in music will have that disc as a "must-hear" and this book as a "must-read." - BH.
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When I was looking at reading this book I read somewhere that someone said this book was almost like sitting down with Waylon and having him tell his life story over a few beers. That actually fits quite well. Waylon was one of the first to really break the conventenial country music barriers mainly because he wanted to play the music as he felt it. This tells all of his struggles as he went through those barriers and broke through Nashvilles walls into a new label known now as outlaw country. W
When I was looking at reading this book I read somewhere that someone said this book was almost like sitting down with Waylon and having him tell his life story over a few beers. That actually fits quite well. Waylon was one of the first to really break the conventenial country music barriers mainly because he wanted to play the music as he felt it. This tells all of his struggles as he went through those barriers and broke through Nashvilles walls into a new label known now as outlaw country. Waylon also tells of his excessive drug usage and how 20 to 30 amphetamines a day would help get him through from one gig to the next. And his story of shaking the big monkey of coke and pills off his back. Some of the more personal stuff towards the end of the book is really touching. I really enjoyed the stories of him hanging with some of the all time great folks that made country music. If anyone is interested in a real personal down and dirty look at Waylon Jennings this would be the book I would tell them to pick up.
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I'm a super big Waylon fan, and got this book for Christmas. I put off starting it in part because I worried his voice might not translate well to prose. I needn't have worried. This is all Waylon, all the time. I cried at the vulnerability he showed about his time with Buddy Holly... shudder a bit at the quantity of pills he ingested... and laugh and shake my head at the in-your-face attitude in the early days in Nashville. This is one I'll be sad to finish... just as I'm sad we lost this "Amer
I'm a super big Waylon fan, and got this book for Christmas. I put off starting it in part because I worried his voice might not translate well to prose. I needn't have worried. This is all Waylon, all the time. I cried at the vulnerability he showed about his time with Buddy Holly... shudder a bit at the quantity of pills he ingested... and laugh and shake my head at the in-your-face attitude in the early days in Nashville. This is one I'll be sad to finish... just as I'm sad we lost this "American original," as John Cash called him, far too soon.
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This is a well written and entertaining as told to autobiography of Waylon Jennings and has all you would expect from a Waylon biography if you are familiar with his music and life. More often than not, even if they make great music, most musicians are phony narcistic human beings. Waylon is a guy thats hard not to like and I enjoy his music. I wish he was still around.
Waylon Jennings was always my favorite country music performer. When I sought out biographies of him, I was disappointed by the selections. Thus, I placed this autobiography on my Christmas wish list, and my mother-in-law gifted me a copy.
An autobiography has certain advantages and disadvantages over a biography. In the latter category, there’s the loss of objectivity and the unreliability of memory. As compensation, however, the reader receives a more personal – and often more engaging – accoun
Waylon Jennings was always my favorite country music performer. When I sought out biographies of him, I was disappointed by the selections. Thus, I placed this autobiography on my Christmas wish list, and my mother-in-law gifted me a copy.
An autobiography has certain advantages and disadvantages over a biography. In the latter category, there’s the loss of objectivity and the unreliability of memory. As compensation, however, the reader receives a more personal – and often more engaging – account.
Certainly, WAYLON is a lively read. Jennings – with aid from co-author Kaye – proves a great storyteller, and I often felt as though I were sitting in a bar, listening to Jennings talk. He relays tales of his impoverished upbringing, his stint as Buddy Holly’s bass player, his early record deals, his later successes, his drug abuse and recovery, his failed marriages and long-term successful marriage to Jesse Colter, etc. The book provides a great “insider’s perspective” on the music business, conveying a sense of how cutthroat it often is, and of course, Jennings and Kaye also recount Jennings’ relationships and encounters with other music stars, including Johnny Cash, Willie Nelson, Kris Kristofferson, Tompall Glaser, George Jones, Merle Haggard and Elvis Presley (Warning to Elvis fans: The latter does not come off well here.).
This book was originally published in 1996, when Jennings turned 59. The narrative voice thus reflects that of a man of maturity, who is examining his life with the benefit of age and experience, and I enjoyed his insights. For example, I liked his comment on how he had personal music heroes and that there was a difference between a hero and a role model. Jennings, with his years of cocaine abuse and failed marriages, is by his own admission no role model. He did, however, succeed in a sometimes-rough business and did it by blazing his own trail. Kudos to him, and I really wish that he hadn’t been taken from us so soon.
I recommend this book for fans of Waylon Jennings and/or country music.
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A good read if you are interested in this artist. It begins slowly, and Waylon's colloquial writing style often irritates at first, but I felt real emotion in some of his more intense stories.
I did not realize that he was so close with Buddy Holly. He described Buddy, at the time of his death, as his best friend and states that he slipped in to a deep depression for two years following the plane crash. This section deals with the survivor's guilt that he experienced and was perhaps one of the
A good read if you are interested in this artist. It begins slowly, and Waylon's colloquial writing style often irritates at first, but I felt real emotion in some of his more intense stories.
I did not realize that he was so close with Buddy Holly. He described Buddy, at the time of his death, as his best friend and states that he slipped in to a deep depression for two years following the plane crash. This section deals with the survivor's guilt that he experienced and was perhaps one of the most complex and "real" moments in his story, but he fails to elaborate or explore sufficiently. Still, it does provide some insight and credit must be given for the intensity and empathy provoked in such a short passage - although perhaps this is an illusion, the short passage and provocative feeling allows the reader to insert his own experiences. Is this accomplishment of a master storyteller/emotion-smith? Or is it just lazy writing, fear of self-probing? Isn't instilling such empathy the goal of all, at least most, writers?
The other most interesting aspect of his storytelling is his description and analysis of failed relationships. Though his descriptions typically indicate plenty of blame between the two parties, he does not shy from exploring his flaws and inadequacies and questioning his judgment; and he makes no excuses. When he approaches the subject of his children becoming involved in the painful process and describes their "tiny loyalties being tested,"
Ironically, the element most ignored in this autobiography is the music. It is always there, but given the disppasionate treatment of two strangers swapping stories of past career changes or automobiles owned. But perhaps this is unimportant, as anyone reading this book is already familiar with the tunes, but perhaps not with the philosophy and experiences of the tunesmith. And there is the occasional "studio hijinx" story, often involving Willie Nelson. One of the most eccentric being that Willie is very sensitive about his singing and, following what may be described as a producer's constructive criticism, becomes defensive with the producer and then comes to Waylon for coddling and reassurance.
Finally, from a sociological perspective, the tales of Waylon's development from childhood to young adulthood can be read as an outsider's pushing back against the conventions of rural, small-town life while embracing its best elements. His bucolic stories of life on the farm, miles out of town, combine with his left-of-center sensibilities to form a challenge to current media-popcultural archetypes of red state and blue state men, which benefit only political fundraisers and should be flatly rejected.
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This is a pretty good account written by the man himself. It covers Waylons days on the farm growing up, his short time with Buddy Holly, his career long battle with pills/drugs on the way to becoming a country legend, and his life after he kicked the habit by staying out in the desert for a month. This book is written by Waylon so the way he talks/writes is a reflection of the way that he actually talked and rembered things so the account can get a little confusing when the down home country ac
This is a pretty good account written by the man himself. It covers Waylons days on the farm growing up, his short time with Buddy Holly, his career long battle with pills/drugs on the way to becoming a country legend, and his life after he kicked the habit by staying out in the desert for a month. This book is written by Waylon so the way he talks/writes is a reflection of the way that he actually talked and rembered things so the account can get a little confusing when the down home country accent bleeds through, also somtimes the narrative can jump decades and back in the same paragraph. That was my only complaint with this book. It does give good insight on how Waylon and the rest of the outlaws changed how country music sounded and how Waylon had to fight to get a fair contract that he could live with. If your interested in his music or how that era helped shape today's country music give it a read.
m.a.c
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FULL DISCLOSURE. I was thinking of Merle Haggard when I put this on my to-read list. So, not quite the same thing but still.
One of my favorite genres is musical biography and usually of bands or musicians I am not a super fan of. This falls into the category.
There isn't anything remarkable about it. It's just one guy's story of being in the music business. There's drugs and failed marriages and tour bus jokes and everything you would really want from it. It's told in casual tones like Waylon is
FULL DISCLOSURE. I was thinking of Merle Haggard when I put this on my to-read list. So, not quite the same thing but still.
One of my favorite genres is musical biography and usually of bands or musicians I am not a super fan of. This falls into the category.
There isn't anything remarkable about it. It's just one guy's story of being in the music business. There's drugs and failed marriages and tour bus jokes and everything you would really want from it. It's told in casual tones like Waylon is chatting with you and it seems honest enough. If it wasn't, I feel like he would give his other kids more attention that his youngest, Shooter, because there are plenty of 'em but he didn't get to raise them much.
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I love a good biography or autobiography, and this one was one from a personal hero. It did not disappoint. Waylon didn't try to make himself into Superman; he allowed the reader to see the good and the bad together, and Lenny Kaye shaped it into a blast to read. Awesome stuff, highly recommended.
This was a decent autobiography with a fast-paced, engaging narrative. I found it entertaining and informative from the early years forward and the story really never ever slowed down. This was pretty quick reading.
I sure do love me some Waylon. He is a funny guy and I never realized how close him and Buddy Holly were. I really loved hearing about Buddy Holly as well and it made me sad with how Waylon felt about Buddy's passing.
One of the best very best autobiographies (and one of the better biographies) I've ever read. Waymore had a fascinating life, and he tells it all in a down-to-earth and engaging style.
Even if you're not a fan, Waylon's tale of the rockabilly era of the fifties to the drug addled 70s and beyond is a fun read. The guy's actually hilarious, may he rest in peace.
This book was a gift from a client for whom I'd created "El Rancho Waylon," a site for fans of Waylon Jennings and Jessi Colter (a classmate, Mirriam Johnson of Mesa, Arizona)