An award-winning writer delivers a major reckoning with religion, place, and sexuality in the aftermath of 9/11
Hailed in
The Washington Post
as "one of the most eloquent and probing public intellectuals in America," Richard Rodriguez now considers religious violence worldwide, growing public atheism in the West, and his own mortality.
Rodriguez’s stylish new memoir—the firs
An award-winning writer delivers a major reckoning with religion, place, and sexuality in the aftermath of 9/11
Hailed in
The Washington Post
as "one of the most eloquent and probing public intellectuals in America," Richard Rodriguez now considers religious violence worldwide, growing public atheism in the West, and his own mortality.
Rodriguez’s stylish new memoir—the first book in a decade from the Pulitzer Prize finalist—moves from Jerusalem to Silicon Valley, from Moses to Liberace, from Lance Armstrong to Mother Teresa. Rodriguez is a homosexual who writes with love of the religions of the desert that exclude him. He is a passionate, unorthodox Christian who is always mindful of his relationship to Judaism and Islam because of a shared belief in the God who revealed himself within an ecology of emptiness. And at the center of this book is a consideration of women—their importance to Rodriguez’s spiritual formation and their centrality to the future of the desert religions.
Only a mind as elastic and refined as Rodriguez’s could bind these threads together into this wonderfully complex tapestry.
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After reading this book, I spent like two hours looking at Mecca and Jerusalem on Google maps.
I let Richard Rodriguez get away with pretty much anything because he's such a phenomenal writer. You want to cram Judaism, Islam, and Christianity into one little essay? Sure. You want to stick in random paragraphs about your atheist brother's angry blog comments? Sure.
The essays I loved were "Ojala," "Disappointment," "Darling" and "The Three Ecologies of the Desert" in which he doesn't talk about ec
After reading this book, I spent like two hours looking at Mecca and Jerusalem on Google maps.
I let Richard Rodriguez get away with pretty much anything because he's such a phenomenal writer. You want to cram Judaism, Islam, and Christianity into one little essay? Sure. You want to stick in random paragraphs about your atheist brother's angry blog comments? Sure.
The essays I loved were "Ojala," "Disappointment," "Darling" and "The Three Ecologies of the Desert" in which he doesn't talk about ecology of the desert at all, really.
Somehow he makes it work.
I recommend reading his other books before this one - they flow into one another somehow.
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Mexican-American, Catholic, gay - not content with three strikes, add intellectual. A "public intellectual" at that. I'd never heard that phrase before, and wondered who else might hold that title. Maybe Susan Sontag.
Here's the good news: Richard Rodriguez seems to wear his identities lightly, and the first three are the prisms through which he shines his amazing intellect. This is really a book of essays that wind their way around the common theme of identity. The writing is beautifully lucid,
Mexican-American, Catholic, gay - not content with three strikes, add intellectual. A "public intellectual" at that. I'd never heard that phrase before, and wondered who else might hold that title. Maybe Susan Sontag.
Here's the good news: Richard Rodriguez seems to wear his identities lightly, and the first three are the prisms through which he shines his amazing intellect. This is really a book of essays that wind their way around the common theme of identity. The writing is beautifully lucid, and Mr. Rodriguez pulls from a world of sources.
I was particularly taken by his meditations on Jerusalem and the Desert, and the title word, Darling. And I think it's also in Darling that the author meditates on the word "brown" - the subject of his previous book. Darling is not only smart, and beautifully written, but creatively written - in such a way as to see the workings of the author's mind. Fascinating in substance and style.
This was my first foray into the genre of essays and what I like to think of as collections of thought bubbles. But not the kinds of thought bubbles that I ever come up with - no, the thought bubbles above Richard Rodriguez's head would never fit in a two dimensional space. Unaccustomed to this kind of writing as I am, I found myself struggling to find the tie-in themes in a few sections, but overall, the book was a delight. I often found myself setting it down to gaze at the nearest wall or win
This was my first foray into the genre of essays and what I like to think of as collections of thought bubbles. But not the kinds of thought bubbles that I ever come up with - no, the thought bubbles above Richard Rodriguez's head would never fit in a two dimensional space. Unaccustomed to this kind of writing as I am, I found myself struggling to find the tie-in themes in a few sections, but overall, the book was a delight. I often found myself setting it down to gaze at the nearest wall or window, reflecting on an idea or phrase and creating more thought bubbles of my own. I adore the lens through which Rodriguez sees women and the faith of the three Abrahamic religions. It's refreshing, it's comforting, it's empowering.
I picked this book up on a whim (I was drawn to the cover and only realized as I finished the book that the photo was taken in the Church of the Nativity in Bethlehem, which I had the fortune of visiting a few years back), and while picking it up wasn't intentional, I'll certainly be seeking out his other books. His writing is lucid and mosaic, and I think he's an absolute dear. Darling, if you will.
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I did not think much of this disordered and rambling book, and I believe that those who did have not read authors of the best quality lately. It would be a compliment to call this book a salmagundi; more accurate to call it a case of literary hoarding and deceptive advertising. It bills itself as a "spiritual autobiography," and while there are observations that comport with that category, there are also contemplations about an aged gay man dying of AIDS in Las Vegas, Lance Armstrong's love life
I did not think much of this disordered and rambling book, and I believe that those who did have not read authors of the best quality lately. It would be a compliment to call this book a salmagundi; more accurate to call it a case of literary hoarding and deceptive advertising. It bills itself as a "spiritual autobiography," and while there are observations that comport with that category, there are also contemplations about an aged gay man dying of AIDS in Las Vegas, Lance Armstrong's love life, sad boyhood memories, the lamentable decline of American newspapers in general and the San Francisco Chronicle in particular, the politics of the word "darling" . . . and so forth and so on. What was fascinating was Rodriguez's inability to hold to a topic for more than a glancing moment before he flits off to something else. Doubtless, he wants to make of this Attention Deficit Disorder a kind of innovative literary form, but for me it was simply boring and distracted ramblings. He does not know how to travel his eye over a landscape and then select something on which to focus and then dig and dig and dig.
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A bit of a disappointment from a writer I value very much. Despite the title, Darling is more a collection of essays than a spiritual autobiography. As I read the first chapter--a probing meditation on the relationship between the three Abrahamic religions and the desert in which they took form--I was anticipating an extended engagement with issues of spirituality, emptiness, the evolution of religious institutions. Unfortunately, Rodriguez doesn't place those issues anywhere near the center of
A bit of a disappointment from a writer I value very much. Despite the title, Darling is more a collection of essays than a spiritual autobiography. As I read the first chapter--a probing meditation on the relationship between the three Abrahamic religions and the desert in which they took form--I was anticipating an extended engagement with issues of spirituality, emptiness, the evolution of religious institutions. Unfortunately, Rodriguez doesn't place those issues anywhere near the center of the book until the final chapter, which culminates in a fairly prosaic set of thoughts about the role of religion in the modern political world. Although he mentions the place of religion in the Civil Rights Movement, Rodriguez apparently lives in a world where fashionable intellectuals are 97% fashionably atheistic. That's simply not the world I live and work in and I found his choice to close with the duo of Christopher Hitchens and Mother Teresa especially aggravation.
The remainder of the book is a set of essays, some fascinating (his thoughts on Cesar Chavez), some that didn't do much for me (the color brown, the problems of digital culture and the fall of newspapers). It's interesting that he finally openly acknowledges the unkept secret that he's gay, although the essays that touch on sexuality aren't the strongest in the book. The Hunger of Memory and Days of Obligation remain the places to start if you're new to Rodriguez's work.
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"Darling" is one of the two or three best books I've read in 2013, though, at first, I don't think I was in the mood for it; it sat a while on the nightstand. I've loved some of Richard Rodriguez's essays as much as one can, including "Late Victorians," which I read in an issue of Harper's in 1990 and still remember being blown away by the precision and elegance of his words and thinking. There was another essay, years later, about the whole concept of "the West" that I thought was very good. "D
"Darling" is one of the two or three best books I've read in 2013, though, at first, I don't think I was in the mood for it; it sat a while on the nightstand. I've loved some of Richard Rodriguez's essays as much as one can, including "Late Victorians," which I read in an issue of Harper's in 1990 and still remember being blown away by the precision and elegance of his words and thinking. There was another essay, years later, about the whole concept of "the West" that I thought was very good. "Darling" has two pieces that I think are letter-perfect and deeply moving: One is the title essay, "Darling," about femininity and spirituality; the other, which ran in Harper's in 2010 or so, is called "Final Edition," ostensibly about the death of printed media, but really one of the most memorable responses to the modern tech era I've read.
Sometimes he's not being as profound as he might think he's being, but the writing is always beautiful. This book is for thinkers -- believer or atheist, traveler or homebody. "Darling" also helped restore my faith in "creative nonfiction"; like others in that genre, Rodriguez tells us that he's fudged names and details in order to shape something more lovely or meaningful. I don't always have a negative response to that, if it's done this well and this honestly.
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I found the book too rambly for my tastes even though many of the anecdotes were interesting. But there seemed to be no flow, and that threw me off. I was constantly asking, "What does this have to do with desert religions and specifically their rejection of LGBT people?" I give it 3 stars because the book wasn't boring, but I can't justify any higher.
Long ago I read Rodriguez' Hunger for Memory so when I saw that he would be speaking at the 2014 National Book Festival in Washington, DC, I hurried to read his latest book. 'Darling' stirred my imagination. I would have to copy this entire book record all the comments and observations that captured my attention. Most memorable perhaps was the question, Do desert religions [Christianity, Islam, Judaism} make warriors? I have not stopped thinking of this question months later. Another favorite qu
Long ago I read Rodriguez' Hunger for Memory so when I saw that he would be speaking at the 2014 National Book Festival in Washington, DC, I hurried to read his latest book. 'Darling' stirred my imagination. I would have to copy this entire book record all the comments and observations that captured my attention. Most memorable perhaps was the question, Do desert religions [Christianity, Islam, Judaism} make warriors? I have not stopped thinking of this question months later. Another favorite quote: "The blasphemy that attaches to montheism is the blasphemy of certainty...Certifitude clears a way for violence."
At the festival I happened to meet Mr. Rodriguez and told him how much the idea of desert religions had interested me. When I stumbled a bit on repeating a quote from the book, he very nicely completed the quote for me and expanded on what he had written. His soul has a magnetic passion, so I was unable to resist his invitaiton to come hear his presentation. It did not disappoint me or any of the other hundreds of readers in attendance.
If you enjoy a book that makes you think while you are reading it and for long afterward, this book may be perfect for you as it was for me. Happy reading.
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I was first introduced to Richard Rodriguez when he used to present video columns on the PBS News Hour. I loved his heartfelt and sometimes elegiac style that probed cultural and racial questions. I have read all of his previous work and was drawn to this new autobiography. Some of these essays include a probing examination of the city of Jerusalem with its many contradictions as well as a second essay wherein he looks at other deserts such as secular Las Vegas and interior deserts such as the o
I was first introduced to Richard Rodriguez when he used to present video columns on the PBS News Hour. I loved his heartfelt and sometimes elegiac style that probed cultural and racial questions. I have read all of his previous work and was drawn to this new autobiography. Some of these essays include a probing examination of the city of Jerusalem with its many contradictions as well as a second essay wherein he looks at other deserts such as secular Las Vegas and interior deserts such as the one experienced by Mother Teresa. Rodriguez confronts his own mortality after his cancer diagnosis.His devotion to the Roman Catholic faith provides a bedrock point of view while he interweaves insights on other themes and topics that come his way. The mix of of scholarly and popular content yields a respectful and touching collection that is never doctrinaire or cliche. Thanks to his Jesuit training and a life long intellectual discipline Rodriguez's writing demonstrates a classic timelessness that will never go out of style.
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Richard Rodriguez is a brilliant essayist of true elegance. His style is not straightforward, but neither is it pretentious. For years, his spoken essays provided the only non-banal content to the PBS News Hour. He’s retired from that role now and focused on the written word. Darling is a loosely connected set of essays, all broad explorations of what he's learned about religion and spirituality in the course of his career as a writer and his time on Earth as a human being. He's the kind of writ
Richard Rodriguez is a brilliant essayist of true elegance. His style is not straightforward, but neither is it pretentious. For years, his spoken essays provided the only non-banal content to the PBS News Hour. He’s retired from that role now and focused on the written word. Darling is a loosely connected set of essays, all broad explorations of what he's learned about religion and spirituality in the course of his career as a writer and his time on Earth as a human being. He's the kind of writer who effortlessly places his own very specific life experiences in meaningful, broader historical context. Gay, Catholic, Mexican-American, and -- sometimes seemingly above all -- Californian, Rodriguez has plenty of interesting perspectives to bring to the questions at hand. The title essay is deeply, deeply moving, and many of the others have a lot to offer also. There's quite a bit of California history in here, too, all of which I found fascinating.
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A book designedly formless and unfocused, but not without intelligence, and Rodriguez’s voice is winning. It’s billed as a spiritual “autobiography” but I’m not sure that’s the right word. It’s more a collection of thematically related essays. The first (“Ojala”) and the last (“The Three Ecologies of the Holy Desert”) are the best. In fact, the latter is a bit sublime.
Incidentally, a very high percentage of my favorite writers have spent part of their life in Sacramento. Richard Rodriguez was born and raised there, and his essays have occupied much of my time in recent days.
It helps that Rodriguez writes about subjects that already interest me: California, Roman Catholicism, Mexico, the "browning" of Western Europe and the United States, and LGBT issues. His writing style does bounce around a bit, but I enjoy his descriptions: "Latin America was [never] going
Incidentally, a very high percentage of my favorite writers have spent part of their life in Sacramento. Richard Rodriguez was born and raised there, and his essays have occupied much of my time in recent days.
It helps that Rodriguez writes about subjects that already interest me: California, Roman Catholicism, Mexico, the "browning" of Western Europe and the United States, and LGBT issues. His writing style does bounce around a bit, but I enjoy his descriptions: "Latin America was [never] going to become a moral Clorox for our society."
Whatever his shortcomings in style, the content of Rodriguez's work is highly original: he makes connections I have never come close to making on my own.
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Richard Rodriquez first entered my consciousness as a PBS Newshour California-based correspondent who commented on issues such as minorities, immigration, and the environment . This is the only one of his five published books that I've read.
In his foreword he notes that all of the chapters, some of which have appeared in periodicals, were written after September 11, 2001, "years of religious extremism throughout the world, years of rising public atheism, years of digital distraction. I write as
Richard Rodriquez first entered my consciousness as a PBS Newshour California-based correspondent who commented on issues such as minorities, immigration, and the environment . This is the only one of his five published books that I've read.
In his foreword he notes that all of the chapters, some of which have appeared in periodicals, were written after September 11, 2001, "years of religious extremism throughout the world, years of rising public atheism, years of digital distraction. I write as a Christian, a Roman Catholic. My faith in the desert makes me kin to the Jew and the Muslim."
He might also have added that he writes as an openly gay man, a position that is at odds with with the Roman Catholic Church's position on homosexuality. That also helps explain the title of the book. He points out that "darling" is a term of endearment exchanged between lovers, especially on stage and screen, and during the 50's it was a staple of married life affection. It's often used ironically and self-consciously, and it seems to me that Rodriquez is using the term to indicate his relationship to the Catholic Church, an ambiguous and self-conscious one. To the question of why he stays in the church, he says simply "I stay in the Church because it is mine." It gives him more than it denies him, he writes, so he is defining the church , rather than its official formulations defining him.
This appraisal of the church puts it in the larger context of other religions, specifically the three Abrahamic faiths that all came out of the Middle-East dersert. One of his key chapters suggests what he has gotten from thinking about the desert. For instance, "Moses, Jesus, and Muhammad - each ran afoul of cities: Moses of the court of Egypt, Jesus of Jerusalem, and Muhammad of Mecca." The desert, by emptying them of vanity and egotism, was a period of trial before they emerged as religious leaders.
This notion of emptiness, of getting away from, or at least of putting the urban lives that most of us lead into perspective, lurks in all of the book's ten chapters. Whether it's a bout with cancer that Rodriquez describes (contrasting it with Lance Armstrong's accomplishments), reflections on the city of Las Vegas that emerged from the desert, the failure of Cesar Chavez's vision of united farm workers, or Francis of Assisi embracing lepers, Rodriquez is pointing toward an emptiness that needs to be filled, filled though, with something more than what the world of technological offers.
For lack of a better term, Rodriquez talks about the "word of God," the word that reflects nature and the eternal, a word that comes from the "Holy Desert." The Torah, the Bible, and the Koran are all "irrational," but that does not mean that they lack value. They are themilieu from which we thirst for a promised land, a salvation, a heaven.
It's a thirst not easily quenched, as Rodriquez emphasizes. Humanity is made up of people who believe a multitude of crazy things. "Some among us are smart, some serene, some feeble, poor, practical, guilt-ridden, some are lazy, arrogant, rich, pious prurient, bitter, injured, sad. We gather in belief of one big thing: that we matter, somehow. We all matter. No one can matter unless all matter. We call that which gives matter God."
Rodriquez ends by writing that "we celebrate our passions as the victims of love on earth." Religion emphasizes this celebration best, and for that reason Rodriquez embraces his Catholic faith. It's a poetic, elliptical vision, grounded and modified by his personal experiences, and it's convincing.
In reading DARLING: A SPIRITUAL AUTOBIOGRAPHY, an interesting sort of stream of consciousness group of essays, by Richard Rodriguez, we (the book and I) are considering the growth of the concept of *one* god in Middle Eastern deserts at one point. He reports a friend's comments about deserts. I can so identify. I recognize the feelings expressed related to my own experience of deserts through the years.
..."The first thing about deserts, he says, is sand. Not sand as a metaphor, but sand as an i
In reading DARLING: A SPIRITUAL AUTOBIOGRAPHY, an interesting sort of stream of consciousness group of essays, by Richard Rodriguez, we (the book and I) are considering the growth of the concept of *one* god in Middle Eastern deserts at one point. He reports a friend's comments about deserts. I can so identify. I recognize the feelings expressed related to my own experience of deserts through the years.
..."The first thing about deserts, he says, is sand. Not sand as a metaphor, but sand as an irritant: Sand in your underwear, sand in your shoes, sand in the rim of the coke can. He says to walk in the Empty Quarter (of Saudi Arabia) is to journey into inchoate being. One feels dwarfed by emptiness he says, as, he imagines an astronaut must feel. "How could there be more than one God in such a place?"
Indeed... and that nails down the beginnings of my concepts as a child in mid Arizona deserts which include "God" infinitely greater than any possible human conceptualism... let alone human defined global nature. ...and so one is led through paradise, deserts, darkness and light walking with Richard Rodriguez.
"Atheism is wasted on the non-believer." God... an experience of ultimate reality.
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DARLING: A SPIRITUAL AUTOBIOGRAPHY by Richard Rodriguez is a book that delivers a major reckoning with religion, place, and sexuality in the after math of 911. He calls us like John the Baptist to think our lives over again--to relook at our lives in the context of our look at success, greed, and spirituality. Nineteen years ago i made the first step in thinking my life over again as I moved to San Francisco. It is not easy--not knowing where my mone
December 9, Second Sunday in Advent Luke 3:4-6
DARLING: A SPIRITUAL AUTOBIOGRAPHY by Richard Rodriguez is a book that delivers a major reckoning with religion, place, and sexuality in the after math of 911. He calls us like John the Baptist to think our lives over again--to relook at our lives in the context of our look at success, greed, and spirituality. Nineteen years ago i made the first step in thinking my life over again as I moved to San Francisco. It is not easy--not knowing where my money is going to come from, being in danger at times, dealing with people who hate themselves but turn their hate on you--but for me it has become a time of joy, for in thinking my life over I have found the joy of Jesus of Nazareth and of serving him regardless of the cost. I did not come to California looking to get rich, looking for material success but as a place of service, of of new beginnings and I have found that. Rodriguez basically sums up what I believe--that material wealth, physical looks are not what makes us happy--it is the joy in serving others. Deo Gratgias! Thanks be to God!
VegInspiration
There is no way to overstate the magnitude of the collective spiritual transformation that will occur when we shift from food of violent oppression to food of gentleness and compassion. Dr. Will Tuttle
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I was hooked after only 17 pages, and now I've finished. The style of writing mixes stream-of-consciousness with persuasive essay. I picked up the book because of the dedication to the Sisters of Mercy, an order that was instrumental in the early development of Chicago, from a frontier trading post to a thriving city. His relationship with the Sisters of Mercy is one of gratitude, but he does not give many details. His use of language and the expansive knowledge it took to write the book deserve
I was hooked after only 17 pages, and now I've finished. The style of writing mixes stream-of-consciousness with persuasive essay. I picked up the book because of the dedication to the Sisters of Mercy, an order that was instrumental in the early development of Chicago, from a frontier trading post to a thriving city. His relationship with the Sisters of Mercy is one of gratitude, but he does not give many details. His use of language and the expansive knowledge it took to write the book deserve praise. He is also a master of using only the detail that supports his viewpoint; other facts are left out. One example is the chapter on Mother Theresa. The author speaks about her dark depression and her death, but leaves out the sense of purpose she found in support of her faith.
Darling
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A moving work of memoir by a provocative, important Mexican American writer. Rodriguez leaves behind his usual bugbears of identity politics in this book to consider religion in the 21st century, with essays about Jerusalem, the Catholic church, death, and what it means to have faith in a secular age. He's a powerful writer, and I think this is his best work yet.
"
Darling
is more than a book about the desert and religion. It’s about us, our lives, and how we have deserted humanity." - Spencer R. Herrera, New Mexico State University
This book was reviewed in the March 2014 issue of
World Literature Today
. Read the full review by visiting our website:
http://bit.ly/1npiMLB
The precision of Rodriguez's prose is frequently arresting. The kinds of phrases you carry with you and push on others because in a few short words Rodriguez can open a vein or suture it. Like the "blasphemy of certainty." I particularly like "The True Cross" about a beloved friend's last days in hospice care in Las Vegas.
Heard him on the program On Being with Krista Tippett and decided to get the book. The material he discussed on the radio made up a very small portion of the book, and I didn't enjoy it as much as I had hoped. Still, some very interesting concepts are touched on within the sometimes difficult to follow narrative.
About halfway through this marvel of a book, I felt irritated by the subtitle, "A Spiritual Autobiography." After having read the luminous final chapter, I changed my view.
Some of this I'll want to reread because I didn't fully understand it the first go round. But that's a joy to look forward to. Rodriguez has no parallel--he has an original style, one that doesn't pander or write down to his reader.
Wow. Just wow. From a not-so-unique-anymore spot on the margins of the Church, Darling calls Her to repent. But all the time he maintains the gentle committed voice of a child to her parent, one spouse to another. I need to read this again in the near future.
Not a spiritual autobiography as much as a collection of essays and short stories from personal experience and perspective. What gives this five stars is the writing and the originality (one of the most striking chapters was about "brown" and what it connotes).
He's a wonderful writer. I enjoyed reading about growing up in Sacramento. He presents so many unique ideas. The only part I didn't like was the stream of consciousness stuff.
Why do I remain Catholic? Just one of the questions on the journeys into Richard and his thoughts. His age and experiences parallel mine in several ways and so this book raised the hair on my arms in its pure personal truths and consistent same experiences over the decades for myself, as well. His chapters on the Sisters of Mercy, women's roles, those especially. This is an excellent Advent read for thoughts toward peace and amity across the cultures and nations. Richard is an example of how lov
Why do I remain Catholic? Just one of the questions on the journeys into Richard and his thoughts. His age and experiences parallel mine in several ways and so this book raised the hair on my arms in its pure personal truths and consistent same experiences over the decades for myself, as well. His chapters on the Sisters of Mercy, women's roles, those especially. This is an excellent Advent read for thoughts toward peace and amity across the cultures and nations. Richard is an example of how love grows to bloom. His insights into desert perceptions and the foundations of monotheism are also superb. That was a new slant for me and there is tons to chew on there.
"Three Ecologies of the Holy Desert," wow.
It is indeed nothing of a spiritual autobiography, though. A collection of essays on various topics, not focused.
I had high hopes for this book and was slightly disappointed, though it is a good read. I was eager to read a book on the God of the desert - as this book was advertised to be - and instead read one essay on the God of the desert and a lot of essays on other topics. Rodriguez is a good writer and I enjoy his work, but this book was not quite the spiritual autobiography I expected it to be.
I have loved Richard Rodriguez ever since I read his book Hunger of Memory in college. To me, his work is always insightful and thought provoking--whether he is engaging with ideas pertaining to social class, cultural difference, educational theory, sexuality, or religion. This book is no exception. The essays work as standalone pieces and also as parts of a unified whole. I thoroughly enjoyed reading and thinking about religion and spirituality through the complexity of Rodriguez's lens in this
I have loved Richard Rodriguez ever since I read his book Hunger of Memory in college. To me, his work is always insightful and thought provoking--whether he is engaging with ideas pertaining to social class, cultural difference, educational theory, sexuality, or religion. This book is no exception. The essays work as standalone pieces and also as parts of a unified whole. I thoroughly enjoyed reading and thinking about religion and spirituality through the complexity of Rodriguez's lens in this book.
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Had to stop reading half way through and I rarely do that. I didn't mind that the writing jumped all over the place. I did mind that some of his writing, especially when it came to the Middle East, was simplistic and insulting.
Richard Rodriguez is an American writer who became famous as the author of Hunger of Memory: The Education of Richard Rodriguez (1982). His work has appeared in Harper's, The American Scholar, the Los Angeles Times Magazine, and The New Republic. Richard's awards include the Frankel Medal from the National Endowment for the Humanities and the International Journalism Award from the World Affairs C
Richard Rodriguez is an American writer who became famous as the author of Hunger of Memory: The Education of Richard Rodriguez (1982). His work has appeared in Harper's, The American Scholar, the Los Angeles Times Magazine, and The New Republic. Richard's awards include the Frankel Medal from the National Endowment for the Humanities and the International Journalism Award from the World Affairs Council of California. He has been nominated for the Pulitzer Prize in non-fiction; and the National Book Critics' Award.
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