Ibn 'Ajiba wrote his "fahrasa," or autobiography, not for the pleasure of talking about himself but "to celebrate God's kindness." It details his travels in search of both secular and spiritual knowledge, his entrance on a Sufi path strongly based within the Islamic tradition, and the social, intellectual, and spiritual struggles he encountered. This new English translatio
Ibn 'Ajiba wrote his "fahrasa," or autobiography, not for the pleasure of talking about himself but "to celebrate God's kindness." It details his travels in search of both secular and spiritual knowledge, his entrance on a Sufi path strongly based within the Islamic tradition, and the social, intellectual, and spiritual struggles he encountered. This new English translation by David Streight is based on a contemporary French translation from the Arabic by the Swiss scholar Jean-Louis Michon.
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I've skipped/skimmed the Prolegomenon, and went straight into the Fahrasa! - An enjoyable read; and between the pages, interspersed within the lines, throughout this autobiographical account are some rare gems of insight and guiding pearls; for the wayfarer lies herein golden nuggets of timeless advice. The Fahrasa will be so many things, to so many different people. For some unfortunate souls 'mere ramblings', for others an interesting account of a Sufi aspirant and later Shaykh. For yet others
I've skipped/skimmed the Prolegomenon, and went straight into the Fahrasa! - An enjoyable read; and between the pages, interspersed within the lines, throughout this autobiographical account are some rare gems of insight and guiding pearls; for the wayfarer lies herein golden nuggets of timeless advice. The Fahrasa will be so many things, to so many different people. For some unfortunate souls 'mere ramblings', for others an interesting account of a Sufi aspirant and later Shaykh. For yet others, an insight into Maghrebi Sufism through one of its greatest exponents. And, yet for some, an account, a life, to which they can relate in some strange and ethereal manner - a life that brings together so much of the mundane, religious and sublime. Some will see the humanity, and some will peer deep and feel the sprit. The Fahrasa presents at once the everyday with the divine all at once. Really, It's all in the vision of the beholder - what will you see?
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Very interesting insider's view of a true sufi. For people who do not believe in sainthood - this book will show you a saint. For people who worship saints - this book will show you a man.
Ahmad ibn 'Ajiba (1747–1809) was an 18th-century Moroccan saint in the Darqawa Sufi Sunni Islamic lineage.
He was born of a sharif family in the Berber Anjra tribe that ranges from Tangiers to Tetuan along the Mediterranean coast of Morocco. As a child he developed a love of knowledge, memorizing the Qur'an and studying subjects ranging from Classical Arabic grammar, reli
أحمد بن عجيبة
(Arabic page)
Ahmad ibn 'Ajiba (1747–1809) was an 18th-century Moroccan saint in the Darqawa Sufi Sunni Islamic lineage.
He was born of a sharif family in the Berber Anjra tribe that ranges from Tangiers to Tetuan along the Mediterranean coast of Morocco. As a child he developed a love of knowledge, memorizing the Qur'an and studying subjects ranging from Classical Arabic grammar, religious ethics, poetry, Qur'anic recitation and tafsir. When he reached the age of eighteen he left home and undertook the study of exoteric knowledge in Qasr al-Kabir under the supervision of Sidi Muhammad al-Susi al-Samlali. It was here that he was introduced to studies in the sciences, art, philosophy, law and Qur'anic exegesis in depth. He went to Fes to study with Ibn Souda, Bennani, and El-Warzazi, and joined the new Darqawiyya in 1208 AH (1793), of which he was the representative in the northern part of the Jbala region. He spent his entire life in and around Tetuan, and died of the plague in 1224 AH (1809). He is the author of a considerable number of works and a Fahrasa which provides interesting information concerning the intellectual center that Tetuan had become by the beginning of the 19th century.
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