Es'kia Mphahlele's first work of autobiography, Down Second Avenue, is one of the classics of African literature. After that seedtime came the years of exile during which - he was a 'listed' person - none of his works could be read in South Africa. His second autobiography, Afrika My Music, is set amidst the tumultuous years of his return to South Africa after 1976. 'Bantu
Es'kia Mphahlele's first work of autobiography, Down Second Avenue, is one of the classics of African literature. After that seedtime came the years of exile during which - he was a 'listed' person - none of his works could be read in South Africa. His second autobiography, Afrika My Music, is set amidst the tumultuous years of his return to South Africa after 1976. 'Bantu Education' - the system which had forced him out of teaching and into exile when it was introduced in the Fifties - had triggered the Soweto revolt barely a month before he returned to his native land after twenty years in Europe, Africa and the United States. Drawing strength from ancestral ground, he begins to grapple with old cultural dilemmas that haven't gone away and new ones that plague an age of pseudo-reform. Meanwhile he unpacks his traveller's trunk of memories. African writers, artists, musicians, educationists and politicians crowd his pages, in settings ranging from Ibadan through Paris to Philadelphia. Friendships and conversations with the living and the dead, university teaching, work as an organiser of arts programmes in Africa - against this backdrop the mature views of Mphahlele the African Humanist come into focus. We begin to understand his controversial decision to return, and what it was he came back to do.
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There is no gainsaying the fact that the late Es'kia Mphahlele was one of the most eminent, illustrious writers in African history. This book is a continuation of his autobiography, pursuant to his magnum opus, Down Second Avenue. Here he focuses more on his experiences whilst based overseas (far away from his native South Africa) – his achievements as academic, scholar, author, world traveller, and cultural activist. Excitingly he met and mingled with all the early outstanding African writers f
There is no gainsaying the fact that the late Es'kia Mphahlele was one of the most eminent, illustrious writers in African history. This book is a continuation of his autobiography, pursuant to his magnum opus, Down Second Avenue. Here he focuses more on his experiences whilst based overseas (far away from his native South Africa) – his achievements as academic, scholar, author, world traveller, and cultural activist. Excitingly he met and mingled with all the early outstanding African writers from diverse countries all over Africa - personalities like Ama Atta Aidoo, Efua T Sutherland, Wole Soyinka, Ngugi, Senghor, Achebe, Kofi Awoonor (he has very warm words for this wonderful Ghanaian writer); among many many others. Mphahlele also explains how being in exile negatively affected many Africans, and cultural conflicts or dissonances experienced abroad; plus of course the effects on one's children - many who could not speak their parents' mother tongues. The author lived in countries like France and England and America - and in many African countries. Everywhere he stayed he contributed to arts and culture, and continued writing and publishing new works. His account of how he met the legendary Leopold Senghor bristles with dignity and respect. We get the impression that the author is a kindly, decent, intellectual; and humanist (which in fact he has been celebrated for). After some 20 years travelling the world, the author and his family take the decision to return to South Africa, which at the time was still operating under the apartheid system). By this time the author is established as a formidable eclectic academic and author, but even he knows that despite all this life would not be easy for him back in South Africa. And initially it is not - he experiences the deprivations of his fellow blacks in the townships, where even taking a "bath" is still somewhat primitive and embarrassing. He travels all over South Africa, including places like Grahamstown where he ponders over many things. For example, the western world celebrates its white "great explorers" that "opened up" swathes of Africa, but the black men who helped them in their task are never mentioned, never mind lauded. And why should they be lauded anyway since they facilitated the capitulation of their own native areas to outsiders...? Such ruminations dot and mark this second autobiography of a great African wordsmith, scholar, and intellectual. A brilliant work.
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As listed at Brittanica.com: Es’kia Mphahlele, original name Ezekiel Mphahlele (born Dec. 17, 1919, Marabastad, S.Af.—died Oct. 27, 2008, Lebowakgomo), novelist, essayist, short-story writer, and teacher whose autobiography, Down Second Avenue (1959), is a South African classic. It combines the story of a young man’s growth into adulthood with penetrating social criticism
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Es’kia Mphahlele
As listed at Brittanica.com: Es’kia Mphahlele, original name Ezekiel Mphahlele (born Dec. 17, 1919, Marabastad, S.Af.—died Oct. 27, 2008, Lebowakgomo), novelist, essayist, short-story writer, and teacher whose autobiography, Down Second Avenue (1959), is a South African classic. It combines the story of a young man’s growth into adulthood with penetrating social criticism of the conditions forced upon black South Africans by apartheid.
Mphahlele grew up in Pretoria and attended St. Peter’s Secondary School in Rosettenville and Adams Teachers Training College in Natal. His early career as a teacher of English and Afrikaans was terminated by the government because of his strong opposition to the highly restrictive Bantu Education Act. In Pretoria he was fiction editor of Drum magazine (1955–57) and a graduate student at the University of South Africa (M.A., 1956). He went into voluntary exile in 1957, first arriving in Nigeria. Thereafter Mphahlele held a number of academic and cultural posts in Africa, Europe, and the United States.
He was director of the African program at the Congress for Cultural Freedom in Paris. He was coeditor with Ulli Beier and Wole Soyinka of the influential literary periodical Black Orpheus (1960–64), published in Ibadan, Nigeria; founder and director of Chemchemi, a cultural centre in Nairobi for artists and writers (1963–65); and editor of the periodical Africa Today (1967). He received a doctorate from the University of Denver in 1968. In 1977 he returned to South Africa and became head of the department of African Literature at the University of Witwatersrand in Johannesburg (1983–87).
Mphahlele’s critical writings include two books of essays, The African Image (1962) and Voices in the Whirlwind (1972), that address Negritude, the African personality, nationalism, the black African writer, and the literary image of Africa. He helped to found the first independent black publishing house in South Africa, coedited the anthology Modern African Stories (1964), and contributed to African Writing Today (1967). His short stories—collected in part in In Corner B (1967), The Unbroken Song (1981), and Renewal Time (1988)—were almost all set in Nigeria. His later works include the novels The Wanderers (1971) and Chirundu (1979) and a sequel to his autobiography, Afrika My Music (1984). Es’kia (2002) and Es’kia Continued (2005) are collections of essays and other writings.