This is an autobiography of Amrita Pritam. Not only does it capture her entire lifespan in its fold, but its warp and weft entails an entirely novel depiction on a spiritual plane. Viewed from various angles, it happens to be a distinctly adventurous autobiography, which like a serialised photographic frame keeps enhancing those images.
Amrita Pritam (Punjabi: ਅਮਰਿਤਾ ਪਰੀਤਮ, امریتا پریتم) was considered the first prominent woman Punjabi poet, novelist, and essayist. She was the leading 20th-century poet of the Punjabi language, who is equally loved on both the sides of the India-Pakistan border. With a career spanning over six decades, she produced over 100 books, of poetry, fiction, biographies, essays, a collection of Punjabi fo
Amrita Pritam (Punjabi: ਅਮ੍ਰਿਤਾ ਪ੍ਰੀਤਮ, امریتا پریتم) was considered the first prominent woman Punjabi poet, novelist, and essayist. She was the leading 20th-century poet of the Punjabi language, who is equally loved on both the sides of the India-Pakistan border. With a career spanning over six decades, she produced over 100 books, of poetry, fiction, biographies, essays, a collection of Punjabi folk songs and an autobiography that were translated into several Indian and foreign languages.
She is most remembered for her poignant poem,
Aj Aakhaan Waris Shah Nu
(Today I invoke Waris Shah - "Ode to Waris Shah"), an elegy to the 18th-century Punjabi poet in which she expressed her anguish over massacres during the partition of India in 1947. As a novelist, her most noted work was
Pinjar
(The Skeleton) (1950), in which she created her memorable character, Puro and depicted loss of humanity and ultimate surrender to existential fate. The novel was made into an award-winning eponymous film in 2003.
When British India was partitioned into the independent states of India and Pakistan in 1947, she migrated from Lahore to India, though she remained equally popular in Pakistan throughout her life, as compared to her contemporaries like Mohan Singh and Shiv Kumar Batalvi.
Known as the most important voice for the women in Punjabi literature, in 1956, she became the first woman to win the Sahitya Akademi Award for her magnum opus, a long poem,
Sunehe
(Messages). She received the Bhartiya Jnanpith, one of India's highest literary awards in 1982 for
Kagaz Te Canvas
(The Paper and the Canvas). The Padma Shri came her way in 1969 and finally, Padma Vibhushan, India's second highest civilian award in 2004, and in the same year she was honoured with India's highest literary award, given by the Sahitya Akademi (India's Academy of Letters), the Sahitya Akademi Fellowship given to the "immortals of literature" for lifetime achievement.
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