Mark Twain’s complete, uncensored
Autobiography
was an instant bestseller when the first volume was published in 2010, on the centennial of the author’s death, as he requested. Published to rave reviews, the
Autobiography
was hailed as the capstone of Twain’s career. It captures his authentic and unsuppressed voice, speaking clearly from the grave and brimming with humor,
Mark Twain’s complete, uncensored
Autobiography
was an instant bestseller when the first volume was published in 2010, on the centennial of the author’s death, as he requested. Published to rave reviews, the
Autobiography
was hailed as the capstone of Twain’s career. It captures his authentic and unsuppressed voice, speaking clearly from the grave and brimming with humor, ideas, and opinions.
The eagerly-awaited Volume 2 delves deeper into Mark Twain’s life, uncovering the many roles he played in his private and public worlds. Filled with his characteristic blend of humor and ire, the narrative ranges effortlessly across the contemporary scene. He shares his views on writing and speaking, his preoccupation with money, and his contempt for the politics and politicians of his day. Affectionate and scathing by turns, his intractable curiosity and candor are everywhere on view.
Editors: Benjamin Griffin and Harriet E. Smith
Associate Editors: Victor Fischer, Michael B. Frank, Sharon K. Goetz and Leslie Diane Myrick
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Hardcover
,
776 pages
Published
October 5th 2013
by University of California Press
(first published January 1st 1924)
In publishing his memoirs one hundred years after his death, Mark Twain has shown himself to be an excellent judge of his place in history as well as a savvy salesman. With the surprise success of his first volume of memoirs in 2010, Twain can now be rightfully said to be a best-seller in the 19th and 21st centuries.
Like the last volume, Twain refuses to adhere to the usual order of memoirs, starting with birth and ending with death. Instead, he follows the strict rule of 'whatever I feel like t
In publishing his memoirs one hundred years after his death, Mark Twain has shown himself to be an excellent judge of his place in history as well as a savvy salesman. With the surprise success of his first volume of memoirs in 2010, Twain can now be rightfully said to be a best-seller in the 19th and 21st centuries.
Like the last volume, Twain refuses to adhere to the usual order of memoirs, starting with birth and ending with death. Instead, he follows the strict rule of 'whatever I feel like talking about'. He talks about his friends one day, his daughter the next, politics the day after that. There are a few newspaper clippings mixed in with his dictations, as well as drafts from his stories.
Again, like the last volume, Twain knows he will be long dead before all of this is published, and he speaks with total candor about his life. He's reached that delightful moment in older age where he no longer cares what anybody thinks. If somebody is an ass, he is not afraid to say so. He calls his publisher "the most assfull man he has ever met" and Bret Harte as a worse businessman than Twain himself could ever be. If someone is kind and loyal, he showers affection all over them. He is kind to General Grant and his supreme effort in writing his own memoirs to provide for his family. He speaks with kindness about Helen Keller, his black friend John Lewis, his wife, and his late daughters.
If you've read Twain's other writings, there is little new in terms of any shocking beliefs. He is still against the barbarity of King Leopold II, he is still against war, he is still a cynic about many forms of organized religion. After the continuation of wars and the death of his daughter, you can't fault him for being cynical. But somehow he still retains his gruff charm and a quiet charm even at the very end. He still finds ways to collect surrogate grandchildren and mentor them.
This volume is essentially similar to the last, except with the text first, and the scholarly notes written after. If you enjoyed the first volume, or just enjoy reading Twain at all, this is a fine conversation with him that we are very lucky to have.
As a side note: the picture on the front cover shows Twain at age 16 or 17. Even though he still looks about 25 here, it's still a surprise. I'd always assumed he was born with grey hair and that mustache of his.
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Wow. Many of Twain's observations, particularly about politics and human nature, still hold true today. His sense of humor is even more playful, satirical, and sarcastic than the books he published during his lifetime because he is free to say anything he likes about anyone, knowing his words won't be published until 100 years after his death. (And kudos to the publishing world for respecting his wishes!)
Over the past three months I've listened to both volumes of the Autobiography of Mark Twain. They are nothing short of phenomenal. Twain decreed his autobiography would not be published for one hundred years after his death. This gave him the freedom to talk about anything he chose, about anyone he chose. Those affected including children and grand children would be dead before publication of the autobioography.
This is not a birth to death autobiography. Twain dictated whatever came into his min
Over the past three months I've listened to both volumes of the Autobiography of Mark Twain. They are nothing short of phenomenal. Twain decreed his autobiography would not be published for one hundred years after his death. This gave him the freedom to talk about anything he chose, about anyone he chose. Those affected including children and grand children would be dead before publication of the autobioography.
This is not a birth to death autobiography. Twain dictated whatever came into his mind each day, and by doing so you become totally acquainted with the man in a way that would have been impossible in a conventional biography. He talks a great deal about his wife and children and you get to know them in a special way. He talks about relatives, well known historical figures, his life and times and of course politics and religion. All utterly fascinating.
The reader of both volumes, Grover Gardner, has won numerous awards for his reading, and while listening you cannot help but believe that you are listening to Mark Twain himself. I cannot praise the quality of these recordings enough.
At twenty CD's for volume one and twenty one for volume two it would appear to be a daunting task to complete both volumes. Not so. I am yearning for volume three now, hopefully to be published in the coming year. In the meantime I will be listening to these first two volumes again.
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And so THE publishing event of the century continues... When volume one came out in 2010, 100 years after Twain's death there was something of a media storm and the book topped the best-seller lists around the world, however the book seemed to bemuse more people than it delighted, I don't believe this volume has sold nearly as well, it ain't a conventional autobiography, then again Twain wasn't a conventional man. Put it simply if you didn't like volume one, if you found it too disjointed and ra
And so THE publishing event of the century continues... When volume one came out in 2010, 100 years after Twain's death there was something of a media storm and the book topped the best-seller lists around the world, however the book seemed to bemuse more people than it delighted, I don't believe this volume has sold nearly as well, it ain't a conventional autobiography, then again Twain wasn't a conventional man. Put it simply if you didn't like volume one, if you found it too disjointed and rambling, if you found the text too small, if you found the book too big, if you found the notes dull and unhelpful, you won't enjoy this book either. IF HOWEVER you loved the earlier book, loved the fact it was pure Twain: disjointed and rambling, had no problem with the small font size or large book size, found the notes interesting and helpful, then you'll be utterly delighted to find this is more of the same, I think it goes without saying I fall into the latter camp, this book is just wonderful and I wait with eagerness and sadness for volume three (hopefully by the end of 2015) for that will be the last volume, the end of what is presumably the last major unpublished work of Mark Twain.
The book consists of 104 passages that Twain dictated between April 1906 and February 1907, around a quarter of which had never been published anywhere before, of the rest the vast majority had only been published partially, sometimes no more than a paragraph. At it's simplest level the book is "Mark Twain's thoughts for the day" he talks about whatever he feels like sometimes conventionally autobiographically, more often not. He attacks various figures including his publisher Charles L. Webster and fellow author Bret Harte, admittedly often unfairly, you don't want to get on the wrong side of Twain, he sure knew how to insult! He talks about the news of the day, copyright, friends and enemies, religion, cats... anything. In 1959 Charles Neider managed to turn some of this material into a conventional autobiography (and as such it's a valuable book) but this is what Twain intended a thoroughly unconventional autobiography.
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Where to even begin - how dare I review a Titan of literature? With this second volume, I am reminded of how important Twain is: he innovated the written word at a key time in world history, let alone American development. His wit shines through even brighter in this one, less careful, more bite. And some of it is absolutely timeless "The political & commercial morals of the US aren't merely food for laughter, they're a banquet" 30 Jan 1907
This is one to keep and flip backwards and forwards.
Where to even begin - how dare I review a Titan of literature? With this second volume, I am reminded of how important Twain is: he innovated the written word at a key time in world history, let alone American development. His wit shines through even brighter in this one, less careful, more bite. And some of it is absolutely timeless "The political & commercial morals of the US aren't merely food for laughter, they're a banquet" 30 Jan 1907
This is one to keep and flip backwards and forwards. I am invigorated by writers who produce fantastic stories, fantastic nonfiction narratives, then leave us a personal guidebook through all of it: see Isherwood, et. al.
Review title: Twain twice
When we last encountered Mr. Clements in volume 1 he was lounging about in his signature white suit dictating his "autobiography"--which was a rambling un-chronological stroll through whatever popped into his fertile mind that particular day. As we learned in the detailed introduction to that volume the notes were never compiled and produced as a single comprehensive autobiography until now. Volume 2 continues with these mostly daily notes from 1906 and 1907 although by
Review title: Twain twice
When we last encountered Mr. Clements in volume 1 he was lounging about in his signature white suit dictating his "autobiography"--which was a rambling un-chronological stroll through whatever popped into his fertile mind that particular day. As we learned in the detailed introduction to that volume the notes were never compiled and produced as a single comprehensive autobiography until now. Volume 2 continues with these mostly daily notes from 1906 and 1907 although by the end of this volume the frequency is declining.
My review for Volume 1 still applies here as this is just a continuation of the first volume broken into two parts (with a third pending, I believe) because of the sheer size and weight of the material; this is not a book that will provide convenient airplane reading in its hardback format. I don't mean "just" as a negative thing, however, not when it comes to the sparkling wit and surprising depth of Twain. His daughter Suzy writing a teenager's view biographical journal of her father called him "as much of a philosopher as anything," more than a humorist; Twain, never falsely humble, agreed with his daughter's assessment.
One example of Twain's serious side is his extended discussion of copyright law (see p. 320-324) and the value of literature as both personal and national property. LIke his younger contemporary Dickens as one of the few authors of his time whose works seemed likely to become classics that would continue to be published and sold at a profit for the author's lifetime and beyond, extending the copyright was a vital cause for Twain. Another serious discussion that recurs throughout the book is Twain's theory of cause and effect (p. 236-238) with accident (a term he deployed) or circumstance arriving just as he "stood upon the very verge of the ministry or the penitentiary."
But never forget the fertile mind churning at the border of the serious, the comic, and the chaotic. Twain's description of an awkward public appearance where he repeated a dull anecdote several times while the audience sat stone faced and silent reads like an early portent of the anarchic stand up of Andy Kauffman a century later. His discussion of a "celebrity" (p. 43-46; do you recognize the name Olive Logan? I didn't think so) famous for being famous is both read-out-loud funny and startlingly relevant in the age of the Kardashians.
At the heart of the mix was a powerful wit and a thoughtful man who though he was best known by his self-adopted pseudonym never forgot his inner self. He was comfortable in his own skin, sure of both his strength and his flaws. He was respected and loved by those who knew him best (a difficult feat, have you noticed?) including his wife, of whom he said
She and I were really one person and there were no secrets. Sometimes I was that person, sometimes she was that person. Sometimes it took both of us together to constitute that person.
I challenge you to find a better and more succinct description of marital love and compatibility, and a more worthy source of timeless human wisdom.
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It would be wrong to say that Volume 2 is a continuation of Volume 1, as Twain’s autobiography is not chronological. Twain decided to dictate his autobiography, and if his fancy took in to a non-chronological tangent he did not hesitate. This also helps the book to read like fiction – just another interesting story from a master.
I am entirely biased in this review since Twain is one of my favorite dead people. Even among living people, Twain’s corpse might pose stiff (pun intended) competition a
It would be wrong to say that Volume 2 is a continuation of Volume 1, as Twain’s autobiography is not chronological. Twain decided to dictate his autobiography, and if his fancy took in to a non-chronological tangent he did not hesitate. This also helps the book to read like fiction – just another interesting story from a master.
I am entirely biased in this review since Twain is one of my favorite dead people. Even among living people, Twain’s corpse might pose stiff (pun intended) competition as far as providing interesting companionship. And fortunately for us even though Twain is physically decomposing, his posthumous publications makes us feel as though he is still composing fine literature.
Twain instructed his heirs not publish certain items until long after his death. Now that everyone who Twain knew and the direct progeny of everyone he knew are in similar health – all dead -- frank talk can not harm any Twain's contemporaries or their children.
This is the second of three volumes to be published of the Complete and Authoritative Edition of Mark Twain's massive biography, and like the first, it is worth the commitment. Mark Twain designed a unique technique for his biography; he abandoned chronological order, and simply told stories from his life and work as they popped into his head, in no particular order. He dictated much of it, often with his biographer present as audience. As such, this biography is very much like sitting down with
This is the second of three volumes to be published of the Complete and Authoritative Edition of Mark Twain's massive biography, and like the first, it is worth the commitment. Mark Twain designed a unique technique for his biography; he abandoned chronological order, and simply told stories from his life and work as they popped into his head, in no particular order. He dictated much of it, often with his biographer present as audience. As such, this biography is very much like sitting down with an old Mark Twain and listening to him tell stories of his life. I listened to both volumes one and two in their audio form, and would highly recommend doing this, rather than reading the volumes, to others. It first has the advantage of highlighting the story teller feel of the book - you truly begin to feel like Mark Twain is telling you his stories as you listen. Secondly, not all the material here is of the same quality - some of his stories become repetitive, or simply don't have the same punch or interest of others - when this happens, you can tune out as you listen, catching some details but letting your attention wander until the next story which may be a humdinger.
If you are a fan of Mark Twain, you should not miss this unique autobiography, much of which has never been published before.
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It is a little more than slightly unbelievable that this autobiography was released a 100 years after Mark Twain's death - for more than one reason and for very different reasons. First, the idea that it was hidden from most for so long seems quite impossible, but that of course is the allure - and what an allure it is.
Secondly, and most shocking, is the content of the book and the author's thoughts are so relevant today. Twain notes at one point that one's temperament (or nature) is unchangeab
It is a little more than slightly unbelievable that this autobiography was released a 100 years after Mark Twain's death - for more than one reason and for very different reasons. First, the idea that it was hidden from most for so long seems quite impossible, but that of course is the allure - and what an allure it is.
Secondly, and most shocking, is the content of the book and the author's thoughts are so relevant today. Twain notes at one point that one's temperament (or nature) is unchangeable and endowed by our creator. His rationale - as it is throughout the book - is a masters class on deductive reasoning, but most notably could also be said about the human race if this really is 100 year old writing.
His thoughts on public versus private mindsets and on the federal government are notions we deal with in a nearly identical manner today. And that is but a taste of what the book offers. My favorite might be his rational destruction of the notion of Adam and his universally known fall from grace and on religion in general.
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Love Twain - the folksy humor and witty quips, the loving devotion to his wife and three daughters that shines through in every description of their activities, the barbs directed at publishers, authors, critics, etc. Not being a Twain scholar, I was surprised by some things I didn't know about, including his loathing later in life of Bret Harte for his personal failings (Harte's relationship or lack thereof with his family being the polar opposite of Twain's). Definitely complete and authoritat
Love Twain - the folksy humor and witty quips, the loving devotion to his wife and three daughters that shines through in every description of their activities, the barbs directed at publishers, authors, critics, etc. Not being a Twain scholar, I was surprised by some things I didn't know about, including his loathing later in life of Bret Harte for his personal failings (Harte's relationship or lack thereof with his family being the polar opposite of Twain's). Definitely complete and authoritative; if you have the opportunity, check out marktwainproject.org, whose stated aim is "collecting and editing everything of significance that Mark Twain wrote." Although I read the print edition, it is available here digitally, and even the explanatory notes are fascinating!
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Things I found interesting are that this book is dictated. Twain says he didn't 'write' this book. It reads like a journal, that's for sure. Twain was a speaker, as much as a writer, in his time. It was out of necessity, though, as publishers wrote contracts that gave them the money for his writing, more than probably was warranted. I suppose publishers provide the costly stuff of books: paper, ink machines to print, advertising, however it was interesting to learn that of Twain's most recognize
Things I found interesting are that this book is dictated. Twain says he didn't 'write' this book. It reads like a journal, that's for sure. Twain was a speaker, as much as a writer, in his time. It was out of necessity, though, as publishers wrote contracts that gave them the money for his writing, more than probably was warranted. I suppose publishers provide the costly stuff of books: paper, ink machines to print, advertising, however it was interesting to learn that of Twain's most recognized work, he didn't make much money on one of them. The other he made more, but nominally. He made a lot of his money when he became a publisher, himself. It was interesting hearing how he published General Grant's memoirs, making sure his heirs got a great portion of the money made from the book. Grand died soon after finishing his book.
Twain's desire was that his autobiography be published well after his death, but mostly because he wanted to write with total honesty about people and wanted them to not be besmirched in their lifetime. Several times, he states the book is to be published after the people he mentions in the book are dead.
It was interesting to hear him talk (Audiobook) of testifying to Congress about extending the copyrights from 42 years to the authors life plus fifty years. He notes that of approx. 10,000 authors in the country, at the time, only about 25 would have works that would outlive (keep selling) their copyrights, however, those works would be the history of the country.
Twain spends more time than I cared to hear, talking about palm readers and phrenologists, refuting their findings. I skipped some of that.
A very endearing story is the one he tells of his daughter, when young, was with him on a steamboat trip and he was on an outer deck listening to the depth readings -- from which you'll probably know, Samuel Clemens took his pen name. His daughter frantically found him and said, Daddy, don't you hear them calling for you?
This volume, the second, is long, but worth the time to read, or in my case, hear.
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If I could have been present for one of Mr. Clemon's talks, it would be a great pleasure. After now reading the second installment of his personal dictations that wander over his entire life in a random fashion, I am anxiously awaiting the final installment. It is not difficult to see why he did no want this material published for 100 years. He pulls no punches about his opinions of the contemporaries of his life. It should be a very good way of learning more about a man who wrote such American
If I could have been present for one of Mr. Clemon's talks, it would be a great pleasure. After now reading the second installment of his personal dictations that wander over his entire life in a random fashion, I am anxiously awaiting the final installment. It is not difficult to see why he did no want this material published for 100 years. He pulls no punches about his opinions of the contemporaries of his life. It should be a very good way of learning more about a man who wrote such American books such as, "Tom Sawyer" and "Huckleberry Finn."
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(This review appeared in the Carbondale Nightlife, September 18-24, 2014, p. 18.)
Mark Twain, Autobiography of Mark Twain, vols.1 & 2, eds Harriet Elinor Smith, et al (Berkeley: University of California Press, 2010, 2013), 736 and 733 pp. Hardcover, $45.00 each.
Mark Twain set down his pen for good in 1905, but his autobiography was composed mainly afterwards. From the fall of 1906 through the end of 1907 he dictated almost daily to an able stenographer and in the presence of his official biog
(This review appeared in the Carbondale Nightlife, September 18-24, 2014, p. 18.)
Mark Twain, Autobiography of Mark Twain, vols.1 & 2, eds Harriet Elinor Smith, et al (Berkeley: University of California Press, 2010, 2013), 736 and 733 pp. Hardcover, $45.00 each.
Mark Twain set down his pen for good in 1905, but his autobiography was composed mainly afterwards. From the fall of 1906 through the end of 1907 he dictated almost daily to an able stenographer and in the presence of his official biographer the mass of literary material that now goes under the name of Autobiography of Mark Twain. After 1907, the sessions trailed off, but continued through early 1910. He toyed with his original idea for the book from 1869 onward and refined his notions about the art of autobiography over that very long span of years. The material is now brought together, unexpurgated and edited according to the highest critical standards, in three volumes. The first volume appeared in 2010, marking the centenary of Twain’s departure from the earth (no longer greatly exaggerated).
His most significant idea was that none of his autobiography should be published until he had been dead a full century, but he was pleased with the typed results of his sessions and couldn’t resist the urge to select and edit himself the portions suitable for a public airing during his lifetime. Then his string of literary executors followed his example, as it became clear that his reputation was secure and that the sensibilities of the public had expanded to accommodate some of Twain’s more extreme views about religion and politics. Thus, there is very little in the critical edition that has not appeared before (indeed long before) now. No shocking revelations are here.
The second volume appeared in 2013 and the third will follow later this year, or so we are told. The editing challenge is immense, but where there’s a market, there’s a motive. Twain believed that telling the truth in an autobiography was impossible unless publication is delayed for several generations, but he complains that even this strategy will fail if the teller of the tale is human at all. Explaining his theories about autobiography probably absorbs a hundred pages of the first volume, in fits and starts. He has to tell us why he meanders so, dictating whatever pops into his head instead of trying to follow some chronological plan or other preconceived order of presentation. So one can become pretty impatient as a researcher trying to find a particular episode from a given period in Twain’s life. Some of the same episodes come up repeatedly, spread out over the whole length of these books, as Twain interrupts himself for many pages at a time. At least he eventually returns to whatever subject he opens.
The method of autobiography Twain advocates makes it impossible to follow the overall narrative. Indeed, it isn’t a narrative it’s a character study, psychological, historical, and philosophical, carried out by the character himself. Just from the standpoint of reading, as opposed to doing research, the critical edition suffers more than previous versions of the text by including all the surviving autobiographical manuscripts, meaning that some stories get told several times in different decades – for example, Twain’s various meetings with Ulysses S. Grant. Even the repetition is interesting, since it reveals a remarkable consistency in how Twain settles into a way of describing an episode and holds onto it in more or less the same words over several decades.
The autobiography is thus a hodgepodge. Twain reads entire letters and newspaper clippings into the record, he inserts previously unpublished stories and other manuscripts into the master document, then adds his retrospective commentary. The most frequently recurring external document he used is the biography of himself written by his daughter Suzie when she was about 13. He will offer a passage from that adorable study, comment on it at length, and then return to another passage to repeat this exercise in rumination. (Suzie’s biography was later published in full under the title Papa.) Using this source is the most felicitous decision Twain made in the long course of his dictations, because Suzie’s biography is quite entertaining, in places profound, and always insightful. These extended remembrances of the happiest time in Twain’s life are touching, poignant, and as he well knew, utterly lacking in objectivity. But for that reason, these stories humanize Twain as Sam Clemens for the ages. It couldn’t have been easy to decide to bring that time to the public since the biography is a portrait of intimate family life and its author died tragically young in 1896. Clemens never got over the loss, but evidently Twain carried on. Still, this is where we see the man behind the curtain. If there is literary or historical calculation in the way these episodes are presented, as there certainly is in the dominant tone of the autobiography, it is too subtle for me to grasp.
There are extended passages in the autobiography that are no longer of great interest to us now, being dated and distinguished only by the fact that Twain noticed them and put them into his own remarkable words. His obsession with copyright laws is a recurring example, leading one to wonder what he might say now about that struggle. But for the most part, Twain was able to predict what we would care to know in 100 years. This makes for great reading and the apparent disorganization and rambling masks an underlying principle of aesthetic order that is as pleasing as it is informative. The effect is similar to being told a bedtime story every night for a year that forms one long story-telling campaign. And the storyteller, after all, is known to be a pretty good one.
Perhaps not everything Mark Twain wrote bears the stamp of greatness, but the autobiography really is a permanent literary achievement, basking in the same glow as Don Quixote and Shakespeare’s best plays, as William Dean Howells once observed. Very little in the history of literature in any language rises to this level of importance. Mark Twain teaches us how to see ourselves by looking at himself and trying to work out the difference between him and the rest of the human race. There is a huge difference but it’s in degree not in kind, not deriving from the impossible gift Mark Twain brought into the world, but rather from the result of that gift. Clemens was, in almost every respect, just like the rest of us, except for his diligence in a single direction. He took his gift to places few humans have visited and found himself unlike the rest of us, alone and incapable of self-understanding –for want of meaningful comparison. Twain explored his own life almost obsessively, and then explored his explorations, in the end finding it impossible to put it all in any ”true” order. So he trusted his mind and his muse to meander exactly where they needed to be on any given day, to complete the uncompletable story. Everyone should read Mark Twain’s autobiography for about the same reason that everyone should read Cervantes and Shakespeare, but in this case it’s really a lot more fun.
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This book is the second volume of the authoritative edition of the autobiography of Mark Twain. I read the first volume two and a half years ago. This volume follows in the same path of the first volume and is full of various stories, humor, social satire, and commentary. There is much enjoyable here and the book is most interesting as a commentary on American and world affairs in the decade before WWI. This volume has the limitations of the first volume. It is a collection of episodes and comme
This book is the second volume of the authoritative edition of the autobiography of Mark Twain. I read the first volume two and a half years ago. This volume follows in the same path of the first volume and is full of various stories, humor, social satire, and commentary. There is much enjoyable here and the book is most interesting as a commentary on American and world affairs in the decade before WWI. This volume has the limitations of the first volume. It is a collection of episodes and comments -- more like a journal or diary than what I commonly think of as an autobiography. I certainly defer to Mr. Twain about his disinclinatioln to produce a traditional life story. I also grant that such a story would not be fully honest and unbiased. Still, a bit more organization and story would have been valuable and the need for editing and pruning is clear -- although the stories are good even when reissued and reiterated. Overall, the book was enjoyable and well worth the effort. His use of language is wonderful and his satirical and critical eye is unfailing. Not bad for a second volume.
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Not as revealing of this opinion of various 19th Century individuals as Volume One but more revealing of Samuel Clemons own thoughts and feelings. His thoughts about his three daughters were particularly touching, especially Jean and Susy who did not survive him. He was very forthcoming about his failures and weaknesses, not every autobiography is so candid. Highly recommended by me, though a warning it is very long and there are some tedious parts. All Mark Twain fans should read this.
Having read volume 1, I found this equally or more interesting. This is different than reading a normal autobiography because it is quite fragmented with a lot of repetition going along with the footnotes. We find that Mark Twain, or Samuel Clemens, decided that he preferred dressing all in white, despite the season of the year. That is the way that we picture him. He certainly did a lot of traveling, and lived a number of different places. There was tragedy in his family life, too
Six Months. That's how long it took me to read my way through both Volume I and II. I had to take a break from it a couple of times to read a few other books. But this was my fall-to book. It's a continuation of the first one - with just as much fact checking references as the first. I'm a fan of biographies and as such I was up to the challenge. But now I can point proudly to the shelf and say "I read those."
The raw nature of Mark Twain's dictation really comes through in this second volume, more so I think than in the first volume. It's like reading an audio scrapbook from the guy down the street who happens to be a comedy superstar, you never know what you'll find on the next page. Some really great rants too, usually introduced by "This must not be published until I'm dead 100 years." Which is as good a metric as any. Will Goodreads be around in 100 years? Mark Twain will be. Anybody who needs to
The raw nature of Mark Twain's dictation really comes through in this second volume, more so I think than in the first volume. It's like reading an audio scrapbook from the guy down the street who happens to be a comedy superstar, you never know what you'll find on the next page. Some really great rants too, usually introduced by "This must not be published until I'm dead 100 years." Which is as good a metric as any. Will Goodreads be around in 100 years? Mark Twain will be. Anybody who needs to understand the "real" Sam Clemens will have this book on his work table.
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Twain's original autobiography, published in 1924 after his death (not the hundred year version published recently). Twain dictated this from his bed; it's a non-chronological mish-mash of funny anecdotes, historical events, philosophy, family reminiscences, etc., all done in Twain's inimitable style. Self-centered, of course, but gracious and readable. Most interesting to me was the recounting of Twain's foolproof method for how the unemployed can always find work. Amazing that this hasn't cau
Twain's original autobiography, published in 1924 after his death (not the hundred year version published recently). Twain dictated this from his bed; it's a non-chronological mish-mash of funny anecdotes, historical events, philosophy, family reminiscences, etc., all done in Twain's inimitable style. Self-centered, of course, but gracious and readable. Most interesting to me was the recounting of Twain's foolproof method for how the unemployed can always find work. Amazing that this hasn't caught on. (No joke here; it really works.) Both Volumes I and II are excellent; particularly affecting was the part in Volume II where Twain quotes from, and embellishes, his daughter Susie's childhood "biography" of her father.
Definitely worth reading if you're a Twain fan (and if you can find it).
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This book is every bit as lovely as the first one. You can see why he wanted it held until after everyone at the time would be long gone. He comes out with real opinions which would not have been popular at the time, nor jibed with his public persona, carefully honed and sculpted over the years and providing a good deal of his income via public speaking. That he lived his live with appreciation and humor is evident in every page. History buffs will relish his very human takes on some historical
This book is every bit as lovely as the first one. You can see why he wanted it held until after everyone at the time would be long gone. He comes out with real opinions which would not have been popular at the time, nor jibed with his public persona, carefully honed and sculpted over the years and providing a good deal of his income via public speaking. That he lived his live with appreciation and humor is evident in every page. History buffs will relish his very human takes on some historical events which are otherwise just events to most people, even at the time.
I particularly liked his comments on his writing and how and why and when he did it.
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TR everything to be and not, Charles Webster assfull and debt, gorgeous forgiving, as a mirror, generosity spirit, Helen Keller met at 14 kindness without jealousy, power passing to national government, bring a fact to breakfast, turn republic to monarchy liberties auctioned off slowly sole purpose being purchase of votes physical courage common and moral courage rare and cowardly nature of man to not say disagreeable thing vote buying in pension undermines manhood moral disintegration 1906-07 c
TR everything to be and not, Charles Webster assfull and debt, gorgeous forgiving, as a mirror, generosity spirit, Helen Keller met at 14 kindness without jealousy, power passing to national government, bring a fact to breakfast, turn republic to monarchy liberties auctioned off slowly sole purpose being purchase of votes physical courage common and moral courage rare and cowardly nature of man to not say disagreeable thing vote buying in pension undermines manhood moral disintegration 1906-07 conscious less government invites monarchy, rather show-off, 10K RR deaths 1906 60K injuries, eloquent baroness, 1872-73 Tom Sawyer on typewriter degrading character after month gave away, typewriter and phone more valuable than wars, teleharmonial device, London phones monopolized by postal service.
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I knew that Mark Twain accompanied his brother out here to Nevada when his brother became secretary to the territorial governor, but I didn't know that Twain had to pay the fare on the overland coach for both of them, and that his brother Orion was such a flake, albeit an entertaining-to-read-about flake. I did tire of Twain's rant about the Immaculate Conception, especially since he didn't know what the Immaculate Conception is. He meant the Incarnation, and even then, he was way off base. He s
I knew that Mark Twain accompanied his brother out here to Nevada when his brother became secretary to the territorial governor, but I didn't know that Twain had to pay the fare on the overland coach for both of them, and that his brother Orion was such a flake, albeit an entertaining-to-read-about flake. I did tire of Twain's rant about the Immaculate Conception, especially since he didn't know what the Immaculate Conception is. He meant the Incarnation, and even then, he was way off base. He seemed to think there no wars before Christianity. A real blind spot there. He included parts of his daughter Susie's biography of him, which are delightful. I'd say all in all I enjoyed Volume 1 better, but when Volume 2 was over, I found myself missing Mark Twain.
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This book continues the tradition of the first volume of supplying fascinating information and insight into the life and times of Mark Twain. That should not come as a surprise for an autobiography.
The "not-to-be-published-til-i'm-dead" details are infrequent but quite interesting, as are the additions of other people's (i.e. family) writings and news clippings.
While I do not think Twain's any-topic-goes approach to his autobiography was a poor decision, I sometimes found myself plodding throu
This book continues the tradition of the first volume of supplying fascinating information and insight into the life and times of Mark Twain. That should not come as a surprise for an autobiography.
The "not-to-be-published-til-i'm-dead" details are infrequent but quite interesting, as are the additions of other people's (i.e. family) writings and news clippings.
While I do not think Twain's any-topic-goes approach to his autobiography was a poor decision, I sometimes found myself plodding through the text for the simple sake of getting through it. The text had not become less interesting, but different random topics covered for the short length one can attain in two hours of dictation was sometimes hard to really get into.
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I liked some of the bits.....but since I have watched Jason Robards impersonate Twain in person and on dvd/video....I know I would have enjoyed this more acted out. I did try the audio, but the narrator simply read his script. Twain's words really need a good interpretation.
If you are not a fan of Mark Twain, this collection will turn you into one. If you have a general interest of turn of the 20th century events, this book will delight & enlighten you. This is the second book released by Mark Twain foundation and its research helped understand the era in which it was written. Some of Twain's observations ring true even in our time span.
I found myself imagining I was listening to Mark Twain's voice on this recording. Grover Gardner seemed to provide just the inflections I would have expected from Twain himself! Twain's wit comes through and it was enjoyable and entertaining to listen his life's stories on my way to work.
Whew, took me a while to get through and for the most part, enjoyed. As with any of Twain's big works, there's always some dry parts that I have to just skip because they are just not interesting like they might have been 110 years ago. But for any fan of the man or even fan of history, it's a great read and the moments that shine, do so brightly. Learned some interesting facts about history and if you're going to learn history through personal accounts, no better man to tell the story than Twai
Whew, took me a while to get through and for the most part, enjoyed. As with any of Twain's big works, there's always some dry parts that I have to just skip because they are just not interesting like they might have been 110 years ago. But for any fan of the man or even fan of history, it's a great read and the moments that shine, do so brightly. Learned some interesting facts about history and if you're going to learn history through personal accounts, no better man to tell the story than Twain.
Outstanding explanatory notes. Every time you don't know what he is referring to, you turn to the 300 page notes section and usually they explain it and more. Well-done research.
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Volume 2 of the Mark Twain Autobiography was published in 2013. It is an outstanding book full of history, humor, and contrarian wit. The 200+ page explanatory notes are very helpful and give the reader great insight into the forces that influenced Twain.
Samuel Langhorne Clemens
, better known by his pen name
Mark Twain
, was an American author and humorist. He is noted for his novels
Adventures of Huckleberry Finn
(1885), called "the Great American Novel", and
The Adventures of Tom Sawyer
(1876).
Twain grew up in Hannibal, Missouri, which would later provide the setting for
Huckleberry Finn
and
Tom Sawyer
. He apprenticed with a printer. He also work
Samuel Langhorne Clemens
, better known by his pen name
Mark Twain
, was an American author and humorist. He is noted for his novels
Adventures of Huckleberry Finn
(1885), called "the Great American Novel", and
The Adventures of Tom Sawyer
(1876).
Twain grew up in Hannibal, Missouri, which would later provide the setting for
Huckleberry Finn
and
Tom Sawyer
. He apprenticed with a printer. He also worked as a typesetter and contributed articles to his older brother Orion's newspaper. After toiling as a printer in various cities, he became a master riverboat pilot on the Mississippi River, before heading west to join Orion. He was a failure at gold mining, so he next turned to journalism. While a reporter, he wrote a humorous story, "The Celebrated Jumping Frog of Calaveras County," which proved to be very popular and brought him nationwide attention. His travelogues were also well-received. Twain had found his calling.
He achieved great success as a writer and public speaker. His wit and satire earned praise from critics and peers, and he was a friend to presidents, artists, industrialists, and European royalty.
However, he lacked financial acumen. Though he made a great deal of money from his writings and lectures, he squandered it on various ventures, in particular the Paige Compositor, and was forced to declare bankruptcy. With the help of Henry Huttleston Rogers, however, he eventually overcame his financial troubles. Twain worked hard to ensure that all of his creditors were paid in full, even though his bankruptcy had relieved him of the legal responsibility.
Born during a visit by Halley's Comet, he died on its return. He was lauded as the "greatest American humorist of his age", and
William Faulkner
called Twain "the father of American literature".
“The shades of difference between other people and me serve to make variety and prevent monotony, but that is all; broadly speaking, we are all alike; and so by studying myself carefully and comparing myself with other people, and noting the divergences, I have been enabled to acquire a knowledge of the human race which I perceive is more accurate and more comprehensive than that which has been acquired and revealed by any other member of our species. As a result, my private and concealed opinion of myself is not of a complimentary sort. It follows that my estimate of the human race is the duplicate of my estimate of myself.”
—
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“Such incidents usually move me to try to find relief in the building of a maxim. It is a good way, because if you have luck you can get the venom out of yourself and into the maxim; then comfort and a healed spirit follow. Maxims are not easy to make; they do not come in right shape at the first call; they are creatures of evolution, of development; you have to try several plans before you get one that suits you, or even comes fairly near to suiting you.”
—
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