This groundbreaking, transgenre work--part detective story, part literary memoir, part imagined past--is intensely autobiographical and confessional. Proceeding sentence by sentence, city by city, and backwards in time, poet and essayist Kazim Ali details the struggle of coming of age between cultures, overcoming personal and family strictures to talk about private affairs
This groundbreaking, transgenre work--part detective story, part literary memoir, part imagined past--is intensely autobiographical and confessional. Proceeding sentence by sentence, city by city, and backwards in time, poet and essayist Kazim Ali details the struggle of coming of age between cultures, overcoming personal and family strictures to talk about private affairs and secrets long held. The text is comprised of sentences that alternate in time, ranging from discursive essay to memoir to prose poetry. Art, history, politics, geography, love, sexuality, writing, and religion, and the role silence plays in each, are its interwoven themes. Bright Felon is literally "autobiography" because the text itself becomes a form of writing the life, revealing secrets, and then, amid the shards and fragments of experience, dealing with the aftermath of such revelations. Bright Felon offers a new and active form of autobiography alongside such texts as Theresa Hak Kyung Cha's Dictee, Lyn Hejinian's My Life, and Etel Adnan's In the Heart of the Heart of Another Country. A reader's companion is available at http: //brightfelonreader.site.wesleyan.edu
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Hardcover
,
96 pages
Published
September 1st 2009
by Wesleyan University Press
Prepare for the 2010 Poets Forum in New York City (October 28-30) by reading Ali's newest book of poetry, and check out the Poets Forum 2010 bookshelf for the latest collections by each of the poets participating in the Poets Forum. Happy reading!
Really beautiful, interesting book, part poetry, part prose. I feel like I didn't fully grasp all there is in it, and am looking forward to returning to it many times.
Beautiful and mysterious. This is biography, geography, and ruminations on what it means to be gay and Muslim, while at the same time it is poetry and syntax.
Bright Felon is a meditation on geography, religion and the self. Using experimental poetry that visually looks like single-lined essays, Ali writes about heartache and the mundane in each city he lives in over a course of five years. This book is as much an instrument on how to place poetry as much as it is not. Ali could've really stunned with this collection had he swapped out some of the everyday for the religious and historical.
This and "Winged Seed" have me convinced that memoir should belong to the poets. Fiction's virtue is that its own artificiality is obvious. However, in memoir too much is lost when actual experience is neatly narrativized. Memory doesn't work like that. Anyway. Pair this with Li-Young Lee's Winged Seed and get started on some big dumb essay about place, culture, migration and etc, someone.
This is a very interesting book of poetry. Ali tells his story in word play and almost in circles. You really have to read between the lines and words in this book to try to understand what Ali is trying to say. He is very crafty and smart. Great book!
This is stream of consciousness poetry, and is his very personal struggle with life, family, culture, and sexual orientation alongside his description of the cities he's either lived in or visited. It's original, and was exciting to read.
Interesting and confusing, as I find all poetry, or prose poetry, or whatever you want to call this. The words sounded pretty together, but most of the time it was hard to tell what was actually happening, which I guess was the point.
Man is this good so far. There aren't nearly enough books (poetry or otherwise) which focus on the intrinsic connection that the physical place which contain our lives have to our development, emotions, and thoughts.
Wow. Shifted my thinking entirely about what parts of autobiography are useful (useful? maybe most telling?) to anyone holding life in one hand and the impulse to create literature in the other.
Kazim Ali (born 1971) is an American poet, novelist, essayist and professor. His most recent books are The Disappearance of Seth (Etruscan Press, 2009) and Bright Felon: Autobiography and Cities (Wesleyan University Press, 2009). His honors include an Individual Excellence Award from the Ohio Arts Council. His poetry and essays have been featured in many literary journals and magazines including T
Kazim Ali (born 1971) is an American poet, novelist, essayist and professor. His most recent books are The Disappearance of Seth (Etruscan Press, 2009) and Bright Felon: Autobiography and Cities (Wesleyan University Press, 2009). His honors include an Individual Excellence Award from the Ohio Arts Council. His poetry and essays have been featured in many literary journals and magazines including The American Poetry Review, Boston Review, Barrow Street, Jubilat, The Iowa Review, West Branch and Massachusetts Review, and in anthologies including The Best American Poetry 2007.
In 2003 he co-founded the independent press Nightboat Books, and served as its publisher from 2004 to 2007, and currently serves as a founding editor.
Ali is an assistant professor of Creative Writing at Oberlin College and teaches in the Stonecoast MFA Program in Creative Writing at the University of Southern Maine. Previously, he taught in the Liberal Arts Department of The Culinary Institute of America, at Shippensburg University of Pennsylvania, and at Monroe College.
He was born in the UK to parents of Indian descent, and raised in Canada and the United States. Kazim Ali received a B.A. and an M.A. in English Literature from the University at Albany, and an MFA in Creative Writing from New York University.
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