Detectives are investigating the death of Dahlia Winter's husband and also looking into the mysterious deaths of young boys who are imported for labor in a future-time San Francisco. Citing the plots of
Invasion of the Body Snatchers
,
Terminator 2
, and
Blade Runner
as proof that our sense of inner and outer is tied to rebellion and slavery, the novel appears at first to be
Detectives are investigating the death of Dahlia Winter's husband and also looking into the mysterious deaths of young boys who are imported for labor in a future-time San Francisco. Citing the plots of
Invasion of the Body Snatchers
,
Terminator 2
, and
Blade Runner
as proof that our sense of inner and outer is tied to rebellion and slavery, the novel appears at first to be a detail of these films all at once, like a colonization of them from the inside. But almost immediately the plot assumes its own life. Based on a conception of the Tibetan written form called Secret Autobiography--which is not the chronological events or actions of a life, but an individual's seeing outside any frames--the novel makes a time-space in which sensation, actions, and thought-memory are occurring alongside our present-day space.
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Paperback
,
230 pages
Published
October 1st 2003
by Fiction Collective 2
A fiction and autobiography through seeing. What is seen through
characters and self, through the iris. "To write a text that is sight, without sound even--as if it could be only the sight of events." Scalapino writes of a society that has only virtuality, having only the "now" of perception. We are becoming only pod-people, or replicants. Memories are inserted.
"'I am the business' is said by the replicant who learns her identity having thought she was human (in Blade Runner). 'Not recognizing t
A fiction and autobiography through seeing. What is seen through
characters and self, through the iris. "To write a text that is sight, without sound even--as if it could be only the sight of events." Scalapino writes of a society that has only virtuality, having only the "now" of perception. We are becoming only pod-people, or replicants. Memories are inserted.
"'I am the business' is said by the replicant who learns her identity having thought she was human (in Blade Runner). 'Not recognizing that one is constructed' is the capitalist business. It displaces actual outside event, redefining history, obliterating those past and current events."
Part of this work is narrative and moves with science fiction, referencing Blade Runner, Terminator 2, Invasion of the Body Snatchers (the version with Donald Sutherland). Scalapino suggest that movement and navigation of the past and future was the intricacy of the baroque. She is generating a baroque work that intertwines multiple time-scapes simultaneously. It is an effort to be empathetic to what is enduring (of suffering), to be conscious of how conflict and oppression is inside, not away - the invasion of Tibet linked to the Soviet/American invasion of Afghanistan linked to the oppression of immigrants in the United States.
Noir as anti-pastoral, anti-romantic.
"A book might be a simultaneous past, present, and future. To find out a relation that doesn't occur before, in the text.
Introduce motion and interior is in it. Only."
Moving. Scalapino's poetry is moving, turning over event, memory. Writing that restores motion to displaced entities. Displacement evades responses until Scalapino restores connections. It is important work: to allow us to be transformed and aware of terror, erasure.
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