'Miracles of Life' opens and closes in Shanghai, the city where J.G. Ballard was born, and where he spent most of the Second World War interned with his family in a Japanese concentration camp.
Hardcover
,
278 pages
Published
April 1st 2008
by Fourth Estate (GB)
(first published January 1st 2008)
An amiable and moving autobio—light on insight into his enormous corpus, lyrical on his formative experiences and family. B.S. Johnson receives an unfortunate bashing: “Moving on the fringes of literary London for four decades, I have been constantly struck by how few of our literary writers are aware that their poor sales might be the result of their modest concern for their readers. B.S. Johnson, a thoroughly unpleasant figure who treated his sweet wife abominably, was forever telephoning and
An amiable and moving autobio—light on insight into his enormous corpus, lyrical on his formative experiences and family. B.S. Johnson receives an unfortunate bashing: “Moving on the fringes of literary London for four decades, I have been constantly struck by how few of our literary writers are aware that their poor sales might be the result of their modest concern for their readers. B.S. Johnson, a thoroughly unpleasant figure who treated his sweet wife abominably, was forever telephoning and buttonholing me at literary parties, trying to enlist me in his campaign to persuade publishers to pay a higher royalty to their authors. At one point, when he was far gone in bitterness over his minuscule sales, he suggested we should demand a starting royalty to 50 per cent. Sadly, he was one of those writers who receive a glowing review in the Times Literary Supplement, believe every word of praise and imagine that it will ensure them a prosperous career, when in fact such a review is no more than the literary world’s equivalent of ‘Darling, you were wonderful...’” (p194)
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This is JG Ballard's autobiography, including a significant chunk that tells the true story on which "Empire of the Sun" is based.
The Chinese aspect was the main draw for me, but in fact his contact, experience and knowledge of Chinese people, food and culture was negligible. Nevertheless, I enjoyed the book and found some of his descriptions of pre-war Shanghai remarkably resonant with my experiences there in 1992 and 2008.
EARLY YEARS IN CHINA
Ballard was born in Shanghai in 1930 and grew up in
This is JG Ballard's autobiography, including a significant chunk that tells the true story on which "Empire of the Sun" is based.
The Chinese aspect was the main draw for me, but in fact his contact, experience and knowledge of Chinese people, food and culture was negligible. Nevertheless, I enjoyed the book and found some of his descriptions of pre-war Shanghai remarkably resonant with my experiences there in 1992 and 2008.
EARLY YEARS IN CHINA
Ballard was born in Shanghai in 1930 and grew up in the International Settlement, i.e. amongst Europeans, albeit with Chinese staff. "My insulation from Chinese life was almost complete. I lived in Shanghai for fifteen years and never learned a word of Chinese" nor tasted any Chinese food till decades later in England. This sounds like a slight exaggeration, especially given the amount of time he spent at the Kendall-Ward's house (where the mother spoke fluent Chinese to the servants) and his own father's interest in Chinese history and culture.
Nevertheless, Ballard did cycle alone around the city alone, and his memories are vivid and reflected in his adult work, "a large part of my fiction has been an attempt to evoke it by means other than memory". Shanghai was a frantic city, lacking "everyday reality", and it and its people "live above all, on the street" so there was plenty to see. "In Shanghai the fantastic, which for most people lies inside their heads, lay all around me and I think now my main effort as a boy was to find the reality in all this make-believe." After WW2, England was "a world that was almost too real. As a writer, I've treated England as if it were a strange fiction".
Ballard was not just cut off from the Chinese; from the opening sentence, you assume a distant relationship with his mother, and their parenting was very hands off. "Children were an appendage to their parents, somewhere between the servants and an obedient Labrador, and they were never seen as a significant measure of a family's health or the centre of its life. My mother claimed not to have known of my dangerous cycle trips around Shanghai, but many of her friends recognised me and waved from their cars. Perhaps they too felt it was scarcely worth mentioning." It is no surprise that his own approach to parenting was very different.
As a writer, Ballard of course mentions aspects of his life that are reflected in his writing, but it is odd how few questions he asked his parents about them and their lives (e.g. why they went to China, and why they left for good in 1951) - even when he was writing Empire of the Sun.
SURREAL FREEDOMS
As a young man, Ballard became interested in surrealism (and Freud and psychoanalysis), but his first taste was shortly before internment: "Seeing everything displaced and rearranged in haphazard ways gave me m y first taste of the surrealism of everyday life, though Shanghai was already surrealist enough."
"Linghua Camp may have been a prison of a kind, but it was a prison where I found freedom." (Amelie Nothomb's experience in a Peking diplomatic compound in the 1970s was similar:
http://www.goodreads.com/review/show/...
). The famous two and a half years in the internment camp were, unlike in Empire, spent with his parents, and he views that time as incredibly happy (less so for the heaving-drinking adult expats, who had to go cold turkey). For the first time in his life, he was with his parents most of the time - so different from the traditional 1950s professional families where people "hung their clothes in private wardrobes, along with their emotions, hopes and dreams". On the other hand, in some ways, his parents were now more passive in their parenting because "they had none of the usual levers to pull", they were "unable to warn, chide, praise or promise".
PAIN OF PEACE
After such freedom, the end of the war was a shock. "Peace, I realised, was more threatening because the rules that sustained war, however evil, were suspended." Going to England to live with grandparents was "the lowest point in my life... several miles at least below the sea level of mental health", an all the more startling comment in the light of an event that occurs a few years later.
Post war England was depressing. "The English talked as if they had won the war, but acted as if they had lost it... hope itself was rationed... the indirect rationing of unavailability, and the far more dangerous rationing of any kind of belief in a better life."
Although colonial China was very hierarchical, the reality of the English class system came as a shock. "Middle class people in the late 1940s and 1950s saw the working classes as almost another species and fenced themselves off behind a complex system of social codes... Everything about English middle class life revolved around codes of behaviour that unconsciously cultivated second rateness and low expectations." But it wasn't deference that won the war.
Unsurprisingly, Ballard didn't really fit in; he was drawn to international friends, literature and films. Consequently, "I read far too much, far too early", including big names when he was still learning about life and writing. Nevertheless, he began to fit in a bit. "The camouflage always imitates the target", so he was mortified when his mother turned up at school in an American car, in the latest New York fashions.
CAREER OPTIONS
He wanted to be a painter, but opted for medicine so he could become a psychiatrist, though he "knew that I already had my first patient - myself". Obviously, he became none of those things, and although he loved the modernity of the Cambridge labs, he hated the old-fashioned gentlemen's club atmosphere of college. "My two years of anatomy were amongst the most important of my life... because they taught me that though death was the end, the human imagination and the human spirit could triumph over our own dissolution" (and he had seen a lot of death in China). Furthermore, it may have been "an unconscious way of keeping Shanghai alive by other means".
He came to sci-fi relatively late (in his twenties), and was always more interested in a "what now?" approach than a "what if?", i.e. inner space, rather than outer space - coming back to his interest in Freud and surrealism. These interests were epitomised by his controversial book, "The Atrocity Exhibition"(
http://www.goodreads.com/review/show/...
), shortly after which, he did actually put on an atrocity exhibition of crashed cars (with no explanatory text). In many ways, it was a psychological experiment to see if there was a connection between crashes and sexuality, testing the ideas put forward in "The Atrocity Exhibition", which he then presented in a more conventional narrative structure in his novel, "Crash".
FATHERHOOD
A pervading passion in the later sections is for his children. That means their adulthood was a mixed blessing: "Infancy and childhood seem to last for ever. Then adolescence arrives... and one is sharing the family home with likeable young adults who are more intelligent, better company and in many ways wiser than oneself."
CHINESE IMPRINTS
Although Shanghai unconsciously seeped into many of his writings, it was 40 years after he left China before he deliberately wrote about it, and slightly longer before he revisited.
In 1991 he was struck by how a city built by Europeans now had no trace of Roman script, English signs or American cars, and attributed that to the facts that "the Chinese are uninterested in the past" (what about their reverence for their ancestors?) and that "there are only two words in the Chinese bible: make money".
I'm not sure I agree with him. I first visited China a year after him and even then it wasn't entirely true. When I went back in 2008, Roman script (Pinyin), signs, adverts and more are sadly ubiquitous.
Sadly, advertisers now sell un-Chineseness to eager Chinese consumers.
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Ballard was born the same year as my father and they couldn't be more different. My previous impressions of what Ballard was like have flown out the window with this memoir - I think I used to stick him in some kind of pop art/warhol category after reading Crash, and I couldn't have been more wrong...although on an artistic level Ballard's writing - particularly Crash and The Actrocity Exhibition go into groundbreaking realms of simulacra as Baudrillard likes to
* added a bit more to my review;
Ballard was born the same year as my father and they couldn't be more different. My previous impressions of what Ballard was like have flown out the window with this memoir - I think I used to stick him in some kind of pop art/warhol category after reading Crash, and I couldn't have been more wrong...although on an artistic level Ballard's writing - particularly Crash and The Actrocity Exhibition go into groundbreaking realms of simulacra as Baudrillard likes to point out.
Miracles of Life was written after he was diagnosed with prostrate cancer & feels a little stiff and disjointed in places but he's forgiven that - anyone who can remember events back that long while being treated for cancer gets my vote. He reveals a whole other side..his growing up in Shanghai, the war years and interred in the Japanese camp, his university years and his later years as sole parent - very unusual in men of that generation. What I found most interesting was his attitude to the era was so unlike my parents..who could be compared to Ballard's grandparents in England with their Victorian sensibilities. In this short memoir I came to really like Ballard and it's a terrible shame that he's gone.
I forgot to mention that he talks a fair bit about where his imagery comes from and how he got the idea for Crash & many of this other short stories. He has always seen himself as a Science Fiction writer (of "Inner space") not future space which sets him leagues away from the likes of Star Trek etc. He also describes living through the 60's and while he was "there" he was more of a loner (partly due to being home with his children),- he didn't really go in for the 60's celeb hype and I admire that. Two of his most closest friends were Michael Moorcock whose books I cut my teenage teeth on, and the artist Eduardo Paolozzi who I had not heard of before and find most interesting & wish to peruse. Ballard recommends the writers Will Self, Martin Amis and Ian Sinclair as writers to watch in the future.
Sometimes you read about artists and writers you've admired for years for their works, and then something about them sets you on edge, something really rubs you the wrong way, you know you could never like them personally and the love affair is broken. Ballard however is a nice guy, the kind of guy you could go down the local pub with and have a few drinks with and chew the fat about everything and anything and still come home liking him.
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This is the autobiography of JG Ballard – the man famous for writing the novel
Empire of the Sun
. For me the book split clearly into two parts, firstly his fascinating experiences in China and post war Britain, and secondly his life as an author and father in Britain in the 60s and beyond.
Unsurprisingly, he writes with genius about his childhood in Shanghai. Under his pen Shanghai in the 30s and 40s comes alive – as a vast, decadent colonial playground on the one hand, and a place of deep povert
This is the autobiography of JG Ballard – the man famous for writing the novel
Empire of the Sun
. For me the book split clearly into two parts, firstly his fascinating experiences in China and post war Britain, and secondly his life as an author and father in Britain in the 60s and beyond.
Unsurprisingly, he writes with genius about his childhood in Shanghai. Under his pen Shanghai in the 30s and 40s comes alive – as a vast, decadent colonial playground on the one hand, and a place of deep poverty for millions of Chinese on the other - the savage delineation between the haves and the have nots. Ballard, as the son of an English factory owner, was lucky to be one of the haves. His description of how his parents addressed their servants highlights the way the rich distanced the poor.
(view spoiler)
[
”There were ten Chinese servants – No. 1 Boy (in his 30s and the only fluent English speaker), his assistant No. 2 Boy, No. 1 Coolie (for the heavy housework), his assistant No. 2 Coolie, a cook, two amahs (hard-fisted women with tiny bound feet, who never smiled or showed the least sign of affability), a gardner, a chauffeur and a nightwatchman. Lastly there was a European nanny, generally a White Russian young woman.
This large number of servants, entirely typical among the better-off Western families, was made possible by the extremely low wages paid….
We addressed the servants as ‘No. 1 Boy’ or ‘No. 2 Coolie’ and never by their real names. My mother might say, ‘Boy, tell No. 2 Coolie to sweep the drive..’ or ‘No. 2 Boy, switch on the hall lights…’ I did the same from a very early age.
Life changed a bit when China was invaded by the Japanese in 1937, but this only really affected the Chinese. For the colonials it was life as usual. Then there was the beginning of the Second World War in 1939, but life still continued more or less as before. Then there was the attack on Pearl Harbour in 1941, and this time everything changed. The Japanese forces entered the International settlement in Shangai, and most of the colonial families were put into internment camps.
Ballard says that his experience of the Lunghua Camp was very different to his parents’ experience – in fact he enjoyed it. He was there between March 1943 and August 1945, between the ages of 12 and 14. What he wrote was very much at odds with my expectations, not least in that someone can experience happiness when hungry and unwell, but I think he really did get some good things out of his stay at Lunghua.
(view spoiler)
[
My first impression was of how relaxed and casual the internees seemed. All this would change, but the people around me were enjoying a ramshackle and rather pleasant holiday…There seemed to be humour…earth and cinder road tracks named Oxford Street and Piccadilly…On the observation roof of F block a group of music lovers listened to a classical symphony on a wind-up gramophone. On the steps of the assembly hall the Lunghua Players rehearsed a scene from
The Pirates of Penzance
All in all this was a relaxed and easy-going world that I had never known, except during our holidays in Tsingtao, and this favourable first impression stayed with me to the end, when conditions in the camp took a marked turn for the worse. I enjoyed my years in Lunghyua, made a large number of friends…and on the whole felt buoyant and optimistic, even when the food rations fell to near zero, skin infections covered my legs, malnutrition and prolapsed my rectum, and many of the adults had lost heart….In many ways I was the opposite of a misfit and adapted too well to the camp.
The first American air raids began in Summer 1944, and by August 1945 there was allied victory. At the end of 1945 Ballard and his mother and sister left Shanghai for England.
Ballard’s description of post-war Britain is every bit as fascinating as his earlier writing about Shanghai. I found it utterly gripping, if somewhat depressing
(view spoiler)
[
”Even allowing for a long and exhausting war, England seemed derelict, dark and half ruined. Southampton consisted largely of rubble. Large sections of London and the Midlands were vast bomb sites and most of the buildings still standing were ruined and desolate….everything seemed to be crumbling and shabby, unpainted for years, and in many ways resembling a huge demolition site….A steady drizzle fell for most of the time, and the sky was slate-grey with soot lifting over the streets from tens of thousands of chimneys. Everything was dirty, and the interiors of railway carriages and buses were black with grime.
Looking at the English people around me, it was impossible to believe that they had won the war. They behaved like a defeated population…They were clearly exhausted by the war, and expected little of the future. Everything was rationed – food, clothing, petrol – or simply unobtainable… Ration books and clothing coupons were all-important, endlessly counted and fussed over, even thought there was virtually nothing in the shops to buy….
Hope itself was rationed, and people’s spirits were bent low. The only hope came from Hollywood films, and long queues formed outside the immense Odeons and Gaumonts that had survived the bombing….
It came home to me very quickly that the England I had been brought up to believe in – AA Milne,
Just William
,
Chums
annuals – was a complete fantasy.
For the first time I was meeting large numbers of working class people….Travelling around the Birmingham area I was amazed at how bleakly they lived, how poorly paid they were, poorly educated, poorly housed and fed. To me they were a vast exploited workforce, not much better off than the industrial workers in Shanghai.”
About half way through the book we leave Ballard’s experiences of China and Britain in the 40s and early 50s, and move on to the rest of his life, as an innovative science fiction writer and contented single father. I was far less interested in these sections, although they might well appeal to keen readers of Ballard’s books.
I would give the first half of the book 5 stars, the second a rather grudging 2. My advice? Go to your local library and order this book, then just read the first utterly fascinating half of it.
Worthwhile for Ballard fans who should ignore the rating. This memoir is most notable for the vivid first half which details Ballard's surreal childhood in Shanghai and his imprisonment during WWII. It differs markedly in places from "Empire of the Sun" and makes a fascinating companion narrative. The second half offers selective glimpses of the next 50 years of his life in England, including the dreary post-war years which he describes as more traumatic than his time in the Chinese prison camp.
Worthwhile for Ballard fans who should ignore the rating. This memoir is most notable for the vivid first half which details Ballard's surreal childhood in Shanghai and his imprisonment during WWII. It differs markedly in places from "Empire of the Sun" and makes a fascinating companion narrative. The second half offers selective glimpses of the next 50 years of his life in England, including the dreary post-war years which he describes as more traumatic than his time in the Chinese prison camp. These later chapters are brisk, chatty, and often a bit vague. They feel like sketches compared to the first half. The book comes alive when Ballard describes raising his three children as a single parent in the '60s and how those were the best years of his life. Unlike many authors, he says the pram in the hallway was his greatest ally, emboldening him to write "Crash" and "The Atrocity Exhibition" - the two books he rightly deems as his finest work. He believes his fiction lost some of its intensity once his beloved kids grew up and left the house. Although the book is uneven, some things can be forgiven an autobiography written on the deathbed. What I'll remember most about "Miracles of Life" is how its pages are suffused with a rare and radiant strain of gratitude and kindness.
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The first part of this memoir is very charming. Ballard was raised in Shanghai during the 2nd World War, and it's fascinating how he lived an extremely wealthy life among the poor Chinese. Then the Japanese invaded China - and life turned on him in a brash manner. Yet he has no regrets about his past - in fact it seems he enjoyed particular aspects of Japanese rule as a child. Ballard has the ability to see the lightness that is totally dark and back again. He carries that with him regarding his
The first part of this memoir is very charming. Ballard was raised in Shanghai during the 2nd World War, and it's fascinating how he lived an extremely wealthy life among the poor Chinese. Then the Japanese invaded China - and life turned on him in a brash manner. Yet he has no regrets about his past - in fact it seems he enjoyed particular aspects of Japanese rule as a child. Ballard has the ability to see the lightness that is totally dark and back again. He carries that with him regarding his writings.
The novels are in a sense a critique of 'modern life,' but it is also a man who is not totally alarmed, but even slightly amused what's around him. His taste for old-fashioned Surrealism and the cinema had a huge affect on his art and how he sees the world.
The last part of the book is not as interesting as when he was a child in Shanghai. It was an unique playground for a child in unusual times. That unusualness is carried through out his writings. Ballard is at this time is very ill with cancer, but seems to be functioning - and overall a very happy man.
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Ballard's memoir, only recently published in the US, appeared in Britain in 2008 and (as of tonight) has 369 ratings and 44 reviews – so mine is only flotsam on the flood. Just as well. My response to this book divided in the middle. Part I is set in Shanghai and provides a stark, surrealistic account of the story behind
Empire of the Sun
. Its matter-of-fact air only makes it more impressive. In Part II Ballard is back in England, recounting his family life, success as a writer and critical indi
Ballard's memoir, only recently published in the US, appeared in Britain in 2008 and (as of tonight) has 369 ratings and 44 reviews – so mine is only flotsam on the flood. Just as well. My response to this book divided in the middle. Part I is set in Shanghai and provides a stark, surrealistic account of the story behind
Empire of the Sun
. Its matter-of-fact air only makes it more impressive. In Part II Ballard is back in England, recounting his family life, success as a writer and critical indifference to most of what was happening around him.
Ironically, the author of the ultra-transgressive
Crash
and
The Atrocity Exhibition
turns out to be a sentimental family man. "I thought of my children then, and I still think of them, as miracles of life, and I dedicate this autobiography to them." (Compare Raymond Carver, in his essay "Fires," describing his children as "a heavy and often baleful influence.")
Admittedly, there are some wonderful scenes – the suburban "whisky & soda" dad staging a 1970 exhibition of crashed cars to test his assumption that "We were ruled by reason and self-interest, but only when it suited us to be rational... much of the time we chose to be entertained by films, novels and comic strips that deployed horrific levels of cruelty" – complete with a topless woman interviewing the gallery guests, who were indeed duly appalled. Or his description of 1960s poetry readings as "a special form of social deprivation. In some rather dingy hall a sad little cult would listen to their cut-price shaman speaking in voices, feel their emotions vaguely stirred and drift away to a darkened tube station." That one still makes me laugh.
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Szplug
I've unequivocally loved the stories I've read (just over a third) in his collected short fiction. I've no experience with his novels, though Mariel c
I've unequivocally loved the stories I've read (just over a third) in his collected short fiction. I've no experience with his novels, though Mariel convinces that
Empire of the Sun
is superb, while, despite review-engendered reservations,
The Drowned World
and
Concrete Island
will be gotten to sooner rather than later...
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Apr 13, 2013 11:25AM
They say - and they may be right - that you should never meet your heroes. Be that as it may, I'm glad that my friend and I doorstepped J.G. Ballard at his Shepperton home back in the mid-1980s for an enjoyable and slightly surreal few minutes' chat. I'm even gladder that I didn't say anything too unforgivably gauche such as "Your books changed my life" (I didn't even bring any copies along for him to sign); if I managed to get across to him through my tongue-tiedness that they changed my percep
They say - and they may be right - that you should never meet your heroes. Be that as it may, I'm glad that my friend and I doorstepped J.G. Ballard at his Shepperton home back in the mid-1980s for an enjoyable and slightly surreal few minutes' chat. I'm even gladder that I didn't say anything too unforgivably gauche such as "Your books changed my life" (I didn't even bring any copies along for him to sign); if I managed to get across to him through my tongue-tiedness that they changed my perception of what modern fiction was about, then that was good, and true, enough.
This is a thoroughly enjoyable and illuminating account of Ballard's own remarkable life: from Shanghai to Shepperton and back by way of inner space. The author comes alive in the narrative: kindly, intelligent and likeable, possessed of a sense of humour all the more effective for being slightly unexpected. Fans will find fascinating resonances with Ballard's remarkable body of work; even non-fans ought to enjoy the clarity and candour of this compact, engagingly humane memoir.
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J.G. Ballard's death autobiography makes an excellent read
, illustrating a craft refined over decades of life, and perhaps arguing that Ballard was for much of his life in the wrong genre. the success of
Empire of the Sun
demonstrates that his two years in Japanese internment, as well as the Shanghai experience in general, was Ballard's most fruitful source of experience, and although arguments have been made that some of his prose includes, in somewhat veiled form, the idea of empires collapsin
J.G. Ballard's death autobiography makes an excellent read
, illustrating a craft refined over decades of life, and perhaps arguing that Ballard was for much of his life in the wrong genre. the success of
Empire of the Sun
demonstrates that his two years in Japanese internment, as well as the Shanghai experience in general, was Ballard's most fruitful source of experience, and although arguments have been made that some of his prose includes, in somewhat veiled form, the idea of empires collapsing and cities falling apart, we will never know what would have happened had Ballard written of Shanghai from the start.
Miracles of Life is a solid piece of work, both on its standalone merits and how it informs Empire of the Sun, Crash, and other top New Wave science fiction. we learn the economic circumstances of the writer's life, oft missed in understanding an artist's full career progression or the story of the 'ouevre,' but here in Miracles one develops a non-fiction, non-ornamented view of the whole progress, and we gain from understanding how Shanghai and how rollin' 60s London were Ballard's great years, and where intervenining experiences play their part.
a must read for any great fan of Empire of the Sun.
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This is an autobiography from one of Britain's cherished novelists. I'm probably one of few who read this before reading "Empire of the Sun" and "The Kindness of Women"--the two autobiographical novels that J.G. Ballard wrote before being diagnosed with prostate cancer and writing this autobiography.
His parents were English, but Ballard was born and raised in the international settlement of Shanghai. During the Pacific war, Ballard and his family were interned in a camp. He tells about this exp
This is an autobiography from one of Britain's cherished novelists. I'm probably one of few who read this before reading "Empire of the Sun" and "The Kindness of Women"--the two autobiographical novels that J.G. Ballard wrote before being diagnosed with prostate cancer and writing this autobiography.
His parents were English, but Ballard was born and raised in the international settlement of Shanghai. During the Pacific war, Ballard and his family were interned in a camp. He tells about this experience, of being separated from his father and moving to England with his mother, and of his writer days.
The book is divided into two parts: Part I details his life in Shanghai, and time spent at a camp during the war; Part II, his move to England, his marriage, family, personal tragedy, and struggles and successes as a writer.
A straight forward chronology of the life of an author. I found this almost like reading a Wikipedia article, yet it made me want to read much of his work. I had no idea he was the subject of "Empire of the Sun", though I knew he wrote "Crash".
Whilst not a big fan of memoirs/autobiographies in general I did enjoy Empire Of The Sun and so had a passing interest in this author.
The child of British parents living in Shanghai, JG (James 'Jim') Ballard spent his formative years incarcerated in a Japanese prisoner of war camp which having read this obviously informed much of his 1984 novel.
Essentially chronicling his experiences between 1930 and 2007. Whilst for myself, having read Empire Of The Sun, there was very little new to learn of hi
Whilst not a big fan of memoirs/autobiographies in general I did enjoy Empire Of The Sun and so had a passing interest in this author.
The child of British parents living in Shanghai, JG (James 'Jim') Ballard spent his formative years incarcerated in a Japanese prisoner of war camp which having read this obviously informed much of his 1984 novel.
Essentially chronicling his experiences between 1930 and 2007. Whilst for myself, having read Empire Of The Sun, there was very little new to learn of his war time experiences which formed the vast part of Miracles Of Life, there were several things - his friendship with authors such as Michael Moorcock and Kingsley Amis and, of more interest to me, how his experiences informed the upbringing of his daughters - to be learnt about his older self.
A modest yet somehow intense account of a life well lived and I feel the fitting memoir of a man who we learnt in the latter pages of the book had been diagnosed with a cancer that had spread to his bones.
J. G. Ballard's story is familiar to us all, how as a boy in Shanghai before and during the war he was interned with his parents and other British and European nationals. I've always admired imagination in writing. What Ballard did with those experiences and how he represented it in Empire of the Sun, to my mind, demonstrated a high level of imagination. It, and the later novel The Kindness of Women, in which he brilliantly covers the same material in the opening 3 chapters, draw heavily on thos
J. G. Ballard's story is familiar to us all, how as a boy in Shanghai before and during the war he was interned with his parents and other British and European nationals. I've always admired imagination in writing. What Ballard did with those experiences and how he represented it in Empire of the Sun, to my mind, demonstrated a high level of imagination. It, and the later novel The Kindness of Women, in which he brilliantly covers the same material in the opening 3 chapters, draw heavily on those experiences. One could say the most important writing Ballard produced were inspired by his first 15 years and his internment during the war, just as the years in Shanghai and Lunghua camp were the most important and formative of his life. He devotes 118 pages in Miracles of Life--42%--to them and frequently refers to them in the rest of the book. He could never leave Shanghai and, indeed, Miracles of Life is another retelling of those years. He admitted he found ways to keep his memories alive. If he were still alive and writing he might still be telling the story I began the book knowing the most fascinating pages would be those about Shanghai and the war. However, his perspectives on England, the effects of the war on the land and culture and on English character were just as absorbing. They were fresh views for me. Perhaps this freshness was the reason I thought his impressions of British attitude and pluck and sense of entitlement in the Orient as well as their blindered unawareness of the end of empire so brutally honest. He writes about his family in the same unsparing honesty. He alludes twice to feelings of neglect by and a distance more than physical from his parents as he grew up. He famously wrote them out of Empire of the Sun, portraying Jim, his alter ego, as being on his own in Lunghua camp. Reading this autobiography makes me think he felt they weren't there for him during the crucial milestone events of his childhood and early manhood. He relates how an interviewer once asked him directly why he left them out. He didn't answer the journalist and is slippery with the reader, too. Ballard was always an engaging writer, and there is good reading in Miracles of Life beyond Shanghai. He has interesting things to say about writing as a craft. Interestingly, he says that science fiction, in which Ballard scored his first publishing successes, was an advance on modernism. And he writes eloquently about the joys of raising his children, how happy he was at single-handed parenting after the early death of his wife. He generously gives his children credit for raising themeslves as well as him. And dedicates the book to them. He writes graciously, too, about the women in his life, those he emphasises were kind. But reading all these sunny paeans to family and friends I still sensed a shadow over Ballard the man, still felt the boy Jim was scarred by wartime Lunghua in ways he didn't write about. If a darker Ballard existed, it may be a biographer who illuminates him.
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The act of telling a story well can be at least as interesting as any well-told story. In autobiography there is the story, but there is also the performance - you can't change the facts (very much) but you do have to decide how you will perform your life for your audience. Ballard makes a good show of it.
I have never seen Empire of the Sun or Crash nor read any of J. G. Ballard's books. I had no prior interest in or awareness of his existence, outside of being aware of Empire of the Sun and ass
The act of telling a story well can be at least as interesting as any well-told story. In autobiography there is the story, but there is also the performance - you can't change the facts (very much) but you do have to decide how you will perform your life for your audience. Ballard makes a good show of it.
I have never seen Empire of the Sun or Crash nor read any of J. G. Ballard's books. I had no prior interest in or awareness of his existence, outside of being aware of Empire of the Sun and assuming, inter alia, that someone must have written it. This little autobiography enjoyably recreates the world of an upper class English boy in Shanghai in the 1930s and in a Japanese war-time prison camp in the 1940s, and then his maturing into adulthood in 1940s and 1950s England. Ballard looks back on a childhood in China, long ignored, until he wrote Empire of the Sun. He recovers it affectionately yet critically. It was easy to read a few pages each night. He looks back on his many literary friends and projects. He enjoys memories of his first wife, mother of his children, who died when they were young and of a life with his second wife, their travels and a life well-lived.
The author steps lightly over what he claims was the most meaningful part of his life - the experience of being a single father in the 1960s and 1970s to his three children - because he seems to feel that there was little of unique literary value there. Happiness perhaps is never the equal of struggle in the search for literary or artistic meaning. He reports that he loved his children and their childhood and that he loves them still as he writes near the end of his life. He was dying of prostate cancer in 2007 when he wrote this book.
Maybe I'll read one of his works of fiction some day, or see the Steven Spielberg movie Empire of the Sun.
Ballard's words are lovingly fatherly, but interesting as a story of a lifelong struggle for creativity too. I found this book to be comforting.
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A marvelous work tracing much of Ballard's remarkable journey as a writer and a human being. Of course, the first part when he is a Japanese POW near Shanghai is the most important part of the work. He writes through a child's eyes and does it wonderfully. You feel as the child, not as someone looking down on a a child or looking back as an adult.
Equally fine is his description of post WWII England as a bleak and dreary landscape of people and ideas. I know know of no better portrait of a "defe
A marvelous work tracing much of Ballard's remarkable journey as a writer and a human being. Of course, the first part when he is a Japanese POW near Shanghai is the most important part of the work. He writes through a child's eyes and does it wonderfully. You feel as the child, not as someone looking down on a a child or looking back as an adult.
Equally fine is his description of post WWII England as a bleak and dreary landscape of people and ideas. I know know of no better portrait of a "defeated" people who were victorious.
His comments about his own family's failings are made sweeter by the obstacles he faced as a single parent.
Then, too he makes some astute comments about art which made my head turn around and around.
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A book of two parts. The first half describing Ballard's childhood in Shangai and his iternment with his family in a Japanese camp during the Second World War (on which Empire of the Sun is based) is superb. Well described, very reflective, and gripping.
Unfortunately the second half which describes his life after coming to England as a teenager lacks the intensity and detail of his early years and becomes a rather dry account of his literary struggles to achieve success in science-fiction. Ironi
A book of two parts. The first half describing Ballard's childhood in Shangai and his iternment with his family in a Japanese camp during the Second World War (on which Empire of the Sun is based) is superb. Well described, very reflective, and gripping.
Unfortunately the second half which describes his life after coming to England as a teenager lacks the intensity and detail of his early years and becomes a rather dry account of his literary struggles to achieve success in science-fiction. Ironically it was his autobiographical novel, Empire of the Sun, which finally brought him recognition. Members of my book group agreed that that novel is a much better read than this autobiography. Perhaps the fact that it was written after his diagnosis with terminal prostate cancer (it had already spread) resulted in a rushed book which appears to be mainly a desire to put his life on record for his children. Ultimately disappointing.
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Ballard wrote this autobiography when he was dying from cancer. Ballard grew up in Shanghai in the 30's as part of the privileged ex pat community. His father ran a printing plant. They lived in a house on the outskirts of the city and the international zone. It was a life of privilege with ten servants.little did they know that this fantastic existence was soon to be obliterated by the Japanese who would expose the lie of white supremacy and sweep away the western imperialists hold over China.
Ballard wrote this autobiography when he was dying from cancer. Ballard grew up in Shanghai in the 30's as part of the privileged ex pat community. His father ran a printing plant. They lived in a house on the outskirts of the city and the international zone. It was a life of privilege with ten servants.little did they know that this fantastic existence was soon to be obliterated by the Japanese who would expose the lie of white supremacy and sweep away the western imperialists hold over China. This is all the subject of his best known work, The Empire of the Sun, which was later made into a very good movie directed by Steven Speilberg and starring a young Christian Bales recounting the years spent in a Japanese internment camp. Although he was interned, he admired both the lapanese overlords and the handful of American internees. He clearly saw the discipline of the Japanese and the exuberant optimism of the Americans as the future and he had no doubt that the the decadent Europeans were doomed. Ballard had no expectation that China would rise on its own from the ashes of World War Two to threaten both Japan and the USA as the preeminent powers of the twenty first century.
It is ironic that this book sold more copies of all his other books combined. He was a science fiction writer and avant guard experimental advocate who rejected the tired conventions of British and American post war literature. By contrast, the Empire of the Sun is far more conventional. Ballard also was happily married with three kids when his wife died while on holiday in Spain leaving him with three kids to raise in the 1950's before Mister Mom made this cool. Ballard had firmly rejected the privileged and sterile upbringing that he had. He raised his kids and wrote while they were at school and when they went to bed. He considered those years to be his most precious and fulfilling .
Ballard is honest and insightful in this short book which I recommend.
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There are many people whose names are mentioned in all the right places, and for whom I have uttmost respect, and yet I am ashamedly ignorant of. Nick Cave, Thomas Pynchon and Francis Bacon fall into this category, and so does J G Ballard.
The only previous book of Ballard’s that I have read is The Atrocity Exhibition (prompted by Joy Division’s song of the same name) which was an anarchic and unstructured glimpse into a mind that was darkly subversive yet held fiercely traditional values. Miracl
There are many people whose names are mentioned in all the right places, and for whom I have uttmost respect, and yet I am ashamedly ignorant of. Nick Cave, Thomas Pynchon and Francis Bacon fall into this category, and so does J G Ballard.
The only previous book of Ballard’s that I have read is The Atrocity Exhibition (prompted by Joy Division’s song of the same name) which was an anarchic and unstructured glimpse into a mind that was darkly subversive yet held fiercely traditional values. Miracles of Life explains this paradox.
Born into a life of privilege in pre-war Shanghai, Ballard’s life took an unexpected turn when as a young child he and his family were interned in a Japanese prison camp during WWII. They then returned to a post-war England that they had never known, and that was certainly not home. This alienation, coupled with a glimpse into a technologically enabled future that the war and their Americanised life in Shanghai had given them, combined to create one of the most original writers of his generation.
Personal tragedy struck again when he lost his young wife suddenly and was left to bring up his children alone in the Shepperton semi where he still lives, (ironically for a futurist) still equipped with post-war fixtures and fittings.
In a modest and touching account of his conventional life, and unconventional views, Ballard bares all, dealing with incredibly difficult subjects (especially the final pages) within insight, dignity and humanity. Highly recommended.
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JG Ballard is one of my favorite fiction writers. I read Crash and several of his other highly imaginative works when I was younger. Crash is my favorite, a controversial concept novel about sexual fantasies mixed with car crashes. Ballard explains the genesis of that book in one brief chapter. But the bulk of Miracles of Life is his description of growing up in Shanghai, including 2.5 years in an internment camp with other British expatriates in the early 1940s, when Japan had invaded China. He
JG Ballard is one of my favorite fiction writers. I read Crash and several of his other highly imaginative works when I was younger. Crash is my favorite, a controversial concept novel about sexual fantasies mixed with car crashes. Ballard explains the genesis of that book in one brief chapter. But the bulk of Miracles of Life is his description of growing up in Shanghai, including 2.5 years in an internment camp with other British expatriates in the early 1940s, when Japan had invaded China. He also describes how he went from studying medicine to becoming a writer, and his family life.
Overall the book has some lovely reminiscences by Ballard and we find out why he came to write highly original and intense novels in the 60s and 70s. He described his approach as being science fiction, but focusing on "inner space" - he wrote that "I would interiorise science fiction, looking for the pathology that underlay the consumer society, the TV landscape and the nuclear arms race, a vast untouched continent of fictional possibility".
As I said, one of my fave fiction writers. Recommend this book for fans.
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I read Ballard's science-fiction in my science-fiction-reading days (otherwise known as 'my youth') but have not yet read 'Empire of the Sun', which I understand is his biographically-inspired masterpiece. However, this short autobiography is superb. It is the most understated, low key yet gripping account of a really extraordinary life of lost innocence, spanning sharply contrasting eras and experiences. These include a childhood with emotionally unavailable parents, sybaritic ex-patriate life
I read Ballard's science-fiction in my science-fiction-reading days (otherwise known as 'my youth') but have not yet read 'Empire of the Sun', which I understand is his biographically-inspired masterpiece. However, this short autobiography is superb. It is the most understated, low key yet gripping account of a really extraordinary life of lost innocence, spanning sharply contrasting eras and experiences. These include a childhood with emotionally unavailable parents, sybaritic ex-patriate life in Shanghai in the 30s, wartime internment in a Japanese camp which oddly gives him freedom and companionship although further disillusion; witnessing such horrors and cruelty that leave him numb and impervious; then transposition to a shabby, demoralised post-War Britain. His young adult life of surrealist rebellion, then later love and tragic loss is less vivid but still intruiging. It's a strange book, because although packed with incident, characters, relationships, acute observations, wonderful writing, it's emotionally less articulate; his originality and creativity are not grounded in psychological-mindedness. Yet I was left feeling empathy and admiration for a man who transmuted his personal suffering into something universal and who knew all about the dark stream of human cruelty and hate without being overwhelmed by it.
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È stata una lunga marcia, quella di James G. Ballard, che fino al 1984 godeva di fama e attenzione solo tra gli appassionati della fantascienza, ma che da allora in poi si è guadagnato un posto di tutto rispetto nel panorama letterario britannico. Ormai è un nome rispettato e le sue opere sono oggetto di corsi universitari, convegni accademici e saggi critici pubblicati da editori rispettabilissimi. E dire che nei primi anni Novanta il film tratto da Crash (diretto da Cronenberg) venne boicottat
È stata una lunga marcia, quella di James G. Ballard, che fino al 1984 godeva di fama e attenzione solo tra gli appassionati della fantascienza, ma che da allora in poi si è guadagnato un posto di tutto rispetto nel panorama letterario britannico. Ormai è un nome rispettato e le sue opere sono oggetto di corsi universitari, convegni accademici e saggi critici pubblicati da editori rispettabilissimi. E dire che nei primi anni Novanta il film tratto da Crash (diretto da Cronenberg) venne boicottato nel Regno Unito per la sua oscenità; e che la sua Mostra delle atrocità, sperimentale catalogo di orrori mass-mediatici, venne commentato da un editor di una casa editrice americana in questi termini: “neanche una terapia psichiatrica potrebbe aiutare quest'individuo: da non pubblicare!”
I miracoli della vita è l’affascinante autobiografia di Ballard, uscita l'anno scorso in Gran Bretagna, che aiuta a capire come lo scrittore non abbia marciato solamente dalla fantascienza alla letteratura tout court, o dall'incomprensione al riconoscimento da parte della cultura sia alta che bassa (se ancora c'è una differenza): tutta la sua vita è stata un lungo viaggio, prima da Sciangai a Shepperton (il sobborgo di Londra dove risiede dai primi anni Sessanta), e poi da Shepperton ai ricordi rimossi e offuscati della sua infanzia in Cina.
Ballard, dopo quasi trent'anni di scrittura fantascientifica e surreale aveva cominciato a rivelare il suo passato nel 1984 con il romanzo L'impero del sole (da cui il filmone di Steven Spielberg, nettamente più zuccheroso del libro ma non disprezzabile); poi aveva approfondito lo scavo autobiografico nello strano ibrido La gentilezza delle donne, del 1991, misto di fatti e finzione, a mio modesto avviso il vero capolavoro letterario dello scrittore inglese. Ma con I miracoli della vita Ballard intende mettere i puntini sulle i, e vuotare il sacco: ecco allora la sua storia, corredata da fotografie. La nascita dalla famiglia di un dirigente d'azienda recatosi a lavorare a Sciangai alla fine degli anni Venti (Ballard è del 1930) sull'onda della globalizzazione già allora rampante; l'infanzia in una metropoli folle e multinazionale, dove poteva accadere tutto e il contrario di tutto, e gli affari puliti erano in concorrenza con quelli sporchi; la socialità spensierata e alcolica dell’insediamento internazionale, dove i genitori di Ballard vivevano in stile Fitzgerald; la feroce guerra cino-giapponese nel 1937, con l'affermarsi del nazionalismo militarista nipponico; l'attacco a sorpresa nel dicembre del 1941 che umilia l'impero britannico (nel quale ormai credevano solo gli inglesi), e mette temporaneamente in scacco gli Stati Uniti; l'imprigionamento degli europei nel campo di concentramento di Lunghua, dove Ballard imparerà cos'è la bestia umana; e poi l'arrivo dell'impero americano, subito dopo Hiroshima e Nagasaki.
Dopo questo inizio rutilante (circa un terzo del libro), si passa alla paradossale scoperta dell'Inghilterra, che il piccolo Jimmy, nato e cresciuto in Cina, ignora totalmente: è l'incontro con un paese immiserito, impoverito, grigio e deprimente come l'Oceania raffigurata da Orwell in 1984. Ballard non vi si sentirà mai a casa, e cercherà altre emozioni in Canada con la RAF. Ma l'esperienza da pilota militare si rivelerà un passo falso, e proprio nello sperduto aeroporto di Moose Jaw lo scrittore scoprirà la sua vera vocazione, nelle pagine di libri di fantascienza dozzinali acquistati in edicola.
I miracoli della vita è dunque la storia di una vocazione; ma anche la testimonianza di un uomo intelligente e ironico che ha attraversato gli anni decisivi del Secolo Breve, inclusi il subbuglio controculturale degli anni Sessanta e la reazione conservatrice degli anni Ottanta. Su tutte queste stagioni della storia inglese (e del mondo) Ballard ha da dire cose del massimo interesse, con la sua solita prosa ricca di immagini originali e spiazzanti; ma soprattutto ci racconta dell'avvenuta translatio imperii tra Gran Bretagna e Stati Uniti, oltre a farci vedere le origini travagliate dell'impero cinese di oggi. Una lettura da non perdere sia per i cultori dello scrittore inglese che per quelli di voi che non l'hanno sentito mai nominare. E anche un libro di una sorprendente e inarrestabile vitalità da parte di un uomo in lotta con un male che non perdona (annunciato nelle ultimissime pagine), e che all'aggressione della morte oppone i miracoli della sua vita: i suoi tre figli, e i suoi splendidi libri.
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J.G. Ballard reminisces about his life and family, with particular attention to his childhood in Shanghai and in a Japanese internment camp, experiences that seem to have formed the basis for so much of his writing (obviously
Empire of the Sun
, but others as well). I occasionally found myself questioning some of his speculations about the inner lives and motivations of various people, including his parents and he maddeningly hints at/glosses over certain things (e.g. his single experience with L
J.G. Ballard reminisces about his life and family, with particular attention to his childhood in Shanghai and in a Japanese internment camp, experiences that seem to have formed the basis for so much of his writing (obviously
Empire of the Sun
, but others as well). I occasionally found myself questioning some of his speculations about the inner lives and motivations of various people, including his parents and he maddeningly hints at/glosses over certain things (e.g. his single experience with LSD) but he makes up for it with detailed accounts of other formative events in his life and his reactions to them. He is refreshingly unsentimental about the imagined England of A.A. Milne et al in contrast with its reality, particularly with regard to his time at Cambridge: he was far more impressed by its laboratory facilities than by its architecture and traditions. His views on science fiction and literature in general are also quite illuminating and his fond descriptions of his family can even be called heartwarming.
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A most certainly surreal exploration of Ballard's life. Far from a traditional autobiography too, which is just as well as his works as a whole are far from traditional themselves. Lunghua influenced him quite considerably and even though was probably a difficult experience he speaks of it very fondly. All in all I think this book will be a useful preamble to reading Empire of the Sun and the Kindness of Women, for the Shanghai experience is now well understood.
A memoir written during the author's final illness, Miracles lacks some of the poetic flair of Kindness of Women (a novelized version of many of the same events), but but also lacks some of the wallowing in pointless violence and unpleasant sex. JGB has many good stories to tell, and is an appealing figure...it would be fun to hear the same stories told from someone else's perspective.
https://lippenheimer.wordpress.com/20...
From his childhood in a prisoner camp in Shangai during WWII to his going back to it after a 40 years hiatus (a lovely chapter and description of how memory works), the book is a depiction of how these events influenced his major life decisions and his most famous works.
The book is divided in many chapters, each one an important year of his life telling a.o. the relation with his parents and fellow prisoners while being in the camp, the post-war England in a bourgeois family (and how to get away
From his childhood in a prisoner camp in Shangai during WWII to his going back to it after a 40 years hiatus (a lovely chapter and description of how memory works), the book is a depiction of how these events influenced his major life decisions and his most famous works.
The book is divided in many chapters, each one an important year of his life telling a.o. the relation with his parents and fellow prisoners while being in the camp, the post-war England in a bourgeois family (and how to get away from it), the wedding, the loving widow father of three, his interest for surrealism and SF (with a strong foot in the present), his relation with other writers (K.Amis gets the biggest "second role"), the sense of peace while the cancer was taking him away.
A book one would have liked to be longer, and more detailed for some parts - but the clock was ticking while he was writing it...
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At first I was a bit worried that Ballard was going to cover mostly the same ground as in "Empire of the Sun", but although accounts of his time in Shanghai during his childhood, then briefly in 1991, bracket the book, it gives a delightful chronicle of his entire life. And a happy, uneventful life it was, for the most part, which comes as a surprise when you think of the relentlessly dystopian universe depicted in his fiction. The book is so charmingly written that I finished it at one seating,
At first I was a bit worried that Ballard was going to cover mostly the same ground as in "Empire of the Sun", but although accounts of his time in Shanghai during his childhood, then briefly in 1991, bracket the book, it gives a delightful chronicle of his entire life. And a happy, uneventful life it was, for the most part, which comes as a surprise when you think of the relentlessly dystopian universe depicted in his fiction. The book is so charmingly written that I finished it at one seating, but although it's easy to read there is meat to eat and I thoroughly enjoyed his insights into British society and the clash between high-brow and popular culture. Most of his novels are too gory for my taste, but I've long suspected he was the real thing nonetheless, and reading his autobiography confirmed my hunch that he is not to be dismissed as a writer of arbitrarily lurid tales.
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Very entertaining read, a book that touches on a very wide range of subjects, like growing up in a war and the workings of the modern literary and art world. It is really well written, surprisingly easy if you consider Ballard's avant-garde status. His life has been an impressive one but he writes about it almost with understatement, with sudden parts of poetic prose. Most impressive were his descriptions of pre-war Shanghai and his experiences of growing up there, and later in life his search f
Very entertaining read, a book that touches on a very wide range of subjects, like growing up in a war and the workings of the modern literary and art world. It is really well written, surprisingly easy if you consider Ballard's avant-garde status. His life has been an impressive one but he writes about it almost with understatement, with sudden parts of poetic prose. Most impressive were his descriptions of pre-war Shanghai and his experiences of growing up there, and later in life his search for inspiration and form as a writer. The final chapter, as simple as it is, is also one of the most touching ones. It's strange to try and put a life in less than 300 pages, and ofcourse huge parts are missing, but I do feel I have gotten to know J.G. Ballard really well, from childhood all the way through to senior life. And what's more, it made me curious to read some of his novels.
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Normally I prefer biographies to autobiographies, believing - to quote Bart Simpson describing Krusty's tome - they are largely "self serving with many glaring omissions". However I would thorougly recommend Ballard's memoir.
A series of essays rather than a laborious trek through his life, Ballard describes the crucial incidents that made him as a man and him as a writer. Even though he is dealing with the more mmundane, his genius for seeing the ordinary in a truly unique way means that no chap
Normally I prefer biographies to autobiographies, believing - to quote Bart Simpson describing Krusty's tome - they are largely "self serving with many glaring omissions". However I would thorougly recommend Ballard's memoir.
A series of essays rather than a laborious trek through his life, Ballard describes the crucial incidents that made him as a man and him as a writer. Even though he is dealing with the more mmundane, his genius for seeing the ordinary in a truly unique way means that no chapter is dull.
There is a warmth here too, in both the descriptions of his childhood (I must confess, I've never read 'Empire of the Sun') and in the death of his wife and the raising of his children. And that tangiable human quality means that, even if you were once upon a time put off his work by 'Crash' or 'The Attrocity Exhibition' then this book is still worth you picking up.
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This book was pretty boring. Though Ballard describes some insanely interesting parts of his life, he always seems to leave out just the bits you want to hear about. There were probably about six pages worth of interesting statements in the entire book. Perhaps mildly more interesting to his really obsessive fans, but not interesting of itself. Not his best writing. Ho hum.
James Graham "J. G." Ballard (15 November 1930 – 19 April 2009) was an English novelist, short story writer, and essayist. Ballard came to be associated with the New Wave of science fiction early in his career with apocalyptic (or post-apocalyptic) novels such as The Drowned World (1962), The Burning World (1964), and The Crystal World (1966). In the late 1960s and early 1970s Ballard focused on a
James Graham "J. G." Ballard (15 November 1930 – 19 April 2009) was an English novelist, short story writer, and essayist. Ballard came to be associated with the New Wave of science fiction early in his career with apocalyptic (or post-apocalyptic) novels such as The Drowned World (1962), The Burning World (1964), and The Crystal World (1966). In the late 1960s and early 1970s Ballard focused on an eclectic variety of short stories (or "condensed novels") such as The Atrocity Exhibition (1970), which drew closer comparison with the work of postmodernist writers such as William S. Burroughs. In 1973 the highly controversial novel Crash was published, a story about symphorophilia and car crash fetishism; the protagonist becomes sexually aroused by staging and participating in real car crashes. The story was later adapted into a film of the same name by David Cronenberg.
While many of Ballard's stories are thematically and narratively unusual, he is perhaps best known for his relatively conventional war novel, Empire of the Sun (1984), a semi-autobiographical account of a young boy's experiences in Shanghai during the Second Sino-Japanese War as it came to be occupied by the Japanese Imperial Army. Described as "The best British novel about the Second World War" by The Guardian, the story was adapted into a 1987 film by Steven Spielberg.
The literary distinctiveness of Ballard's work has given rise to the adjective "Ballardian", defined by the Collins English Dictionary as "resembling or suggestive of the conditions described in J. G. Ballard's novels and stories, especially dystopian modernity, bleak man-made landscapes and the psychological effects of technological, social or environmental developments." The Oxford Dictionary of National Biography entry describes Ballard's work as being occupied with "eros, thanatos, mass media and emergent technologies".
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