Laurence Olivier was a true legend. No classical actor had ever been such a dazzling star. No star had been such a magnificent actor. In this marvellous autobiography Laurence Olivier tells his own story: his brilliant career as actor, director, film-maker and producer; his role as husband to three women including Vivien Leigh and Joan Plowright; and his many friendships -
Laurence Olivier was a true legend. No classical actor had ever been such a dazzling star. No star had been such a magnificent actor. In this marvellous autobiography Laurence Olivier tells his own story: his brilliant career as actor, director, film-maker and producer; his role as husband to three women including Vivien Leigh and Joan Plowright; and his many friendships - with Sir Ralph Richardson, Noel Coward and Sir Winston Churchill, to name just a few.
Confessions of an Actor
is more than just a memoir. It is a deeply felt testament by one of the most astonishingly gifted artists of all time.
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Paperback
,
36 pages
Published
January 3rd 1984
by Penguin Books
(first published 1982)
This book was very readable because Olivier seems to be talking directly to the reader. It was interesting getting his perspective of the theater world. He mentions the many classic plays he acted in, so many of which I had never even heard of. His interactions with the theater world and the film world made interesting reading. Of course there were people I had heard of but there were also many names that were new to me.
He tells about the period in his life when he suffered from "s
Added 9/29/13.
This book was very readable because Olivier seems to be talking directly to the reader. It was interesting getting his perspective of the theater world. He mentions the many classic plays he acted in, so many of which I had never even heard of. His interactions with the theater world and the film world made interesting reading. Of course there were people I had heard of but there were also many names that were new to me.
He tells about the period in his life when he suffered from "stage fright". Who would have guessed!
To me it seemed that some of the sentences in the book were clumsily put together. Perhaps it indicates that he wrote from the heart and didn't go through an editor.
It's his personal story. I'm glad I read it. It includes his marriages to Vivien Leigh and Joan Plowright, as well as his work with Marilyn Monroe.
Weidenfeld & Nicholson, Hardback, [1982].
8vo. xii+305 pp. Appendices, Chronology, Index [pp. 262-305]. 48 pages with black-and-white photographs.
Contents
List of Illustrations
Part One
1. How It Began
2. Cradle to Choirboy
3. Rough, Not Ready
4. Gags and Giggles
Part Two
5. New Wife, New World
6. Call to Arms
7. Hired and Fired
8. The Feverish Fifties Begin
9. Le Fievre Recule Pour Mieux Sauter
10. The Prince and the Showgirl
Part Three
11. Sea Changes
12. The Start of
Laurence Olivier
Confessions of an Actor
Weidenfeld & Nicholson, Hardback, [1982].
8vo. xii+305 pp. Appendices, Chronology, Index [pp. 262-305]. 48 pages with black-and-white photographs.
Contents
List of Illustrations
Part One
1. How It Began
2. Cradle to Choirboy
3. Rough, Not Ready
4. Gags and Giggles
Part Two
5. New Wife, New World
6. Call to Arms
7. Hired and Fired
8. The Feverish Fifties Begin
9. Le Fievre Recule Pour Mieux Sauter
10. The Prince and the Showgirl
Part Three
11. Sea Changes
12. The Start of the Sixties
13. The National Theatre Launched
14. National But Not Velvet
15. L'Envoi
Appendix A
Appendix B
Select Chronology
Index
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I think there is nothing in the world so precious as truly selfless friendship; I am aware that this is not an original thought, but if it can do nothing else this book must register this gift as the richest in my unfairly rich cake of a life.
Well, this book does a great deal more than that.
After my ambivalent experience with
On Acting
(1986), a most uneven book indeed, I started the autobiography of Laurence Olivier with some trepidation. I was not a little surprised to find it superbly written, consistently entertaining and greatly revealing about the man behind one of the most staggering acting careers of the past century.
I think it is unfortunate that words like ''biography'' and "autobiography" have come to be associated mostly with the facts and figures of one's life. I think this is a great mistake. Facts and figures are the least revealing aspects of one's life, including when written by one's own hand, even more so when set down by an ''objective'' observer. Moreover, such narratives are only too likely to become unreadable tedium.
Now Larry's autobiography is packed with facts, not to mention names of actors, plays, characters, friends, acquaintances. Yet somehow, miraculously, he manages to avoid boredom. Only very occasionally does excessive detail or overdose of trivia mar these pages.
Perhaps the main cause for his success in this direction is that Larry is a surprisingly fine writer. He writes with strong yet engaging authorial voice, vast vocabulary put to service of lucidity, and a wonderful sense of humour. Consider his description of Hollywood parties in the early 1930s as a typical example of his best:
The big Hollywood parties were unbelievably true to their reputation - a sheer joy if you were in a mocking vein. Those glorious creatures, with their entrances and their descents down the staircase, were quite magnificent in their grace and stateliness and their confident composure - so soon to disappear without trace. After a couple of bootleg shots, and in as few minutes, all that majesty was sprawling and rolling about unable to utter a sentence that could be understood.
The beautiful thing about the profundity of facts is that it's very seldom excessive. The author has no intention of leaving no stones unturned. In fact, he is very selective and the choice what to include and what not is in itself revealing. Besides, the narrative is often enlivened by reflections and opinions that give a striking insight into Larry's mind. For example, he doesn't even mention the birth of his son from the first marriage with Jill Esmond and he seldom refers to him later. But one of these references tells us how, some two decades after his birth, he took him to Scotland during his preparations for the filming of
Macbeth
(never made, alas), but in the end they remained strangers.
If you choose to believe, this is a very candid book. Of course it is dangerous to take anything at face value, for example the author describing himself as a "moral and physical coward". But on the whole I am inclined to believe that Larry is remarkably honest with his readers - and with himself. See how he describes the budding affair between Peter Finch and his second wife, Vivien Leigh, during the shooting of
Elephant Walk
in Ceylon:
I could find no blame in my heart for Peter - was he not simply doing what I had done to her first husband seventeen years ago? I found it pretty old-fashioned to work up any extra feelings of outrage on account of my being his boss from whom he had been able to glean a very nice career, thank you; besides, I had always liked him, and in the strangest of ways, just then, the utter confusion of the mess in which we found ourselves seemed to dispel hostility.
"We had never before been made to face the extent to which our lives together had been supported and bolstered up by the companionship of our friends and the glitter of our position."
The heart of this book is the rise and fall of the marriage of Laurence and Vivien Leigh. From Leigh's falling out of love, manic depression, nervous breakdowns, and ultimately to shock treatment.
He's worked beside so many Hollywood legends; made me wish he could shed more light on them than simply the word "lov
"We had never before been made to face the extent to which our lives together had been supported and bolstered up by the companionship of our friends and the glitter of our position."
The heart of this book is the rise and fall of the marriage of Laurence and Vivien Leigh. From Leigh's falling out of love, manic depression, nervous breakdowns, and ultimately to shock treatment.
He's worked beside so many Hollywood legends; made me wish he could shed more light on them than simply the word "lovely."
There is much of value from the master of the craft, but too much information: stuck on straight chronology with casts and roles, set decorators, fashion designers, asst producers, etc--mostly forgotten.
I was amused to see somebody take a few shots at American Lee Strasberg Method Acting.
"2.5% work. 97.5% do not. The profession has always been overcrowded. . . but the theatre arts possess a fatal fascination for too many people, and there seems to be no effective way of scaring them off." - Laurence Olivier
"The Merchant of Venice" is horrid, cruel . . . what it more, it is thought to be eminently suitable for schoolchildren!
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[These notes were made in 1984:]. Olivier's autobiography is full of satisfying detail and even more satisfying name-dropping. Instead of adopting the usual self-justificatory tone, he inverts it to one of deep humility - a rather self-conscious humility, at that: no doubt the consequence of growing up a minister's son. If there is one habit he has that really irks me, it's that of adding "ie" on to everyone's name - "Ralphie," "Willie Walton," "Noelie." The two real standouts from thais rule ar
[These notes were made in 1984:]. Olivier's autobiography is full of satisfying detail and even more satisfying name-dropping. Instead of adopting the usual self-justificatory tone, he inverts it to one of deep humility - a rather self-conscious humility, at that: no doubt the consequence of growing up a minister's son. If there is one habit he has that really irks me, it's that of adding "ie" on to everyone's name - "Ralphie," "Willie Walton," "Noelie." The two real standouts from thais rule are Vivien Leigh and Peter Finch, with whom she had an affair just before the end of her marriage to Olivier. I must say that Olivier manages to slide rather well over the apparent meanness of divorcing a mentally ill woman on her way to death. He is, in that respect, a persuasive enough writer. But I feel much happier when he is telling cheerful anecdotes about the making of Henry V or rehearsing and improvising in Private Lives.
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This book does not give much away about his 'preferences' because it is an autobiography so for potential PR reasons some things may not have been written about and understandably so. I read this book more to learn about his side of stories of him working with Marilyn in my all time favourite Marilyn Monroe film The Prince and the Showgirl and to get a more detailed description of vivien leigh's struggle with her mental health. This book was very interesting. More detail on his time with these l
This book does not give much away about his 'preferences' because it is an autobiography so for potential PR reasons some things may not have been written about and understandably so. I read this book more to learn about his side of stories of him working with Marilyn in my all time favourite Marilyn Monroe film The Prince and the Showgirl and to get a more detailed description of vivien leigh's struggle with her mental health. This book was very interesting. More detail on his time with these legends would have been better. Learnt more about his love of theatre and preference to theatre of films. His love of shakespeare is clear too. Good book.
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I read this while I was in high school. Certain moments still stick in my mind: his father's reaction to seeing him play Puck in school; his first marriage; how his affair with Vivien Leigh started; how after his divorce from Leigh he and friends played savior, and the state they found in her when they entered her home; the line about worrying he'd fall in love with Marilyn Monroe when they started filming and by the end of it he wanted to kill her.
This book was enlightening to me. I had for some reason always assumed that Laurence Olivier was more like the characters he acted in his movies and plays -- dark, brooding, moody types. But it turns out he was quite the opposite. He enjoyed playing pranks and trying to get his fellow actors to laugh in the middle of a play. His writing also shows a sense of humor.
It's far from being the best autobiography ever - at times it felt like a listing of the stage plays he was in; but there's also some interesting information in it, so I'd recommend it to Laurence Olivier-fans nonetheless.
Uhhhh....this book is Fabulous, with a capital "F". For all of you out there who love a trashy novel about someone real: this is your hot ticket. Loved it!