Best known for the "dead-ant" theme to the Pink Panther films, Henry Mancini also composed the music to Peter Gunn, Breakfast at Tiffany's, Orson Welles' Touch of Evil, and the Academy Award winning soundtracks to Victor/Victoria and The Days of Wine and Roses. In a career that lasted over thirty years, Mancini amassed twenty Grammy awards and more nominations than any oth
Best known for the "dead-ant" theme to the Pink Panther films, Henry Mancini also composed the music to Peter Gunn, Breakfast at Tiffany's, Orson Welles' Touch of Evil, and the Academy Award winning soundtracks to Victor/Victoria and The Days of Wine and Roses. In a career that lasted over thirty years, Mancini amassed twenty Grammy awards and more nominations than any other composer. In his memoir, written with jazz expert Lees, Mancini discusses his close friendships with Blake Edwards, Julie Andrews, and Paul Newman, his professional collaborations with Johnny Mercer, Luciano Pavarotti, and James Galway, and his achievements as a husband, father, and grandfather. A great memoir loaded with equal parts Hollywood glitz and Italian gusto.
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Paperback
,
312 pages
Published
December 17th 2001
by Cooper Square Publishers
(first published 1989)
This book has a few of the textual arranging stories I long for: like treating an Autoharp as a Zither and picking just the notes you wanted with a guitar pick as Hank does in Experiment in Terror. He plays the melody of Moon River for the first time to Johnny Mercer who says, “who’s gonna record a waltz?” – Mercer’s surprisingly clueless comment reminds me of Sean Connery who turned down the film role of Gandalf. Hank’s advice: when writing cues that fade out on screen, save your cues longer wi
This book has a few of the textual arranging stories I long for: like treating an Autoharp as a Zither and picking just the notes you wanted with a guitar pick as Hank does in Experiment in Terror. He plays the melody of Moon River for the first time to Johnny Mercer who says, “who’s gonna record a waltz?” – Mercer’s surprisingly clueless comment reminds me of Sean Connery who turned down the film role of Gandalf. Hank’s advice: when writing cues that fade out on screen, save your cues longer without the fade for the soundtrack CD that you release later. ☺ Mancini writes nice stories about his biggest hits like Baby Elephant Walk, Moon River and my favorite Cortina. He marvels that in film music just about anything works as a cue - even something musically incongruous (known as scoring against the scene). This book could really have been a lot better but if you are a major Henry Mancini fan like I am you will want to read it to simply glean more about how he thought.
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I have been an avid fan of Mr. Mancini's work for many years, and I was looking forward to reading his autobiography. I wasn't disappointed!
While co-written with jazz author Gene Lees, Henry's voice comes shining through as readers gain insight into the life of this remarkable man: his humble roots, his quirky sense of humor, his respect for those who worked for him, and the music that made him famous.
From a musical standpoint, this book is incredible! I strongly recommend having a lot of his mu
I have been an avid fan of Mr. Mancini's work for many years, and I was looking forward to reading his autobiography. I wasn't disappointed!
While co-written with jazz author Gene Lees, Henry's voice comes shining through as readers gain insight into the life of this remarkable man: his humble roots, his quirky sense of humor, his respect for those who worked for him, and the music that made him famous.
From a musical standpoint, this book is incredible! I strongly recommend having a lot of his music on hand as you read. Playing his music softly in the background while I read this book allowed me to listen with new ears. As he explains his rationale for the way his songs are written, the instruments he used, and how they reflect the movies they were used for, you'll want to have the music available to you so you can really hear what he is talking about.
Henry Mancini was truly one of a kind, and after reading this book, I can certainly agree with Gene Lees when he writes of Henry, "The world is a better place because he lived in it, but a smaller place because he left it."
This is one of the most insightful, informative and readable autobiographies I've ever read.
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I knew about Mancini's legacy and most of the amazing music he wrote, but reading about his career in his own words gave me a new appreciation of what he accomplished. Truly an American treasure.
“With the new technology that keeps entering the media, film composers are constantly being placed in new learning situations. Acknowledging this and realizing that one must keep up, I maintain, nonetheless, that the real creative power is in the mind and heart of the composer.”
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