"McCullin is required reading if you want to know what real journalism is all about." --
Times Literary Supplement
From the construction of the Berlin Wall through every conflict up to the Falklands War, photographer Don McCullin has left a trail of iconic images.
At the
Sunday Times Magazine
in the 1960s, McCullin's photography made him a new kind of hero. The flow of stori
"McCullin is required reading if you want to know what real journalism is all about." --
Times Literary Supplement
From the construction of the Berlin Wall through every conflict up to the Falklands War, photographer Don McCullin has left a trail of iconic images.
At the
Sunday Times Magazine
in the 1960s, McCullin's photography made him a new kind of hero. The flow of stories every Sunday took a generation of readers beyond the insularity of post-war Britain and into the recesses of domestic deprivation: when in 1968, a year of political turmoil, the Beatles wanted new pictures, they insisted on using McCullin; when Francis Bacon, whose own career had emerged with depiction of the ravages of the flesh, wanted a portrait, he turned to McCullin.
McCullin now spends his days quietly in a Somerset village, where he photographs the landscape and arranges still-lifes -- a far cry from the world's conflict zones and the war-scarred north London of Holloway Road where his career began.
In October 2015, it will be twenty-five years since the first publication of his autobiography,
Unreasonable Behaviour
-- a harrowing memoir combining his photojournalism with his lifework.
The time is right to complete McCullin's story.
Even if you are not into photography this is a book you should read. It is by the well known and one of the greatest photographer of war, Don McCullin.
As a non photographer it gives you some idea what they go through to get photographs for your magazines and newspapers. As a photographer it not only does that but it helps you to appreciate the photographic difficulties they go through.
What he went through to get his photographs has to be read to be believed. The threats he faced in The Lebanon f
Even if you are not into photography this is a book you should read. It is by the well known and one of the greatest photographer of war, Don McCullin.
As a non photographer it gives you some idea what they go through to get photographs for your magazines and newspapers. As a photographer it not only does that but it helps you to appreciate the photographic difficulties they go through.
What he went through to get his photographs has to be read to be believed. The threats he faced in The Lebanon from the Christian militia, the lengths he went to in the Congo to get to the action and get photos and the unbelievable terror of being arrested and put in to Makindye prison in Uganda when Idi Amin was murdering his own people and anyone else who may or may not have crossed him. He could easily have been murdered then and no one would ever have known his fate. All the while and through these horrors he never lost his humanity and always shows a deep modesty about his work.
Anyone who is thinking of starting a war or getting involved with one should read it to understand what they are starting or putting other people in to.
Today he photographs the countryside in Somerset.
If you only buy this to put a few bob in his pocket to say thank you for the risks he took to highlight the horrors of war it will be worth it, but that aside it is a good and gripping read that includes a good number of photographs.
...more
An incredible book. McCullin guides us through his life and what led him to become a war correspondent (more accurately a war photographer although for comparative purposes I have classified him as a correspondent). From his traumatic childhood (which forged his renowned fortitude), to his difficulty in maintaining peace-time relationships, McCullin provides a brutally honest account.
McCullin's lucid style and gripping anecdotes make it a captivating read. As the archetypal war correspondent/ph
An incredible book. McCullin guides us through his life and what led him to become a war correspondent (more accurately a war photographer although for comparative purposes I have classified him as a correspondent). From his traumatic childhood (which forged his renowned fortitude), to his difficulty in maintaining peace-time relationships, McCullin provides a brutally honest account.
McCullin's lucid style and gripping anecdotes make it a captivating read. As the archetypal war correspondent/photographer autobiography, it sets the bar for the industry. It also expresses a theme of self-loathing that seems prevalent in the accounts of war correspondents. McCullin, like many others in his field, has a parasitic self-view, perceiving himself as feeding off the suffering of others.
The overwhelming message that I took from the book was that, whilst working in a warzone may seem enticing, the cost is extreme. McCullin details how he has suffered irreversible damage from war and yet is stuck in a self-destructive cycle of returning to conflict zones, almost as a form of escape.
I would thoroughly recommend reading this book to anyone with an interest in words on pages. It is outstanding.
...more
It's not words, but the images and photos that's beyond what words can describe that haunt me the most. How can any killing be justified in the name of justice or liberation? Who is to decide another human being's destiny? And how can any sacred goals be achieved through the most heinous means? There is no hero in killing. The killed are victims of bodily violation because their lives are taken away involuntarily. The killers are victims of mental torment because they have to suppress their huma
It's not words, but the images and photos that's beyond what words can describe that haunt me the most. How can any killing be justified in the name of justice or liberation? Who is to decide another human being's destiny? And how can any sacred goals be achieved through the most heinous means? There is no hero in killing. The killed are victims of bodily violation because their lives are taken away involuntarily. The killers are victims of mental torment because they have to suppress their humanity during the killing and live with the image of it throughout the rest of their lives. If killing must occur, let it be for survival and nothing more, rather than out of fear, hate, greed or an ideology. Peace!
...more
This is an outstanding book by one of the leading photo journalists of his day. The text is mainly focussed on his professional life, but he does give some insight into his personality and relationships with family and friends. Most of his work was in areas of conflict, where he witnessed harrowing scenes on what seemed an almost regular basis. He comes across as a very difficult, driven man, but one who has made his own unique contribution to news coverage and to upholding basic humanitarian va
This is an outstanding book by one of the leading photo journalists of his day. The text is mainly focussed on his professional life, but he does give some insight into his personality and relationships with family and friends. Most of his work was in areas of conflict, where he witnessed harrowing scenes on what seemed an almost regular basis. He comes across as a very difficult, driven man, but one who has made his own unique contribution to news coverage and to upholding basic humanitarian values.
...more
This is an autobiography which, much more than most, avoids self-righteous re-writing of history and provides an insight into Mc Cullin’s photography, both the large part of his oeuvre (the dark stuff dealing with poverty, death and hardship) and the demons that drove him. A great and, strangely, uplifting read with a hard slap in the face at the end. One of my favourite photographers but you should also see some of the coffee table photo collections as they have (a sliver of) samples from Mc Cu
This is an autobiography which, much more than most, avoids self-righteous re-writing of history and provides an insight into Mc Cullin’s photography, both the large part of his oeuvre (the dark stuff dealing with poverty, death and hardship) and the demons that drove him. A great and, strangely, uplifting read with a hard slap in the face at the end. One of my favourite photographers but you should also see some of the coffee table photo collections as they have (a sliver of) samples from Mc Cullin’s later more scenic work!
...more
Couple this after viewing McCullins images, and you get not only a window into his troubled soul and the motivation behind his repeated casting of himself into the lions den, but also the simply fascinating and hair-raising stories of those experiences in nearly every war from Vietnam to the Falklands. Not the most adept writer, but that's ok, the images and stories make up for it. Equal parts stunning and moving.
I dislike reading autobiography- but for this I make an exception.
This book is written in a straightforward no nonsense style, charting the chaos of Don's career.
If there is one autobiography you should read then this is it. The subject matter may not be for the fait hearted but it is worth the effort to read.
A very matter of fact read, commenting on some of the most horrendous wars this century.
I came across a second hand copy in Hay on Wye recently after a recent BBC documentary. I'd been reminded that I bought a copy for a good friend when it was first published. This is a magnificent autobiography including many of McCullin's best known photographs. The closing chapter is as heart wrenching as his experiences of political conflict and violence across the globe.
A very interesting account of one mans working life, the prose is a tad episodic and at times he is a little too brief in describing certain situations he found himself in, however it is never anything but interesting and some of his fantastic war photos are included here. Compared to other biographies it is no way self aggrandising. An excellent if slightly depressing read.
'A character' one could certainly say. From a breed of photojournalists that seem rare if not endangered. Great stories from his days at the Sunday Times Beyond the actual stories of derring do with the camera he does make a real effort to work out why felt driven to put himself in situations that saw many of his colleagues pay for with their lives.
One of the best testimony of human insanity, cruelty and 'unreasonable behaviour'. This book goes through a lot of recent conflicts, highlighting the human consequences of those. It's also a great thought on life & death.
Don McCullin grew up in north London and was evacuated in 1940 to Somerset. He failed the eleven-plus examination and went to Tollington Park Secondary Modern School. He won a trade art scholarship to the Hammersmith School of Arts and Crafts and Buildings. His father, who was an invalid, died, aged forty and McCullin was forced to find work to earn money for the family. He became a pantry boy on
Don McCullin grew up in north London and was evacuated in 1940 to Somerset. He failed the eleven-plus examination and went to Tollington Park Secondary Modern School. He won a trade art scholarship to the Hammersmith School of Arts and Crafts and Buildings. His father, who was an invalid, died, aged forty and McCullin was forced to find work to earn money for the family. He became a pantry boy on the London, Midland and Scottish Railway dining cars, travelling between London and Manchester. In 1950 he went to work in a cartoon animation studio in Mayfair before the
Observer
newspaper bought one of his gangland pictures and set him on the road as a photojournalist. He moved to the
Sunday Times
, where he worked for eighteen years. His photographs of almost every major conflict in his adult lifetime until the Falklands war provide some of the most potent images of the twentieth century. His pictures are in major museum collections all over the world. He is the holder of many honours and awards, including the C.B.E. His home is in a Somerset village.
...more