A Little Learning The author's childhood was warm, bright and serene. The Hampstead and Lancing schooldays which followed were sometimes agreeable, but often not. His life at Oxford - which he evokes in Brideshead Revisited - was essentially a catalogue of friendship. This title presents a portrait of his recollection of those hedonistic days. Full description
paper
,
234 pages
Published
August 5th 2010
by Penguin Books Ltd
(first published 1964)
Evelyn Waugh never completed his autobiography, unfortunately. This volume takes us through his first job after college, where on the last page, his attempt at suicide is thwarted by discovering jellyfish in the seawater, so of course he can't stay in. This dark humor and self-deprecation runs through his fond and wry narrative of his early years.
We meet many of the archetypes in his books, naturally, from his youth and education; much of his college experience is repeated with little change in
Evelyn Waugh never completed his autobiography, unfortunately. This volume takes us through his first job after college, where on the last page, his attempt at suicide is thwarted by discovering jellyfish in the seawater, so of course he can't stay in. This dark humor and self-deprecation runs through his fond and wry narrative of his early years.
We meet many of the archetypes in his books, naturally, from his youth and education; much of his college experience is repeated with little change in Brideshead Revisited, and it is very easy to pick out many of his literary characters from the living people.
But the chronicle isn't the treat here-- it's his writing. Waugh's command of the language is unparalleled. If you want to be a better reader and a better writer, read all of Waugh you can find. My only regret at finishing this book is that there is no more; I would love to have read the rest of his own story, but suspect he left it to his biographers instead, since much of it was painful. This reads as well as his fiction and is well worth exploring.
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I don't know why Waugh never finished this--I strongly suspect he came up against the reality of his intense gay romances, and couldn't slide over the surface, yet of course couldn't talk about them. Anyway, for sheer beauty, the prose when he describes the various places of learning and what they meant to him are some of his very best.
I fairly enjoyed reading this memoir since, of course, there were related characters and episodes he had to describe. I think his readers can learn and know a lot of figurative words, for instance, nagging debts, Asiatics abounded, frustrated pugnacity, etc.
My Former Review:
When I first saw the book title, it reminded me of a quote by Alexander Pope, "A little learning is a dangerous thing," and I still think this is a wise one worth reflecting and thus keeping in mind to be aware of our own lea
I fairly enjoyed reading this memoir since, of course, there were related characters and episodes he had to describe. I think his readers can learn and know a lot of figurative words, for instance, nagging debts, Asiatics abounded, frustrated pugnacity, etc.
My Former Review:
When I first saw the book title, it reminded me of a quote by Alexander Pope, "A little learning is a dangerous thing," and I still think this is a wise one worth reflecting and thus keeping in mind to be aware of our own learning. In other words, what should we do to avoid such complacent learning leading to vanity?
I think this memoir by Evelyn Waugh is as interesting as his short stories and his novels I read some years ago. In fact, I've longed to read it since I enjoyed reading them all. Moreover, I wondered how he could write so fantastic, hilarious that I couldn't help smiling & laughing. Therefore, I'm sure I should learn something from his memoir.
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This delightful autobiographical account of his youth, ending with Evelyn Waugh walking off after not drowning himself after all - turning back after being stung by a jellyfish - should probably be read *before* Paula Byrne's biography "Mad World". Much background to "Brideshead revisited" of course, in his own - surprisingly candid as well as witty - words. Although only mentioned in passing, I didn't know that Waugh counted G. K. Chesterton and Graham Greene among his friends. Given recent hig
This delightful autobiographical account of his youth, ending with Evelyn Waugh walking off after not drowning himself after all - turning back after being stung by a jellyfish - should probably be read *before* Paula Byrne's biography "Mad World". Much background to "Brideshead revisited" of course, in his own - surprisingly candid as well as witty - words. Although only mentioned in passing, I didn't know that Waugh counted G. K. Chesterton and Graham Greene among his friends. Given recent highly publicized and litigated scandals involving some Catholic priests' unchaste involvement with young boys, the last chapter - with the story of 'Grimes' - is an eye-opener regarding serial predators being passed on silently (to avoid scandal) in British schools almost a hundred years ago. Published in 1964, it would be interesting to know whether these revelations were at all remarked on in the British press at the time.
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If you love Waugh you will enjoy his autobiography. Such a shame memoirists like this have disappeared and a pity Waugh died before authoring subsequent volumes. Though he is discreet in his tellings, one can glean much of the man, his milieu and his many associations.
"Today...there are reporters of the popular papers who interview authors rather than review their work; there are the charmers of television; there are the state-trained professional critics with their harsh jargon and narrow tastes, and there are the impostors who cannot write at all, but travel from one international congress to another discussing the predicament of the writer in the modern world."
c 1968
"An artist must be a reactionary. He has to stand out against the tenor of the age and not
"Today...there are reporters of the popular papers who interview authors rather than review their work; there are the charmers of television; there are the state-trained professional critics with their harsh jargon and narrow tastes, and there are the impostors who cannot write at all, but travel from one international congress to another discussing the predicament of the writer in the modern world."
c 1968
"An artist must be a reactionary. He has to stand out against the tenor of the age and not go flopping along." (nb: he does not mean "conservative" when he writes "reactionary")
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This is the first and only volume of an unfinished autobiography. It masterfully covers Waugh's youth, including his genealogy, parent's life, early upbringing, school boy days, days at Oxford, and his working life as a young adult. While it isn't a book I'd re-read, it was a pleasure to read and I'm glad I read it. On rare occasions, it got slightly tedious, but there were quite a few excellent nuggets to make up for that.
If you're into Waugh enough to want to read about his life, you'll enjoy this. He brings his characteristic wit and irony to the narration, especially in his masterful depiction of the various characters in his life, but he seems only tepidly enthusiastic about the project (which went unfinished) and it's nowhere near as much fun as his novels.
I read this autobiography without having read in Waugh fiction. I tremendously enjoyed it. Why this is not more highly recommended reading, I do not know. I went to Evelyn Waugh's house in Oxford, essentially only because I was there and knew his name from a joke in the movie "Lost in Translation". If that's all you know, read this book!
I would definately recommend this to all Waugh fans.
Don't be put off by chapter one, it goes through his family tree, and although some may have enjoyed it, I found it one of the most boring things I've ever read. The rest of the book is splendid though, so I forgive him.
If you're a Waugh fan, this is a real tgreat. His acerbic wit and close eye for foibles, including his own, are present throughout the book. And it is very apparent that Waugh did much more than a little learning during his youth.
Evelyn Waugh's father Arthur was a noted editor and publisher. His only sibling Alec also became a writer of note. In fact, his book “The Loom of Youth” (1917) a novel about his old boarding school Sherborne caused Evelyn to be expelled from there and placed at Lancing College. He said of his time there, “…the whole of English education when I was brought up was to produce prose writers; it was al
Evelyn Waugh's father Arthur was a noted editor and publisher. His only sibling Alec also became a writer of note. In fact, his book “The Loom of Youth” (1917) a novel about his old boarding school Sherborne caused Evelyn to be expelled from there and placed at Lancing College. He said of his time there, “…the whole of English education when I was brought up was to produce prose writers; it was all we were taught, really.” He went on to Hertford College, Oxford where he read History. When asked if he took up any sports there he quipped, “I drank for Hertford.”
In 1924 Waugh left Oxford without taking his degree. After inglorious stints as a school teacher (he was dismissed for trying to seduce a school matron and/or inebriation), an apprentice cabinet maker and journalist he wrote and had published his first novel, “Decline and Fall” in 1928.
In 1928 he married Evelyn Gardiner. She proved unfaithful and the marriage ended in divorce in 1930. Waugh would derive parts of “A Handful of Dust” from this unhappy time. His second marriage to Audrey Herbert lasted the rest of his life and begat seven children. It was during this time that he converted to Catholicism.
During the thirties Waugh produced one gem after another. From this decade come: “Vile Bodies” (1930), “Black Mischief” (1932), the incomparable “A Handful of Dust” (1934) and “Scoop” (1938). After the Second World War he published what is for many his masterpiece, “Brideshead Revisited,” in which his Catholicism took center stage. “The Loved One” a scathing satire of the American death industry followed in 1947. After publishing his “Sword of Honor Trilogy” about his experiences in World War II (“Men at Arms” (1952), “Officers and Gentlemen” (1955), “Unconditional Surrender" (1961) his career was seen to be on the wane. In fact, “Basil Seal Rides Again” (1963) - his last published novel - received little critical or commercial attention.
Evelyn Waugh, considered by many to be the greatest satirical novelist of his day, passed away on 10 April 1966 at the age of 62.