I've made two great author discoveries this year; authors I'd long heard of and occasionally even fondled, but never actually read; authors I'll now have as friends for years. The first is Iain M Banks, about whom I have raved elsewhere. And the second, in an almost complete contrast to to all that sci-fi insanity, is Anita Loos. The sum total of my Loos experience up until now was my enthusiasm for the Monroe/Russell pairing in the 50s movie version of Gentlemen Prefer Blondes. More fool me. Ma
I've made two great author discoveries this year; authors I'd long heard of and occasionally even fondled, but never actually read; authors I'll now have as friends for years. The first is Iain M Banks, about whom I have raved elsewhere. And the second, in an almost complete contrast to to all that sci-fi insanity, is Anita Loos. The sum total of my Loos experience up until now was my enthusiasm for the Monroe/Russell pairing in the 50s movie version of Gentlemen Prefer Blondes. More fool me. Many a gem has flowed from her pen, as I'm now discovering. This memoir was a total and utter joy. Hilarious. Sheer escapism. All day I kept looking forward to picking it up again. Better than television! I've gone straight onto her other one without pause.
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When I go to get the book from the library it isn't on the shelves, but in the basement stacks. It's a first edition, '66, and there's 40 years of book glue cracked and peeling off the spine.
A man rosy with gin blossoms is at the desk giving shit to the reference sexagenarian. She knows her milky eyes are always popped out, but the man tells her to go to her eye doctor immediately. She doesn't even look up and says,
I go every year
. Not rude but not inviting either, perfectly stoic and unyieldin
When I go to get the book from the library it isn't on the shelves, but in the basement stacks. It's a first edition, '66, and there's 40 years of book glue cracked and peeling off the spine.
A man rosy with gin blossoms is at the desk giving shit to the reference sexagenarian. She knows her milky eyes are always popped out, but the man tells her to go to her eye doctor immediately. She doesn't even look up and says,
I go every year
. Not rude but not inviting either, perfectly stoic and unyielding, the iconoclast of the crumbling facilities.
I aks her to get the book from the basement, she coos over its cover, both on the OPAC screen and when she appears from the library bowels. She says,
I am glad you are exploring this part of our history
. She says
our history
like even though she's a million years old and my tits are falling out of this shredded Sonic Youth shirt we are both a part of the same bombshell milieu.
Anita Loos: gifted storyteller, natural raconteur, first-hand participant in the birth of Hollywood, cool as cool gets. She drops names with reckless abandon, from Houdini to (her much-venerated) D.W. Griffith and H.L. Mencken, dishes dirt, and gives several glimpses into the people—and circumstances—that gave rise to Dorothy and Lorelei Lee. And yeah, her socio-political views are taken with mad grains of salt, but either way, she seems like one of the awesomest scribes to ever pen picture show
Anita Loos: gifted storyteller, natural raconteur, first-hand participant in the birth of Hollywood, cool as cool gets. She drops names with reckless abandon, from Houdini to (her much-venerated) D.W. Griffith and H.L. Mencken, dishes dirt, and gives several glimpses into the people—and circumstances—that gave rise to Dorothy and Lorelei Lee. And yeah, her socio-political views are taken with mad grains of salt, but either way, she seems like one of the awesomest scribes to ever pen picture shows for LaLa Land—a point of view I don't doubt she'd share. Will get to her second volume in a couple of months or so.
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The common statement made about this book is that since Ms. Loos wrote this in the 1960s about her life 40 years or more prior that the accounts she gives are most likely embellished and the truth grayed by the passing of time. But what autobio is without embellishment, really? "A Girl Like I" not only provides an insight into Anita's beginnings but also the beginnings of the movie industry (and first hand accounts of "Dougie" Fairbanks' start as well as his relationship with Mary Pickford among
The common statement made about this book is that since Ms. Loos wrote this in the 1960s about her life 40 years or more prior that the accounts she gives are most likely embellished and the truth grayed by the passing of time. But what autobio is without embellishment, really? "A Girl Like I" not only provides an insight into Anita's beginnings but also the beginnings of the movie industry (and first hand accounts of "Dougie" Fairbanks' start as well as his relationship with Mary Pickford among other stories). If you have an interest in that era, this is definitely a book you want to read. And since she did write it in the 1960s, she often compares the "then and now" which adds an extra layer comparing her present day to ours. My only disappointment was that it ended too soon as she ends her book with how "Gentleman Prefer Blondes" was created but doesn't go on to share what happened in her life after.
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A week after I watched
The Women
, which was by Anita Loos, I read a mention of this book on
This Recording
. I found a copy on Amazon Marketplace and plowed through the book once I received it. Anita's life story is so entertaining, and to have it told by a writer as engaging as herself is great. My only complaint is that the book just kinda ends, and does so right before all the goodness of any of her movies I have actually seen. But if you see a copy of this book, or are interested in old Holly
A week after I watched
The Women
, which was by Anita Loos, I read a mention of this book on
This Recording
. I found a copy on Amazon Marketplace and plowed through the book once I received it. Anita's life story is so entertaining, and to have it told by a writer as engaging as herself is great. My only complaint is that the book just kinda ends, and does so right before all the goodness of any of her movies I have actually seen. But if you see a copy of this book, or are interested in old Hollywood or the life of women in the early twentieth century, check it out!
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I tracked down a hardcover, 1966 Viking first edition of this book, which is loaded with photos (don't know about the paperback). Utterly fascinating... a must-read for anyone interested in the 1920s, fashion, Hollywood history, Broadway, Gertrude Stein, H.L. Mencken, D.W. Griffith, Sherwood Anderson, Douglas Fairbanks or any number of other famous players in this Zelig-like life story. She was at the right place at the right time, all the time. Loos is an irresistible narrator -- funny, iconocl
I tracked down a hardcover, 1966 Viking first edition of this book, which is loaded with photos (don't know about the paperback). Utterly fascinating... a must-read for anyone interested in the 1920s, fashion, Hollywood history, Broadway, Gertrude Stein, H.L. Mencken, D.W. Griffith, Sherwood Anderson, Douglas Fairbanks or any number of other famous players in this Zelig-like life story. She was at the right place at the right time, all the time. Loos is an irresistible narrator -- funny, iconoclastic, thorough, and generous with historical details.
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Ahead of her time, she had a mind and style of her own. She was at the start of the movies, writing subtitles for the silent era and eventually for the "talkies". She knew or knew of everybody who was in those days. Her observations and thoughts on her acquaintances and life are amusing and very candid. I enjoyed the behind the scenes stories of Hollywood, before it became HOLLYWOOD.
A very selective memoir but still the reader gets a sense of what a remarkable life Loos had. She started her career writing for DW Griffith and was successful and well-paid at a time when most women didn't work outside the home. She traveled the world and lived among some of the most famous writers of the 20th century.
Would give it 2.5 stars. Covers her life up to about 1926, when Gentlemen Prefer Blondes came out. But also includes commentary on the world from perspective of the 1960s. Good if you already know something about what she's talking about.
Anita Loos (April 26, 1889 – August 18, 1981) was an American screenwriter, playwright and author, best known for her blockbuster comic novel, Gentlemen Prefer Blondes.