It gets off to a rather slow start as it flits between 1951 and 1931 but it quickly gathers momentum and once it does, there is no stopping it.
Ethel Greenglass reflects on her early life in the 1930s chapters when she was a young Jewish girl in New York, making friends at school and growing up with them outside of school.
She wants to work and gets a job as a shipping clerk but she has aspirations to be a singer and, because of her parents' objections, makes subve
What an absolutely stunning book.
It gets off to a rather slow start as it flits between 1951 and 1931 but it quickly gathers momentum and once it does, there is no stopping it.
Ethel Greenglass reflects on her early life in the 1930s chapters when she was a young Jewish girl in New York, making friends at school and growing up with them outside of school.
She wants to work and gets a job as a shipping clerk but she has aspirations to be a singer and, because of her parents' objections, makes subversive trips to talent shows to earn some money and to try and achieve her ambition.
It is at one of these shows that she meets her soul mate and both her and Julius Rosenburg immediately recognise what they have between them. Romance blossoms, Ethel is obliged to tell her mother about the talent shows and also to introduce Julius to her parents and her siblings.
Julius becomes a communist, Ethel follows suit but the pair of them take a relatively passive role in all the troubles that are brought into the labour market. They do get more immersed but there is no indication that they are disruptive or working with the Russians, they are merely fighting for the workers' rights.
Ethel's brother, David, gets a job in the government but he refuses to tell what it is, simply saying that it is top secret. His work is never discussed, that is until he leaves the job when World War II is over and he then spills the beans about everything he has done. Julius and Ethel listen attentively but take no action on whatever he tells them.
However, that is not how the authorities see it and before too long, much to their surprise, the couple are arrested and imprisoned. A trial follows and, with David lying through his teeth, the couple are found guilty of conspiracy to pass secrets to the Russians, who I must point out never enter the story at all. From the narrative, and we must remember it is fiction (superb at that), there is absolutely no evidence to suggest that they have done anything of the kind.
The 1950s chapters in the book have Ethel reflecting on her past life, what the future holds and telling her story from Death Row and it is harrowing stuff, most moving. Her mother tells her to lie and confess so that she, and Julius, will be saved execution but both of them are unable to sell their soul to the Devil and they remain silent in that direction, simply continuing to profess their innocence.
Visits from her mother do not go well as she reminds her mother of earlier incidents in her life and wonders how her mother can support David as he lies against them. The visits from her children are stunningly written and are particularly pathos filled as they try to come to terms with what is happening to their mother.
Ethel even sees David and tells him exactly how she feels about him and tells him how she finds it hard to believe that he could do such a thing to his sister ... but do it he does and there is no escape for the Rosenburgs despite repeated hearings and pleas for mercy. These are never unanimous with the judges who hear them but, in a McCarthy riddled era, they are sufficiently weighted against Ethel and Julius to prevent any action being taken.
And it all ends in the electric chair in June 1951, thus ending one of the most moving books I have read for some time. And the memory will dwell with me for quite some time as I digest the story - it is that kind of book, a must read (even after that slowish start).
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I've always been fascinated by the story of the Rosenbergs, and always felt they were railroaded and did
not deserve the death penalty. But even the best-researched accounts of their story had little material to work with in creating a personal portrait of either of them. This novelist has done a great job of fleshing out a portrait of Ethel as a human being.