Daughter of the River is a memoir of China unlike any other. Born during the Great Famine of the early 1960s and raised in the slums of Chongqing, Hong Ying was constantly aware of hunger and the sacrifices required to survive. As she neared her eighteenth birthday, she became determined to unravel the secrets that left her an outsider in her own family. At the same time,
Daughter of the River is a memoir of China unlike any other. Born during the Great Famine of the early 1960s and raised in the slums of Chongqing, Hong Ying was constantly aware of hunger and the sacrifices required to survive. As she neared her eighteenth birthday, she became determined to unravel the secrets that left her an outsider in her own family. At the same time, a history teacher at her school began to awaken her sense of justice and her emerging womanhood. Hong Ying's wrenching coming-of-age would teach her the price of taking a stand and show her the toll of totalitarianism, poverty, and estrangement on her family. With raw intensity and fearless honesty, Daughter of the River follows China's trajectory through one woman's life, from the Great Famine through the Cultural Revolution to Tiananmen Square.
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Paperback
,
288 pages
Published
December 6th 1999
by Grove Press
(first published 1997)
This is a difficult book to rate as it provides fascinating (and uncomfortable) detail of poverty and slums along the Yangtze River in China, but it is difficult to "like" or "admire" the author. The details are brutal about day to day life, so one learns a lot. The family mystery centers around the 6th daughter who feels she doesn't belong and feels the family doesn't like her. The main time frame of the story takes place when Hong Ying is late teens, early adulthood with flash back fill in det
This is a difficult book to rate as it provides fascinating (and uncomfortable) detail of poverty and slums along the Yangtze River in China, but it is difficult to "like" or "admire" the author. The details are brutal about day to day life, so one learns a lot. The family mystery centers around the 6th daughter who feels she doesn't belong and feels the family doesn't like her. The main time frame of the story takes place when Hong Ying is late teens, early adulthood with flash back fill in details. There is a lot of mean spirited interaction with moments of coming together. It is worth reading, but uncomfortable.
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My mom suggested me to read this book and, since she was sooooo enthusiastic about it, I decided to read it. At the beginning I found it interesting because there were lot of information about how China was during the last century, but then it turned out to be really repetitive. I mean, the girl always talks about the difficult situation of her family and the way she was treated by her sisters and brothers. Anyway I think there were two involving parts: the one aboout the history teacher and the
My mom suggested me to read this book and, since she was sooooo enthusiastic about it, I decided to read it. At the beginning I found it interesting because there were lot of information about how China was during the last century, but then it turned out to be really repetitive. I mean, the girl always talks about the difficult situation of her family and the way she was treated by her sisters and brothers. Anyway I think there were two involving parts: the one aboout the history teacher and the one about the past of her family. At first I found the story about the girl and the teacher very tender but when she explained better how they related to each other I was a little bit disappointed. The teacher turned out to be an uctuous man, not interested in her wellbeing or feelings but, to cut a long story short, he only wanted to fuck her. Maybe he saw her like a form of leisure, nothing more I suppose. On the other hand she thought she was in love with this man, but when she had grown she realised how wrong she was. At the beginning I liked the teacher very much but in the end I came to think he was unbearable.
Then, the past of her family was so complicated than I could hardly believe it, I mean it looked more like an invented story that a biography. Obviously I know that everything that it's told in this book is real,but that was the feeling I had while reading it.
I read it in Italian, and I found the translation quite terrible. I don't know if even in Chinese the story was told in that way, but reading it I was under the impression that it had been written by high school student. I don't want to be offensive and, as I said before,maybe it was all due to the Italian translation.
In conclusion I remember that my mother told me she was shocked by the way Chinese people lived during that time and before reading it I thought that it would turned out to be stunning. But I have to say that for me it wasn't so terrible. I mean, obviuosly the way they lived was dreadful but I think my mother reacted in that way beacuse she knew nothing about China during the last century. As student of Chinese and Chinese culture, I knew lot of things told in that book and I think it's why I wasn't shocked at all. In my opinion the historical facts are narrated in such a way that you can't really understand what happened during that days 'cause it seemed to me that the reader must have heard something about that to understand what the author was talking about. Maybe it was only my impression, in fact my mother doesn't agree with me.
After reading K-the art of love, I became very curious about its author and decided to read her autobiography next. It didn’t exactly tell me how she came to write K, nor how she came to write at all, but it turned out interesting nonetheless.
Hong Ying was born at Chongquing in 1962, at the end of a major famine that hit China as a result of population growth and mismanagement of the agricultural production. Thus, her novelized recollection of her childhood, culminating in discoveries about her
After reading K-the art of love, I became very curious about its author and decided to read her autobiography next. It didn’t exactly tell me how she came to write K, nor how she came to write at all, but it turned out interesting nonetheless.
Hong Ying was born at Chongquing in 1962, at the end of a major famine that hit China as a result of population growth and mismanagement of the agricultural production. Thus, her novelized recollection of her childhood, culminating in discoveries about herself that she makes on her 18th birthday, could have easily produced one of those misery memoirs that have been so epidemic in recent years.
What saves it from descending that road is the curiously detached voice of the author who never seems to pity herself or the other protagonists. She describes hunger, violence and the regular sight of dead bodies floating down the river with equal emotional detachment, making the reader wonder whether this is a natural defence that children develop when they grow up in horrific circumstances, or whether there is an Asperger gene or two at play. For a teenage girl, our heroine cares remarkably little about what other people think. She sometimes even muses about her own detachment and aloofness.
Driven by her quest to solve the mysteries of her past, this story is quite gripping, even though the signposting often gives the events away beforehand. Most of all, it makes readers born at around the same time in a different place (like me, for example), consider ourselves very lucky indeed. What we now need from her is a sequel telling us how she escaped from the life of misery that could have become her destiny, and how she became a writer recognized around the world.
I felt as though this author was dangling a carrot in front of me through the entire book and taking me through a maze to reach said carrot. I realize that this book was translated from Chinese, but I felt that the story jumped around too much from event to event. While reading it was difficult to see how the events connected. That being said, I learned more about China and how difficult life was there in the 1970 adn 1980s. A review compared this book to Angela's Ashes and I can see how the rev
I felt as though this author was dangling a carrot in front of me through the entire book and taking me through a maze to reach said carrot. I realize that this book was translated from Chinese, but I felt that the story jumped around too much from event to event. While reading it was difficult to see how the events connected. That being said, I learned more about China and how difficult life was there in the 1970 adn 1980s. A review compared this book to Angela's Ashes and I can see how the reviewer made that link. What made this book a challenge to read is that the deplorable living conditions in Angela's Ashes took place long before I was born. The horrors of Daughter of the River mostly took place while I was alive. It is hard to reconcile my mind to the fact that right now, life is such a challenge for people in so many parts of the world.
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if you have less knowledge about chinese culture you can hardly understand this book,the pain,the poverty,the quiet,the raging the hatred and even love .
I had a hard time connecting with the author and the choices she made,or the things she were feeling.She writes in a way that somewhat distanced me as a reader from the story. And not only me but I feel she was apart from the other persons in the book,almost numb.I know her living conditions were pretty harsh so she might have been densesitized,judging by the way she describes the squalor of where she lived and sicknesses and violence.
The whole book is like under a cloud of painful memories and
I had a hard time connecting with the author and the choices she made,or the things she were feeling.She writes in a way that somewhat distanced me as a reader from the story. And not only me but I feel she was apart from the other persons in the book,almost numb.I know her living conditions were pretty harsh so she might have been densesitized,judging by the way she describes the squalor of where she lived and sicknesses and violence.
The whole book is like under a cloud of painful memories and depressing recollections.
It was also hard to follow at times since the narration jumps from the past the present and back again.
I started this as a companion text to 'Chinese Cinderella' and it shows a very different perspective of China. The writer comes from a desperately poor family who struggle to send her to school. The details of life in the slums is stomach-turningly graphic. She was a child of the great famine and there were rumours that dumplings were made from human flesh... Her world is a far cry from Adeline's loveless yet very priveleged life, and for that it is interesting. But Hong Ying simply does not com
I started this as a companion text to 'Chinese Cinderella' and it shows a very different perspective of China. The writer comes from a desperately poor family who struggle to send her to school. The details of life in the slums is stomach-turningly graphic. She was a child of the great famine and there were rumours that dumplings were made from human flesh... Her world is a far cry from Adeline's loveless yet very priveleged life, and for that it is interesting. But Hong Ying simply does not come across as a nice and inspiring person as Adelien Yen Mah, and so it does not leave you with the uplifting glow of CC.
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interesting parts of dialogue about the effects of politics of the people in the slums of a large Chinese City. I did not enjoy the parts of self criticisms and pessimistic thought
I didn't like this book as much as I found it interesting and worth reading and thought provoking. The first half was slow but the last quarter was so strong and loaded it made up for it.
This is an amazing memoir of a woman who grew up in extreme poverty in Chongqing during the difficult famine of the 1960s. I was impacted by the extreme efforts required to make a living and the horrible living conditions. This is a story of urban poverty in China. I was completely mesmerized by this story.
Hong Ying takes me on a journey to discover both herself and her past. I'm amazed at how much I learned about Chinese culture, beliefs, traditions, values, and morals. I just wonder what is the fate of her family now? Did they ever find release from such grinding poverty? And, lastly I hope her "natural " father rest in peace. He lived for her!! She was just way to harsh...
I loved this book, was right there with her as her writing just put me in her world. No one sums up the years of Mao, the Cultural Revolution, the famine, and all the political upheaval more succinctly than Hong.
I enjoyed the look into the daily remembrance from some one growing up in China during 1970-80's. It was a bit disjointed in the telling but overall a good book.
Hong Ying was born in Chongqing in 1962, towards the end of the Great Leap Forward. She began to write at eighteen, leaving home shortly afterwards to spend the next ten years moving around China, exploring her voice as a writer via poems and short stories. After brief periods of study at the Lu Xun Academy in Beijing and Shanghai’s Fudan University, Hong Ying moved to London in 1991 where she as
Hong Ying was born in Chongqing in 1962, towards the end of the Great Leap Forward. She began to write at eighteen, leaving home shortly afterwards to spend the next ten years moving around China, exploring her voice as a writer via poems and short stories. After brief periods of study at the Lu Xun Academy in Beijing and Shanghai’s Fudan University, Hong Ying moved to London in 1991 where she as writer. She returned to Beijing in 2000.
Best known in English for the novels K: the Art of Love, Summer of Betrayal, Peacock Cries, and her autobiography Daughter of the River, Hong Ying has been published in twenty- nineteen languages and has appeared on the bestseller lists of numerous countries, she won the Prize of Rome for K: the Art of Love in 2005 and many of her books have been or are now in the process of being turned into television series and films.
Hong Ying has long been interested in the stories of homosexuals living in China, a theme explored here and in her short story collection, A Lipstick Called Red Pepper: Fiction About Gay and Lesbian Love in China 1993-1998. In her work, she likes to focus on human stories, hardship and history. Her responsibility as a writer, she believes, is in part to explore the lives of marginalised groups struggling for visibility – and for compassion – in contemporary China.