This book is excellent, but then, I am a drummer and I like prog-rock. Bill is very erudite, and talks with thinly-veiled incredulity about the ridiculousness of being a musician and the modern music business (this book is prefaced by the fact that he is retiring once he has completed it!). He draws a fascinating distinction between musicians who are either 'Artists' (Singular vision, staunchly un-commercial) and 'Craftsmen' (Journeymen, Keen on earning a living). I suppose I would fall into the
This book is excellent, but then, I am a drummer and I like prog-rock. Bill is very erudite, and talks with thinly-veiled incredulity about the ridiculousness of being a musician and the modern music business (this book is prefaced by the fact that he is retiring once he has completed it!). He draws a fascinating distinction between musicians who are either 'Artists' (Singular vision, staunchly un-commercial) and 'Craftsmen' (Journeymen, Keen on earning a living). I suppose I would fall into the latter category under his brutal analysis, but then I am in good company (John Wetton for example). Very English, very enjoyable.
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A great read for any music fan, but particularly if you're into prog rock (Yes and the like). A bit snobbish in parts but gives an interesting insight into the musician's life and one that is not cliched.