Born Issur Danielovitch Demsky, the son of an illiterate immigrant Russian-Jewish ragpicker and junkman, Kirk Douglas makes clear in this powerful, angry, and passionate book the ways in which his difficult childhood dominated his life as an actor, father, and man. 16 pages of photographs.
Paperback
,
510 pages
Published
April 1st 2012
by Simon & Schuster
(first published 1988)
In this powerful, moving and sometimes very angry book, Kirk Douglas writes in his own words (with unflinching honesty) about his long and difficult road to becoming an actor.
It's a blushingly frank book. It's full of wit, and at times, heavy sarcasm, with a lot of name-dropping and charming anecdotes about the women he 'knew' during his many escapades on and off set.
He was an interesting and driven man, out to prove to the world (and himself) that he was worthy and more than just "The Ragman's
In this powerful, moving and sometimes very angry book, Kirk Douglas writes in his own words (with unflinching honesty) about his long and difficult road to becoming an actor.
It's a blushingly frank book. It's full of wit, and at times, heavy sarcasm, with a lot of name-dropping and charming anecdotes about the women he 'knew' during his many escapades on and off set.
He was an interesting and driven man, out to prove to the world (and himself) that he was worthy and more than just "The Ragman's Son".
He is one of my favorite actors & this is an autobiography. From his very modest roots to his climb to be one of the top Hollywood stars, he gives a great account of his life. He doesn't pull many punches about mistakes he made along the way, either.
Kirk Douglas has never forgotten where he came from. It has shaped his entire life as a man, a husband, a father and an actor. And although he has achieved fame and fortune from a successful career in Hollywood, he recognizes the strong mark that has been left by a childhood of poverty, anti-Semitism, and a distant uncaring father.
As a young boy growing up in Amsterdam New York, Douglas was the only son in a family with six adoring sisters and a loving mother. His father, a brawling alcoholic, w
Kirk Douglas has never forgotten where he came from. It has shaped his entire life as a man, a husband, a father and an actor. And although he has achieved fame and fortune from a successful career in Hollywood, he recognizes the strong mark that has been left by a childhood of poverty, anti-Semitism, and a distant uncaring father.
As a young boy growing up in Amsterdam New York, Douglas was the only son in a family with six adoring sisters and a loving mother. His father, a brawling alcoholic, was refused a job at the local mill because he was Jewish, so he turned to the only job he could get, ragman and junkman, the lowest step on the social ladder. Douglas tried hard over the years to overcome the memory of that brutal and humbling poverty and to make a life for himself. He now finds himself a successful man, financially secure with a happy second marriage, a family of sons and the respect of his peers.
He reviews his life as a young adult, borrowing money to go to college, living as an impoverished acting student in New York, enlisting in the navy during the war and then returning to the theater in New York. In 1949 he starred in the movie Champion, the film that made him a star and sent him to Hollywood. With his chiseled good looks, gravelly voice, his manly swagger and brooding sexuality he soon became a “sought after” actor.
Underlying much autobiography is an attempt by the author to look back, understand his life, and place it in some sort of context. And this it seems is what Douglas is trying to achieve. He is brutally honest in recounting his story through his movies, friendships, business contacts, relationships and numerous sexual encounters over the years. Despite his success, he was always restless, always pushing, as if he had to prove to his father and himself that he was worthy of his achievements. Along with all his successes, the name dropping and racy bits about Hollywood stars, he also openly acknowledges his many mistakes along the way.
At times he almost seethes with both anger and guilt, but he is determined to present his true story despite his warts and mistakes. There is no real analysis or introspection here, just honest statements of who he was: willful, difficult to work with, driven and opinionated. Granted he has mellowed since he has aged, although he still has a reputation in Hollywood as a cocky outspoken maverick. But he is also respected for his large body of work (over 75 films), his producing and writing achievements and his longevity in a world that has a reputation for throwing over those who it no longer needs or wants.
This is not great literature. It is a written in a stream of consciousness style that brings its honesty front and center. It takes inner strength to openly admit mistakes and present a self portrait that is often unflattering. In that way, this book has its own charm.
An interesting read about a successful man looking back, trying to understand and come to terms with his past.
A lot of Hollywood cheese going on here. Kirk spends a lot of time screaming at his Russian alter ego, Issur Davidovich all through the book. After awhile it's pretty funny.
Best parts are the dish on starlets like Joan Crawford, who slept at night coated in Vaseline from head to toe!
Although his co-star Lizabeth Scott had quite a reputation as a lesbian he surprises us by reporting that she was dating mega-producer Hal Wallis, who frequently made her cry! Who the fuck needs Perez or TMZ when Kir
A lot of Hollywood cheese going on here. Kirk spends a lot of time screaming at his Russian alter ego, Issur Davidovich all through the book. After awhile it's pretty funny.
Best parts are the dish on starlets like Joan Crawford, who slept at night coated in Vaseline from head to toe!
Although his co-star Lizabeth Scott had quite a reputation as a lesbian he surprises us by reporting that she was dating mega-producer Hal Wallis, who frequently made her cry! Who the fuck needs Perez or TMZ when Kirk's dishing the H-Wood dirt?
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Excellent Hollywood biography, partly because Kirk Douglas literally went from rags to riches, but also because he was more than just an actor. He was one of the first actors to realize that producing films would take him deeper into the filmmaking process. He was the first producer to break the blacklist of the 1950's, because as a producer, he had the power of decision that regular actors did not. The book also benefits from his perspective of having lived a very long life.
This is an amazing autobiography! At first I was kind of wary since celebrities who write their own books don't usually do a good job, but Kirk Douglas knocked it out of the park. I was completely engrossed in his life story. I usually enjoy the pre-fame part of any autobiography the best, and the fame stuff tends to bore me, but not here. No, Douglas has a way of being completely honest even when maybe he shouldn't be (like his boyhood love affair with one of his teachers). I got a kick out of
This is an amazing autobiography! At first I was kind of wary since celebrities who write their own books don't usually do a good job, but Kirk Douglas knocked it out of the park. I was completely engrossed in his life story. I usually enjoy the pre-fame part of any autobiography the best, and the fame stuff tends to bore me, but not here. No, Douglas has a way of being completely honest even when maybe he shouldn't be (like his boyhood love affair with one of his teachers). I got a kick out of looking up his sexual conquests, and they were all just as beautiful as he described them. I also enjoyed his appraisals of other actors and directors, cutting through the Hollywood BS and getting to the real people behind the classics. I found his description of John Wayne very intriguing. They were two polar opposites, and yet they respected each other because they were both willing to put in insane amounts of work.
Which reminds me: if you're looking for motivation, this book will do it for you. Douglas learned an entire language for a movie once. And that's not the only time he did that for his career. At another point, he learns German just so he can give an award acceptance speech in the language. The man's an absolute workhorse. Not only that, but he's always willing to put art above money. Given the choice between being commercial and doing a movie right, he will always do a movie right.
My favorite part is his meeting with Salvador Dali and the proposition that was merely suggested. Great stuff.
When you think of old school Hollywood guys, you don't see them as very open minded. Douglas is incredibly open minded, which puts him ahead of anyone else of his generation. He's pretty blunt about it, too. He describes a few times when men tried to take advantage of him sexually, and he describes his shock at such a thing, mostly because he didn't know about gays at the time. But he hasn't let that get in the way of accepting homosexuality in others, even when the Duke took him to task for it.
I could go on forever talking about how awesome this book is, so instead of gushing, I'll bring up a couple of things I didn't like. Douglas has a tendency to repeat himself. I can get that. From what I can tell, this was his first book. It's the sign of a writer lacking in confidence. They're afraid the reader won't understand, so they'll go over the top with it. All in all, not too bothersome. However, he's not very good with transitions. That's pretty jarring, and it can easily take you out of the book. Still, a minor quibble.
One last thing: sometimes, when he introduces people--usually women he had sex with--he has a habit of telling us how they died, usually at a young age, usually under tragic circumstances. It's kind of an odd thing to do. I'm not sure if I like it or not, stylistically speaking. But its certainly pretty strange.
OK, I lied, one more thing: TOUGH GUYS is one of my favorite Douglas/Lancaster movies. I kind of wish the chapter on this movie was longer than three pages, but that's just a personal preference.
I've read quite a few autobiographies, and I'm pretty sure this is one of the best. Top three, definitely.
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I thought more of Kirk Douglas before I read this book. My opinion of him has slowly declined. He is honest in the book but brags--still insecure as he was in youth. He is still, in my mind, one of the greatest heroic actors in film--but just in film and he is just an actor. We who read actors' biographies inevitably feel that we see something on the screen that reveals the essence of the man or woman. I think this is for the part true. We are able to detect something unique in an actor's charac
I thought more of Kirk Douglas before I read this book. My opinion of him has slowly declined. He is honest in the book but brags--still insecure as he was in youth. He is still, in my mind, one of the greatest heroic actors in film--but just in film and he is just an actor. We who read actors' biographies inevitably feel that we see something on the screen that reveals the essence of the man or woman. I think this is for the part true. We are able to detect something unique in an actor's character when he gives of himself and is not really acting, just being himself as he would be in that character's situation.
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As Hollywood autobiographies go, this one wasn't bad. In the introduction Kirk Douglas promised that he wouldn't gloss over his bad behavior, and as far as I can tell, he didn't. He says at times that he was "a shit" and he does provide evidence of that. (Of course, I can't be sure that there wasn't more, even shittier behavior that got left out.) The stories of his career trajectory are often interesting, as are some of the behind-the-scenes aspects of movie making. The prose, however, is prett
As Hollywood autobiographies go, this one wasn't bad. In the introduction Kirk Douglas promised that he wouldn't gloss over his bad behavior, and as far as I can tell, he didn't. He says at times that he was "a shit" and he does provide evidence of that. (Of course, I can't be sure that there wasn't more, even shittier behavior that got left out.) The stories of his career trajectory are often interesting, as are some of the behind-the-scenes aspects of movie making. The prose, however, is pretty choppy. There are a lot of short sentences, which seemed somehow to make me read faster. Here's an example:
"Gene Tierney had a beautiful overbite. How charming she was. I adored her. We exchanged gifts. It was a wonderful relationship. But she had some strange habits."
Not all sentences were that short, but there were many examples like the one above where there would be a consecutive string of very short sentences.
One of the marks of a truly good biography is that you come away from it feeling that you know the subject. Since the subject himself can often shed the most light on his life and what makes him tick, I love autobiographies. This one delivers in spades. Douglas's writing is excellent. He isn't one of those stars who goes from anecdote to anecdote bragging about the people he knows without analyzing his life or his motivations behind his actions. Douglas examines everything in great detail and us
One of the marks of a truly good biography is that you come away from it feeling that you know the subject. Since the subject himself can often shed the most light on his life and what makes him tick, I love autobiographies. This one delivers in spades. Douglas's writing is excellent. He isn't one of those stars who goes from anecdote to anecdote bragging about the people he knows without analyzing his life or his motivations behind his actions. Douglas examines everything in great detail and uses his given name "Issur" to contrast between the boy he was and the man he became. There is something here for everyone: stories about making his films, seedy tidbits about his love life, reflections on his family, and what it means to get older.
Kirk Douglas is still kicking and as this book was published in the late 80s, there is a lot that is left out. Luckily he wrote several other books to fill in the gap.
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"P 1988. ''Collecting the things that people had thrown away was an awful way to make a living. Even on Eagle Street, in the poorest section of town, where all the families were struggling, the ragman was on the lowest rung on the ladder. And I was the ragman's son.'' The book does seem to lack deep analysis and introspection but has some really funny and interesting anecdotes. Kirk Douglas (1916) also starred in Sparticus - brilliant film which is why I wanted to read this book and this was bef
"P 1988. ''Collecting the things that people had thrown away was an awful way to make a living. Even on Eagle Street, in the poorest section of town, where all the families were struggling, the ragman was on the lowest rung on the ladder. And I was the ragman's son.'' The book does seem to lack deep analysis and introspection but has some really funny and interesting anecdotes. Kirk Douglas (1916) also starred in Sparticus - brilliant film which is why I wanted to read this book and this was before Michael and Zeta got together! No wonder though that he changed his name for Hollywood - original name Issur Danielovitch also called Isadore Demsky. Uplifting story and thoroughly enjoyable. This book is good reference material for upward social movement.
Kirk Douglas was never an actor I cared to know more about but this book was lent to me by a friend while on vacation. I reluctantly opened it and could not put it down. This man's life was absolutely the most interesting, crazy, wild, time ever. Great biography.
Kirk Douglas was never one of my favorite actors--I still haven't seen
Spartacus
--but this book gave me a new take on the guy. Since I read this I've gone back and watched a bunch of Douglas' films, and now I'm kicking myself that I didn't see them sooner.
This autobiography is fun, dishy, and hard to put down. Douglas doesn't mind telling tales (his account of his awful one night stand with Joan Crawford is hilarious and....creepy) and his style is forthright. He seems to tread the line between
Kirk Douglas was never one of my favorite actors--I still haven't seen
Spartacus
--but this book gave me a new take on the guy. Since I read this I've gone back and watched a bunch of Douglas' films, and now I'm kicking myself that I didn't see them sooner.
This autobiography is fun, dishy, and hard to put down. Douglas doesn't mind telling tales (his account of his awful one night stand with Joan Crawford is hilarious and....creepy) and his style is forthright. He seems to tread the line between boastful and self-deprecating like a tiger on a highwire, and was unabashedly thrilled to be where he was, in Hollywood, hanging with "real movie stars" and bedding most of them. And a few strangers. Hilarious.
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learned a lot of things I didn't know about kirk douglas, especially about the conditions of his childhood - gained more respect for his determination to rise out of poverty. but towards the end of the book it turned into just another routine autobiography
Interesting bio on old Hollywood. Was most interested in Kirk Douglas’ relationship with Diana Dill, who’s sister was married to Seward Johnson. Revealing bits regarding his art, performances and relationships with family. An interesting man, an interesting time.
As a young man, Kirk would watch his taciturn father come in from thankless work, drinking his tea through a sugar cube between his teeth. His father was a mountain to him. Kirk said when his father gave up smoking he carried the pack around with him in his top pocket. Everytime he felt the urge to smoke, he would pull out the packet and say, "Who stronger? You - or me? Me." And put the packet back in his pocket.
Kirk left his parents and his Jewish surname behind him and became the famous actor
As a young man, Kirk would watch his taciturn father come in from thankless work, drinking his tea through a sugar cube between his teeth. His father was a mountain to him. Kirk said when his father gave up smoking he carried the pack around with him in his top pocket. Everytime he felt the urge to smoke, he would pull out the packet and say, "Who stronger? You - or me? Me." And put the packet back in his pocket.
Kirk left his parents and his Jewish surname behind him and became the famous actor and notorious womaniser. His stories of life on the sets is fascinationg and honest. An interesting character who attempted to do as many of his own stunts as possible.
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Issy you Jewish stud you, dont know if you really got to put the Russian sausage to all those beautiful women or just outlived lived them and now can lie about it. My bet is its all true. An UN-flinching look into one of the biggest stars in entertainment. Wonderfully written, could have easily been a thriller with Kirk going back to his childhood roots and references to his given name. Mr. Douglas has lived an exciting life through some of the most intriguing times in human history. Bravo.
First, Kirk Douglas can write very well. Second, while well-written, this autobiography is emotionally-charged wih incidents of sexual ncounters, discrimination, 'paranoia, failed marriages, rebirth of faith, acting at a higher level and writing from one's inner self. This was a very engrossing and eye-opening read.
An inspiring story of "rags to riches" with lots and lots of sex along the way. It's amazing to me that this man operated before the age of Viagra!!! The poverty of Kirk Douglas' youth is almost unbelievable. It's a story that most young people today would not believe. I really loved the book.
An extemely good autobiography by the actor. We saw him with Burt Lancaster in a play in S.F. years ago, and it was touching what great friends they were. When a prop malfunctioned, they stepped out of character for a few moments and it was pure gold to see these film titans as themselves.
Grinding poverty of the first order - that is what Kirk Douglas remembers in this painful, but well written memoir. Reading it truly (sounds so cliche, but it's true) feel blessed for everything I have in life! Highly highly recommend reading this.
Kirk Douglas (born Issur Danielovitch, ) is an American stage and film actor, film producer and author. His popular films include
Out of the Past (1947), Champion (1949), Ace in the Hole (1951), The Bad and the Beautiful (1952), 20,000 Leagues Under the Sea (1954), Lust for Life (1956), Paths of Glory (1957), Gunfight at the O.K. Corral (1957), The Vikings (1958), Spartacus (1960), Lonely Are the
Kirk Douglas (born Issur Danielovitch, ) is an American stage and film actor, film producer and author. His popular films include
Out of the Past (1947), Champion (1949), Ace in the Hole (1951), The Bad and the Beautiful (1952), 20,000 Leagues Under the Sea (1954), Lust for Life (1956), Paths of Glory (1957), Gunfight at the O.K. Corral (1957), The Vikings (1958), Spartacus (1960), Lonely Are the Brave (1962),The Fury (1978)
and
Tough Guys (1986)
He is No.17 on the American Film Institute's list of the greatest male American screen legends of all time, making him the highest-ranked living person on the list. In 1996, he received the Academy Honorary Award "for 50 years as a creative and moral force in the motion picture community."
He is one of the last surviving actors from Hollywood's "golden age".
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“The biggest lie is the lie we tell ourselves in the distorted visions we have of ourselves, blocking out some sections, enhancing others. What remains are not the cold facts of life, but how we perceive them. That's really who we are.”
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