An inspiring self-portrait of a world-renowned African American vocal artist
This is a fascinating account of a gifted woman's coming of age and rise to success at a time when black classical musicians faced barriers at every turn. Shirley Verrett possessed a talent and ambition so dazzling she could not be denied?and she became one of the most celebrated artists of her tim
An inspiring self-portrait of a world-renowned African American vocal artist
This is a fascinating account of a gifted woman's coming of age and rise to success at a time when black classical musicians faced barriers at every turn. Shirley Verrett possessed a talent and ambition so dazzling she could not be denied?and she became one of the most celebrated artists of her time. I Never Walked Alone draws the reader into the world of this graceful, fiery artist, dramatically telling the story of her childhood and her brilliant international career. The book is filled with behind-the-scenes tales of this diva?s great performances, roles, and collaborations, offering insight into her stormy personal relationships as well as her private struggles and critical decisions. Featuring forewords and afterwords by such figures as Luciano Pavarotti, Placido Domingo, Zubhin Mehta, and Claudio Abbado, this richly detailed book paints a vivid picture of a magnificent survivor and an indelible artist known around the world as the black Maria Callas.
Shirley Verrett (Ann Arbor, MI, and New York, NY) is currently Professor of Voice at the University of Michigan School of Music.
Christopher Brooks is a biographer and award-winning musicologist.
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Hardcover
,
336 pages
Published
May 1st 2003
by Wiley
(first published April 30th 2003)
The autobiographies of celebrities and other public figures tend to be vapid and self-aggrandizing, but Shirley Verrett’s autobiography is none of that. She freely speaks of the incidents she had with other singers where she was at fault, reflects on her rocky relationships with others at times and speaks frankly about her vocal problems in the 70s. Maybe it was just excellent editors, but Ms. Verrett strikes me as a very humble woman in her writing. She doesn’t brag and admits her ego problems
The autobiographies of celebrities and other public figures tend to be vapid and self-aggrandizing, but Shirley Verrett’s autobiography is none of that. She freely speaks of the incidents she had with other singers where she was at fault, reflects on her rocky relationships with others at times and speaks frankly about her vocal problems in the 70s. Maybe it was just excellent editors, but Ms. Verrett strikes me as a very humble woman in her writing. She doesn’t brag and admits her ego problems when she was young; truly she sounds like she was a down-to-Earth person.
I Never Walked Alone is not just a collection of amusing incidents, but a full chronicle of her childhood and career. Ms. Verrett speaks for at least a paragraph on almost all of the productions she was in and it really gives you a great picture of such a talented woman. With an introduction by both Luciano Pavarotti and Plácido Domingo, this autobiography really is a treasure.
I don’t often read celebrity autobiographies, but I’m so glad I got my hands on one of my hero’s. Even if you don’t know much about opera, I Never Walked Alone is a fascinating read and paints a picture of the turbulent times of the civil rights movement in America.
"I Never Walked Alone" is of particular personal interest to me; I went to grammar school with two of Shirley's cousins and I remember well their mother, Shirley's aunt. That was before I became an opera lover, learned who Shirley was, and became interested in her voice.
The book is an enjoyable read, answering questions and clarifying things I'd read. I remember a 1970s review of Shirley’s "Norma" where the writer expressed concern over Shirley's taking on soprano roles, after having sung mezzo
"I Never Walked Alone" is of particular personal interest to me; I went to grammar school with two of Shirley's cousins and I remember well their mother, Shirley's aunt. That was before I became an opera lover, learned who Shirley was, and became interested in her voice.
The book is an enjoyable read, answering questions and clarifying things I'd read. I remember a 1970s review of Shirley’s "Norma" where the writer expressed concern over Shirley's taking on soprano roles, after having sung mezzo up to that time. "I Never Walked Alone" discusses that opinion, which was shared by others. Contrary to an age-old belief, you can be good at two things; in Shirley's case, her voice was suited for both mezzo and soprano. Some singers face non-elective retirement in their early 50s -- that Shirley sang into her early 60s suggests no harm from soprano roles.
Many descriptions of this book seem to place focus on discrimination Shirley faced; this is misleading, so don’t be put off. The book is about Shirley’s life and career, not discrimination.
One of Shirley’s cousins was the organist at the church we attended in my grammar-school years. I was struck by the sound of a pipe organ, and spent most of each Mass turned around, staring at the choir loft (and being told to turn around and pay attention to the service). I later became a musician for a while, and an organist. But I never met Shirley’s cousin face-to-face, and wished that one day I could tell her she’d been my idol. Imagine my thrill, when in 2003 I emailed Shirley, via her website, and she responded. And, imagine my sadness when she told me her cousin was now deceased.
I used that email as my bookmark while reading “I Never Walked Alone.” When done, I emailed Christopher Brooks, who collaborated the book with Shirley, and I received a warm response. I now have two bookmarks for my next reading.
Shirley told her students that they have to make their own careers. From Shirley’s school years, to winning competitions, doors opening, the peaks and valleys, to the eventual fatigue and farewell to singing, “I Never Walked Alone” is Shirley’s own journey of “walking the walk.”
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I am a big fan of Shirley Verrett's, but I have to say it took me forever to finish reading it (like six months). I enjoyed some of the anecdotes (especially her take on the feud between her and Grace Bumbry), but for the most part, the book comes off like a timeline of her career and what operas/recitals/recordings etc. were done where and when. This is especially true of the last part of the book, where the beginning of the book showed more of her life story. Recommended if you have any intere
I am a big fan of Shirley Verrett's, but I have to say it took me forever to finish reading it (like six months). I enjoyed some of the anecdotes (especially her take on the feud between her and Grace Bumbry), but for the most part, the book comes off like a timeline of her career and what operas/recitals/recordings etc. were done where and when. This is especially true of the last part of the book, where the beginning of the book showed more of her life story. Recommended if you have any interest in her and/or her career, but I've read better in this genre.
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The book was primarily a list of her recitals, opera performances and singers and artist she worked with. Not too much personal after her childhood. Not what I consider an autobiography to be.