Roald Dahl's account of his childhood is now reissued in a beautiful hardcover format, with -- for the first time -- Quentin Blake's stunning illustrations.
Roald Dahl writing about his own childhood is a treat for any Dahl fan -- young or old. These stories are warm, touching, funny and show the development of one of the UK's most treasured children's writers.
Roald Dahl's account of his childhood is now reissued in a beautiful hardcover format, with -- for the first time -- Quentin Blake's stunning illustrations.
Roald Dahl writing about his own childhood is a treat for any Dahl fan -- young or old. These stories are warm, touching, funny and show the development of one of the UK's most treasured children's writers.
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Hardcover
,
240 pages
Published
August 30th 2012
by Jonathan Cape
(first published 1984)
This is a charming collection of stories from Roald Dahl's childhood. I loved his books when I was a kid (my favorites were
Danny the Champion of the World
,
The BFG
and
Charlie and the Chocolate Factory
) and it was fun to hear some true tales from the great storyteller.
One of my favorite stories was about the free candy bars he got when he was at boarding school. Cadbury's would send over boxes of test chocolates, and the boys would sample the new flavors and write their reviews. Dahl said the b
This is a charming collection of stories from Roald Dahl's childhood. I loved his books when I was a kid (my favorites were
Danny the Champion of the World
,
The BFG
and
Charlie and the Chocolate Factory
) and it was fun to hear some true tales from the great storyteller.
One of my favorite stories was about the free candy bars he got when he was at boarding school. Cadbury's would send over boxes of test chocolates, and the boys would sample the new flavors and write their reviews. Dahl said the boys took it very seriously, "nibbling each chocolate with the air of connoisseurs, giving our marks and making our comments. 'Too subtle for the common palate,' was one note that I remember writing down."
Dahl said this experience was important because he realized that large chocolate companies actually had inventing rooms, and he imagined what it would be liked to work there and create new flavors. "I have no doubt at all that, thirty-five years later, when I was looking for a plot for my second book for children, I remembered those little cardboard boxes and the newly-invented chocolates inside them, and I began to write a book called
Charlie and the Chocolate Factory
."
Another sweet story was when Dahl became homesick while he was away at school, and he decided to fake an appendicitis so he could return home for a few days. He knew the symptoms because his older sister recently had it, and he put on quite a show for the nurse, yelping and moaning in pain. His act worked, until he got home and his regular doctor instantly knew he was faking. The doctor made him promise never to do it again.
I listened to this on audio, narrated by the actor Dan Stevens, and he did a marvelous job performing the different characters. I especially enjoyed the screechy voice he created for the mean woman who ran the local candy shop, Mrs. Pratchett. Roald and his friends so hated Mrs. Pratchett that one day he cooked up a plot to scare her: he put a dead mouse in one of the candy jars. Unfortunately, the mean Mrs. P figured out who had done it and had them whipped by the school's headmaster.
Even though I listened to this book, I had a print copy to flip through, and I do recommend peeking at the pages because it has some lovely photos, notes and drawings. Recommended for all Dahl fans.
Favorite Quote:
[After leaving school, Dahl was hired by the Shell Company and traveled to foreign countries]
"I began to realize how simple life could be if one had a regular routine to follow with fixed hours and a fixed salary and very little original thinking to do. The life of a writer is absolute hell compared with the life of a businessman. The writer has to force himself to work. He has to make his own hours and if he doesn't go to his desk at all there is nobody to scold him. If he is a writer of fiction he lives in a world of fear. Each new day demands new ideas and he can never be sure whether he is going to come up with them or not. Two hours of writing fiction leaves this particular writer absolutely drained. For those two hours he has been miles away, he has been somewhere else, in a different place with totally different people, and the effort of swimming back into normal surroundings is very great. It is almost a shock. The writer walks out of his workroom in a daze. He wants a drink. He needs it. It happens to be a fact that nearly every writer of fiction in the world drinks more whisky than is good for him. He does it to give himself faith, hope and courage. A person is a fool to become a writer. His only compensation is absolute freedom. He has no master except his own soul, and that, I am sure, is why he does it."
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(Deciding to re-read this book was inspired by the wonderful ladies at
Gathering Books
and their fantastic bimonthly meme‘Everything Dahl and Magical’. Which I absolutely adore. )
“When writing about oneself, one must strive to be truthful. Truth is more important than modesty. I must tell you, therefore, that it was I and I alone who had the idea for the great and daring Mouse Plot. We all have our moments of brilliance and glory, and this was mine.”
I first read this glorious memoir aged twelv
(Deciding to re-read this book was inspired by the wonderful ladies at
Gathering Books
and their fantastic bimonthly meme‘Everything Dahl and Magical’. Which I absolutely adore. )
“When writing about oneself, one must strive to be truthful. Truth is more important than modesty. I must tell you, therefore, that it was I and I alone who had the idea for the great and daring Mouse Plot. We all have our moments of brilliance and glory, and this was mine.”
I first read this glorious memoir aged twelve when I had to do a project in history on a historical person of my choice.
I went to Staples, giddy as a kipper, and bought about five piles of coloured sugar paper and two packets of gel pens (the smelly glitter ones, of course) and set about completing possibly my favourite piece of homework.
I was minding my own business in the classroom, armed with a Pritt Stick and a copy of every one of his book, when this absolute… so and so… in my class said
‘Roald Dahl? Historical? I don’t think so. You should have chosen a monarch or something. You’re going to get a rubbish mark.”
Because I was a shy and retiring wallflower back then, I muttered something under my breath and glared at her from underneath my unfortunate fringe.
BUT, if she had said that to me today I would have found a desk,
stood on it
and, with my chest puffed out, I would have declared: “Roald Dahl
is
a historical figure because if Roald Dahl hadn’t written his books then British children’s fiction… nay, British fiction would have been far too bleak to tolerate. He captured the imagination of so many children and wrote timeless stories that encouraged, and continue to encourage, children who would never normally pick up a book to do just that. And if making generation after generation fall in love with his writing doesn’t qualify him as a historical person then I don’t know what does.”
But… like I said.
Mumble. Glare. Unfortunate fringe.
Anyway, I got my project back (and I still have it!) and my wonderful history teacher wrote:
“Fantastic and original work here. You really did justice to a wonderful figure in British culture. 10 credits”
10 credits? Fantastic and original. YEAH.
Anyway... back to the book.
I loved how Dahl only briefly mentions the stories that he is known for once. It is only right near the end where he is describing how Cadbury’s World (Which
is
just like Charlie's Chocolate Factory by the way!) used to send the boys of his boarding school sample chocolate to taste and how this lead to him writing Charlie and his adventures.
So whenever it was mentioned that his grandfather was nearly seven foot tall or how the young boy used to wonder how gobstoppers worked, you can’t help but feel that Dahl is giving you a knowing wink or whispering a secret that only the two of you are privy to.
Witnessing these glimmers of inspiration that lead him to write his beloved stories, all those years later, was definitely my favourite thing about this book.
Mrs Pratchett with her blouse covered in
“toast-crumbs and tea stains and splotches of dried egg-yolk”
and hands that
“looked as though they have been putting lumps of coal on the fire all day long.
”
Remind you of any one?
Or the Matron, that
“large fair-haired woman with a bosom”
who
“ruled with a rod of steel.
”
And Dahl’s Bestemama with her perpetual chair rocking or Bestepapa, who sits
“saying very little and totally overwhelmed.”
Paired with photographs, hand-written letters home and, of course, Quentin Blake’s glorious illustrations (My favourite one being the bug-eyed, twitching Captain Hardcastle), Boy is still one of my all-time favourites.
I could quite happily fill this review with quotes.... but I'll just leave you with this one...
“Anaesthetics and pain-killing injections were not much used in those days. Dentists, in particular, never bothered with them. But I doubt very much if you would be entirely happy today if a doctor threw a towel in your face and jumped on you with a knife.”
You can find this review and lots of other exciting things on my blog
here.
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Me, I normally hate school books. But this one was different, I really liked this one. It was just so interesting. I can still remember half the stuff that happened in the book. That is how much it stuck with me. I recommend this to fans of Roald Dahl and even non fans, this book is different from all his other work.
Good different...
I still recommend it, the things that happen and how he describes it is just...
That is the only word to describe
I read this in year 7 for English and I loved it.
Me, I normally hate school books. But this one was different, I really liked this one. It was just so interesting. I can still remember half the stuff that happened in the book. That is how much it stuck with me. I recommend this to fans of Roald Dahl and even non fans, this book is different from all his other work.
Good different...
I still recommend it, the things that happen and how he describes it is just...
Layan Jehad
I also read this book for year 7 in school, and I agree with every letter that Sits said because I think of the same thing
Mar 30, 2014 04:20AM
My interest in reading this novel was stimulated a few weeks ago when I visited some friends, one of whom over the course of the evening dug up his collection of Roald Dahl books and proceeded to reintroduce us the magic we had near forgetten we had experienced as children in reading them.
I have always loved the sheer dottiness of the tales of Roald Dahl - the horrid nature of the some of his adult characters and the heroic nature of his young but strong willed main characters.
What I loved abo
My interest in reading this novel was stimulated a few weeks ago when I visited some friends, one of whom over the course of the evening dug up his collection of Roald Dahl books and proceeded to reintroduce us the magic we had near forgetten we had experienced as children in reading them.
I have always loved the sheer dottiness of the tales of Roald Dahl - the horrid nature of the some of his adult characters and the heroic nature of his young but strong willed main characters.
What I loved about this book was that, not only was it written in the eccentric and yet no-nonsense style Dahl was known for, but it also gave me fascinating insight into some of the influences that shaped his writing.
One experience of note that I particularly warmed to was the tale of the woman who owned the sweet shop near his school, who had hideously dirty fingers, and was the fond recipient of one of Dahls' school boy pranks - putting a dead mouse inside one of her lolly jars to find.
From this, and some of the members of his family (the ancient older sister for example) I can only imagine Dahl gained the inspiration for his extraordinarily nasty characters - Aunt's Sponge and Spiker, the Twits, and George's horrible Grandma.
Charming were also some of his harder experiences - the joys of growing up in a time where there was no such thing as anaesthetic and so getting your tonsils out was a lot more painful.
Enchanting were his recounts of visiting his Norwegian family on holidays as a child, the confusion of language barriers and cultural differences I'm sure inspired some of Dahls more eccentric characters - Mr Willy Wonka for instance.
All in all, this reads more like one of Dahl's fictional novels and not like an autobiography at all. Not one for pomposity, Dahl cheerfully deleted the duller elements of his life, for which I am thankful. Nevertheless, this book is a wonderful recount of a well spent (for the most part) childhood. For those fans of autobiographies, who love to read to understand what makes a person tick, this story of childhood will not disappoint. This book goes far to impress upon the reader the events that led to the cheerful dottiness his readers loved him for.
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This is my favorite autobiography. I was envious of Dahl when he told of the story of when Cadbury would send new candy to his boarding school for the children to test. I remember the candy he described, it sounded delicious, but today you can't find the candy because this was around the 40's. I don't know why I just went on a tangent about candy; I guess Roald Dahl has that effect on me.
I am very fond of reading books about children’s bitter experiences. Perhaps I believe in American psychologist, Erik Fromm’s belief that “ to understand children, we, adults, try to think like a child again.”Unfortunately, not all adults are aware of this fact. That’s why the main purpose of literature is to educate people about life, basically about children life. I have read some books about children. I can hardly ever forget Angela’s Ashes by Frank McCourt ( 5 stars ), The Butcher’s Boy by P
I am very fond of reading books about children’s bitter experiences. Perhaps I believe in American psychologist, Erik Fromm’s belief that “ to understand children, we, adults, try to think like a child again.”Unfortunately, not all adults are aware of this fact. That’s why the main purpose of literature is to educate people about life, basically about children life. I have read some books about children. I can hardly ever forget Angela’s Ashes by Frank McCourt ( 5 stars ), The Butcher’s Boy by Patrick McCabe ( 3 stars ), Torey Hayden’s books such as The Innocent Child and its sequel The Tiger’s Child ( I was so generous to fault to give both 5 stars at that time when I was not yet critical on Good Reads. ) I also cried over the classical books such as Charles Dicken’s Oliver Twist and David Copperfield. Even Beloved by Toni Morrison, one of my favorite fictional writers , punched my chest although the character is a young teen-ager gives eerie feelings. For local books, one is the Connecting the Dots by Gojo Cruz ( 5 stars ) which author swept me off my feet. ( laughs ) Such books are awash in the same theme: human cruelty in children, perhaps, out of ignorance.
This book of Road Dahl is one of the books above. This may be intended to make readers laugh. Of course, I did. However, the real highlight of this , even Dahl admitted it at the end of the story, is his miserable experiences as a student in the hands of his school head masters, teachers, and matrons. ( or you’d rather I put it bluntly , under the rotten educational system in Britain at that time ) Dahl narrated how he was such a poor innocent child . He was an archetype of educational upbringing. He had been beaten many times. So had his classmates. He had been humiliated and treated unfairly. So had his classmates. Admittedly, I abandoned myself to his said stories. If I had been his classmate at that time, I would have been so defiant that I could have been booted out. ( laughs ) So , the title of this book fits all the stories- Boys: Tales of Childhood.
I always want to be an active advocate for children’s rights, particularly for their education. Like Dahl, I was also a victim of wrong education from teachers who may have been ignorant of child psychology. As a teacher now , I believe in teaching students based on their individualism.
The good thing about this is that Road Dahl was still able to make us laugh despite those harboring ill-feelings. He was like a friend I have just made, sharing his ala Thomas-Sawyer stories. The atmosphere he built was so amiable that I felt sympathy for him. In addition, reading it was so easy unlike the other autobiographies or novels about children which require higher level of thinking. He narrated his stories age by age and every sentence is well-written. Since it is a children book, I hope young readers take precious lessons from it. And I do not think that it should be banned from the hands of young readers just like of what happened to his Charllie and the Chocolate Factory which received negative criticism. Duty on their distorted realities! ^^
Road Dahl said in his preface that an autobiography for him is full of all sorts of boring details. If I take him for his words, what he meant to say I believe is like what the famous American writer, William Arthur Ward, said:
“The adventure of life is to learn. The purpose of life is to grow. The nature of life is to change. The challenge of life is to overcome. The essence of life is to care. The opportunity of like is to serve. The secret of life is to dare. The spice of life is to befriend. The beauty of life is to give.”
This was one of those eye openers for me as a child; I read Boy countless times (and back home still have the well worn edition from 1986). The concept of an autobiography was so new and radical, at a time when reading was all make believe and fiction; it 'really happened', it wasn't made up! Rather, a magical book that opened up another world, glimpsing a life I would never experience.
His remembrances of childhood and school life are frank, vivid and frequently horrific. In particular, his acc
This was one of those eye openers for me as a child; I read Boy countless times (and back home still have the well worn edition from 1986). The concept of an autobiography was so new and radical, at a time when reading was all make believe and fiction; it 'really happened', it wasn't made up! Rather, a magical book that opened up another world, glimpsing a life I would never experience.
His remembrances of childhood and school life are frank, vivid and frequently horrific. In particular, his account of the unexpected removal of his adenoids has vividly stuck with me to this day, since I read it the first time (starkly imprinted as I too had my adenoids removed as a child and the graphic depiction freaked me out entirely). Tales of life at boarding school, fagging, the cane, chocolate and tuck boxes, a memorable car trip and a general air of menace exposed a truly different way of life.
Reading it now, I'm struck by how brief and narrow it is. It just seemed so much bigger as a child (much like headmasters, I guess). Still, I enjoyed revisiting it immensely. It's also great to pick out those glimpses of future Dahl stories and characters. This is a truly great book for kids to read and discover, even more so as we move further away from the era depicted.
Dahl says near the beginning that everything is true but it really doesn't matter either way. It's all story-telling magic. Well worth reading, whatever your age. Now, on to his later years...
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What child is not completely enamored by the stories written by Roald Dahl? For that matter, what adult does not have a special place in their heart for his audacious, fantastical, magical, whimsical tales? Charlie & The Chocolate Factory, James & The Giant Peach, Fantastic Mister Fox, Matilda. To name only a few. Not to mention his equally magnificent fiction / nonfiction for adults.
Here is a chance for a behind-the-scenes look into this storyteller's world. What was this man's childhoo
What child is not completely enamored by the stories written by Roald Dahl? For that matter, what adult does not have a special place in their heart for his audacious, fantastical, magical, whimsical tales? Charlie & The Chocolate Factory, James & The Giant Peach, Fantastic Mister Fox, Matilda. To name only a few. Not to mention his equally magnificent fiction / nonfiction for adults.
Here is a chance for a behind-the-scenes look into this storyteller's world. What was this man's childhood like to have the imagination necessary for such grandeur stories? What were his formative years like? His family? Friends? In his teenage years, did he know he wanted to be a writer?
Boy: Tales of Childhood answer these tantalizing inquiries, and more. Readers learn of seven-year-old Roald's personal adventures with the candy shoppe down the street, which no doubt inspired Willy Wonka's Chocolate Factory, and a woman whom owns the shoppe that shares similarities with characters featured in The Magic Finger, even Matilda. Aside from that, it is a historically accurate look at life in England/Wales in the early twentieth century, from the onset of automobiles to the questionable medical practices to English boarding schools to the economical industry at the time.
He is raised by two loving parents in Norway, until the death of his sister Astri, followed soon thereafter by his late father (likely attributable to the grief over his favorite daughter). He attends Llandaff Cathedral School for two years, until his tencious mother, raising him and his siblings alone and determined to follow her late husband's wishes that his children have an English prepatory education ("The very best is the world"), sends Roald Dahl to St. Peter's in Weston-super-Mare, Somerset. His mother and siblings (two from his late father's first marriage, three sisters with his own mother, minus Astri, making four!) remained in nearby Wales.
At nine years old, boarding school was understandable a lonely, intimidating experience. From his memories of the Headmaster and Floor Matron, readers are given the undeniable inspiration for what became the novel Matilda.
The role of the headmaster continues to be central in Roald's life when he begins Public School at thirteen, this time at Repton near Derby. His family had relocated to Kent by then. More anecdotes of his early years are told, often endearing, always hilarious. As a photographer (amateur) myself, I was inordinately thrilled to learn of his affinity for it. He was also an unexpected captain for Fives (similar to handball) and Squash during these years.
At Repton, Roald and his classmates were given boxes of chocolates from The Cadbury Corporation, in exchange for their feedback on each piece. A fine marketing test group strategy by them, but, better yet, another childhood memory that contributed to Charlie & The Chocolate Factory!
At eighteen, opting out of university, Roald begins prosperous career at The Shell Company in England. Two years later, the company reassigns him to a post in East Africa, to his delight. Unfortunately, a few short years later, in 1939, World War II dawns, relocating Roald again, this time to Nairobi, then all over The Mediterranean, serving as a Royal Air Force pilot. Alas, as the author promises, that is another story (later published as Going Solo).
Going Solo
Included in this are personal portraits of Roald at various ages (an adorable child,an ambitious teenager, a handsome and charming young man), family photographs, places he lived, attended for his early education, visited, etcetera. Of course, for everything else there are the iconic sketches and doodles by Quentin Blake (readers will remember the same hand that illustrated all their favorite children's stories).
For twenty years, from 1925 to 1945, his mother conscientiously saved Roald's more than six hundred letters to her, equally diligently, lovingly written year after year. A priceless archive, especially for a writer such as himself, given to him as a gift on his mother's deathbed. Parts of these are interlaced between the text (thus exhibiting young Roald's evolving penmanship), colorfully but authentically supplementing, telling a tale almost as grand as the fiction he wrote for decades.
This was such a pleasure, as Roald Dahl is one of my favorite children's book authors. Many share my sentiments. May he rest in peace.
Roald Dahl è il mio mito.
Lo è da quando, a sette anni o giù di lì, l'ho scoperto per la prima volta, e probabilmente lo sarà per sempre.
Ha una voce inconfondibile, una visione del mondo che fa invidia e una vita splendidamente eccitante. C'è qualcosa nel suo modo di scrivere che rende ogni aneddoto, ogni capitolo e ogni personaggio assolutamente memorabile e facile da visualizzare. È divertente, a tratti esilarante, confortante e spaventoso, e a volte serio. È questo, forse, quello che ha dato a
Roald Dahl è il mio mito.
Lo è da quando, a sette anni o giù di lì, l'ho scoperto per la prima volta, e probabilmente lo sarà per sempre.
Ha una voce inconfondibile, una visione del mondo che fa invidia e una vita splendidamente eccitante. C'è qualcosa nel suo modo di scrivere che rende ogni aneddoto, ogni capitolo e ogni personaggio assolutamente memorabile e facile da visualizzare. È divertente, a tratti esilarante, confortante e spaventoso, e a volte serio. È questo, forse, quello che ha dato a questo libro la spintarella che mancava per raggiungere la valutazione massima: la capacità di trattare argomenti un po' più importanti, un po' meno aneddotici, con un tocco leggero ma istruttivo, di un istruttivo che non indottrina ma fa pensare.
Le illustrazioni di Quentin Blake, che accompagnano questo libro come ogni altro romanzo per ragazzi di Dahl, sono la ciliegina sulla torta che invece di farmi sentire nostalgica mi mette addosso una gioia quasi infantile. È meraviglioso vedere come la stessa storia possa rendermi felice oggi esattamente quanto lo faceva sette anni fa, nonostante una prospettiva attuale più matura e analitica. Dahl, per me, è sopra qualunque giudizio - e non perché abbia preconcetti che mi fanno amare ogni suo libro allo stesso modo indipendentemente dalle sue qualità individuali, ma perché lui, come autore, è invariabilmente, costantemente fantastico.
Non c'è niente da fare - lo adoro.
Ho qualcosa da criticare però, perchè altrimenti non sarei io.
Per quanto la traduttrice abbia reso bene il tono della storia e selezionato il lessico in maniera tale da renderlo accessibile a ragazzi più giovani ma comunque maturo e forse anche un po' nostalgico, per quanto sia rimasta complessivamente fedele alla stesura originale, e per quanto la qualità grammaticale sia notevolmente sopra la media attuale in fatto di traduzioni italiane, ho trovato una manciata di errori che mi hanno infastidita non poco - prevalentemente virgole fuori posto e un paio di congiuntivi cannati.
Ma non ho la minima intenzione di valutare la traduzione qui.
Soltanto uno dei miei libri preferiti.
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I really enjoyed this book. You don’t even have to be interested in Roald Dahl himself to enjoy this book, if you are just intrigued about what it must have been like to grow up in the ‘olden days’, then you should definitely read it. Full review on my blog -->
http://lebookchronicles.weebly.com
I'm not usually one for autobiographies, but this one rocked. Ronald Dahl was a fortunate child. Fortunate that he wasn't killed many times by events in his life and by the awesome adventures and memories he was privileged to have.
I will give you my favorite excerpt from this book.
"It won't take two seconds, " the doctor said. He spoke gently, and I was seduced by his voice. Like an ass, I opened my mouth.
The tiny blade flashed in the bright light and disappeared into my mouth.
You must read the
I'm not usually one for autobiographies, but this one rocked. Ronald Dahl was a fortunate child. Fortunate that he wasn't killed many times by events in his life and by the awesome adventures and memories he was privileged to have.
I will give you my favorite excerpt from this book.
"It won't take two seconds, " the doctor said. He spoke gently, and I was seduced by his voice. Like an ass, I opened my mouth.
The tiny blade flashed in the bright light and disappeared into my mouth.
You must read the book to find out what the outcome of that encounter was. Even better was his story about Mrs. Pratchett and the mouse he puts in her candy jar. That one had tears rolling out of my eyes from laughing so hard.
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I think Roald Dahl is probably the best children's storyteller. When my third grade teacher read "Charlie and the Chocolate Factory" to our class I remember thinking, "This guy is really good." But as good as "Charlie and the Chocolate Factory" is (or The Twits or The Witches or Matilda or pick your favorite), it is "Boy", his memoir or childhood written for children, that I read so many times that the copy I found in my basement last week is completely ripped to shreds. He writes for children a
I think Roald Dahl is probably the best children's storyteller. When my third grade teacher read "Charlie and the Chocolate Factory" to our class I remember thinking, "This guy is really good." But as good as "Charlie and the Chocolate Factory" is (or The Twits or The Witches or Matilda or pick your favorite), it is "Boy", his memoir or childhood written for children, that I read so many times that the copy I found in my basement last week is completely ripped to shreds. He writes for children as children, not children as a less intelligent adults. I can only imagine that I will continue to reread this book into the future. I should probably invest in a new copy.
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Normally I would only give this about three stars, but I remember being fascinated by this book as a child. Now I think that there's very little real content -- I read it while my girlfriend was having dinner, for god's sake, and she didn't take that long, not even as much as an hour I'd say -- but of course what there is is well written and fun, and you can see the seeds of Roald Dahl's books in his autobiography. Not just the big ideas, but the sense of fun and even the way he describes things
Normally I would only give this about three stars, but I remember being fascinated by this book as a child. Now I think that there's very little real content -- I read it while my girlfriend was having dinner, for god's sake, and she didn't take that long, not even as much as an hour I'd say -- but of course what there is is well written and fun, and you can see the seeds of Roald Dahl's books in his autobiography. Not just the big ideas, but the sense of fun and even the way he describes things.
It's also fun because he includes photographs and letters and other such bits and pieces of his life.
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Roald Dahl's fiction for adults is often dark and twisted. In his fiction for kids, that impulse is usually kept in the background, displaced in the main thread of the story by the sheer likeability of the main character, even if there are periodic signals that the world of the story has a lot of cruelty in it.
Boy, Dahl's memoir of his childhood, explains a lot of this - his remembered youth consists of wrenching losses, exile to a series of dreadful boarding schools, and brutal medical procedu
Roald Dahl's fiction for adults is often dark and twisted. In his fiction for kids, that impulse is usually kept in the background, displaced in the main thread of the story by the sheer likeability of the main character, even if there are periodic signals that the world of the story has a lot of cruelty in it.
Boy, Dahl's memoir of his childhood, explains a lot of this - his remembered youth consists of wrenching losses, exile to a series of dreadful boarding schools, and brutal medical procedures. It is told with panache and humor, which carry the story along brightly over an undercurrent of old pain. I haven't read a biography of Dahl, but suspect it would be a revelation to compare Dahl's own selective memory, arranged in Boy for narrative impact, to a well-researched, more objective account.
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Boy: Tales of Childhood was a marvellous autobiography. Throughout this book, I was able to see where Roald drew his inspirations from for his children's books. His life experiences were admirable, particularly because he lived through such tough times, when compared to our current lifestyles today where we take most things for granted. I can't imagine how much pain Roald suffered during his adenoids removal and broken nose without anaesthetic! And not to mention his poor bottom that suffered th
Boy: Tales of Childhood was a marvellous autobiography. Throughout this book, I was able to see where Roald drew his inspirations from for his children's books. His life experiences were admirable, particularly because he lived through such tough times, when compared to our current lifestyles today where we take most things for granted. I can't imagine how much pain Roald suffered during his adenoids removal and broken nose without anaesthetic! And not to mention his poor bottom that suffered the crack of the cane several times!
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Como fan declarada de Roald Dahl este era un libro que tenía ganas de leer hacía tiempo. Pero como trae fotos y cartas escritas por él, me parecía necesario tener el libro y no leer una versión digital, así que esperé y ahora, en las vacaciones, llegó mi oportunidad.
Boy es un libro breve, y en el caso de mi edición, de tapa dura, lo que lo hace todavía más tierno. Dahl se ubica como un narrador con ganas de rememorar y un poco resignado (pero en el mejor de los sentidos) a contar sus travesuras
Como fan declarada de Roald Dahl este era un libro que tenía ganas de leer hacía tiempo. Pero como trae fotos y cartas escritas por él, me parecía necesario tener el libro y no leer una versión digital, así que esperé y ahora, en las vacaciones, llegó mi oportunidad.
Boy es un libro breve, y en el caso de mi edición, de tapa dura, lo que lo hace todavía más tierno. Dahl se ubica como un narrador con ganas de rememorar y un poco resignado (pero en el mejor de los sentidos) a contar sus travesuras de la infancia. Se arma un juego muy lindo entre él como adulto reflexivo que evalúa algunas de las cosas que le ocurrieron hace años y él como niño-personaje protagonista, inocente y, a veces, medio inconsciente.
El libro está lleno de anécdotas increíbles (algunas tan imposibles que hacen difícil creer que este Dahl niño fuese de verdad y no una versión alternativa de Matilda), graciosas y llenas de detalles coloridos. Otras son mucho más tristes y no pierden la oportunidad de señalar la crueldad con la que se trataba a los niños en las escuelas de esa época.
Today after an hour of sleepy studying I was hovering around the school library when I saw this Roald Daul book on a shelf and grabbed it. A few paragraphs and "that's it!" The librarian was watching me with a big funny smile on her face so I had no other way but to walk toward her like a real senior studying for university entrance test and try not to think that almost every book I pick up in the school library is a children's book. :-"
I know this is not a review! What's the point in writing on
Today after an hour of sleepy studying I was hovering around the school library when I saw this Roald Daul book on a shelf and grabbed it. A few paragraphs and "that's it!" The librarian was watching me with a big funny smile on her face so I had no other way but to walk toward her like a real senior studying for university entrance test and try not to think that almost every book I pick up in the school library is a children's book. :-"
I know this is not a review! What's the point in writing one?! Honestly!
Well, I'm kind of attached to "Boy".
You can feel the sincerity in every phrase. [I'm actually reading a Persian translation; but believe me, it's just as great.]
+Reading the last few pages, avoiding the fifth star is considered as a crime!
Was a breeze through read giving me a peek into the childhood and ancestry of Roald Dahl. A good overview of the British school system of those days. I also came to know about the motivation behind his book "Charlie and the chocolate factory".
Reading Charlie and the Chocolate Factory for the first time was almost a mystical experience. I was around Charlie's age and even though I knew the book was way out there in terms of reality I understood the disconnect Charlie felt towards adults and authority. I didn't read lots of Dahl's other works until I was in library school. As an older reader I was struck by how hideous and cruel the adult characters were and how hapless the lives of the kid characters were written. I don't think JK Row
Reading Charlie and the Chocolate Factory for the first time was almost a mystical experience. I was around Charlie's age and even though I knew the book was way out there in terms of reality I understood the disconnect Charlie felt towards adults and authority. I didn't read lots of Dahl's other works until I was in library school. As an older reader I was struck by how hideous and cruel the adult characters were and how hapless the lives of the kid characters were written. I don't think JK Rowling could have thought up the Dursleys without having read Roald Dahl first. I picked this book up for a quarter and have been carrying it around for years. It was a big surprise because Roald Dahl explains in essay style all of the childhood traumas he had that can be referenced back to his books. Boarding school in England sounds like it was corporal punishment Hell run by grotesque freaks. Doctors in turn are sadistic or the wisest people depending on the anecdote. His life was held together by his stoic Norwegian mother, his large brood of siblings and punctuated by horrible accidents and stints at boarding school. Dahl seems like a scalliwag himself. I am glad I hung onto it and next time I need to recommend a biography to a teen who doesn't want to read about Lincoln or Favre I will know where to send them.
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The beauty of this book is in the way it was written. It's like Roald Dahl was your buddy and for each time you were together, he told you pieces of his life when he was very young. It is not as grandiose as say Frank McCourt's ANGELA'S ASHES (that was not all true according to its critics). In fact, the chapters of this book, BOY: TALES OF CHILDHOOD is composed of Dahl's young life anecdotes that he would not forget. He, unlike McCourt, though, professed in this book's introduction, that these
The beauty of this book is in the way it was written. It's like Roald Dahl was your buddy and for each time you were together, he told you pieces of his life when he was very young. It is not as grandiose as say Frank McCourt's ANGELA'S ASHES (that was not all true according to its critics). In fact, the chapters of this book, BOY: TALES OF CHILDHOOD is composed of Dahl's young life anecdotes that he would not forget. He, unlike McCourt, though, professed in this book's introduction, that these are all
true.
Many who liked this book mentioned their favorite parts, i.e., the ones that made them laugh so loudly: The Great Mouse Plot and the Goat's Tobacco. Maybe they are from that side of the world where rats are uncommon and animal dung is yucky. When I was growing up in Quezon province, I used to see these things everyday so I found those parts ordinary. What made me laugh out loud was the
Getting Dressed for the Big School
. The reason is that there is an illustration (yes, the hand-drawn sketches made a big difference in this memoirs) and I could imagine how he looked like (good detailed description of that elaborate old English school uniform) and how his sisters reacted when they saw him in it:
My sisters shrieked with laughter when I appeared. 'He can't go out in those!' they cried. 'He'll be arrested by the police!'
If you want an easy read that could be a bit shocking and disgusting and yet funny and witty, and most important of all is true, pick up this book!
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A must-read for lovers of Roald Dahl, this little book delves into tales from his early life, spanning his childhood up until he leaves for East Africa while working for the Shell Company (where the subsequent book
Going Solo
picks up the tale).
I've had this book sitting on my shelf for quite some time now, but I'm glad that I finally picked it up. It was definitely an interesting look into the life of one of my very favorite authors, and it was interesting to see what exactly made him tick. It
A must-read for lovers of Roald Dahl, this little book delves into tales from his early life, spanning his childhood up until he leaves for East Africa while working for the Shell Company (where the subsequent book
Going Solo
picks up the tale).
I've had this book sitting on my shelf for quite some time now, but I'm glad that I finally picked it up. It was definitely an interesting look into the life of one of my very favorite authors, and it was interesting to see what exactly made him tick. It was so cool to see where the inspiration for characters like Miss Trunchbull and for stories like Charlie and the Chocolate Factory came from.
I also loved the fact that as I was reading, I had to wonder what was strictly fact and what was exaggerated and what was fabricated. Not that I'm calling Dahl a liar, exactly, but anyone who has read anything by him knows that he has a knack for storytelling, so I had fun wondering, for example, whether his nose was
really
hanging on by a thread during that fateful car ride or if that was just part of the story. Honestly, this reads less like an autobiography and more like one of his stories--I had to keep reminding myself that this was actually about Dahl himself. It really was a fun little book to read. And I have a feeling that this book would definitely appeal to young boys, from the tales of the dead mouse to the very end where Dahl talks about taking off to East Africa.
Dahl's wit, along with his storytelling ability, definitely makes this book worth a read for any fan of Roald Dahl.
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Leave it to the wayward and whimsical Roald Dahl to write his memoirs in a very unorthodox way: a collection of memories that prove he didn’t only have a vivid imagination, but always had a way of looking at the world that would become golden in writing children’s books.
My favourite scene without a doubt is about the candy store where they sell liquorice bootlaces which they are meant to believe are made from rat’s blood.
”Every ratcatcher in the country’, the father had said, ‘takes his rats t
Leave it to the wayward and whimsical Roald Dahl to write his memoirs in a very unorthodox way: a collection of memories that prove he didn’t only have a vivid imagination, but always had a way of looking at the world that would become golden in writing children’s books.
My favourite scene without a doubt is about the candy store where they sell liquorice bootlaces which they are meant to believe are made from rat’s blood.
”Every ratcatcher in the country’, the father had said, ‘takes his rats to the Liquorice Bootlace Factory, and the manager pays tuppence for each rat. Many a ratcatcher has become a millionaire by selling his dead rats to the Factory.”
And from his description of the lady who runs this sweet-shop, it isn’t hard to imagine some of the gruesome characters he would write about later.
Her name was Mrs Pratchett. She was a small skinny old hag with a moustache on her upper lip and a mouth as sour as a green gooseberry. She never smiled. She never welcomed us when we went in, and the only times she spoke were when she said things like, ‘I’m watchin’ you so keep yer thievin’ fingers off them chocolates!’ Or ‘I don’t want you in ’ere just to look around! Either you forks out or you gets out!’
But by far the most loathsome thing about Mrs Pratchett was the filth that clung around her. Her apron was grey and greasy. Her blouse had bits of breakfast all over it, toast-crumbs and tea stains and splotches of dried egg-yolk. It was her hands, however, that disturbed us most. They were disgusting. They were black with dirt and grime. They looked as though they had been putting lumps of coal on the fire all day long. And do not forget please that it was these very hands and fingers that she plunged into the sweet-jars when we asked for a pennyworth of Treacle Toffee or Wine Gums or Nut Clusters or whatever.
Is this an extraordinary autobiography? No, but’s entertaining and fun to read if you like Dahl’s writing. 3,5 stars, upped to 4 because this is the whimsical Roals Dahl we're talking about.
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Recommends it for:
Anyone remotely interested in Dahl or his books
Recommended to K. by:
Given to me on my 26th birthday by Portia Subran.
'We all have our moments of brilliance and glory, and this was mine.'
"Boy: Tales of Childhood" was one of the books gifted to me by my girlfriend, Portia, on my 26th birthday. She had urged me to read this before delving into Roald Dahl's other work of personal nature, "Going Solo". So I started this today and finished it today. The book is described by Dahl not as an autobiography but just a recollection of events that he could skim from the top of his consciousness, events that have stayed wi
'We all have our moments of brilliance and glory, and this was mine.'
"Boy: Tales of Childhood" was one of the books gifted to me by my girlfriend, Portia, on my 26th birthday. She had urged me to read this before delving into Roald Dahl's other work of personal nature, "Going Solo". So I started this today and finished it today. The book is described by Dahl not as an autobiography but just a recollection of events that he could skim from the top of his consciousness, events that have stayed with him for decades until 1986, when he wrote the book, a mere four years before he died.
"Boy" is layered with an aspect that I appreciate most in literature, fiction or non-fiction: honesty. The tone, narration and overall nostalgic feel of the book never comes across as hokey invention, glossy or over-saturated. His wording is simple, as if telling the story himself to his own descendants, or any rounded group of intent listeners. The story itself follows Dahl through the death of his little sister and father; the challenge these deaths bestowed upon his mother; his time in boarding school and being a "fag" in Repton and having to succumb to their own prefects from hell, referred to as Boazers.
There are also stories of childish cunning and mischief as Dahl relates the tale of a prank pulled on the clerk of a local candy shop, and on his sister's pipe-smoking fiance. Towards the end, Dahl relates the difference between working as a businessman in the petroleum industry and being a writer. It is brief but he sums it up well in an astounding few paragraphs without any overindulgence. Another chapter to look out for is his ruminations after having to sample Cadbury's chocolate, which led him to write one of his most famous works: Charlie and the Chocolate Factory.
"Boy" is an honest book, a highly personal work rooted in the reality of a writer who dwells in universes that are filled with charming whimsy. If you are even remotely interested in Roald Dahl or his writings, this should come highly recommended.
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Roald Dahl was one of my favorite authors as a child and still is.
In Boy: Tales of Childhood, Roald Dahl talks about his most vivid childhood memories including family trips to Norway, plots against despised grown-ups, floggings at school and much more. His description and tales of certain adults are definitely entertaining and made me laugh a couple of times. I especially enjoyed reading about his visits to the glorious sweet-shop and all the amusing things his friend Thwaites used to say abou
Roald Dahl was one of my favorite authors as a child and still is.
In Boy: Tales of Childhood, Roald Dahl talks about his most vivid childhood memories including family trips to Norway, plots against despised grown-ups, floggings at school and much more. His description and tales of certain adults are definitely entertaining and made me laugh a couple of times. I especially enjoyed reading about his visits to the glorious sweet-shop and all the amusing things his friend Thwaites used to say about various sweets.
This book is a must-read for all Roald Dahl fans out there since it gives us a glimpse of his life at different stages as he was growing up.
Boy tells the amazing story of Roald Dahl’s adventures from birth and finishing school. The sequel that follows Boy is “Going Solo” which tells the story about Dahl growing up.
Roald Dahl's autobiography focuses mostly on his unpleasant experiences at his three schools. Between ages 7 and 9, Dahl went to school in his Welsh hometown, where he and his friends put a mouse in the neighbourhood sweetshop and were caned by the schoolmaster. To save her son from such beatings,
“Boy Tales of Childhood”
Boy tells the amazing story of Roald Dahl’s adventures from birth and finishing school. The sequel that follows Boy is “Going Solo” which tells the story about Dahl growing up.
Roald Dahl's autobiography focuses mostly on his unpleasant experiences at his three schools. Between ages 7 and 9, Dahl went to school in his Welsh hometown, where he and his friends put a mouse in the neighbourhood sweetshop and were caned by the schoolmaster. To save her son from such beatings, his mother sent him to a boarding school, where the conditions were even worse and often were taught by violent schoolmasters. At 13, he was accepted at Repton, where his athletic abilities and his size affected him slightly from the general atmosphere of persecution.
The story is suitable for 11 year olds as Boy has quite a lot of violence in it.
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No soy aficionado a la literatura infantil: de Dahl, lo que más me gusta son sus cuentos
exclusivamente
para adultos, así como su novela
My Uncle Oswald
. De todos modos, estas son las memorias de infancia de un Dahl ya adulto y consagrado como escritor, y están impregnadas de su divertido genio y sarcasmo.
'Boy' is a delightful book and I wish I had read it earlier. There are times when as a kid you feel that all the wrongs in life are dished to you exclusively but reading this book makes you realize that childhood is a bitter-sweet candy and all of us wobble through it somehow. There are tales to tell, oh the tales we all carry in our hearts. While reading I could think of so many mischiefs I committed and then forgot about them. Reading Dahl's exploits brought back a hundred little things to min
'Boy' is a delightful book and I wish I had read it earlier. There are times when as a kid you feel that all the wrongs in life are dished to you exclusively but reading this book makes you realize that childhood is a bitter-sweet candy and all of us wobble through it somehow. There are tales to tell, oh the tales we all carry in our hearts. While reading I could think of so many mischiefs I committed and then forgot about them. Reading Dahl's exploits brought back a hundred little things to mind, it sort of opened the floodgates to bring in those times of my childhood back.
I think it's a book which can be read at various times in life and it'll give you a different feeling every time you read it, somewhat like the color changing candy which Dahl talked about :)
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Roald Dahl was a British novelist, short story writer and screenwriter of Norwegian descent, who rose to prominence in the 1940's with works for both children and adults, and became one of the world's bestselling authors.
Dahl's first published work, inspired by a meeting with C. S. Forester, was Shot Down Over Libya. Today the story is published as "A Piece of Cake". The story, about his wartime a
Roald Dahl was a British novelist, short story writer and screenwriter of Norwegian descent, who rose to prominence in the 1940's with works for both children and adults, and became one of the world's bestselling authors.
Dahl's first published work, inspired by a meeting with C. S. Forester, was Shot Down Over Libya. Today the story is published as "A Piece of Cake". The story, about his wartime adventures, was bought by the Saturday Evening Post for $900, and propelled him into a career as a writer. Its title was inspired by a highly inaccurate and sensationalized article about the crash that blinded him, which claimed he had been shot down instead of simply having to land because of low fuel.
His first children's book was The Gremlins, about mischievous little creatures that were part of RAF folklore. The book was commissioned by Walt Disney for a film that was never made, and published in 1943. Dahl went on to create some of the best-loved children's stories of the 20th century, such as Charlie and the Chocolate Factory, Matilda and James and the Giant Peach.
He also had a successful parallel career as the writer of macabre adult short stories, usually with a dark sense of humour and a surprise ending. Many were originally written for American magazines such as Ladies Home Journal, Harper's, Playboy and The New Yorker, then subsequently collected by Dahl into anthologies, gaining world-wide acclaim. Dahl wrote more than 60 short stories and they have appeared in numerous collections, some only being published in book form after his death. His stories also brought him three Edgar Awards: in 1954, for the collection Someone Like You; in 1959, for the story The Landlady; and in 1980, for the episode of Tales of the Unexpected based on "Skin".
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