If you sat down with Agatha Christie and asked her about her life, this book would be the story she would tell. It is very conversational in tone. I found some parts to be extremely fascinating, and other parts only mildly interesting - especially in the beginning. I was very interested in the parts where she talked about her writing, how she got the ideas for many of her books, and how she felt about them. She had written many, many books before she ever thought of herself as a real author. I'v
If you sat down with Agatha Christie and asked her about her life, this book would be the story she would tell. It is very conversational in tone. I found some parts to be extremely fascinating, and other parts only mildly interesting - especially in the beginning. I was very interested in the parts where she talked about her writing, how she got the ideas for many of her books, and how she felt about them. She had written many, many books before she ever thought of herself as a real author. I've loved all of her books that I've read over the years, and now I feel like I know the author herself as a real person. What a nice, smart, and humble lady she was! I definitely recommend this for any Agatha Christie fan.
Some favorite quotes:
"I was, I suppose, always overburdened with imagination. That has served me well in my profession--it must, indeed, be the basis of the novelist's craft--but it can give you some very bad sessions in other respects."
"An experience that you really enjoyed should never be repeated."
(She seemed to really believe this. She mentioned it several times - or how she didn't want to go back to a place she had really loved in case it had changed and would ruin her nice memories of it.)
"If the thing you want beyond anything cannot be, it is much better to recognize it and go forward, instead of dwelling on one's regrets and hopes."
"One of the nicest parts of traveling is coming home again."
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I felt as if I'd dropped in for afternoon tea with Dame Agatha! I simply couldn't put this book down. To my mind this is Agatha Christie's most absorbing work ... the story of her own fascinating and unconventional life which gently unfolds to the reader complemented by her subtle, dry wit. She covers so much in this work: an idyllic Victorian childhood, youthful romances, dashed aspirations to be an opera singer or a classical pianist, two marriages the first of which ended in divorce, her daug
I felt as if I'd dropped in for afternoon tea with Dame Agatha! I simply couldn't put this book down. To my mind this is Agatha Christie's most absorbing work ... the story of her own fascinating and unconventional life which gently unfolds to the reader complemented by her subtle, dry wit. She covers so much in this work: an idyllic Victorian childhood, youthful romances, dashed aspirations to be an opera singer or a classical pianist, two marriages the first of which ended in divorce, her daughter and motherhood, her reluctant entry into the world of writing. She agonized over a second marriage which turned out be a very happy one. Much of the rest of her life was devoted to travel with her archaeologist husband to far off, exotic places. A combination of all these experiences provided the material for her numerous successful mystery novels that made her a household name. Enjoyed every word!
Wer kennt den Namen Agatha Christie nicht? Sie war die Meisterin des englischen Krimis, ihre Bücher haben sich überall in der Welt verkauft und haben sie zu einer der meistgelesenen Schriftstellern gemacht. Mit Miss Marple und Hercule Poirot hat sie Detektive geschaffen, die schon lange Kultstatus erreicht haben. Ihr Bühnenstück ‚Die Mausefalle‘, wird jeden Tag im Londoner West End seit 1952 aufgeführt. Ob ‚Tod auf dem Nil‘, ‚Mord im Orient-Express‘ oder ‚Zeugin der Anklage‘, viele ihre Werke wu
Wer kennt den Namen Agatha Christie nicht? Sie war die Meisterin des englischen Krimis, ihre Bücher haben sich überall in der Welt verkauft und haben sie zu einer der meistgelesenen Schriftstellern gemacht. Mit Miss Marple und Hercule Poirot hat sie Detektive geschaffen, die schon lange Kultstatus erreicht haben. Ihr Bühnenstück ‚Die Mausefalle‘, wird jeden Tag im Londoner West End seit 1952 aufgeführt. Ob ‚Tod auf dem Nil‘, ‚Mord im Orient-Express‘ oder ‚Zeugin der Anklage‘, viele ihre Werke wurden für Kino oder TV verfilmt, zum Teil hochkarätig mit Schauspielern wie Sir Peter Ustinov oder Marlene Dietrich und werden immer noch gerne ausgestrahlt und gesehen. Doch wer war die Frau mit der mordlüsternen Fantasie?
Die Autobiographie einer Lady beginnt in ihrer Kindheit und endet 1965, sie führt den Leser ins ländliche England, London, in den Orient und durch zwei Weltkriege. Wer Angst hat eine staubtrockene Bio vorzufinden, in der es nur um die Werke und ein wenig um Selbstbeweihräucherung geht, den kann ich hier beruhigen, das Buch liest sich wie ein Roman und ist gespickt mit vielen Anekdoten. Sie ist für mich eine sehr mutige Frau gewesen, die sich immer wieder in die Fluten stürzte, um zu surfen oder zu schwimmen, obwohl sie einmal fast ertrank. Wagemutig konnte sie es kaum erwarten, in ein Flugzeug zu klettern, in einer Zeit als Abstürze die Regel waren. Sie reiste allein in den Orient, als das Reisen noch eine Herausforderung war und deren Leidenschaft es war Häuser zu sammeln. Natürlich kommt die Schriftstellerei nicht zu kurz und sie schildert spannend, wie die Charaktere und Handlungen in ihrem Kopf Gestalt annehmen und welche Fehler sie beim Abschließen ihres ersten Buchvertrages gemacht hat. Sie ist keine Zimperliese und lässt sich weder von Sandstürmen noch von Krankheiten von ihrem Weg abbringen, immer begierig Neues zu lernen und zu erfahren. Sie berichtet von schweren und vergnüglichen Zeiten, lässt den Leser auch an ihren schwachen Momenten teilhaben, so dass man am Ende des Buches das Gefühl hat, eine gute Freundin verlassen zu müssen. Trotzdem wird sie nie zu privat und schweigt sich über die Perode aus, in der sie für eine Zeit verschwunden war und für gehörigen Pressewirbel sorgte. Sie steht zu ihren Überzeugungen, bequem oder nicht. Für mich war dieses Buch aber auch ein sehr schönes Porträt einer Zeit, die mit dem Ausklingen des viktorianischen Zeitalters beginnt und bis in die 60er Jahre reicht.
Warum man vielleicht zu diesem Buch greifen sollte:
1. Weil man gerne Biografien über starke Frauen mag
2. Man eine Schwäche für Agatha Christie und ihre Werke hat
3. Man gerne mehr über die ‚gute‘ alte Zeit erfahren möchte.
Fazit: Eine sehr schöne Autobiographie, die mir die Person Agatha Christie sehr viel näher gebracht hat und die ich mit großem Vergnügen gelesen habe.
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I have read books about Agatha Christie and so was delighted when I found this in my local second hand bookshop. It's great to hear her life (or parts of her life) in her own words, and she does have a wonderful way of describing things that really does bring it all to life. I liked especially when she talks about her early life, and the morals, standards and ideas of the time (eg swimming costumes, cars, planes, etc).
It is a shame that she doesn't talk about her disappearance, but I suppose she
I have read books about Agatha Christie and so was delighted when I found this in my local second hand bookshop. It's great to hear her life (or parts of her life) in her own words, and she does have a wonderful way of describing things that really does bring it all to life. I liked especially when she talks about her early life, and the morals, standards and ideas of the time (eg swimming costumes, cars, planes, etc).
It is a shame that she doesn't talk about her disappearance, but I suppose she saw this as private and not something she wanted 'outsiders' to know about - which is fair enough I suppose, but I would have liked to hear her side of the story. I also wished she'd talked more about when she had tea with the Queen - she does mention it and a very brief anecdote but I'd love to have heard the full details of this!
The other thing missing for me were dates or her rough age when certain events happened, I found this a little confusing at times as it took me a while to work out when she was talking about. When she finally mentioned that it was early 1900s, it made a lot more of that section make sense!
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In the world of modern autobiography, it often seems that many memoirs are written by good writers who have had nothing much happen to them, or by people who've lived very interesting lives but have no particular talent for writing about them. This book is a wonderful journey to the days when writing your memoirs was a task reserved for a late life reflection on all you've accomplished, and Agatha Christie (even sans detectives) can certainly spin a good story.
This book was written in 1965, when
In the world of modern autobiography, it often seems that many memoirs are written by good writers who have had nothing much happen to them, or by people who've lived very interesting lives but have no particular talent for writing about them. This book is a wonderful journey to the days when writing your memoirs was a task reserved for a late life reflection on all you've accomplished, and Agatha Christie (even sans detectives) can certainly spin a good story.
This book was written in 1965, when Christie was 75 years old. She lived for another ten years, and continued writing detective stories until the end, but this book gives an interesting peak behind the literary curtain at the woman whose book sales are second only to Shakespeare.
She writes his book very much in the style of your great aunt reminiscing at length about her younger days, but although it is often slow paced and full of laborious detail, it's also a nice reconstruction of a time when a young girl could play with a wooden hoop in a garden and be well entertained for years. The really fascinating part of the section about her growing up is the force with which she remembers the working of her imagination. Her imaginary friends, her games with the hoop, her not-real pony - it is this kind of detail that you would never get from a regular biographer who is not privy to the interior life of the subject. And the fact that Agatha Christie's imagination would go on to invent Poirot, Marple, and countless other literary characters over the course of her life, her early forays into creative thinking have a fairly important weight.
The book is far from perfect, as she recollects only what she wishes to recollect. No real mention is made of Arthur Christie after their divorce, and no discussion at all of her infamous eleven day disappearance. (She does, however, go on at length about how much she loved her Morris Cowley with no mention of its eventual end at the bottom of that embankment.) But it does go into great detail about life during both World Wars (including her decision to write final novels for Marple and Poirot and seal them in a locked vault in case she was killed during the bombings of London), and the golden days of archaeological excavation in the Middle East, and the gradual fading of the Victorian era into the morals and manners of modern times.
It's a worthwhile read as well for the insight she gives into her creative process, and the sheer determination it takes to churn out the volumes of work that she produced over the course of her life. Her tone is wry and witty, and you do end feeling like you've had a splendid visit with one of the Grand Dames of detective fiction.
Antes de mais, acho que me posso considerar fã de Agatha Christie, apesar de ainda me faltarem muitos livros para poder dizer que li a maioria da sua obra. Agatha é a escritora mais vendida e traduzida de sempre e acho fantástico termos oportunidade de conhecer a vida dela através das suas próprias palavras. Isto tem prós e contras: se, por um lado, só ela poderia explicar ao leitor a importância que determinados acontecimentos tiveram na sua vida e nos dá uma visão muito particular sobre os mes
Antes de mais, acho que me posso considerar fã de Agatha Christie, apesar de ainda me faltarem muitos livros para poder dizer que li a maioria da sua obra. Agatha é a escritora mais vendida e traduzida de sempre e acho fantástico termos oportunidade de conhecer a vida dela através das suas próprias palavras. Isto tem prós e contras: se, por um lado, só ela poderia explicar ao leitor a importância que determinados acontecimentos tiveram na sua vida e nos dá uma visão muito particular sobre os mesmos, por outro a autora deixa de lado alguns acontecimentos mais polémicos – como o seu célebre desaparecimento de 11 dias, após se divorciar do primeiro marido. Estamos, portanto, perante a interpretação da autora sobre a sua própria vida, que, sendo inevitavelmente subjetiva, não deixa por isso de ser extremamente interessante e nunca auto-congratulatória.
Na verdade, e focando-me apenas na questão profissional, a sensação que tenho depois de ler este livro é que a própria Agatha tinha uma noção exata das suas capacidades e podia mesmo subvalorizar-se em vários momentos. Foi uma pessoa que tentou vários caminhos, desde a dança ao canto, passando pelo piano e pela enfermagem e que chegou à escrita de uma forma quase acidental, fazendo dela carreira porque achou que era uma profissão da qual podia tirar dividendos e que se adequava à sua imaginação fértil. A ideia que passa, também, é que se tratava de uma pessoa muito exigente consigo própria, uma vez que se contam pelos dedos de uma mão os livros que refere terem resultado exatamente como desejava e que pensa serem boas obras.
No entanto, esta autobiografia tem muito mais sobre a sua vida pessoal do que sobre a profissional. Seguimos a vida da escritora desde tenra idade e é notável o nível de detalhe apresentado, ainda que por vezes a narrativa se arraste um pouco – sem nunca se tornar aborrecida, contudo. Foi interessante conhecer o seu gosto pelas viagens e todos os sítios que visitou, e é também uma viagem a uma época não muito distante se considerarmos a existência do Homem, mas que tem tantas diferenças em termos de tradições e costumes que não deixa de parecer um relato histórico.
Uma nota final para esta edição: excelente tradução e revisão, num livro de capa dura com mais de 700 páginas, por 17,10€. Excelente relação custo-benefício.
Foi uma leitura prolongada e que fui completando aos poucos, mas que valeu muito a pena. É uma biografia escrita de forma clara, detalhada e com pormenores muito interessantes sobre a vida de uma das escritoras mais famosas de sempre.
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Delightful charming read
Fascinating stories of Agatha's life
Learned so much about life during the war in England
Interesting historical information
Enjoyed the chapter where Agatha talks about the production of going swimming as a girl and a women in Victorian England
Very wise and accurate observations of life
Was actually quite surprised how intriguing of a read it was, had a hard time putting it down on a couple of occasions
Absolutley flabergasted that she really never had an
The Good Stuff
Delightful charming read
Fascinating stories of Agatha's life
Learned so much about life during the war in England
Interesting historical information
Enjoyed the chapter where Agatha talks about the production of going swimming as a girl and a women in Victorian England
Very wise and accurate observations of life
Was actually quite surprised how intriguing of a read it was, had a hard time putting it down on a couple of occasions
Absolutley flabergasted that she really never had an inkling that she wanted to be an author until quite far along in her life
Extremely funny at times
Very respectful of her ex husband which is extremely classy
Will be buying a finished copy with the bonus CD (hoping there are pictures in the finished copy as well)
Honestly this was just like sitting down and having her tell you the story of her life - just felt very personal and honest. I have never read an Agatha Christie book before, and now think I will be picking up a couple of them as I was so impressed by her autobiography
Was intrigued by all the travelling she did and especially of the times she spent with her husband on Archeaology digs -- truly fascinating
She just has such a postive hopeful attitude towards life in all its ups and downs, it was just so inspiring to read
The Not So Good Stuff
Almost too squeaky clean at times and obviously leaves out some interesting passages of her life. That being said I wouldn't want to air my dirty laundry either, but for the reader they might be disappointed by this
Drags a wee bit
Favorite Quotes/Passages
"I loved 'Problems'. Thought merely sums in diguise, they had an intriguing flavour. 'John has five apples, George has six; if John gave away two of George's apples, how many will George have at the end of the day?' and so on. Nowadays, thinking of that problem, I feel an urge to reply; "Depends on how fond of apples George is."
"One cannot, ever, go back to the place which exists in momory. You would not see it with the same eyes-even supposing that it should improbably have remained much the same. What you have had you have had. 'The happy highways where I went, And shall not come again...' Never go back to a place where you have been happy. Until you do it remains alive for you. If you go back it will be destroyed."
"Lake Louise was for a long time my answer when I was asked which was the most beautiful place I had ever seen: - a great, long blue lake, low mountains on either side, all of a most glorious shape, closing in with snow mountains at the end of it."
" We are all the same people as we were at three, six, ten or twenty years old. More noticebly so, perhaps, at six or seven, because we were not pretending so much then, whereas at twenty we put on a show of being someone else, of being in the mode of the moment. If there is an intellectual fashion, you become an intellectual; if girls are fluffy and frivolous, you are fluffy and frivolous. As life goes on, however, it becomes tiring to keep up the character you invented for yourself, and so you relapse into individuality and become more like yourself everyday."
Who Should/Shouldn't Read
Obviously fans of Agatha Christie will enjoy
Perfect for those who know nothing about her and want to learn something
Quite frankly most readers will get something from this
Those with an interest in Victorian England will find tons of interesting tidbits
4.25 Dewey's
I received this from HarperCollins in exchange for an Honest Review
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Never a great fan of Agatha Christie's works, I was surprised to enjoy her autobiography. I'm not sure what I expected--perhaps an improbably boring story about her swanning around London society and then a great reveal at the end where it turned out her twin sister had written the novels? I didn't get that: Christie was awkward in public, enjoyed travel and archaeology (marrying the great archaeologist of Nineveh and Mosul, Max Mallowan), and was a keen observer of people and society.
Her memoi
Never a great fan of Agatha Christie's works, I was surprised to enjoy her autobiography. I'm not sure what I expected--perhaps an improbably boring story about her swanning around London society and then a great reveal at the end where it turned out her twin sister had written the novels? I didn't get that: Christie was awkward in public, enjoyed travel and archaeology (marrying the great archaeologist of Nineveh and Mosul, Max Mallowan), and was a keen observer of people and society.
Her memoir is full of acute observations:
Dislike him! How little anyone knew. When I think of it now, how supremely satisfying early love can be. It demands nothing–not a look nor a word. It is pure adoration. Sustained by it, one walks on air, creating in one’s own mind heroic occasions on which one will be of service to the beloved one. Going into a plague camp to nurse him. Saving him from fire. Shielding him from a fatal bullet. Anything, indeed, that has caught the imagination in a story. In these imaginings there is never a happy ending. You yourself are burnt to death, shot, or succumb to the plague. The hero does not even know of the supreme sacrifice you have made.
That took me back to age 14 in a rush! When she's not saying things like "each of them envied the other for something they did not have", she's painting a very clear and enticing picture of the Edwardian life she grew up in. She was born at the end of the Victorian reign (1890) and was raised by Victorians, and talks about the class system in more complex ways than the "it was bad! workers were oppressed!" I'd read before:
‘Never let me hear you speak like that to a servant. Servants must be treated with the utmost courtesy. They are doing skilled work which you could not possibly do yourself without long training. And remember they cannot answer back. You must always be polite to people whose position forbids them to be rude to you. If you are impolite, they will despise you, and rightly, because you have not acted like a lady.’ [...] In spite of these arduous duties, servants were, I think, actively happy, mainly because they knew they were appreciated–as experts, doing expert work. As such, they had that mysterious thing, prestige; they looked down with scorn on shop assistants and their like. [...] One of the things I think I should miss most, if I were a child nowadays, would be the absence of servants. To a child they were the most colourful part of daily life.
This, and other books I've read lately, have been making me aware that history and the historical literature, are a thin slice of the lives that were lived. People were people back then, not merely servants. Women in the middle ages weren't completely powerless and outside culture, but rather created their own power structures and cultures that weren't preserved in the fossil record of What White Men Wrote About. This is obviously not a new thought, but it's the first time I've
felt
it as true rather than reading and going "hm, I guess so" and moving on. Agatha herself says:
You’ve got to hand it to Victorian women; they got their menfolk where they wanted them. They established their fraility, delicacy, sensibility–their constant need of being protected and cherished. Did they lead miserable, servile lives, downtrodden and oppressed? Such is not my recollection of them. All my grandmothers’ friends seem to me in retrospect singularly resilient and almost invariably successful in getting their own way. They were tough, self-willed, and remarkably well-read and well-informed.
It's these revelations, whether about Victorians or about Biblical stories, that kept me coming back for more:
Often, when I was eighteen, one of my swains would say anxiously to me, ‘Are you sure you won’t catch a chill? Your grandmother told me how delicate you are!’ Indignantly I would protest the rude health I had always enjoyed, and the anxious face would clear. ‘But why does your grandmother say you’re delicate?’ I had to explain that Grannie was doing her loyal best to make me sound interesting. When she herself was young, Grannie told me, young ladies were never able to manage more than a morsel of food at the dinner-table if gentlemen were present. Substantial trays were taken up to bedrooms later.
Only a year or two ago, standing on the mound at Nimrud, I watched the local bird-scarer, an old Arab with his handful of stones and his sling, defending the crops from the hordes of predatory birds. Seeing his accuracy of aim and the deadliness of his weapon, I suddenly realised for the first time that it was Goliath against whom the dice were loaded. David was in a superior position from the start–the man with a long-distance weapon against the man who had none. Not so much the little fellow against the big one, as brains versus brawn.
The Gentlemen’s Bathing-Cove was situated further along the coast. There the gentlemen, in their scanty triangles, could disport themselves as much as they pleased, with no female eye able to observe them from any point whatever. However, times were changing: mixed bathing was being introduced all over England. The first thing mixed bathing entailed was wearing far more clothing than before.
And all through it is Agatha, determinedly not showing off or prideful in her life's story.
It was sad that my bosom was still unco-operative, so that I had to have a lot of ruffles of crêpe de Chine hurriedly tucked into the bodice, but I was still hopeful that one day a couple of truly womanly bosoms, firm, round and large, would be mine. How lucky that vision into the future is spared to us. Otherwise I should have seen myself at thirty-five, with a round womanly bosom well-developed, but, alas, everybody else going about with chests as flat as boards, and if they were so unfortunate as to have bosoms, tightening them out of existence.
For all the use of the word "bosom", she doesn't shy away from sex, relationships, and emotions:
It was impossible to use the morning-room because that room was sacred to Miss Grant, the present holder of the post of sewing-woman. ‘My dear, such a sad case,’ Grannie would murmur to her friends. ‘Such a poor little creature, deformed, only one passage, like a fowl.’
We were very delicate about lavatories in those days. It was unthinkable to be seen entering or leaving one except by an intimate member of the family; difficult in our house, since the lavatory was halfway up the stairs and in full view from the hall. The worst, of course, was to be inside and then hear voices below. Impossible to come out. One had to stay immured there until the coast was clear.
I don’t know exactly what brings about a friendship between man and woman–men do not by nature ever want a woman as a friend. It comes about by accident–often because the man is already sensually attracted by some other woman and quite wants to talk about her. Women do often crave after friendship with men–and are willing to come to it by taking an interest in someone else’s love affair. Then there comes about a very stable and enduring relationship–you become interested in each other as people. There is a flavour of sex, of course, the touch of salt as a condiment.
One of the first things that happens when you are attracted to a man and he is to you is that extraordinary illusion that you think exactly alike about everything, that you each say the things the other had been thinking. How wonderful it is that you like the same books, and the same music. The fact that one of you hardly ever goes to a concert or listens to music doesn’t at that moment matter. He always really liked music, but he didn’t know he did! In the same way, the books he likes you have never actually wished to read, but now you feel that really you do want to read them. There it is; one of Nature’s great illusions. We both like dogs and hate cats. How wonderful! We both like cats and hate dogs, also wonderful. So life went.
the object of my affections later became an Air Vice-Marshal. He was young then–at the beginning of his career. I had the revolting habit of singing to a teddy bear in a coy fashion the song of the moment: I wish I had a Teddy Bear To sit upon my knee I’d take it with me everywhere To cuddle up to me. All I can offer in excuse is that all the girls did that sort of thing–and it went down very well. Several times in later life I came near meeting him again–since he was a cousin of friends–but I always managed to avoid it. I have my vanity. I have always believed that he has a memory of me as a lovely girl at a moonlight picnic on Anstey’s Cove on the last day of his leave. We sat apart from the rest on a rock sticking out to sea. We didn’t speak–just sat there holding hands. After he left he sent me a little gold Teddy Bear brooch. I cared enough to want him still to remember me like that–and not to sustain the shock of meeting thirteen stone of solid flesh and what could only be described as ‘a kind face’. ‘Amyas always asks after you,’ my friends would say. ‘He would so like to meet you again.’ Meet me at a ripe sixty? No fear. I would like to be an illusion still to somebody.
We were a party of four or six, I think, and every time I danced with him and we sat out afterwards he was completely silent. When I spoke to him he answered almost at random, in a way that did not make sense. I was puzzled, looking at him once or twice, wondering what was the matter with him, what he was thinking of. He seemed no longer interested in me. I was rather stupid, really. I should have known by now that when a man looks like a sick sheep, completely bemused, stupid and unable to listen to what you say to him, he has, vulgarly, got it badly.
I realised, as I suppose many women realise sooner or later, that the only person who can really hurt you in life is a husband. Nobody else is close enough.
She writes about the act of writing, learning to write, and how she came to be a writer. She is very much of the functional school of writing: not a "taken by the passion, can only write if the mood is upon me" soul. She originally wrote a detective story as something to do, eventually a publisher took it and signed her to five more at a royalty rate that she came to resent, and in the course of those five novels she learned how to grit her teeth and write.
Every day I had to learn how to spell pages of words. I suppose the exercise did me some good, but I was still an extraordinarily bad speller and have remained so until the present day.
There are people who can pass exams, often high up, after being almost bottom in class; there are people who can perform in public much better than they perform in private; and there are people who are just the opposite. I was one of the latter. It is obvious that I chose the right career. The most blessed thing about being an author is that you do it in private and in your own time.
I had formed a habit of writing stories by this time. It took the place, shall we say, of embroidering cushion-covers or pictures taken from Dresden china flower-painting. If anyone thinks this is putting creative writing too low in the scale, I cannot agree. The creative urge can come out in any form: in embroidery, in the cooking of interesting dishes, in painting, drawing and sculpture, in composing music, as well as in writing books and stories. The only difference is that you can be a great deal more grand about some of these things than others.
You start into it, inflamed by an idea, full of hope, full indeed of confidence (about the only times in my life when I have been full of confidence). If you are properly modest, you will never write at all, so there had to be one delicious moment when you have thought of something, know just how you are going to write it, rush for a pencil, and start in an exercise book buoyed up with exaltation. You then get into difficulties, don’t see your way out, and finally manage to accomplish more or less what you first meant to accomplish, though losing confidence all the time. Having finished it, you know that it is absolutely rotten. A couple of months later you wonder whether it may not be all right after all.
there always has to be a lapse of time after the accomplishment of a piece of creative work before you can in any way evaluate it.
I was excited by my new effort. Up to a point I enjoyed it. But I got very tired, and I also got cross. Writing has that effect, I find.
It could be much better, I saw that, but I didn’t see just how I could make it better, so I had to leave it as it was.
I never had a definite place which was my room or where I retired specially to write. This has caused much trouble for me in the ensuing years, since whenever I had to receive an interviewer their first wish would always be to take a photograph of me at my work. ‘Show me where you write your books.’ ‘Oh, anywhere.’ ‘But surely you have a place where you always work?’ But I hadn’t. All I needed was a steady table and a typewriter.
I'll end with three more quotes, showing her fine eye for life:
There is nothing more thrilling in this world, I think, than having a child that is yours, and yet is mysteriously a stranger. You are the gate through which it came into the world, and you will be allowed to have charge of it for a period: after that it will leave you and blossom out into its own free life–and there it is, for you to watch, living its life in freedom. It is like a strange plant which you have brought home, planted, and can hardly wait to see how it will turn out.
So time went on, now not so much like a nightmare as something that had been always going on, had always been there. It had become, in fact, natural to expect that you yourself might be killed soon, that the people you loved best might be killed, that you would hear of deaths of friends. Broken windows, bombs, land-mines, and in due course flying-bombs and rockets–all these things would go on, not as something extraordinary, but as perfectly natural. After three years of war, they were an everyday happening. You could not really envisage a time when there would not be a war any more.
I have enjoyed greatly the second blooming that comes when you finish the life of the emotions and of personal relations; and suddenly find–at the age of fifty, say–that a whole new life has opened before you, filled with things you can think about, study, or read about.
A lovely autobiography by Agatha Christie. The same way of writing I enjoy so much in her detective stories, even though I can't exactly pinpoint what it is. Perhaps a sort of elegance of simplicity and a slightly more classic English? At least it makes me feel all warm and cozy inside.
I had hoped she would write more about her books and writing, even though her life in Victorian times is quite interesting too. There's little tidbits of information about her stories here and there. I was slightl
A lovely autobiography by Agatha Christie. The same way of writing I enjoy so much in her detective stories, even though I can't exactly pinpoint what it is. Perhaps a sort of elegance of simplicity and a slightly more classic English? At least it makes me feel all warm and cozy inside.
I had hoped she would write more about her books and writing, even though her life in Victorian times is quite interesting too. There's little tidbits of information about her stories here and there. I was slightly disappointed to find the reason why Poirot is Belgian isn't as suggested in the
Doctor Who
episode
because "Belgians make such lovely buns".
The book is a lot about her travels, which is interesting, to me especially as traveling seemed relatively cheap and careless compared to current days, at least for persons in Christie's position.
Even though Christie addresses a few times the idea that she must have been rich because she had servants and states everyone had servants at the time (in fact, in difficult times they choose to spend their money on a maid and a nanny rather than, you know, other stuff), I'd say it's going a bit far saying she wasn't well off at all - she never seems to have served people herself.
Otherwise it's a lovely book, a bit long threaded in places, especially because everyone's character is described in large detail. When persisting you'll come across lovely little philosophies on all sorts of things: the treatment of criminals ("You might allow your criminal the choice between the cup of hemlock and offering himself for experimental research"), the moral of detective stories:
"At that time, the time of the 1914 war, the doer of evil was not a hero: the
enemy
was wicked, the
hero
was good; it was as crude and simple as that. We had not then begun to wallow in psychology. I was, like everyone else who wrote books or read them,
against
the criminal and
for
the innocent victim."
and her sweet comparisons of herself with what was probably her favorite animal: the dog.
"Many friends have said to me, 'I never know when you write your books, because I've never seen you writing, or even seen you go away to write.' I must behave rather as dogs do when they retire with a bone: they depart for an odd half hour. They return semi-consciously with mud on their noses. I do much the same. I felt slightly embarrassed if I was going to write."
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Recommends it for:
People who really like Agatha Christie
This was ok... a bit slow-moving and I never found myself more than mildly interested. I liked best the sections about her childhood, although it was also interesting to learn that she had training as a pharmacist and a nurse in WWI.
She never gives much more away about herself or her family than she does about the characters in her books; everyone remains drawn in pretty broad strokes. It reads like a person trying to present a good image of themselves to the world. You do get a sense that there
This was ok... a bit slow-moving and I never found myself more than mildly interested. I liked best the sections about her childhood, although it was also interesting to learn that she had training as a pharmacist and a nurse in WWI.
She never gives much more away about herself or her family than she does about the characters in her books; everyone remains drawn in pretty broad strokes. It reads like a person trying to present a good image of themselves to the world. You do get a sense that there are some people she felt really bitter towards and that she wished to express those feelings, but that she's so hobbled by wanting to come out looking like a nice woman, that she can't really fully get it out. She writes about her divorce like that - for a few sentences seeming really human but then falling back into I-did-try-to-hold-on-for-the-child kind of language that feels unconvincing.
Because of that I felt a sense of distance when reading that kept me from being fully engaged. Still, it was an ok read overall.
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Once again a diamond found via swapping. This book is not only excellently written, it's also (unfortunately, in my eyes) very carefully written so as to keep a lot of the negative truths hidden.
She ignores completely her disappearance and the fact that BOTH her husbands not only cheated on her, but did so multiple times. These are three major life affecting things she either glosses over or completely ignores when she had the opportunity to discuss how these things affected her life, her feelin
Once again a diamond found via swapping. This book is not only excellently written, it's also (unfortunately, in my eyes) very carefully written so as to keep a lot of the negative truths hidden.
She ignores completely her disappearance and the fact that BOTH her husbands not only cheated on her, but did so multiple times. These are three major life affecting things she either glosses over or completely ignores when she had the opportunity to discuss how these things affected her life, her feelings, but most importantly her writing.
How can I love it so much and give it five stars? Because she was unconventional enough a woman to travel around the world, both with her husbands, but more shockingly, also by herself. For a woman raised to have Victorian values her stories of her travels and her divorce and other "hidden" things does draw a reader in. And once in, she knows how to keep your interest.
As a woman who wrote at least two books (or a book and a play) a year she obviously had all the skills she could need to write this infinitely fascinating autobiography that shows more than you expect, but perhaps less than her fans might like to know, all the while appearing to tell all that she has to tell.
Highly recommended whether you're a fan of her mysteries or not.
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An absorbing read for me. What an extraordinary life Agatha Christie had: from her Victorian upbringing in a well-to-do household, to a much more austere life after her father died, to her first husband Colonel Christie who took her on travels around the world, to her amazing rise as the Queen of the detective story, to her impulsive solo trips to the Middle East after her marriage dissolved and finally meeting her second husband (an archeologist) who took her with him all all his "digs"... WOW!
An absorbing read for me. What an extraordinary life Agatha Christie had: from her Victorian upbringing in a well-to-do household, to a much more austere life after her father died, to her first husband Colonel Christie who took her on travels around the world, to her amazing rise as the Queen of the detective story, to her impulsive solo trips to the Middle East after her marriage dissolved and finally meeting her second husband (an archeologist) who took her with him all all his "digs"... WOW! Reading her autobiography, it's easy to see how Agatha Christie used her real-life experiences in her books. Many of the Hercule Poirot stories are set in the Middle East ("Murder on the Nile", "Murder on the Orient Express"), and Miss Marple is modeled on one of her extraordinary great aunts. I found myself wishing I could go back in time and visit the Bagdad of the 1920's (without the present day bullets) or stay in the Pera Palace in Istanbul during it's heyday, or ride the Orient Express to Paris.
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For those who have wondered what the "Queen of Crime" was really like, this autobiography ought to give you a pretty good idea. It was first started in the 1950s and continued until about 1975, written in a rough chronological order but by no means a scholarly account. Christie herself likened it to a "lucky dip", where she would dip her hand in and see what memories she dredged up.
Agatha’s personality fairly leaps from the page. I admire her resilience in the face of adversity, her a
* * * * 1/2
For those who have wondered what the "Queen of Crime" was really like, this autobiography ought to give you a pretty good idea. It was first started in the 1950s and continued until about 1975, written in a rough chronological order but by no means a scholarly account. Christie herself likened it to a "lucky dip", where she would dip her hand in and see what memories she dredged up.
Agatha’s personality fairly leaps from the page. I admire her resilience in the face of adversity, her ability to take things in stride (a fair few of her quotes on this subject made it to my reading journal) and her imagination – one of my favourite parts was in the beginning when she described her childhood games. Readers who are interested in the social history of her era will also be delighted with the wealth of details she provides. I for one keep forgetting that Agatha was born when she was and that she began her writing career in 1920. My mind always sends her forward in time at least 10 years. So that was a bit confusing, but for less chronologically challenged people it should not be a problem.
I also liked hearing about some of her favourite books that she’d written, or at least the ones she chose to discuss. Fortunately, there were no spoilers for the books of hers I haven’t read...but if you haven’t read the “big ones” then you may want to get those out of the way first. All in all, this is a delightful glimpse into the mind of one of the world's most popular authors, and very much recommended if you can track down a copy.
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Reading Agatha Christie's memoir was like dropping in for tea and cozy chats with a dear friend, chats full of humor, philosophy and meandering reminiscences. I started the book with some mild curiosity about her life and career, but over the course of the five months I spent reading it interspersed with other books, my admiration for the author grew. In the end, I felt real affection for her. And I gained a better perspective on the tremendous changes that took place in the world during her lif
Reading Agatha Christie's memoir was like dropping in for tea and cozy chats with a dear friend, chats full of humor, philosophy and meandering reminiscences. I started the book with some mild curiosity about her life and career, but over the course of the five months I spent reading it interspersed with other books, my admiration for the author grew. In the end, I felt real affection for her. And I gained a better perspective on the tremendous changes that took place in the world during her lifetime, changes I had known about but had never seen through her eyes. When she was a young woman, houses were built to be run by servants, traveling took longer but was undertaken more frequently and with greater pleasure than today and for young girls
" life was such a wonderful gamble. You didn't know what was going to happen to you... You were waiting for The Man, and when the man came, he would change your entire life. You can say what you like, that is an exciting point of view to hold at the threshold of life."
I found her descriptions of life before the world wars entertaining, but when she wrote about war-time England, I was even more intrigued.
"Extraordinary rumours got about, rumours of that fantastic thing–War! But of course that was only the newspapers, No civilised nations went to war. There hadn’t been any wars for years; there probably never would be again."
"The first war seemed unbelievable, amazing; it seemed so unnecessary. But one did hope and believe that the thing had been scotched then, that the wish for war would never arise again in the same German hearts."
When the second world war came, the conflict dragged on for so long that it felt as though the world had always been at war and it would never end. Both wars cost her people she loved and she admitted
"Sometimes one cannot help a tide of rage coming over one when one thinks of war."
Still, she retained her optimism. Most of the book (written in her seventies) reflects her sense of gratitude for her marvelous life and includes vivid details about writing and submitting manuscripts, the house-hunting which seemed to be a constant in her life, and accompanying her husband on archaeological digs. That probably sounds dull and it was, occasionally. But I found her voice so engaging that I kept reading anyway and was rewarded for it every time. She wrote simply, without attempting to be clever or profound and the result was endearing.
"It is curious to look back over life, over all the varying incidents and scenes–such a multitude of odds and ends. Out of them all what has mattered? What lies behind the selection that memory has made? What makes us choose the things that we have remembered? It is as though one went to a great trunk full of junk in an attic and plunged one’s hands into it and said, ‘I will have this–and this–and this.’"
Surprisingly, this book is not tightly written like her detective novels. It tends to ramble and she goes into excruciating detail on the topics that interest her (servants, boyfriends, clothes, travelling, etc.) She does not write all that much about her writing career. She doesn't seem at all passionate about it-she admits that she wrote books to make money.
I get the feeling she wrote this book to please herself and her loved ones, not necessarily to make the general public happy. Which is fi
Surprisingly, this book is not tightly written like her detective novels. It tends to ramble and she goes into excruciating detail on the topics that interest her (servants, boyfriends, clothes, travelling, etc.) She does not write all that much about her writing career. She doesn't seem at all passionate about it-she admits that she wrote books to make money.
I get the feeling she wrote this book to please herself and her loved ones, not necessarily to make the general public happy. Which is fine, I still enjoyed it very much.
Oh, one part I thought was FUNNY!!! She tells about how her sister wrote wonderful letters and then says she wishes she had a talent for writing like her sister. LOL LOL She is quite humble in this sense.
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I am a great fan of Agatha Christie novels and after having read her autobiography I am now also in awe of her. The woman has lived five lives and she did so in a period that was not friendly towards women who had a personality which clashed with the established laws of society. I can only say that I wish I will have half the courage in my life to pursue my dreams.
It is no wonder that many of her crime novels have the archaeological element in them because it was something that she became very
I am a great fan of Agatha Christie novels and after having read her autobiography I am now also in awe of her. The woman has lived five lives and she did so in a period that was not friendly towards women who had a personality which clashed with the established laws of society. I can only say that I wish I will have half the courage in my life to pursue my dreams.
It is no wonder that many of her crime novels have the archaeological element in them because it was something that she became very familiar with and I am glad that she found this wonderful way of letting us into this exclusive world with her stories. It proves once more that you have to live in order to write.
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A nice blast into the past. I really enjoyed her humble attitude and how she learned her strengths and weaknesses. Always interesting to compare the ways of the half of the 20th century to the chaos of now. Like, no one would consider driving to an event a mile or two away unless they were ill or elderly. Sometimes this is a slow read, but still captivating. Her memory of her past is phenomenal.
Agatha Christie was 75-years old when she wrote (via dictation) this autobiography of her life. Born in 1890, she lived until 1976, so she lived through a lot and she did a lot of different things with her life. During the First World War, she was a nurse, then worked in a dispensary (pharmacy). She loved to travel and in addition to writing, she later helped her archaeologist husband at digs in the Middle East.
This was really good. I found it a little more interesting after she became an adult
Agatha Christie was 75-years old when she wrote (via dictation) this autobiography of her life. Born in 1890, she lived until 1976, so she lived through a lot and she did a lot of different things with her life. During the First World War, she was a nurse, then worked in a dispensary (pharmacy). She loved to travel and in addition to writing, she later helped her archaeologist husband at digs in the Middle East.
This was really good. I found it a little more interesting after she became an adult, but it was still interesting to read about the social customs at various points in her life - a lot of that was described really well about the early 20th century. Although I've not read a lot of her books, it was still interesting to read about where she got the ideas for some of her books and such. The edition I got from the library also had a CD included with portions of her dictation. This was recorded in the 70s, so not the best quality, but kind of neat to listen to. Not only that, as I was listening to it in the background while I wrote this review, I flipped back through the book and happened upon the same passage she was dictating; it was also interesting to see how it was slightly changed/rearranged.
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Agatha Christie is the Queen of Mystery, with countless novels and short stories behind her. This is a different book. It's a narrated story through her memories, from the age of 5 to the age of 75. It is written in a light and conversational style. This could be her at the dinner table recollecting old memories to some new friends. Anyone wanting to know everything that happened to her will most likely be disappointed since this is random recollections and major events, some of them, not all.
Wh
Agatha Christie is the Queen of Mystery, with countless novels and short stories behind her. This is a different book. It's a narrated story through her memories, from the age of 5 to the age of 75. It is written in a light and conversational style. This could be her at the dinner table recollecting old memories to some new friends. Anyone wanting to know everything that happened to her will most likely be disappointed since this is random recollections and major events, some of them, not all.
What we are given is a look into the mind of Christie. It gives an idea about what she found interesting, fun, valuable and important. Places. She mentions early that she remembers places more than people and this book confirms it. The family home of Ashfield, though sold and demolished quite some time before this was published, is on the first and the last page. And imagination. She marvels about how her imagination kept her busy and happy as a child.
For an author she seems to have a blind eye to other people's views. She does not seem to realise when she is appreciated and she does not seem to realise her own position in the world. She iterates many times that they were not rich, but most people did not do what her family did. Wikipedia calls her family Upper Middle class and maybe this is what it was like to be Upper Middle Class around 1900. Her family did lose its position though. The family money disappeared and she ended up having to make her own money. Luckily since otherwise she might not have been so motivated to write.
She also had a fascination with houses. I don't know how many she bought and owned but many. I wonder what happened to them all.
For people, she seems to have considered a lot of people dear friends but I wonder how much they were in touch. The book leaves most of the really private parts alone. It is also a nice book. Very few bad things are said about anyone, and when bad things are mentioned, I have the feeling the target would actually agree.
Some of the most memorable quotes from the book:
The line that identifies her as an introvert long before that term became popular:
I needed, urgently, to be alone and come to terms with this incredible happiness.
About being taught various dances that could become useful in social funcitons:
We were also taught the Swedish Country Dance,
... which reminds me about a passage where a dancer returns her to her mother saying "You have taught her well how to dance, now teach her to speak."
The words of someone content:
There are few things more desirable than to be an acceptor and an enjoyer. You can like and enjoy almost any kind of food or way of life. You can enjoy country life, dogs, muddy walks; towns, noise, people, clatter. In the one there is repose, ease for nerves, time for reading, knitting, embroidery, and the pleasure of growing things. In the other theatres, art galleries, good concerts, and seeing friends you would otherwise seldom see. I am happy to say that I can enjoy almost everything.
Or:
I was always prepared to like the next thing that came along.
Sea travels stuck to her mind and later when flying becomes possible she describes flying as dull and boring. Still, I don't know if she really wanted to go back to sea considering her experiences with rough waters:
There is no gap in the world as complete as that between one who is sea-sick and one who is not.
Again, being happy for the simple things:
Nowhere in the world is there such a good breakfast as tinned sausages cooked on a primus stove in the desert in the early morning.
... or is that just being English?
About what is good with life:
I don’t like crowds, being jammed up against people, loud voices, noise, protracted talking, parties, and especially cocktail parties, cigarette smoke and smoking generally, any kind of drink except in cooking, marmalade, oysters, lukewarm food, grey skies, the feet of birds, or indeed the feel of a bird altogether. Final and fiercest dislike: the taste and smell of hot milk. I like sunshine, apples, almost any kind of music, railway trains, numerical puzzles and anything to do with numbers, going to the sea, bathing and swimming, silence, sleeping, dreaming, eating, the smell of coffee, lilies of the valley, most dogs, and going to the theatre.
And she used to word "haters" long before the Internet. This is still so true:
The minority of what I call ‘the haters’ is quite small, but, like all minorities, it makes itself felt far more than the majority does.
I wonder if this is I:
He read quickly, and seemed to have no preference whatsoever as to what he read: biographies, fiction, love stories, thrillers, scientific works, almost anything. He was like a starving man who would say that any kind of food is the same: you don’t mind what it is, you just want food. He wanted food for his mind.
... but I don't read love stories!
And finally a quote about speaking in public:
would have not exactly to make a speech, but to say a few words–a thing I had never done before. I cannot make speeches, I never make speeches, and I won’t make speeches, and it is a very good thing that I don’t make speeches because I should be so bad at them.
The world changed quite a bit between 1890 and 1965, the period covered by Christie's autobiography. Not only did she live through two world wars, but witnessed enormous social and cultural progress - and decline, as far as she was concerned. She lightheartedly recounts the small and large events of her life, and these anecdotes are alternately hair-raising and refreshing. The tone is chatty, her observations about life are interesting, and I found myself engaged in lively conversations with her
The world changed quite a bit between 1890 and 1965, the period covered by Christie's autobiography. Not only did she live through two world wars, but witnessed enormous social and cultural progress - and decline, as far as she was concerned. She lightheartedly recounts the small and large events of her life, and these anecdotes are alternately hair-raising and refreshing. The tone is chatty, her observations about life are interesting, and I found myself engaged in lively conversations with her.
The Victorians looked dispassionately at their offspring and made up their minds about their capacities. A. was obviously going to be 'the pretty one'. B. was the 'clever one'. C. was going to be plain and was definitely not intellectual. [---] There is an enourmous relief in not being expected to produce something that you haven't got.
I quite agree. Not everyone can be a special little snowflake.
The position of women, over the years, has definitely changed for the worse. We women have behaved like mugs. We have clamored to be allowed to work as men work. Men, not being fools, have taken kindly to the idea. Why support a wife?
Well, Agatha, I can think of a few upsides to this. Say, if your husband, disappointed that you haven't been able to give him your full attention due to grieving your dead mother, has an affair and leaves you, it might be helpul to be able to support yourself and your child. By writing detective novels, for instance. Of course, you could just drive off, ditch your car and check into a hotel incognito for ten days and watch the nation suspect your spouse of murder. That wasn't a great marriage, huh?
A woman, when she married, accepted as her destiny
his
place in the world and
his
way of life. That seems to me sound sense and the foundation of happiness. If you can't face your man's way of life, don't take that job - in other words, don't marry the man.
Yes, I suppose if you're going to be entirely dependent on your man, that makes sense. Do you happen to know a fellow with a huge library and a kennel of golden retrievers? Labradors would also do nicely. And also, he'd have to be well-built and easy on the eyes. You know what I'm talking about, you were quite the maneater!
Those were still great days for the purity of young girls. I do not think we felt in the least repressed because of it. Romantic friendships, tinged certainly with sex or the possibility of sex, satisfied us completely.
.
Oh please, I've seen those pics of Archibald in a bathing suit. I KNOW you wanted to hit that. Why else hurry to marry a man who clearly warned you not to count on him in bad times? What was it he told you when he asked for a divorce?
He said: "I told you once, long ago, that I hate it when people are ill or unhappy - it spoils everything for me."
Ah, right. What a dreamboat. But you did get on all right by yourself, didn't you? You have some great skills, no?
What can I do? Well, I can write. I could be a reasonable musician, but not a professional one. I can improvise things when in difficulties - this has been a most useful accomplishment; the things I can do with hairpins and safety pins when in domestic difficulties would surprise you.
Do tell!
It was I who fashioned bread into a sticky pill, stuck it on a hairpin, attached the hairpin with sealing wax on the end of a window pole, and managed to pick up my mother's false teeth from where they had fallen on to the conservatory roof! I successfully chloroformed a hedgehog that was entangled in the tennis net and so managed to release it. An so on and so forth.
That's, er, very impressive. How did your mother manage to drop her - oh never mind. So anyway, then you met that young archeologist who had to talk you into marrying him?
I walked on the moor and had fits of occasional misery when I thought I was doing the wrong thing and ruining Max's life.
Oh no. Just because he was younger? But it turned out well, didn't it? He at least held your hair when you were puking your guts out, which, I have to say, you did a lot. Gosh, I'm sorry, I haven't asked you about your work. Writing all those mystery novels, how has that affected you?
As a result of writing crime books one becomes interested in criminology. I am particularly interested in reading books by those who have been in contact with criminals, especially those who have tried to benefit them or find ways of what one would have called in the old days 'reforming' them - for which I imagine one uses far more grand terms nowadays!
I guess we'd call it rehabilitation. What are your thoughts on that?
What can one do with a killer? Not imprisonment for life - that surely is far more cruel than the cup of hemlock in ancient Greece. The best answer we ever found, I suspect, was transportation.
Really? I think Australia is out of the question these days. But surely a criminal might be rehabilitated?
The only hope, it seems to me, would be to sentence such a creature to compulsory service for the benefit of the community in general.
I see what you mean. Community work, I quite agree.
You might allow your criminal the choice between the cup of hemlock and offering himself for experimental research, for instance.
Wait, that's not what I meant! And enough with the hemlock!
There are many fields of research especially in medicine and healing, where a human subject is vitally necessary - animals will not do. At present, it seems to me, the scientist himself, a devoted researcher, risks his own life, but there could be human guinea-pigs, who accepted a certain period of experiment in lieu of death, and who, if they survived it, would then have redeemed themselves, and could go forth free men, with the mark of Cain removed from their foreheads.
Human guinea-pigs, huh? Transportation actually isn't such a bad idea. Listen, it truly was a pleasure chatting with you but I gotta run. Bye now!
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Despite the fact that this was beautfully written and chock full of details about a fascinating life, I can only give it 3 stars. There were almost too many details for my taste especially about her childhood, for which she had a very good memory. I was most interested about Christie's writing life and these portions were few and far between. I did learn that she was hesitant to critique other writers' work because she didn't want to discourage anyone, especially beginners.
Because it's an autobi
Despite the fact that this was beautfully written and chock full of details about a fascinating life, I can only give it 3 stars. There were almost too many details for my taste especially about her childhood, for which she had a very good memory. I was most interested about Christie's writing life and these portions were few and far between. I did learn that she was hesitant to critique other writers' work because she didn't want to discourage anyone, especially beginners.
Because it's an autobiography, much of the negative events of her life were either downplayed or omitted altogether. I knew that she'd gone missing for 11 days at one point in her life, which made a big splash in the news at the time, but this book never mentions it. I had to look to Wikipedia for that information. :)
Overall, I'd recommend this book to the ultimate Agatha Christie fan, the one who will enjoy hearing every detail of her early life. Readers who enjoy Downtown Abbey may also like it because the Christie family was privileged by most people's standards (although she said emphatically that they were not rich--rich people had more servants).
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I really enjoyed this conversational memoir by Agatha Christie. Most of the events in this book take place before WWII. It is fun to read her thoughts on how she became interested in writing, and on her approaches to various books, stories, and plays. Of course, her memories of late-Victorian England and the opening decades of the 20th century are also fascinating. I was amazed to learn how shy she really was, and how little confidence she had in the early decades of her career. I loved the tone
I really enjoyed this conversational memoir by Agatha Christie. Most of the events in this book take place before WWII. It is fun to read her thoughts on how she became interested in writing, and on her approaches to various books, stories, and plays. Of course, her memories of late-Victorian England and the opening decades of the 20th century are also fascinating. I was amazed to learn how shy she really was, and how little confidence she had in the early decades of her career. I loved the tone of this memoir. I almost felt like I was talking to my grandmother at some points. This book might seem a little too relaxed or whimsical for some readers; there are events she doesn't talk about, and sometimes it's hard to figure out dates for certain things. But it's a very interesting and entertaining look into Christie's life. I know I will look at her work from a new perspective now. I also want to find a good biography so I can learn more about the last 12 years of her life and see how an objective biographer will portray her.
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After visiting Torquay, Devon, England, I became interested in the life of its most well known native author, Agatha Christie. She wrote for over 50 years and set many of her mystery novels in the Devon area. She traveled to many exotic locations and set many of her stories in those places also. I was especially impressed that she was not afraid to travel alone or to go to strange and forbidding places lacking any of the comforts of home. Of course, at the time she went to places such as Iraq, I
After visiting Torquay, Devon, England, I became interested in the life of its most well known native author, Agatha Christie. She wrote for over 50 years and set many of her mystery novels in the Devon area. She traveled to many exotic locations and set many of her stories in those places also. I was especially impressed that she was not afraid to travel alone or to go to strange and forbidding places lacking any of the comforts of home. Of course, at the time she went to places such as Iraq, Iran, and Egypt, an Englishwoman was looked up to and afforded every consideration. There were no jihadists, or "western world haters." I truly envy her ability to travel to places such as Babylon, Nineveh, and Damascus. But for all of her envious traveling, she had many parts of her life that were not ideal. Her first husband left her for another woman. And I do not think she was the ideal mother, having put her young daughter in boarding school at age five, only seeing her once or twice a year during Christmastime or summer holiday. This autobiography included how she first started writing; how she was at first rejected by publishers and how she slowly started thinking of herself as an author. It was a very well written look at her life, and read as easily as her works of fiction.
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Agatha Christie; An Autobiography is a truly enlightening and insightful novel on the enigmatic life of the world’s most profound modern author. Several years ago, my mother bought me a book, Agatha Christie’s Short Stories. At first I hated the book, but I grew to like it after some time. Agatha Christie suddenly became my favorite author, and I was reading everything that she wrote with fervor. Unfortunately, I knew little of Agatha Christie’s life, and that severely handicapped me in apprecia
Agatha Christie; An Autobiography is a truly enlightening and insightful novel on the enigmatic life of the world’s most profound modern author. Several years ago, my mother bought me a book, Agatha Christie’s Short Stories. At first I hated the book, but I grew to like it after some time. Agatha Christie suddenly became my favorite author, and I was reading everything that she wrote with fervor. Unfortunately, I knew little of Agatha Christie’s life, and that severely handicapped me in appreciating all of her allusions and references to her life. So, when I was faced with a chance to read her biography, I jumped at the chance. At first, the novel was long, dry, and unenjoyable. When I became more involved in Christie’s life, the story really picked up and offered valuable information. She chronicles everything about her life from her “hard-up” childhood in the late Victorian era, to her trip around the world in 1923, to both World Wars and her parts in them. I would not recommend this novel to any of my classmates because it would probably not interest anyone but avid Agatha Christie followers. The material can be a bit dry at times, and the novel tends to provide too many details for casual enjoyment. All factors considered, I still like my biography, as it still reflects Christie’s style in writing and her amazing life.
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When I was a child, we used to often do house-swaps for our holidays: someone would come and stay in our Hong Kong flat for a few weeks while we were in their house in Cape Town. In one of those houses, there was a vast selection of Agatha Christie novels. I was too young to read them, but my mother devoured them and recounted some of the stories to me. That started a love affair with Christie's books that has lasted a long time. When I picked up her autobiography, I had read nearly all of her n
When I was a child, we used to often do house-swaps for our holidays: someone would come and stay in our Hong Kong flat for a few weeks while we were in their house in Cape Town. In one of those houses, there was a vast selection of Agatha Christie novels. I was too young to read them, but my mother devoured them and recounted some of the stories to me. That started a love affair with Christie's books that has lasted a long time. When I picked up her autobiography, I had read nearly all of her novels, and was eager to learn about her life.
This is, like Christie's body of work, a slightly mixed bag. Parts are as exciting as a good Poirot; parts are as execrable as Tommy and Tuppence. Christie was born in 1890, and completed this in 1965, so as you can imagine there is a lot of ground to cover. Her Victorian childhood is described in loving detail: she recalls the days when she would entertain herself playing with a hoop, and talks about how her family was not well-off - they only had three servants. It's a different world, and writing in 1965, she's well aware of that. I found her description of going to the gender-segregated beaches, complete with "bathing machines", to be particularly fascinating.
Parts of her story are lacking. She writes little about the process of writing, although she does describe some of the inspirations of her earlier books. I was frustrated that she didn't mention my particular favourites - but on the other hand, it would be a very dull read if she listed and described each novel in turn. Be warned that there are some spoilers for her works, including what is often regarded as her masterpiece, The Murder of Roger Ackroyd. She also makes no mention of her infamous eleven-day disappearance after her first husband left her. I found the level of detail about her numerous houses to be a little too much for me: she mentions that she has always loved houses, and she indulges this love a lot. I found myself wishing several architectural passages had been edited out - although I did enjoy her regret at, in having a house remodelled, not being forward-thinking enough to get rid of the pantry and larder.
A lot of it is rather fascinating, though. Her travels in the Middle East are very interesting: she describes in loving detail her journeys in Iraq, and it is remarkable and sad to think about what has happened to that country in the years since. Her war experiences are compelling, particularly in the First World War when she worked as a nurse and chemist. I enjoyed her wonder at The Mousetrap's success, when it had run for thirteen years...imagine how she'd feel today! And I was stunned by certain details: she describes her holiday to Cape Town with her first husband, when she enjoyed surfing at Muizenberg(!), an activity which I certainly can't imagine Hercule Poirot or Miss Marple indulging in.
Overall, this is a good read for Christie fans, and a fascinating glimpse at a rapidly-changing world.
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Got this from the library and then realized I own it.
This was beautiful and fascinating! I laughed out loud at several parts.
One part I marked, pp. 318-9: "There is nothing more thrilling in this world, I think than having a child that is yours, and yet is mysteriously a stranger. You are the gate through which it came into the world, and you will be allowed to have charge of it for a period; after that it will leave you and blossom out into its own free life—and there it is, for you to watch, l
Got this from the library and then realized I own it.
This was beautiful and fascinating! I laughed out loud at several parts.
One part I marked, pp. 318-9: "There is nothing more thrilling in this world, I think than having a child that is yours, and yet is mysteriously a stranger. You are the gate through which it came into the world, and you will be allowed to have charge of it for a period; after that it will leave you and blossom out into its own free life—and there it is, for you to watch, living its life in freedom."
Most of her stories (which are interesting in themselves) show some sort of reflection on the times or customs, serving to make the stories themselves, and the people in them, much more interesting.
One theme which kept surprising me somehow was the idea that if you are not good at something, you should recognize that and stop doing it. This seemed to allow her the freedom to find what she was good at and enjoyed and do that wholeheartedly.
This is the book I was reading and had to set aside when I went into labor with Lucia.
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Agatha Christie is the best-selling author of all time. She wrote eighty crime novels and story collections, fourteen plays, and several other books. Her books have sold roughly four billion copies and have been translated into 45 languages. She is t
Agatha Christie also wrote romance novels under the pseudonym
Mary Westmacott
, and was occasionally published under the name
Agatha Christie Mallowan
.
Agatha Christie is the best-selling author of all time. She wrote eighty crime novels and story collections, fourteen plays, and several other books. Her books have sold roughly four billion copies and have been translated into 45 languages. She is the creator of the two most enduring figures in crime literature-Hercule Poirot and Miss Jane Marple-and author of
The Mousetrap
, the longest-running play in the history of modern theatre.
Agatha Mary Clarissa Miller was born in Torquay, Devon, England, U.K., as the youngest of three. The Millers had two other children: Margaret Frary Miller (1879–1950), called Madge, who was eleven years Agatha's senior, and Louis Montant Miller (1880–1929), called Monty, ten years older than Agatha.
During the First World War, she worked at a hospital as a nurse; later working at a hospital pharmacy, a job that influenced her work, as many of the murders in her books are carried out with poison.
On Christmas Eve 1914 Agatha married Archibald Christie, an aviator in the Royal Flying Corps. The couple had one daughter, Rosalind Hicks. They divorced in 1928, two years after Christie discovered her husband was having an affair.
Her first novel,
The Mysterious Affair at Styles
, came out in 1920. During this marriage, Agatha published six novels, a collection of short stories, and a number of short stories in magazines.
In late 1926, Agatha's husband, Archie, revealed that he was in love with another woman, Nancy Neele, and wanted a divorce. On 8 December 1926 the couple quarreled, and Archie Christie left their house Styles in Sunningdale, Berkshire, to spend the weekend with his mistress at Godalming, Surrey. That same evening Agatha disappeared from her home, leaving behind a letter for her secretary saying that she was going to Yorkshire. Her disappearance caused an outcry from the public, many of whom were admirers of her novels. Despite a massive manhunt, she was not found for eleven days.
In 1930, Christie married archaeologist Max Mallowan (Sir Max from 1968) after joining him in an archaeological dig. Their marriage was especially happy in the early years and remained so until Christie's death in 1976. In 1977, Mallowan married his longtime associate, Barbara Parker.
Christie frequently used familiar settings for her stories. Christie's travels with Mallowan contributed background to several of her novels set in the Middle East. Other novels (such as
And Then There Were None
) were set in and around Torquay, where she was born. Christie's 1934 novel
Murder on the Orient Express
was written in the Hotel Pera Palace in Istanbul, Turkey, the southern terminus of the railway. The hotel maintains Christie's room as a memorial to the author. The Greenway Estate in Devon, acquired by the couple as a summer residence in 1938, is now in the care of the National Trust.
Christie often stayed at Abney Hall in Cheshire, which was owned by her brother-in-law, James Watts. She based at least two of her stories on the hall: the short story
The Adventure of the Christmas Pudding
, which is in the story collection of the same name, and the novel
After the Funeral
. "Abney became Agatha's greatest inspiration for country-house life, with all the servants and grandeur which have been woven into her plots.
During the Second World War, Christie worked in the pharmacy at University College Hospital of University College, London, where she acquired a knowledge of poisons that she put to good use in her post-war crime novels.
To honour her many literary works, she was appointed Commander of the Order of the British Empire in the 1956 New Year Honours. The next year, she became the President of the Detection Club. In the 1971 New Year Honours she was promoted Dame Commander o
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