In Red Autobiographies, Igal Halfin reads admission records of the Soviet Communist Party cells in the 1920s for what they reveal about the politics of self-representation in Bolshevik political culture. He identifies ways of speaking about oneself as a central arena of the Soviet revolution's drive for discovering, changing, and perfecting the self. The study is based on
In Red Autobiographies, Igal Halfin reads admission records of the Soviet Communist Party cells in the 1920s for what they reveal about the politics of self-representation in Bolshevik political culture. He identifies ways of speaking about oneself as a central arena of the Soviet revolution's drive for discovering, changing, and perfecting the self. The study is based on sources-many of which are no longer as freely accessible as they were during the heyday of the Soviet "archival bonanza" - in provincial party archives in Leningrad, Smolensk, and Tomsk. Its principal merit is Halfin's masterful handling and interpretation of those sources. The study also serves as a popular "short course" on Halfin's seminal contributions to the historiographies of Russia, communism, and modern subjectivity.
...more
Paperback
,
224 pages
Published
February 4th 2011
by University of Washington Press
A pretty good book from Igal Halfin. This book takes autobiographies written by applicants to the Bolshevik Party during the 1920s as its main field of sources. The results of Halfin's investigations are quite interesting as they reveal new facets to our understanding of the Bolsheviks' worldview, and in particular the way that individuals could narrativise their diverse pasts in a manner which attempted to demomstrate a willful siding with the objective processes of history, i.e. the Party. The
A pretty good book from Igal Halfin. This book takes autobiographies written by applicants to the Bolshevik Party during the 1920s as its main field of sources. The results of Halfin's investigations are quite interesting as they reveal new facets to our understanding of the Bolsheviks' worldview, and in particular the way that individuals could narrativise their diverse pasts in a manner which attempted to demomstrate a willful siding with the objective processes of history, i.e. the Party. The interplay between the subjective and the perceived objective is very interesting here, as are the strong reflections of Christian models of confession and narration that occur in Bolshevik practice.
...more