As the writer and creator of some of the best loved series in British TV history, David Croft has captivated audiences with such timelessly lovable sitcoms as Dads Army, Hi de Hi, Allo Allo and Are You Being Served. David's autobiography reflects on a life that has always revolved around showbusiness his mother was the famous actress Annie Croft and provides a privileged i
As the writer and creator of some of the best loved series in British TV history, David Croft has captivated audiences with such timelessly lovable sitcoms as Dads Army, Hi de Hi, Allo Allo and Are You Being Served. David's autobiography reflects on a life that has always revolved around showbusiness his mother was the famous actress Annie Croft and provides a privileged insight into the workings of British TV in what Croft suggests was the golden era of the 60s to 80s. The book also illuminates Croft as a person as he tells of his experiences during the war years and the ups and downs of his family life. Characteristically warm and funny, David Crofts Autobiography is a first-class account of a life surrounded by celebrities. Devotees of his programmes will enjoy a wealth of anecdotes about actors such as Clive Dunn and Wendy Richards and relish the behind-the-scenes insights into the personalities and working styles of some of Britains most famous television actors.
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Paperback
,
256 pages
Published
April 29th 2004
by BBC Books
(first published April 1st 2004)
Writing with a beautiful sense of warm humorous and honest realism, the late David Croft was clearly the right person, with the ‘right’ talent, at the right time; and it’s always heart-warming to see that combination succeed. I identify with him because I do find the twisting plots of his situational sit-coms to be extremely clever and very funny (however many times I’ve seen them); whereas much of what is presented at ‘humour / comedy’ today tragically relies more on embarrassing the audience i
Writing with a beautiful sense of warm humorous and honest realism, the late David Croft was clearly the right person, with the ‘right’ talent, at the right time; and it’s always heart-warming to see that combination succeed. I identify with him because I do find the twisting plots of his situational sit-coms to be extremely clever and very funny (however many times I’ve seen them); whereas much of what is presented at ‘humour / comedy’ today tragically relies more on embarrassing the audience into pathetic forced ‘laughter’.
Croft writes so very well about people; his eye for assessing the personality, character, and skills of an actor is keen and analytical. For those of a certain age, happy memories will flood in thick and fast. Those of a lesser age will be turning to the digital TV schedules, YouTube, and DVD stores. Those of an older age will keenly relate to his astute description of a minor prep school in the early 1930s. With every autobiographical detail the foundations are laid to reappear in his later scripts.
I wish that British television would grow-up and display the confidence to re-broadcast the comedy series, “It Ain’t Half Hot Mum” which was written to be honest and accurate of attitudes in the period it depicted (The British in India during WW2). Alas, as Croft angrily observes, IAHHM has been sacrificed by TV executives on the altar of political correctness.
Croft rightly asks (pg. 250) of the 1990’s: “The industry is making it dammed difficult to bring up kids. Why should coarse and yobbish behaviour and language be tolerated at any time? Does television really intend to alienate its audience, …”
Rants over, Croft ends by stating what (I think) he believed to be his happiest achievements; a long and happy marriage, seven children, and (at the time of writing) twelve grandchildren. Thank goodness he was able to make sufficient money to bring up so many children, and so well!
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An easy to read view of the "Best of Times", of British television. An interesting insight into his life and the times he lived through, from music hall to television. David Croft's military experience made his two second world war sitcoms believable.