She knew everyone from Paris to Hollywood, collaborated with the Surrealists, and left her indelible mark on the world of fashion. Vogue
She slapped Paris. She smacked it. She tortured it. She bewitched it. And it fell madly in love with her.
Yves Saint Laurent
A dress from Schiaparelli ranks like a modern canvas.
Janet Flanner,
The New Yorker
Elsa Schiaparelli (1890-1973) w
She knew everyone from Paris to Hollywood, collaborated with the Surrealists, and left her indelible mark on the world of fashion. Vogue
She slapped Paris. She smacked it. She tortured it. She bewitched it. And it fell madly in love with her.
Yves Saint Laurent
A dress from Schiaparelli ranks like a modern canvas.
Janet Flanner,
The New Yorker
Elsa Schiaparelli (1890-1973) was one of the leading fashion designers of the 1920s, '30s, and '40s. Her fascinating autobiography, first published in 1954, charts her rise from a rat-infested apartment in Rome, to success in fashion, through the war years when she worked for the American Red Cross, to her eventual role as designer to the stars.
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ebook
,
240 pages
Published
March 1st 2007
by Victoria & Albert Museum
This is a toughie to review... I think I might have hated "Schiap" if I ever met her. She name-drops like there is no tomorrow. I wonder did she choose anecdotes just so she could name names... She mentions being firm friends, lifelong friends, dear friends, fast friends... with hundreds of people. Is it possible that these people felt the same??? A good test of this might be to see how many of these famous people mention her in their biographies? The woman practically invented networking!
Her re
This is a toughie to review... I think I might have hated "Schiap" if I ever met her. She name-drops like there is no tomorrow. I wonder did she choose anecdotes just so she could name names... She mentions being firm friends, lifelong friends, dear friends, fast friends... with hundreds of people. Is it possible that these people felt the same??? A good test of this might be to see how many of these famous people mention her in their biographies? The woman practically invented networking!
Her relationship with her daughter was very difficult to understand. She talks about her love for Gogo with genuine feeling but she spent so much time away from her (from infancy). She is Italian by birth but chose to be French. She seems to hold onto nothing at all... not even her beloved workshop in Paris.
She bizarrely seems to blame experimental drugs for her loosing touch with the fashion Zeitgeist. She hardly mentioned her collaborations with Dali and the ONLY reference to Coco Channel (her biggest rival) is to mention that Channel (and a long list of other people) was at some party or other.
All that being said, she occasionally had the most beautiful turn of phrase and sometimes she really hit the nail on the head with her pithy observations (p.49 "The moment people stop copying you, it means that you are no longer any good and that you have ceased to be news."). She said herself that if she hadn't been a dressmaker she would have liked to have been a writer... now that could have led to something schpectacular!!
I knew next to nothing about Schiaparelli when I started this book, except that she made crazy surrealist clothing in the heyday of modern art in Paris.
Reading the book is like listening to a rambly old lady who never stops talking. She just launches into memories willy nilly and sometimes they are boring and don't really make sense, sometimes it's almost embarassingly culturally outdated but often it is gripping and wonderful and it makes you wish you could have been there. She is always witty
I knew next to nothing about Schiaparelli when I started this book, except that she made crazy surrealist clothing in the heyday of modern art in Paris.
Reading the book is like listening to a rambly old lady who never stops talking. She just launches into memories willy nilly and sometimes they are boring and don't really make sense, sometimes it's almost embarassingly culturally outdated but often it is gripping and wonderful and it makes you wish you could have been there. She is always witty and funny and occasionally spouts the kind of awesome wisdom that you just want to write in large letters and tape all over your house.
My only complaint is that being a hodge-podge memoir, I definitely got the feeling that she glossed over certain parts, left out whole years, and then made a point to include certain little anecdotes that made her out to be the victim of a grand plot (um yeah, I didn't quite follow that). It sort of made me want to read a regular biography of her to get some perspective on her life.
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Schiaparelli was an amazing person, but her autobiography just kind of rambles on like a one-sided conversation. Her account of WW II was rather interesting and offered a different perspective on the Nazi occupation of France than I have ever read before.. I also enjoyed the account of her visit to Moscow. She alternates between writing in teh first and third person and note sin the beginning of the book that she views herself as if in a mirror. I tried to decipher when she switched personal pro
Schiaparelli was an amazing person, but her autobiography just kind of rambles on like a one-sided conversation. Her account of WW II was rather interesting and offered a different perspective on the Nazi occupation of France than I have ever read before.. I also enjoyed the account of her visit to Moscow. She alternates between writing in teh first and third person and note sin the beginning of the book that she views herself as if in a mirror. I tried to decipher when she switched personal pronouns from first to third person, but there was no consistency. Sometimes, it seemed that, in the third person, she was reflecting and in the first , she was telling an account...but that rule did not always hold. So yes...a one-sided conversation.
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Am about 3/4 of the way through this, and, man, is it a slog. Schiaparelli had, by all accounts, a very interesting life: a runaway bride, deserted wife, fantastic peacock, surrealist designer who collaborated with Salvador Dali and Jean Cocteau. But her writing is stilted. She doesn't know how to convey emotion and life--it's a lot of telling, not showing. I wish someone would write a biography on her and do her life justice. (Maybe Judith Thurman?)
UPDATE: I couldn't finish it. I got most of th
Am about 3/4 of the way through this, and, man, is it a slog. Schiaparelli had, by all accounts, a very interesting life: a runaway bride, deserted wife, fantastic peacock, surrealist designer who collaborated with Salvador Dali and Jean Cocteau. But her writing is stilted. She doesn't know how to convey emotion and life--it's a lot of telling, not showing. I wish someone would write a biography on her and do her life justice. (Maybe Judith Thurman?)
UPDATE: I couldn't finish it. I got most of the way through, and then had to read a few other books in between, and just lost interest. Some interesting insights into fashion/design, but not well-written, not engrossing.
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Bleh. Such a slog. The hardest part is how unlikable Schiap was. The book was chock full of her self agrandizing narcissism, name-dropping, bragging and general conceit. I've personally had this experince when working with artists whose work I admired, only to be so disappointed when they turned out to be not very nice people. I read this book as a precursor to reading "Shocked", which was inspired by the author reading "Shocking Life". I'm not sure I will read "Shocked" now. We'll see.
I enjoyed this outlandish autobiography of Schiaparelli but I constantly wondered how much was fact and how much fiction - either way it was an entertaining read. One thing I found interesting was how she would jump between first and third person. It seems that she used third person when she was ashamed or embarrassed of the story she told. But I found it eerily reminiscent of Patrick Bateman in American Psycho...
Who knew?! I picked up this book at The Met after the Prada/Schiaparelli exhibit. I was utterly surprised by how fun it was. I loved hearing about life in Europe, especially Paris, in the first half of the 20th century. Schiaparelli was such live wire, full of that mad cap self confidence of women of a certain era.
I don't know why, but I had a strange interest about Elsa Schiaparelli ever since I was a kid.
My grandmother told me about the eccentric Elsa and her strange clothes.
Her bio is a great book about the most important fashion designer of the 30's.
Interesting life but a seriously annoying and somewhat arrogant style jumping in and out of the third person. Probably not worth reading unless you are seriously interested in the minor movements of her life.
I wanted to love this but couldn't get in to the wandering narrative where Shiaparelli flips between referring to herself as "Shiap" and speaking in the first person almost every other sentence.
Elsa Schiaparelli (September 10, 1890 – November 13, 1973) was a Parisian fashion designer of the 1920s and 1930s. She was born in Rome, Italy, of Italian and Egyptian heritage. She was a great-niece of Giovanni Schiaparelli, who discovered the canals of Mars.
“Many men admire strong women but they don't love them. Some women succeed at being strong and also tender, but most of those who have intended to walk alone, making their own way, have lost their happiness.”
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“She can endure pain and loss without any trouble, but she doesn't know how to react facing happiness.”
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