Like Sheep Rock, Man, an Autobiography is a concept book: what if Man, himself (in the generic, larger sense) were to tell his own story in a broad, collective way, part historical overview, part journey from animals in trees to people in cities?
The idea is interesting, and the volume starts well: “I, Man, having attained some maturity of years, feel a desire to write my autobiography.” But where to go from there? Stewart answers that question in scholarly fashion. He give equal time to very ear
Like Sheep Rock, Man, an Autobiography is a concept book: what if Man, himself (in the generic, larger sense) were to tell his own story in a broad, collective way, part historical overview, part journey from animals in trees to people in cities?
The idea is interesting, and the volume starts well: “I, Man, having attained some maturity of years, feel a desire to write my autobiography.” But where to go from there? Stewart answers that question in scholarly fashion. He give equal time to very early development, detailing descent from the trees, social groupings, and his “essential five” – tools, speech, fire, cookery, and clothing, then extends these in an evolutionary way to the present day (the mid 20th century). Interesting. The result is something of an anthropological chronicle with no characters or consistent narrative threads, a recitation of facts from a 30,000 foot perspective, which is informative first, entertaining second, and in which individuals are irrelevant, as is much of civilization, aside from that it existed and grew, and as is Man himself, in the cosmic sense. But while this perspective affords a lofty view, it also separates the material from the reader.
Having established the goal of Man’s autobiography, how should one proceed? It would be all too easy to be drawn down into the minutia of lives of numerous well-remembered figures history paints as drivers of the human race, both good and bad, at the cost of the overview itself: the higher vantage is required to tell the entire story – to see the entire story and unfold it in a consistent way.
That is the conundrum. The work as a concept is intriguing, but due to its necessary distance from humanity, as a novel it fails to sufficiently engage.
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An admixture of evolutionary biology and the kind of anthropological history that can be found in Jared Diamond's work, this slyly narrated book was years ahead of its time when it was published in 1946. It is dedicated to "Canis, best of friends."
George Rippey Stewart was an American toponymist, a novelist, and a professor of English at the University of California, Berkeley. He is best known for his only science fiction novel
Earth Abides
(1949), a post-apocalyptic novel, for which he won the first International Fantasy Award in 1951. It was dramatized on radio's Escape and inspired Stephen King's
The Stand
.
His 1941 novel
Storm
, featu
George Rippey Stewart was an American toponymist, a novelist, and a professor of English at the University of California, Berkeley. He is best known for his only science fiction novel
Earth Abides
(1949), a post-apocalyptic novel, for which he won the first International Fantasy Award in 1951. It was dramatized on radio's Escape and inspired Stephen King's
The Stand
.
His 1941 novel
Storm
, featuring as its protagonist a Pacific storm called
Maria,
prompted the National Weather Service to use personal names to designate storms and inspired Alan Jay Lerner and Frederick Loewe to write the song "They Call the Wind Maria" for their 1951 musical "Paint Your Wagon."
Storm
was dramatized as "A Storm Called Maria" on a 1959 episode of ABC's Disneyland. Two other novels,
Ordeal by Hunger
(1936) and
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https://www.goodreads.com/book/show/1...
]
(1948) also evoked environmental catastrophes.
Stewart was a founding member of the American Name Society in 1956-57, and he once served as an expert witness in a murder trial as a specialist in family names. His best-known academic work is
Names on the Land A Historical Account of Place-Naming in the United States
(1945; reprinted,
New York Review Books
, 2008). He wrote three other books on place-names,
A Concise Dictionary of American Place-Names
(1970),
Names on the Globe
(1975), and
American Given Names
(1979). His scholarly works on the poetic meter of ballads (published under the name George R. Stewart, Jr.), beginning with his 1922 Ph.D. dissertation at Columbia, remain important in their field.