It is 1927, and after studying in England for several miserable and lonely years, nineteen-year-old Mollie Kaye is joyfully reunited with India, the cherished country where she spent her early years. But the enthusiasm that marks her return dampens when she takes her first steps into the intimidating Delhi social scene. Feeling gawky and plain next to her vivacious, intrep
It is 1927, and after studying in England for several miserable and lonely years, nineteen-year-old Mollie Kaye is joyfully reunited with India, the cherished country where she spent her early years. But the enthusiasm that marks her return dampens when she takes her first steps into the intimidating Delhi social scene. Feeling gawky and plain next to her vivacious, intrepid mother, the etiquette of courtship and society's intricate rules fluster her. Seeking refuge from her public awkwardness, Mollie finds comfort in her Indian friends, her sister Bets and her beloved father Tacklow, her growing talent for watercolors, and above all her ongoing love affair with India itself.
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Paperback
,
432 pages
Published
October 29th 1998
by Penguin Books Ltd
(first published 1997)
I read the first part of Mollie Kaye's autobiography a few years ago, and although I enjoyed it, I didn't engage with her very well, and was left feeling as if I rather disliked her. The first book Sun in the Morning which I registered on bookcrossing and released - only takes us up to when Mollie is 10 years old and goes off to boarding school. This book I am keeping as I liked it so much more.
In this installment - we begin in 1927 - Mollie is 19 and she, her sister and parents travel back to I
I read the first part of Mollie Kaye's autobiography a few years ago, and although I enjoyed it, I didn't engage with her very well, and was left feeling as if I rather disliked her. The first book Sun in the Morning which I registered on bookcrossing and released - only takes us up to when Mollie is 10 years old and goes off to boarding school. This book I am keeping as I liked it so much more.
In this installment - we begin in 1927 - Mollie is 19 and she, her sister and parents travel back to India, a place Mollie has spent her years at school dreaming of. I throroughly enjoyed this book, and felt much warmer toward Mollie Kaye - although she is very much a product of her upbringing and generation, and in several places defends the Raj to the hilt - as by the time she was writing these books when she was quite elderly - she knew full well what many people's view of the Raj now was. Mollie shows us Delhi, Kashmir, and Tonk, in her irrespresible company we visit Simla and the houseboats of the Nageem Bagh Navy. Her memory is just extraordinary - her ability to conjure up landscapes in quite fine detail from decades earlier, and her memory for events, parties and theatre productions from the 1920's when she was writing in the 1990's. She admits in the book that her fantastic memory is something she has taken for granted and had only recently realised that not everyone is blessed with the ability to recall distant events so exactly. Just like all young girls in what ever age they live, Mollie must find her way among the more beautiful and more confident girls, she has one or two social disasters, and falls in love a few times, but her biggest love affair of all is the one she had with India itself, and it is this almost obsessional love for the country and it's people that makes this so readable.
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The 'bright young things' in British India of the 1920s. A very interesting insight into the lifestyle of a reasonably well heeled British family spending cold seasons in the newly established capital of Delhi and in Tonk, a lesser known princely state in Rajasthan, a world which disappeared in the 40s after the Second World War and Indian independence. Mollie Kaye's love for India is clear throughout the book, though it is partly a love for a lifestyle she could not have experienced without the
The 'bright young things' in British India of the 1920s. A very interesting insight into the lifestyle of a reasonably well heeled British family spending cold seasons in the newly established capital of Delhi and in Tonk, a lesser known princely state in Rajasthan, a world which disappeared in the 40s after the Second World War and Indian independence. Mollie Kaye's love for India is clear throughout the book, though it is partly a love for a lifestyle she could not have experienced without the privileged lifestyle which came with British expat life in India the time.
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M. M. Kaye (Mary Margaret) was born in India and spent her early childhood and much of her early-married life there. Her family ties with the country are strong: her grandfather, father, brother and husband all served the British Raj. After India's independence, her husband, Major-General Goff Hamilton of Queen Victoria's Own Corps of Guides (the famous Indian Army regiment featured in The Far Pav
M. M. Kaye (Mary Margaret) was born in India and spent her early childhood and much of her early-married life there. Her family ties with the country are strong: her grandfather, father, brother and husband all served the British Raj. After India's independence, her husband, Major-General Goff Hamilton of Queen Victoria's Own Corps of Guides (the famous Indian Army regiment featured in The Far Pavilions), joined the British Army and for the next nineteen years M. M. Kaye followed the drum to Kenya, Zanzibar, Egypt, Cyprus and Germany.
M. M. Kaye won worldwide fame for The Far Pavilions, which became a worldwide best-seller on publication in 1978. This was followed by Shadow of the Moon and Trade Wind. She also wrote and illustrated The Ordinary Princess, a children's book and authored a dozen detective novels, including Death in Kashmir and Death in Zanzibar. Her autobiography has been published in three volumes, collectively entitled Share of Summer: The Sun in the Morning, Golden Afternoon, and Enchanted Evening. In March 2003, M. M. Kaye was awarded the Colonel James Tod International Award by the Maharana Mewar Foundation of Udaipur, Rajasthan, for her "contribution of permanent value reflecting the spirit and values of Mewar".
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