Members of the Lost Generation, American writers and artists who lived in Paris during the 1920s, continue to occupy an important place in our literary history. Rebelling against increased commercialism and the ebb of cosmopolitan society in early twentieth-century America, they rejected the culture of what Ernest Hemingway called a place of “broad lawns and narrow minds.”
Members of the Lost Generation, American writers and artists who lived in Paris during the 1920s, continue to occupy an important place in our literary history. Rebelling against increased commercialism and the ebb of cosmopolitan society in early twentieth-century America, they rejected the culture of what Ernest Hemingway called a place of “broad lawns and narrow minds.”
Much of what we know about these iconic literary figures comes from their own published letters and essays, revealing how adroitly they developed their own reputations by controlling the reception of their work. Surprisingly the literary world has paid less attention to their autobiographies.
In
Writing the Lost Generation
, Craig Monk unlocks a series of neglected texts while reinvigorating our reading of more familiar ones. Well-known autobiographies by Malcolm Cowley, Ernest Hemingway, and Gertrude Stein are joined here by works from a variety of lesser-known—but still important—expatriate American writers, including Sylvia Beach, Alfred Kreymborg, Samuel Putnam, and Harold Stearns. By bringing together the self-reflective works of the Lost Generation and probing the ways the writers portrayed themselves, Monk provides an exciting and comprehensive overview of modernist expatriates from the United States.
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Hardcover
,
230 pages
Published
September 1st 2008
by University Of Iowa Press
Craig Monk has opened a new way of looking at the "Lost Generation" in Paris of the 1920's. Anyone who has an interest in this subject should not miss his insightful journeys into the breadth of autobiography's importance to understanding the time. While covering the "usual suspects" (Stein, Hemingway, Beach,etc.), Monk introduces us to lesser known characters whose experiences give a different slant from those more familiar. The view of what comprised an expatriate is fascinating reading as pre
Craig Monk has opened a new way of looking at the "Lost Generation" in Paris of the 1920's. Anyone who has an interest in this subject should not miss his insightful journeys into the breadth of autobiography's importance to understanding the time. While covering the "usual suspects" (Stein, Hemingway, Beach,etc.), Monk introduces us to lesser known characters whose experiences give a different slant from those more familiar. The view of what comprised an expatriate is fascinating reading as presented by Monk is one example. Craig Monk's clear and concise writing will make any devotee of the "Lost Generation" loath to put his book down until finished .
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An excellent read. I read many of the Lost Generation authors when I was a young adult living and going to school in the US. Henry Miller is and remains my favorite.
Today I am re-reading them as an American emigrant/expatriate living in France for nearly 20 years. Much to think about in Monk's analysis. I took a stab at it in this essay/review:
http://thefranco-americanflophouse.bl...
Craig Monk is associate dean in the Faculty of Arts and Sciences and an associate professor of English at the University of Lethbridge, Alberta, Canada.