Autobiography of Soviet-born Kirov Principal dancer Valery Panov who came to international notice in the early 1970s when he applied for exit visas for himself and his second wife Galina to emigrate to Israel. Reading between the lines one feels sure that given half the chance he would have defected but it emerges later that his first wife had warned the authorities that if he was allowed to travel with the company he would definitely defect which makes sense of the Kirov’s repeated excuses abou
Autobiography of Soviet-born Kirov Principal dancer Valery Panov who came to international notice in the early 1970s when he applied for exit visas for himself and his second wife Galina to emigrate to Israel. Reading between the lines one feels sure that given half the chance he would have defected but it emerges later that his first wife had warned the authorities that if he was allowed to travel with the company he would definitely defect which makes sense of the Kirov’s repeated excuses about not allowing him to tour. Following his application for exit visas the couple are kicked out of the Kirov for their betrayal of the homeland and shunned by the company and their friends, Panov himself is briefly imprisoned, and both are denied access to class for two years while a political battle over their future is played out on an international stage. John Cranko and one of America’s top dance critics, Clive Barnes championed the Panovs and there were political protests staged by a staggering roll call of leading theatre names of the time who fought for their release. Eventually after a two-year long wrangle involving hunger strikes and a shocking level of harassment and persecution the couple’s papers were signed and they departed Russia for Israel. I have to say, the subject is ultimately an unlikeable character, revealing his own personality flaws through his opinions of everyone else around him and his attitudes and behaviour towards those closest to him. He comes across as rather full of himself and I suspect by his failure to make himself a household name in the West as other Russian defectors did he wasn't quite such a sensational dancer as he makes out. But the account of his and his then wife’s persecution by the Soviet authorities is compulsive reading and provides a gruesomely interesting context to consider the experiences of other, more celebrated defectors, namely Nureyev (defected 1961), Markarova (1970) and Baryshnikov (1974).
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So, the main reason I own this book is that it talks a lot about the woman that I named my daughter after, Galina Panov. What an amazing journey they traveled together!