Long before Shirley Temple's curls bounced their way into America's heart, Baby Peggy lit up marquee from coast to coast. She was the original child star produced by Hollywood and her amazing journey set the pattern for all those who followed. Discovered when she was only nineteen months old, Baby Peggy with her angelic face and expert mugging for the camera entertained au
Long before Shirley Temple's curls bounced their way into America's heart, Baby Peggy lit up marquee from coast to coast. She was the original child star produced by Hollywood and her amazing journey set the pattern for all those who followed. Discovered when she was only nineteen months old, Baby Peggy with her angelic face and expert mugging for the camera entertained audiences across the nation and around the world. She starred in a series of short two-reel comedies, completing 150 of them by the time she turned three. By her fifth birthday, Baby Peggy's films were earning as much as Charlie Chaplin's, and she herself was a millionaire, having signed a three-film $3.5 million contract. Establishing a disgraceful tradition for the parents of child performers, Baby Peggy's mother and father, emotional children themselves, squandered her fortune. In What Ever Happened to Baby Peggy? Diana Serra Cary (as Baby Peggy is now called) looks back over her incredible life as a child superstar. She reveals the awesome burdens she carried. Seen through her memories, the turbulent lives of child stars such as Gary Coleman, Michael Jackson, and Drew Barrymore make much more sense.
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I truly wish I could double the stars on this one. My last book of 2014, and it was phenomenal. A couple of months ago I watched a silent film called Captain January on TCM, along with a documentary that followed called "The Elephant in the Room." It was about the first child star, Baby Peggy, someone with whom I wasn't familiar despite the number of silent films I've watched. The documentary was fascinating, and Peggy Montgomery — who has since changed her name to Diana Serra Cary — provided mu
I truly wish I could double the stars on this one. My last book of 2014, and it was phenomenal. A couple of months ago I watched a silent film called Captain January on TCM, along with a documentary that followed called "The Elephant in the Room." It was about the first child star, Baby Peggy, someone with whom I wasn't familiar despite the number of silent films I've watched. The documentary was fascinating, and Peggy Montgomery — who has since changed her name to Diana Serra Cary — provided much of the primary material. With her first major appearance at the ripe old age of 18 months in 1920, she is the very first child star, one who rose to such massive fame by the time she was four years old that audiences everywhere adored her, and her workday was not only several hours of filming, but doing ads and appearances. When she received an astronomical contract for $1.5 mil per year for three films, her father turned her gargantuan fortune over to his stepfather, whom he hated but whom he thought might see the gesture as an olive branch. Instead, good old Granddad made off with her millions, she lost the contract, she became blackballed in Hollywood, and after being worked to the bone she was perceived as a has-been by the time most kids hadn't even entered school. And that's just the beginning of the story. What happens next is unbelievable. Her parents come off as emotional toddlers, and the actual toddler the breadwinner, security blanket, and the only means of support this family has. (Her older sister, who is dragged around in Baby Peggy's shadow, is as much a tragic figure as Peggy herself.) While the documentary was good, the book is amazing. I'm a huge fan of 1920s Hollywood and the perceived glamour of it all, and Cary is able to provide a first-person viewpoint of the studio system, star system, what the theatres were like, what the sets were like, crew people, and, in one of the best chapters, what the world of vaudeville was like before and after the talkies came in. I adored this book, and wish it had been 10 times as long as it is. Cary is a remarkable woman, the last living silent film star (she's 96 now). When she was finally able to break free from Hollywood, she became a writer, and she's a brilliant one who will keep you spellbound page after page. While her other books are out of print, I will be hunting them down just to devour more of this world from her deft pen. I cannot recommend this book highly enough. My favourite non-fiction book of the year.
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Who would want to be a child star? (who would want to be a celebrity of any kind, actually, because the hunger for fame is something I've never really understood) And who would want his/her own child to be a child star? It seems disastrous all round. Anyone who devotes themselves to turning a child into a star (whether in films or music or dance or on stage or on the kiddie pageant circuit) is a self-serving narcissist in my books, no matter what high-minded or disingenuous justifications they o
Who would want to be a child star? (who would want to be a celebrity of any kind, actually, because the hunger for fame is something I've never really understood) And who would want his/her own child to be a child star? It seems disastrous all round. Anyone who devotes themselves to turning a child into a star (whether in films or music or dance or on stage or on the kiddie pageant circuit) is a self-serving narcissist in my books, no matter what high-minded or disingenuous justifications they offer. Baby Peggy was an enormous star in the early '20s, beginning in films when she was only nineteen months old. When her father had managed to alienate every studio head in Hollywood, he took Peggy, still only about 7, into vaudeville. By the time she was 10, vaudeville was dying and she was a has-been. Her parents--childish, selfish, and controlling--blew all the millions she had earned and spent years after that trying to assert their control over her and resurrect the goose that laid the golden egg they had gotten used to living on. They may have resented being Mr and Mrs Baby Peggy (her father in particular), but they were also unable to imagine themselves without that reflected glory (not to mention that steady stream of money). Her father was a controlling asshole and her mother a selfish and shallow woman (though Cary is very generous in her assessment of both of them, especially her helpless mother), and both of them never stopped being emotional children. While they lived life as egotistical children, she was the family breadwinner and most responsible adult from the age of about 2. Messed up situation all round. After years trying to figure out who she was when she wasn't being Baby Peggy and crushing money troubles resulting from her parents' irresponsibility and carelessness, she matured into a successful writer and a happy functioning adult. When she is pressured to put her young son into show business, the idea of doing that to her child horrifies her, and who could blame her? It should horrify any parent.
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This is one of the best celebrity autobiographies I've ever read. It's the story of Diana Serra Cary, a.k.a. "Baby Peggy," who was one of the biggest child stars of the silent movie era. Any film historian would greatly benefit from reading this book, which powerfully evokes a time when small movie studios were akin to circuses: filled with scrappy vaudevillians who worked their pants off to eke out a meager living.
Cary's move from Century to Universal is fascinating. Century was just a ragtag,
This is one of the best celebrity autobiographies I've ever read. It's the story of Diana Serra Cary, a.k.a. "Baby Peggy," who was one of the biggest child stars of the silent movie era. Any film historian would greatly benefit from reading this book, which powerfully evokes a time when small movie studios were akin to circuses: filled with scrappy vaudevillians who worked their pants off to eke out a meager living.
Cary's move from Century to Universal is fascinating. Century was just a ragtag, do-it-yourself operation, while Universal was a well-oiled machine that catered to its stars' every desire.
By the time Cary turns 10, she's a has-been. Her opportunistic parents grow angry and sullen, blaming her for not being able to support the family in the way they've become accustomed. Hearing her accounts of working on the vaudeville circuit were heart-wrenching...this little girl worked long, grueling hours so that her family could eat, and when she didn't deliver the goods, she was treated like garbage.
Needless to say, Cary grew to resent her Baby Peggy persona, which eclipsed her subsequent achievements as a teen and young woman. Finally, after years of struggle, the author carved out a name for herself as a successful writer. How she stayed sane through all of the drama is beyond me, but I admire her enormously for it.
Cary deserves tremendous praise for her writing talent. Her descriptions and insights made fascinating reading. The fact that she can add writing to her long list of talents (acting, singing, and dancing) is impressive, to say the least. I wish TCM would do an hour-long interview with Cary. Her insights to Hollywood are pure gold and should be preserved on the medium that made her famous.
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I bought this book after I watched a documentary On "baby Peggy" I found out that she is now known as Diana Serra Cary. and she wrote an autobiography. I was glad I got the chance to read this book. she is very honest about the tough life she had as a child star, over her childhood she made almost two million dollars and ended up with none of that money. thanks to her parents and other relatives who blew the money. very upsetting to think she was the bread winner for her family since she was 19
I bought this book after I watched a documentary On "baby Peggy" I found out that she is now known as Diana Serra Cary. and she wrote an autobiography. I was glad I got the chance to read this book. she is very honest about the tough life she had as a child star, over her childhood she made almost two million dollars and ended up with none of that money. thanks to her parents and other relatives who blew the money. very upsetting to think she was the bread winner for her family since she was 19 months old. she took her book from the time she was baby star up through the 1990s. she also wrote some other books about child stars such as Jackie Coogan. her life was a tough one. ending up destitute after earning all that money. this was a good read. glad she at least had a happy ending with a happy marriage and a child at 43 years old. as of this writing she is still going strong at 94 years old.!! I even had a chance to watch a couple of her Baby Peggy shorts on the computer and tv.
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This book tells the story of Hollywood's first child star and what befell her. Her life is a harrowing dead broke romp from child star to vaudeville, to Hollywood extra to Mexico and finally to author where she finally finds a voice. Well work reading.
Devastating but touching and hopeful. This woman has been to hell and back and she's beyond magnificent! Great for those even vaguely interested in silent film.
I love silent film history and this is when of the best written books on the subject and from the first child star of the cinema whose memory recall is incredibly detailed
I heard this women speak at the San Francisco Public Library. It is an amazing story and speaks to the conditions of the time period in regards to treatment of children.