2012 Reprint of 1960 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. "Chapters from a Floating Life" (also translated as "Six Records of a Floating Life") is an autobiographical novel by Shen Fu (1763 - 1825) who lived in Changzhou (now known as Suzhou) during the Qing Dynasty. The six chapters are, namely, Wedded Bliss,
2012 Reprint of 1960 Edition. Exact facsimile of the original edition, not reproduced with Optical Recognition Software. "Chapters from a Floating Life" (also translated as "Six Records of a Floating Life") is an autobiographical novel by Shen Fu (1763 - 1825) who lived in Changzhou (now known as Suzhou) during the Qing Dynasty. The six chapters are, namely, Wedded Bliss, The Little Pleasures of Life, Sorrow, The Joys of Travel, Experience (missing), and The Way of Life (missing). Only four of its six parts survive. The Fifth and Sixth parts claimed to have been found were declared to be fraudulent by scholars. The word "Floating Life" comes from a poem of Tang poet Li Bai ( ...Floating life just like a dream, how much fun can we have?). The autobiography is a compelling blend of autobiography, love story and social document written by a man who was educated as a scholar but earned his living as a civil servant and art dealer. In this intimate memoir, Shen Fu recounts the domestic and romantic joys of his marriage to Yun, the beautiful and artistic girl he fell in love with as a child. He also describes other incidents of his life, including how his beloved wife obtained a courtesan for him and reflects on his travels through China. Shen Fu's memoir shows six parallel layers' of one man's life, loves and career, with revealing glimpses into Chinese society of the Ch'ing Dynasty.
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Paperback
,
132 pages
Published
July 1st 2012
by Martino Fine Books
(first published 1809)
In the first lines of this book, Fu Shen apologizes for he is not a very skillful writer. This modesty is unbecoming of him, for
Six Records of a Floating Life
is a charming and well-crafted recollection of ordinary life in a distant place and time. He makes it real.
The title is unfortunately not accurate - though Fu Shen may have written six short pieces on his 'floating life', only four survive. The rest appear to have been lost to history.
The main focus of these reminisces is the story of Fu
In the first lines of this book, Fu Shen apologizes for he is not a very skillful writer. This modesty is unbecoming of him, for
Six Records of a Floating Life
is a charming and well-crafted recollection of ordinary life in a distant place and time. He makes it real.
The title is unfortunately not accurate - though Fu Shen may have written six short pieces on his 'floating life', only four survive. The rest appear to have been lost to history.
The main focus of these reminisces is the story of Fu Shen's arranged marriage with his cousin, Chen Yun. Arranged marriages would be loveless affairs, but this is the exception because the two are truly in love with each other. They enjoy each others' conversation, they sneak off to festivals together, and even share dirty jokes. Their life together is charming and happy, even with the impediment of Fu Shen's own meager salary. They decorate the house, with Fu Shen happy to chatter about the details of flower arrangement, cooking, or wine with friends.
Though this love story is timeless, there are some jarring reminders that we are in a different time and place. The sale of a young daughter into marriage to pay debts is ordinary. So is the unquestioned use of concubines or Chen Yun's bound feet. Or even when Fu Shen speaks on the wonder of his relationship - that he had found another man in a woman's body. A telling remark, that.
(view spoiler)
[The chapter on Chen Yun's death is heartbreaking. You feel his grief, as they both try and keep calm and stoic faces even as she passes away. You feel their loss.
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]
The last chapter is a long rambling tour of the Chinese countryside, taken by Fu Shen on his official business trips. His reach is long and wide, and delves into obscurer places and landmarks. Even if you know the basics like where Guangzhou and Lake Tai are, many of these stops will easily elude you. I had to look up pictures of the surviving ones. This last chapter is a fine travelogue of faraway lands.
We don't know what happened to Fu Shen after this book was finished. There is no known date of death, nor any portraits of him or his wife. Yet in these short pages I felt a genuine connection with this man who lived and died long ago. Their lives are told with such emotion and candor that they are like poetry. I feel I will miss them.["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>["br"]>
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been married off to your first cousin at seventeen?
been thrown out of the house for "mishandling arrangements to obtain a concubine" for your father-in-law?
been obsessed with the idea of finding a concubine for your husband?
tried to purchase an underage singsong girl to be a concubine to
both
yourself and your husband?
wasted to death because you failed to arrange for a live-in threesome relationship with your husband and his concubine?
If you answer “yes” to any of these questions
Have you ever...
been married off to your first cousin at seventeen?
been thrown out of the house for "mishandling arrangements to obtain a concubine" for your father-in-law?
been obsessed with the idea of finding a concubine for your husband?
tried to purchase an underage singsong girl to be a concubine to
both
yourself and your husband?
wasted to death because you failed to arrange for a live-in threesome relationship with your husband and his concubine?
If you answer “yes” to any of these questions then you might have been a protagonist in this book, one of imperial China's most romantic love story, an 18th century memoir written by Shen Fu about his wife, Yun. The circumstances might seem odd to us, but it’s not difficult to understand why generations of Chinese, repressed by thousands of years of paternalistic culture, consider it to be romantic. Shen, an itinerant scholar who was chronically unemployed for much of his working life, wrote about his conjugal life with an intimate candor that was rare for his times. No, he didn’t write about that kinky threesome with the underage concubine --- it was a scheme that never came through, though I wonder whether Yun really wanted it, since we only see her through her husband’s perspective. Instead, there are scenes of him and Yun whiling away a moonlit night by drinking wine and reciting Tang poetry. Chrysanthemums bloomed around their modest, economy-sized cottage, and the ever resourceful Yun, an orphan who raised herself and her brother by taking in needlework, contrived to make movable screens out of live flowers. Shen himself is an aesthete who could devote pages on the correct way to display flowers (“When putting chrysanthemums in a vase one should select an odd number of flowers…”) and burning incense (“Buddha’s Hands should not be smelled by someone who is drunk, or they will spoil”). These scenes are among the most charming of this occasionally disjointed, rambling memoir, though I also find it rather disturbing that Shen managed to devote so much more pages to these pursuits than to their young children (who, due to their parents’ poverty and outcast status, had to be taken away to be raised by others). Shen and Yun’s lives are tragic, and their idea of marital happiness is at odds with our modern notions, yet ultimately it is their upbringing that is the strangest thing of all. The Chinese were determined that government officials should be scholars first and bureaucrats second. One of the largest empires in the history of the world was administered by a small group of men, who had not the slightest training in administration, and who knew more about the poetry of a thousand years before than they did about tax law. Imagine the government being ran by a bunch of English majors! This idea seems to me both daft and endearing at the same time --- and the real tragedy of Shen’s life (and others like him, and ultimately imperial China itself) is that at the end this is simply just not enough.
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Travelin
Well, let me put it this way: if the west ever gets to the point where I'm forced to marry one of my male cousins, I will spend a lifetime trying to g
Well, let me put it this way: if the west ever gets to the point where I'm forced to marry one of my male cousins, I will spend a lifetime trying to get him concubines or wives instead.
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Oct 18, 2014 04:30AM
Grace Tjan
Hmm...but even in feudal China they never force males to marry their male cousins....
Oct 18, 2014 06:03AM
Well, actually it's only four records (unless one counts a forgery). Shen Fu was completely unremarkable in public -- enough so that no one knows how he died -- but his memoir, unusually candid and personal for Chinese literature, reverals him as a creature of intense feeling. He is admired for the loving portrait of his wife that this book includes, but he was also a man capable of devoting more pages to the handling of flowers than to his two children. Still, this is perhaps the most immediate
Well, actually it's only four records (unless one counts a forgery). Shen Fu was completely unremarkable in public -- enough so that no one knows how he died -- but his memoir, unusually candid and personal for Chinese literature, reverals him as a creature of intense feeling. He is admired for the loving portrait of his wife that this book includes, but he was also a man capable of devoting more pages to the handling of flowers than to his two children. Still, this is perhaps the most immediate of Chinese books, and Shen Fu makes clear that his life as an intinerant and sometimes poverty-stricken secretary to other Qing dynasty officials was, if not rich, at least varied. It is in the unobtrusive details that Shen Fu's world becomes most vivid, as when his adored wife seems to take a concubine, when she annoys her in-laws by referring to them in the less-than-preferred way in a letter intended for him, when the author speaks of Chinese nobles so poor they sell their underwear. It's an impressionistic, haphazard portrait, sometimes intense, sometimes unfocussed, but at its best, it makes that vanished come alive like nothing else.
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This was written in the late 1700s and early 1800s by a Chinese man who drifted between various clerical and artistic jobs.
Only four of the original six chapters exist, and it makes a very different style of storytelling: each chapter is thematic, and chronological within, but the book overall is not chronological, so some episodes are described in different chapters, in different ways (layers of floating records). It works very well, though the various notes, maps and appendices in this edition
This was written in the late 1700s and early 1800s by a Chinese man who drifted between various clerical and artistic jobs.
Only four of the original six chapters exist, and it makes a very different style of storytelling: each chapter is thematic, and chronological within, but the book overall is not chronological, so some episodes are described in different chapters, in different ways (layers of floating records). It works very well, though the various notes, maps and appendices in this edition are very helpful too.
The four chapters concern his courtship and marriage; their hobbies and pastimes (mainly horticultural); the problems that beset them (ill health, un(der)employment, financial woes), and the author's travels. The last one is particularly good if you're familiar with Suzhou/Shanghai area, but perhaps less engaging if you're not.
It gives a fascinating insight into real lives of the period, because it is an authentic voice of that time. Very different from reading a modern historical novel, however well researched. Shen Fu isn't entirely likeable (though you have to admire his honesty), but his wife is delightful: bright, cheeky, slightly rebellious yet happy to help him find a concubine.
I read it in a day and whilst I wasn't rushing (it's pretty short), there is a beauty to it that really justifies a more leisurely approach.
After this, read The Red Thread by Nicholas Jose, in which a contemporary art dealer tracks down the missing chapters and notices echoes between the book and his life. See
https://www.goodreads.com/review/show...
.
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Guinness World Record for This Floating Life on GoodReads
Click below to find out whether you (or your nominee) won the Guinness World Record for floating the most old GoodReads reviews in the last twelve months:
(view spoiler)
[Sorry. Counting is still under way, but you'll always be right, if you're the judge!
(hide spoiler)
]
["br"]>["br"]>["br"]>["br"]>["br"]>
I loved this book for several reasons. It is a rare and frank account of a failed literati during the Qing Dynasty; Shen Fu writes in an astonishingly intimate and emotional manner for his time and his upbringing giving the reader a glimpse into a world long gone. Despite the fact that Shen Fu believes he is a poor writer, his writing is lyrical, stark and incredibly romantic. Shen Fu, for all of his faults (and there are many), preserved for the ages the romance between himself and his wife Yun
I loved this book for several reasons. It is a rare and frank account of a failed literati during the Qing Dynasty; Shen Fu writes in an astonishingly intimate and emotional manner for his time and his upbringing giving the reader a glimpse into a world long gone. Despite the fact that Shen Fu believes he is a poor writer, his writing is lyrical, stark and incredibly romantic. Shen Fu, for all of his faults (and there are many), preserved for the ages the romance between himself and his wife Yun who really is the star of this story of this story. I had to wonder while reading, how the story would be different if it was written from her point of view, she was such a complex woman, far more so than the flighty Shen Fu.
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When I read Chaucer for the first time, I thought "how contemporary this all is!" And when I read Shen Fu, I came to realize that he was a sort of Jack Kerouac of late 18th Century China. He:
--Has a badass wife who recites poetry
--Tries to pick up young women
--Spends a lot of time traveling around with his bros looking for Enlightenment and getting hammered
For those of you who are often confounded by the icy rigidity of so much classical Chinese prose, don't worry. Shen Fu is actually a pretty g
When I read Chaucer for the first time, I thought "how contemporary this all is!" And when I read Shen Fu, I came to realize that he was a sort of Jack Kerouac of late 18th Century China. He:
--Has a badass wife who recites poetry
--Tries to pick up young women
--Spends a lot of time traveling around with his bros looking for Enlightenment and getting hammered
For those of you who are often confounded by the icy rigidity of so much classical Chinese prose, don't worry. Shen Fu is actually a pretty great storyteller, and aside from the specific references, this could be a modern novel.
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Interesting book. It's a little slow and the chapter on travelling is not very interesting (this garden in this city you've never heard of is better than this other garden in another city you've never heard of). The first three chapters on marriage, lesiure and sorrow are worth reading. It gives insight into what makes up a man's life.
I wouldn't strongly recommend this book, but since it's only about 150 pages, its not much of a time investment if you're interested in life in China in the late
Interesting book. It's a little slow and the chapter on travelling is not very interesting (this garden in this city you've never heard of is better than this other garden in another city you've never heard of). The first three chapters on marriage, lesiure and sorrow are worth reading. It gives insight into what makes up a man's life.
I wouldn't strongly recommend this book, but since it's only about 150 pages, its not much of a time investment if you're interested in life in China in the late 18th and early 19th century.
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Story about a bad time-management average-intelligence Chinese man in semi-recent China. I would've liked the book more if the author didn’t talk like a 7 year old through most of it. Good love story with his wife, stupid political story about his losing his jobs and how tradition and family values made his family disown him (two or three times I don’t remember) Like Ethan Frome, everyone's life would’ve been better if he had gone for the dignity of just ending it. But then the book would never
Story about a bad time-management average-intelligence Chinese man in semi-recent China. I would've liked the book more if the author didn’t talk like a 7 year old through most of it. Good love story with his wife, stupid political story about his losing his jobs and how tradition and family values made his family disown him (two or three times I don’t remember) Like Ethan Frome, everyone's life would’ve been better if he had gone for the dignity of just ending it. But then the book would never have been written.
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Fu Shen comes across as an unpretentious man who is merely interesting in the unpretentious appreciation of things. These include the arts, the places he travels too, but most importantly his deep and passionate love for his wife.
Of the four surviving chapters, the first one was the best. It's about the married life that Fu Shen shared with his wife Yun and their many happy moments. (He saves the unhappy moments for the third chapter.) He renders Yun with a magnificent eye for detail - the sheer
Fu Shen comes across as an unpretentious man who is merely interesting in the unpretentious appreciation of things. These include the arts, the places he travels too, but most importantly his deep and passionate love for his wife.
Of the four surviving chapters, the first one was the best. It's about the married life that Fu Shen shared with his wife Yun and their many happy moments. (He saves the unhappy moments for the third chapter.) He renders Yun with a magnificent eye for detail - the sheer amount of attention he paid to her habits, her attitudes, and her movements speaks to his great love. He sets her in a world that responds to their love, the beautiful places they went and things they did.
Take this cute paragraph from the earlier part of their marriage as an example:
"Whenever we would meet in a darkened room or a narrow hallway of the house, we would hold hands and ask 'Where are you going?' We felt furtive, as if we were afraid that others would see us. In fact, at first we even avoided being seen walking or sitting together, though after a while we thought nothing of it. If Yun were sitting and talking to someone and saw me come in, she would stand up and move over to me and I would sit down beside her. Neither of us thought about this and it seemed quite natural; and though at first we felt embarrassed about it, we gradually grew accustomed to doing it. The strangest thing to me then was how old couples seemed to treat one another like enemies. I did not understand why. Yet people said, 'Otherwise, how could they grow old together?' Could this be true? I wondered."
Fu's decision to tell his life in separate "records" seems to me a felicitous one. First of all, you don't have to jump around to stuff all the time; he stays on topic (even if the topic is pretty broad, like his chapter all about travelling). Secondly, instead of there being too much detail moving as a snails pace, you get to see part of the story one way through, and the same situation with more details or a different context the next time through. It adds a lot more interest. It's like walking through a city.
The only reason I take a star off is that (except for the first chapter) there are too many boring stretches. There are definitely points at which I feel I'm hearing about the most important things in a man's life; and there are points at which I feel I've been cornered at a party by a man who wants to tell me about his tedious hobbies. The final chapter on travels was an almost comical alternation between sheer beauty and sheer tedium, sometimes more than once on a single page.
As something of an outsider when it comes to Chinese literature, I feel like this book has given me a good entry into the literary values of the time. Unlike more 'popular' works like the Three Kingdoms, there is a deep sense of aesthetic attention in Six Records. And unlike the poetry I've read, it's put together in a social context that partially explains its appeal.
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Shen Fu's Six records of a Floating Life is too short! Granted two chapters have gone missing since it was written in 1806 I wish there was more. I loved it so much. Well all except the bit about flower arranging and landscaping though I could understand why it was in there. It was a very touching autobiography of the life of a man livining in late 18th Century China who was usually broke but sometimes worked for the government, sometimes as an art dealer, but mostly just sat drinking with his w
Shen Fu's Six records of a Floating Life is too short! Granted two chapters have gone missing since it was written in 1806 I wish there was more. I loved it so much. Well all except the bit about flower arranging and landscaping though I could understand why it was in there. It was a very touching autobiography of the life of a man livining in late 18th Century China who was usually broke but sometimes worked for the government, sometimes as an art dealer, but mostly just sat drinking with his wife and his friends discussing the finer things in life.
I loved reading about his drinking escapades, he did seem to be a bit of a drunk. Frequently talking about pawning items to buy wine. How being able to buy wine for entertaining your friends was the only reason you needed money. I liked the comment his wife made one time when he returned and she said, "are you very drunk again?"
She was by far the best part of the book. I do believe the woman had a little bit of a bisexual side. To start with there was the reference to her two best friends who used to sleep over and kick her husband out of her bed. Then she got in trouble with her husbands family for being a sworn sister of a sing-song girl. She was trying to get the girl to be a concubine for her husband but admitted she was really doing it because she was in love with the girl herself. The girl ended up being married to someone who had a great deal of money and his wife died of a broken heart. She also wrote poetry and loved old books. Fu talked about how she would collect old books and take them apart and have them rebound and how she did the same for calligraphy. Oh what a lovely hobby! (Particularly as the books were old in the late 18th century in China).
And then there was the time Fu convinced her to dress up like a man so she could sneak into the temple for the festival. She had to practice walking as a man, and managed to pull it off until she went over to chat to a group of women and accidentally touched one and got in trouble till she revealed her true identity. Fu wished she'd been born a man so they could go traveling together, but alas she never lived that long. They decided that in their next life she would get to be born the man and he the woman. It was all terribly romantic and tragic.
Fu also wrote lovely descriptions of his visits around China. My favourite was when he went to Canton and visited the brothels there. He complained that none of the women understood him and they all looked strange. Eventually he found a boat that catered to Northern tastes and upon finding a woman he liked his first thought was, "oh I wish my wife were here". He stayed with the prostitute for 4 months, he was very proud how little it cost him, and how well he treated her. But at the end he left he said the madam was too pushy, but I think the real reason was he just didn't have the money to pay for her. (He was perpetually broke). It was quite touching how he described the hard lives of the boat women. However this didn't stop him from abandoning his favourite, or doing anything to help her once he found out she had attempted suicide several times since he left.
It was a lovely book. Romantic, decadent and holding a true appreciation for nature and beauty...and wine.
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The book is really Four Records of a Floating Life, the last two records do not survive. It is autobiography, but it is divided into different themes, and whilst each of these records is chronological they overlap one another. The author Fu Shen was a minor bureaucrat with a failed career.
The book is very much of its time and place. The necessity of having a concubine for purposes of social climbing (and of course sex), foot binding and so on is taken for granted. The Chinese apparently consider
The book is really Four Records of a Floating Life, the last two records do not survive. It is autobiography, but it is divided into different themes, and whilst each of these records is chronological they overlap one another. The author Fu Shen was a minor bureaucrat with a failed career.
The book is very much of its time and place. The necessity of having a concubine for purposes of social climbing (and of course sex), foot binding and so on is taken for granted. The Chinese apparently consider the work to be a great love story and this is fair. The love story is a love story between Fu Shen and his wife Chen Yun. The fact that they both accept concubinage should not hide the beauty of the description of their love and the genuine portrait of the realities of wedded love. Their story is a moving one.
The book also concerns travels and hardship and hobbies. Each of the chapters are divided by theme and to some degree by a mood with each theme - love, delight, sorrow, wonder. The book has a delicate feel to it which we might associate with Chinese writing, but it is only true of some of it. It is informed by poetry, the writing is wonderful.
Some people feel that Fu Shen is not that likeable. I found him likeable, but flawed. In many ways he is a small man lost in a big world and I found this charming, although he is certainly a very flawed individual.
I do not know if Fu Shen is really clever enough to put this work amongst the very greatest works of all time, or anything like that, but it is well worth reading.
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I loved this book, an autobiography of a clerk in China circa 1810 set in Souzhou. He is in love with his wife, has courtesans, deals with his demanding family, and is always at a loss for money, but usually finds a way to go out with his friends. A great view of an artistic family of the time.
I loved this book. The translation is super awkward and exotifies everything Shenfu writes in charming ways.
-There are also great differences between our modern ideas and Shen Fu's of just what a book ought to be. The Six Records is not the chronologically constructed tale that we are now used to reading. Instead, Shen Fu takes particular topics and follows them each through his life, one at a time; the book is thus intended to be six different layers that add up to a 'floating life', each laye
I loved this book. The translation is super awkward and exotifies everything Shenfu writes in charming ways.
-There are also great differences between our modern ideas and Shen Fu's of just what a book ought to be. The Six Records is not the chronologically constructed tale that we are now used to reading. Instead, Shen Fu takes particular topics and follows them each through his life, one at a time; the book is thus intended to be six different layers that add up to a 'floating life', each layer having little regard for its relationship to any other. Where we expect transitions, Shen Fu gives us few, and where we expect logical explanations he often gives us none. Sentences frequently stand almost by themselves.
-Frequently, however, the li was less a measure of distance than it was a measure of effort required to cover a given distance; an uphill road would measure more li on the ascent than it would on the descent.
-Criticism of my writing would be like the shining of a bright light into a dirty mirror.
-I had a chance to see her poems that day, and though I sighed at her brilliance I privately feared she was too sensitive to be completely happy in life.
-The surface of the stream was as bright as a mirror, but we saw not a thing. We only heard the sound of a duck running quickly along the river bank. I knew that the ghosts of people who had drowned often appeared by the river near the Pavilion of the Waves, but I was worried that Yun would be afraid and so I did not dare tell her. ... The flame in the lamp was as small as a bean, and the curtains around the bed cast shadows that writhed like snakes...I caught the same fever, and we were ill for twenty days. It is true what people say, that happiness carried to an extreme turns into sadness. The events of that day were another omen that we were not to grow old together.
-But I drew her out, as a man will use a blade of grass to encourage a cricket to chirp, and she gradually became able to express herself.
-This she called 'double-delicious sauce', and it was very good. One day I said to her, 'At first I did not life any of these things, but now I have come to like all of them very much. I cannot understand why.' 'If you like something', said Yun, 'you don't care if it's ugly.'
-Townspeople gathered like ants to watch the spectacle, and a fence had to be put up under the eaves of the temple to keep them out.
-When I was small I could stare directly at the sun with my eyes wide open. I could see the smallest things clearly and often took an almost mystic pleasure in making out the patterns on them.
-Since growing up I have sometimes thought that the battle of the two insects was probably an attempted rape. The ancients said, 'Rapists deserve death.' I wonder, was this why the insects were eaten by the toad?
-One day while I was absorbed in my imaginary world, my egg was bitten by an earthworm (In Soochow we call the male organs eggs), so that it swelled up and I could not urinate. The servants caught a duck, and were forcing it to open its mouth over the wound, when suddenly one of them let go of the bird. The duck stretched out its neck as if to bite me there, and I screamed with fright. This became a family joke. These were all things that happened to me when I was small.
-Often people will thoughtlessly pick up and smell something fragrant that is part of an arrangement, and then just as thoughtlessly put it back; these are people who do not understand decoration.
-I kept the place spotless, and neither dominated the conversation nor objected to a casual atmosphere.
-First she would call for water, then she would want soup. The family began to grow weary of her.
-'Once it was rice porridge that brought us together,' she said, 'and now it is rice porridge that sends us away. If someone wrote a play about it, he could call it THE ROMANCE OF THE RICE PORRIDGE.'
-In our eagerness for immortality, we have only incurred the wrath of the Creator, and brought on our troubles with out passion. Because you have loved me too much, I have had a short life!
-When I shut my eyes it feels as if I'm floating, as if I were walking in the mist. Is my spirit leaving me, while only my body remains?
-And whose fault was it that she died? It was my fault, what else can I say? I would advise all the husbands and wives in the world not to hate one another, certainly, but also not to love too deeply. As it is said, 'An affectionate couple cannot grow old together.'
-Some people have even had things stolen while they were out of the house avoiding the ghost.
-I like to have my own opinion about things and not pay attention to other people's approval or disapproval. In talking about poetry or painting, I am always ready to ignore what others value and to take some interest in what others ignore.
-Why record these unhappy events here? I rely, I record them because it was from this time that I abandoned scholarship and began my wanderings.
-We never quarreled, and he was the second close friend I have had in this life. The pity is that we only met like bits of duckweed drifting on the water, and were not together for long.
-The madam of the first boat we called at was called the Lady with the Combed Hair. On her head was a hollow framework of silver wire about four inches high around which she wound her hair, and with a long hairpin she had fixed a flower behind one ear.
-Some had red jackets and green trousers, others green jackets and red trousers. Still others wore short stockings and embroidered butterfly shoes, or were barefoot and wearing silver anklets.
-Her father had died, her mother remarried, and she had been sold by an evil uncle.
-When we were drinking he would play only finger games because he knew nothing of literature, and when we were singing he would only shout because he could not carry a tune. After he had been drinking, he would order his workers to stage fights to entertain us.
-If angered by unfair treatment they became wilder than wolves or tigers, but if spoken to pleasantly as equals they quickly turned submissive. They lived according to the wind and the rain, the dark and the light, as men did in greatest antiquity.
Recommends it for:
People interested in Chinese history *beyond* the imperial court
An illuminating look at life among the not-quite-elite at the apogee of the Qing dynasty.
Shen Fu was a late eighteenth-century private secretary in various local government offices in the Suzhou area. This is a series of diary-like (except not chronological) observations he made about his life. The private secretaries were the ones who helped the magistrates and other provincial officials carry out their tasks. Their job was very important, since the provincial officials they worked for were of
An illuminating look at life among the not-quite-elite at the apogee of the Qing dynasty.
Shen Fu was a late eighteenth-century private secretary in various local government offices in the Suzhou area. This is a series of diary-like (except not chronological) observations he made about his life. The private secretaries were the ones who helped the magistrates and other provincial officials carry out their tasks. Their job was very important, since the provincial officials they worked for were often unfamiliar with the area and sometimes even ignorant of the local dialect. These guys had studied for the civil service exams but generally not passed even the lowest tier of them. So they were literate, but not successful.
Even though these guys (unlike the provincial officials) generally stayed in the same area during their careers and became very familiar with (not to say entrenched in) it, yamen secretary does not seem to have been a particularly stable lifestyle, at least not in Shen Fu's case. He seems to have had a lot of problems with debts of various kinds.
The neat thing about this book is that it is at once very familiar and very foreign. Lots of the things Shen Fu writes about, in a wonderfully frank and personal tone, are things the reader can relate to: passionate love, financial troubles, bickering relatives, bureaucratic corruption, delight in a good meal, etc. But others are historically particular. For example, when they're in a hard spot, Shen Fu and his wife give their underage daughter to the family of her betrothed, so that the family can raise her (and have a maid) until it's time for the marriage. And when Shen Fu's father dies, he beats his head on the coffin until he bleeds--demonstrative filial piety being the usual, and expected, behavior. The combination of familiar and foreign elements makes this a great way to immerse yourself in a fascinating historical period.
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I took a trip to Suzhou this July, and I read this (a large portion of which takes place there) shortly after I returned to Beijing. I wish I had read it before the trip!
In any case, this is the incomplete account of a man rising and falling and rising again to grace in the literary and political circles of his time. Although a large section is about his wife (who his family dislikes, and who dies), by the end of the fourth (and final) chapter, I thought the main subject of the book was the guy'
I took a trip to Suzhou this July, and I read this (a large portion of which takes place there) shortly after I returned to Beijing. I wish I had read it before the trip!
In any case, this is the incomplete account of a man rising and falling and rising again to grace in the literary and political circles of his time. Although a large section is about his wife (who his family dislikes, and who dies), by the end of the fourth (and final) chapter, I thought the main subject of the book was the guy's cluelessness.
This is a fun read, and if you've been to Suzhou you can try to imagine the scenery. The characters are interesting enough, and their stories are engaging. However, Lin Yutang (the eccentric translator) once compared this (favorably - very honest) against Su Shi (unfavorably - too stylized). Mr Lin, I disagree. The book is incredibly stylized, although I at least think that the author didn't realize it.
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This is one of those novels you want to linger through because it's so reflective (and the extensive notes at the back are totally necessary, so count on each page taking 2x as long to read). Despite plenty of normal guy things (boozing with the bros, mid-level clerical job, hitting on ladies) Shen Fu is anything but your average guy. He did DIY projects with his wife, reflected on the social position of women at the time, and loved growing flowers. He literally spent 10+ pages detailing the way
This is one of those novels you want to linger through because it's so reflective (and the extensive notes at the back are totally necessary, so count on each page taking 2x as long to read). Despite plenty of normal guy things (boozing with the bros, mid-level clerical job, hitting on ladies) Shen Fu is anything but your average guy. He did DIY projects with his wife, reflected on the social position of women at the time, and loved growing flowers. He literally spent 10+ pages detailing the ways to grow local blooms. (< That was the only part of the book I sort of had enough of. It reminded me of bit in Moby Dick where Melville carries on about the variety of whales for ages)
The rest of the book is pure gold though. A unique look inside the average life of an average Chinese man in the later part of the 1700s. It's reflective, uniquely told (esp. for Chinese lit) and really beautiful. Funny, sad, everything.
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I am rather amused while reading the reviews about this book, especially those who have rated only two stars. I think that it is reasonable enough to assume that those who rated 5 stars, are strongly influenced by the fame of Yutang Lin, the name of the translator. Although it is fair enough to say that the love story which was depicted in the text is 'interesting', nevertheless, to my personal point of view, a woman who can not give wise advise to her husband in order to lead a sensible and mor
I am rather amused while reading the reviews about this book, especially those who have rated only two stars. I think that it is reasonable enough to assume that those who rated 5 stars, are strongly influenced by the fame of Yutang Lin, the name of the translator. Although it is fair enough to say that the love story which was depicted in the text is 'interesting', nevertheless, to my personal point of view, a woman who can not give wise advise to her husband in order to lead a sensible and more enjoyable life in both material and spiritual ways, but rather make stupid actions which have ruin effect instead, I would not consider that she is worth the word 'lovely'. At the same time, I also understand why are there so many readers who do not consider that the travel jounal was well written. Various unfamiliar names of places with relatively similar scenarios, would be a good reason to bring the sense of boredom.
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Kai
I always like the book reviews a woman who can give wise advice to her husband, leading to actual improvement of both of their lives ;-)
Mar 23, 2013 12:01PM
Grace
Kai wrote: "I always like the book reviews a woman who can give wise advice to her husband, leading to actual improvement of both of their lives ;-)"
h
Kai wrote: "I always like the book reviews a woman who can give wise advice to her husband, leading to actual improvement of both of their lives ;-)"
haha~~~~~~~a good tradition which is worth keeping.:)
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Mar 23, 2013 02:45PM
Bob
"Various unfamiliar names of places with relatively similar scenarios, would be a good reason to bring the sense of boredom."
Right. Perhaps Shen Fu sh
"Various unfamiliar names of places with relatively similar scenarios, would be a good reason to bring the sense of boredom."
Right. Perhaps Shen Fu should've set his story in modern Germany, perhaps in Berlin or Hamburg so that his life would be more familiar and less boring? (Perhaps Shen Fu should also be less Chinese and less 18th century-ish so that he'd gain more readers of our contemporary, westernized world?)
There are indeed many things that can be said about Shen Fu's diary-ish book. But, the notion that a certain piece of work is boring just because it's set in a non familiar place would be like saying the story of Joan of Arc is boring just because it's not set in Berlin or that "Around the World in 80 Days" should be confined to New York City's various boroughs.
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Oct 24, 2013 11:10PM
After about half way through the book, I've lost interest in Shen Fu's story. The first parts when he reminisce about his youth and what seems to be first love to his would be wife, I was hooked. It's a moving piece by a man who seems to be deeply in love and reliving all his romantic memories all over again. But, by the time the story rolls further, there simply are too many itineraries dumped in such a short time. As the story goes, there're less of fully fleshed experiences which makes me fee
After about half way through the book, I've lost interest in Shen Fu's story. The first parts when he reminisce about his youth and what seems to be first love to his would be wife, I was hooked. It's a moving piece by a man who seems to be deeply in love and reliving all his romantic memories all over again. But, by the time the story rolls further, there simply are too many itineraries dumped in such a short time. As the story goes, there're less of fully fleshed experiences which makes me feel rushed and the point of recounting the stories are lost to me. Perhaps those middle and ending parts would be better off as a Guy Delisle style of graphic novel. Also, perhaps, what we have here is only a rough draft of Shen Fu's story and he meant to revisit and reedit this book later. But, regardless of what should and could be of this book, it's more useful as a historical reference and less of an entertaining novel.
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More formally interesting than actually interesting to read. Records one and three were compelling, the other two were too grounded in description to enjoy as such, though they did provide some insight into Shen Fu's character. Still, the style, with the layering of the records and the drifting transitions, is worth attention. Interesting to contrast to, say, Sei Shonagon.
Although the book is sometimes filled with a list of minor details that can get to be exhausting, the book does serve to paint a picture of 18th century China that is largely unknown to western reader. What I thinks is very important is the type of narrative that it is. It doesn’t dwell into the administration of the empire but yet it strongly conveys the very bureaucratic and meritocratic nature of its society. On the other hand it also serves to show the life of a mundane and somewhat failed m
Although the book is sometimes filled with a list of minor details that can get to be exhausting, the book does serve to paint a picture of 18th century China that is largely unknown to western reader. What I thinks is very important is the type of narrative that it is. It doesn’t dwell into the administration of the empire but yet it strongly conveys the very bureaucratic and meritocratic nature of its society. On the other hand it also serves to show the life of a mundane and somewhat failed mid-level bureaucrat, and through his eyes the small details of everyday life are revealed. These details, which can be quite endearing at the beginning, also tend to become a laundry list of activities that ends up wearing down the reader. Overall the book is enjoyable to an extent and can serve to illustrate a world that is largely unknown to a western mind.
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This autobiographical narrative is concerned a classic Chinese text. It is a very interesting read, especially because Shen Fu seems to be an honest and critical interpreter of himself, his situation, and society in general. Of particular beauty is his description of his life with his childhood love and wife, Yun, despite the hardships she was forced to endure. He starts with a quote by the poet Su Tung-po, saying, “All things are like spring dreams, passing with no trace.” He regards his record
This autobiographical narrative is concerned a classic Chinese text. It is a very interesting read, especially because Shen Fu seems to be an honest and critical interpreter of himself, his situation, and society in general. Of particular beauty is his description of his life with his childhood love and wife, Yun, despite the hardships she was forced to endure. He starts with a quote by the poet Su Tung-po, saying, “All things are like spring dreams, passing with no trace.” He regards his record as a sort of thank you for the blessings of heaven. He is particularly tender and explicit in recounting his memories of Yun, complete with conversations such as when they made love and when she felt “a love so endless it shook [her] soul.” In the end, Shen Fu’s failures, and his hardships, provide a gripping insight into life in 18th century China.
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Interesting. There's not much more I can give you. I mean it was written way back when by a complete commoner of the Qing Dynasty. He worked in several administrative offices but just wanted to travel to different mountains, scenic places in his world, and enjoy his life. The book ends abruptly as only 4 of the 6 records were recovered.
The book is simply filled with many short anecdotes of where he went, who he went with, who he met, what he saw, and what he did afterwards. He often makes refe
Interesting. There's not much more I can give you. I mean it was written way back when by a complete commoner of the Qing Dynasty. He worked in several administrative offices but just wanted to travel to different mountains, scenic places in his world, and enjoy his life. The book ends abruptly as only 4 of the 6 records were recovered.
The book is simply filled with many short anecdotes of where he went, who he went with, who he met, what he saw, and what he did afterwards. He often makes references to the 'Floating Life' and how he simply wants to drift. He succeeded. It does not carry the same action or flair that we're used to in the modern age. It is telling of how pedestrian life was under the Qing government. Interesting. That's all I can say.
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Reading this slim volume gave me a precious glimpse at the life of a struggling scholar and his young wife in Soochow in the late 18th century. In the Kindle edition that I read, it was really only four records of a floating life. Two of the records were found to be forgeries, so they were not included in the ebook. Too bad, because I'm sure I would have enjoyed them as well.
This is lovely for a couple reasons. It's refreshing to think of a life happening in layers, and old world China's attitudes toward polyamory and concubines. And the author is very close to nature. He takes the nurturing of flowers and his garden quite seriously. There is lots of delicate art to the landscape too that is not taken for granted.
Shen Fu’s Six Records of a Floating Life is more than an autobiography; it is a life composed from poetry and flower petals. Somewhere between the beauty of the words is also found a glimpse into a moment in time that few Westerners understand, much less know of. It is inside these words that can be discovered new concepts and previously unknown ideals. Concepts foreign to Western society take on stiff definitions based on incomplete knowledge and broad stereotypes. In Six Records of a Floating
Shen Fu’s Six Records of a Floating Life is more than an autobiography; it is a life composed from poetry and flower petals. Somewhere between the beauty of the words is also found a glimpse into a moment in time that few Westerners understand, much less know of. It is inside these words that can be discovered new concepts and previously unknown ideals. Concepts foreign to Western society take on stiff definitions based on incomplete knowledge and broad stereotypes. In Six Records of a Floating Life, Shen Fu presents to the reader some alternate outcomes and ideas of what may be preconceived Western notions about certain truths in Qing Dynasty China.
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I think the main appeal of this book is in the interest it holds as an anthropological study of the life of an early 19th century scholar. And I suppose it is interesting…I learned that being a drunken, jobless scholar used to be super tolerated in China, that women were treated like pets who couldn't leave the house, and that filial piety is confusing. Shen Fu’s story is absolutely not told in chronological order, which makes it pretty tedious…especially when coupled with the last chapter “The
I think the main appeal of this book is in the interest it holds as an anthropological study of the life of an early 19th century scholar. And I suppose it is interesting…I learned that being a drunken, jobless scholar used to be super tolerated in China, that women were treated like pets who couldn't leave the house, and that filial piety is confusing. Shen Fu’s story is absolutely not told in chronological order, which makes it pretty tedious…especially when coupled with the last chapter “The Joys of Travel,” where he details every garden and pond he ever visited and calls them by names that are no longer used.
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