Sparkling with stories of familiar names from the world of jazz - Quincy Jones, Stan Kenton, Thad Jones, Mel Lewis, Ella Fitzgerald, Dizzy Gillespie - jazz musician 'Doc' Holladay's book challenges some of the preconceived ideas about jazz and explains why he as a white man finds himself at home within the African-American community.
Hardcover
,
258 pages
Published
December 31st 2000
by George Ronald
(first published December 2000)
Full disclosure: I was a student of Doc's at Oakland University during the height of the program he built so this book was of great interest to me. I think Doc has packed 3 books into one: 1) a historical front row seat on the evolution of the jazz scene in the 60's and beyond, 2) a human perspective on religion and what fuels passion and drives a person to make life choices, and 3) a statement on race, both the overt and more subtle types that have poisoned society and the ways people have avoi
Full disclosure: I was a student of Doc's at Oakland University during the height of the program he built so this book was of great interest to me. I think Doc has packed 3 books into one: 1) a historical front row seat on the evolution of the jazz scene in the 60's and beyond, 2) a human perspective on religion and what fuels passion and drives a person to make life choices, and 3) a statement on race, both the overt and more subtle types that have poisoned society and the ways people have avoided or played into it. The nature of the music is a pure meritocracy where those who perform it can rise based solely on their ability to play regardless of race, religion, or gender but society does not take easily to this and has fought tooth and nail to thwart progress. Doc witnessed events which became seminal building blocks in his life and ultimately in mine and others he influenced.
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