An alternative cover edition for this ISBN can be found
here
This is the second volume in Janet Frame's autobiography, in which she tells of how she left the close-knit family home in Oamaru for teacher training college in Dunedin.
Her college years were a time of intense loneliness that culminated in an attempted suicide and commital to a mental institution.
Labelled as a
An alternative cover edition for this ISBN can be found
here
This is the second volume in Janet Frame's autobiography, in which she tells of how she left the close-knit family home in Oamaru for teacher training college in Dunedin.
Her college years were a time of intense loneliness that culminated in an attempted suicide and commital to a mental institution.
Labelled as a schizophrenic, Janet spent eight harrowing years in psychiatric hospitals until the publication of her prize-winning collection of stories won her a discharge.
...more
Finished Vol. 2 of Frame's Autobiography; read
To the Is-Land
in January. Vol. 2 expands on the the things I found most interesting in Vol. 1. I liked her rebuttal to the prevailing impression that she was mentally ill: that what she suffered from was a paralyzing personal shyness, shame, and fear about how to fit into the sectors of society (university, literary New Zealand) that could facilitate her writing life, and that this paralysis developed
Not a great review here, but I have a headache.
Finished Vol. 2 of Frame's Autobiography; read
To the Is-Land
in January. Vol. 2 expands on the the things I found most interesting in Vol. 1. I liked her rebuttal to the prevailing impression that she was mentally ill: that what she suffered from was a paralyzing personal shyness, shame, and fear about how to fit into the sectors of society (university, literary New Zealand) that could facilitate her writing life, and that this paralysis developed not from madness (Frame was diagnosed as schizophrenic, nearly was lobotomized, and then was found to have been misdiagnosed), but from upward mobility. The two volumes of the Autobiography that I've read so far explore this very nicely, elaborating on and critiquing the ideas in
A Room of One's Own
. (When Frame was finally invited to stay for free in a little writing hut in a garden, with a cot, a typewriter, and vegetarian lunches, I was delighted with her good fortune, because I know only too well how precious that Room is).
I liked Frame's flat statement that reading great books should always, always be a liberating experience for other writers ("There is a freedom born from the acknowledgement of greatness in literature, as if one gave away what one desired to keep, and in giving, there is a new space cleared for growth, an onrush of a new season beneath a secret sun."), paired with her admission that there is nothing more infuriating (and debilitating!) than acquaintance with a writer who has a trust fund. But even more than that, I appreciated Frame's insistence that no matter how hard one's personal circumstances may make writing, for being poor or mentally ill or morbidly insecure or working insane hours make writing very hard indeed, in order to be a writer, one must continue writing, and that the few moments one snatches to put down words are a privilege that many are denied.
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This part of Janet Frame's autobiography covers the years of early adulthood until she turns 31 and is beginning to find her way in the world. The over-riding image that the reader gets is of the painfully shy woman who attempts to put on a persona, and the tragic results of that which caused her to be incarcerated in a mental institution for 8 years.
I listened to an Audio recording of this, and didn't like the narration. This is a shame.
This book meant such a lot to me, especially since the fact that she was committed suicide and was sent to a mental hospital due to the fact that she was too shy and reluctant to talk to people. Which really made me quite worried.
The fate befalling the young woman who wanted "to be a poet" has been well documented. Desperately unhappy because of family tragedies and finding herself trapped in the wrong vocation (as a schoolteacher) her only escape appeared to be in submission to society's judgement of her as abnormal. She spent four and a half years out of eight years, incarcerated in mental hospitals. The story of her alm
The fate befalling the young woman who wanted "to be a poet" has been well documented. Desperately unhappy because of family tragedies and finding herself trapped in the wrong vocation (as a schoolteacher) her only escape appeared to be in submission to society's judgement of her as abnormal. She spent four and a half years out of eight years, incarcerated in mental hospitals. The story of her almost miraculous survival of the horrors and brutalising treatment in unenlightened institutions has become well known. She continued to write throughout her troubled years, and her first book (The Lagoon and Other Stories) won a prestigious literary prize, thus convincing her doctors not to carry out a planned lobotomy.
She returned to society, but not the one which had labelled her a misfit. She sought the support and company of fellow writers and set out single-mindedly and courageously to achieve her goal of being a writer. She wrote her first novel (Owls Do Cry) while staying with her mentor Frank Sargeson, and then left New Zealand, not to return for seven years.
...more