This autobiography, now in paperback, offers a wonderfully vivid account of the people and places that inspired so much of Muriel Spark's writing, such as The Prime of Miss Jean Brodie. Here, readers will find high comedy, betrayal, rigorous intelligence, the odd twist of faith, and mysterious grace--all the elements that have delighted her readers for more than 35 years.
This autobiography, now in paperback, offers a wonderfully vivid account of the people and places that inspired so much of Muriel Spark's writing, such as The Prime of Miss Jean Brodie. Here, readers will find high comedy, betrayal, rigorous intelligence, the odd twist of faith, and mysterious grace--all the elements that have delighted her readers for more than 35 years. Photos.
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Paperback
,
12 pages
Published
September 29th 1994
by Mariner Books
(first published 1992)
Spark has many fine nuggets in this volume. As author of
The Prime of Miss Jean Brodie
, she introduces the reader to the teacher in her life, the woman who inspires the character. I love how she admires this teacher for being so different from the others in her school, how Miss Kay speaks brashly of her own life, her own feelings and thoughts. This may be one way that Spark is inspired to become a writer. Spark continues by describing a number of eccentric teachers in her schooling, all of whom
Spark has many fine nuggets in this volume. As author of
The Prime of Miss Jean Brodie
, she introduces the reader to the teacher in her life, the woman who inspires the character. I love how she admires this teacher for being so different from the others in her school, how Miss Kay speaks brashly of her own life, her own feelings and thoughts. This may be one way that Spark is inspired to become a writer. Spark continues by describing a number of eccentric teachers in her schooling, all of whom she admires or she wouldn’t write about them.
At nineteen Spark moves to Zimbabwe to marry a rather unstable man. She says it is in Africa that she learns to cope with life. She has a child, and when she realizes she can no longer stay with her husband, she abandons him, leaving her son with some friends. At the end of World War II, she makes her way back to the UK and later sends for her son, who then is raised apparently by her parents. She must be one of the first women of her generation to live the life that Virginia Woolf envisioned for herself (having a room of one’s own). Spark never really speaks much of her son, mostly of her writing life:
“I was aware of a definite ‘something beyond myself.’ This sensation especially took hold of me when I was writing; I was convinced that sometimes I had access to knowledge that I couldn’t possibly have gained through normal channels—knowledge of things I hadn’t heard of, seen, been taught” (110).
I, too, had similar experiences when I wrote a novel; I just kept reaching into this great grab-bag of ideas and I had no idea where they were coming from or whether they really made any sense to anyone but me. After struggling with one short story after another, it felt so great to have these “channels” Sparks alludes to.
“It was on this occasion that Masefield spoke those words that I was to remember later: ‘All experience is good for an artist’” (196).
Amen.
“I felt, too, that the novel as an art form was essentially a variation of a poem. I was convinced that any good novel, or indeed any composition which called for a constructional sense, was essentially an extension of poetry” (205).
For further reading:
Muriel Spark’s short stories:
“The Gentile Jewesses”
“The Curtain Blown by the Breeze”
“The Seraph and the Zambesi”
“The Go-Away Bird”
“The House of the Famous Poet”
Sparks’s novels (though not a complete list):
The Girls of Slender Means
Memento Mori
(all characters are elderly people)
Loitering with Intent
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I finished reading this memoir yesterday (February 2, 2009) and found it interesting since the author wrote so well and clearly that we readers can understand how her literay life had developed and why. It all started some 35 years ago in the late 70s when I watched a film entitled, "The Prime of Miss Jean Brodie" in a movie theatre on Sukhumvit Road (defunct, a small shopping mall instead there). The film was so wonderful that I kept wondering who wrote such a fantastic novel. I'm not sure how
I finished reading this memoir yesterday (February 2, 2009) and found it interesting since the author wrote so well and clearly that we readers can understand how her literay life had developed and why. It all started some 35 years ago in the late 70s when I watched a film entitled, "The Prime of Miss Jean Brodie" in a movie theatre on Sukhumvit Road (defunct, a small shopping mall instead there). The film was so wonderful that I kept wondering who wrote such a fantastic novel. I'm not sure how I could find her name, Muriel Spark, then but I later bought a Penguin paperback (same title) to read and found it a bit tough since she of course wrote to general public, that is, those with English as mother tongue. Some parts quite obscure to me were adapted in the film normally. From her own words, we can learn a lot how she coped with hardships after World War II, that is, she tried to work in various jobs successful with her poetry talents and later was encouraged by friends/ publishing companies to write novels.
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I should probably have read this before reading the large authorized biography. Still, that's not really a problem. The two books have different goals and points of view. This memoir, read as literature, is quite engaging for the first five chapters, and follows in a perhaps now-defunct tradition of autobiographies by writers or other highly literate figures wherein the author beautifully evokes the past without dwelling heavily on her/his own psychology and feelings. Chapter six, which deals wi
I should probably have read this before reading the large authorized biography. Still, that's not really a problem. The two books have different goals and points of view. This memoir, read as literature, is quite engaging for the first five chapters, and follows in a perhaps now-defunct tradition of autobiographies by writers or other highly literate figures wherein the author beautifully evokes the past without dwelling heavily on her/his own psychology and feelings. Chapter six, which deals with Spark's adventures at the Poetry Society, is interesting for providing background on her novel Loitering with Intent. One suspects that her antagonists at the Poetry Society were just as foolish, self-important, and malicious as she describes them, but it is also possible that she lacked diplomacy in dealing with them (for example telling the elderly and perhaps senile birth control activist Marie Stopes "...your attitude fills me with contempt, as it would all right-thinking people). Chapter seven, while still interesting, is focused on setting the record straight regarding mistakes about her, notably those published by a sloppy-about-facts former lover. Here one decidedly sees an almost vindictive side of her character. The desire to set the record straight is entirely natural, but her goal could have been accomplished without actually trashing a man she was involved with for several years and (if memory serves me) came close to marrying. It would have been enough to say that he was sloppy about facts in both his scholarship and his memories and that his account of her was sadly unreliable.
It has been pointed out, both by her biographer and by other readers, that this memoir skates lightly over many momentous and painful parts of her life. She alludes to, but does not discuss, her family's relative poverty or her mother's drinking. She does not detail her reasons for marrying S. O. Spark, or describe examples of his mental instability, or say much about first leaving her son in Rhodesia and then letting her parents raise him. At the same time she does not fail to mention these things.
In thinking over this memoir, I was reminded of my own experience with blogging and writing the biographical portions of grant applications. It was always clear to me that these endeavors were not "personal writing" in the sense of being about me and for me, but rather they were about me for the benefit of others. I would not write untruths, but I was nonetheless working with a persona that only represented part of me and not all of me. I was not hiding things, but there was editorial control over what was said and how I said it. Writing for other people caused me to describe many interesting things that I would not have bothered to jot down otherwise, while at the same time I eschewed detailing my emotions. The resulting grant proposals and blog posts were generally well received.
I think, thus, that while I would have been interested to learn more about Muriel Spark's feelings about parts of her development, from the start of the memoir she set a tone and a level of disclosure that remained consistent for the first five chapters, but which changed significantly in the last two as she began to deal with becoming a public figure. Perhaps she would have done better to have written one memoir about her life prior to working for the Poetry Society, and a second that began there and dealt with her rise to prominence. Had she chosen to write a cattier second memoir about her life as a rising and then famous writer, it would have been cohesive and perhaps successful in a different way than the first.
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I am essentially completely unfamiliar with most of Spark's works; I took this off the shelf because it was shelved near Death and the Maidens, and I felt like some good British-literature-author-writing over the recent rainstorms. I enjoyed the description of her childhood in Scotland and some of her World War II and post-war descriptions. She has a very arch wit and I felt many raised eyebrows and significant looks from her, which was fun. However, she seemed to gloss over quite a lot of heart
I am essentially completely unfamiliar with most of Spark's works; I took this off the shelf because it was shelved near Death and the Maidens, and I felt like some good British-literature-author-writing over the recent rainstorms. I enjoyed the description of her childhood in Scotland and some of her World War II and post-war descriptions. She has a very arch wit and I felt many raised eyebrows and significant looks from her, which was fun. However, she seemed to gloss over quite a lot of heartache, so either she didn't really feel it, or, she didn't feel like delving into it--for example, she mentions her devotion to her son occassionally, but she also left him in South Africa for two years when he was barely out of infancy (by necessity, I must mention--she was returning to England at the height of World War II, so I'm not criticizing her decision to leave him "behind") and then handed him over to her parents to raise for what, if I read correctly, was the next twenty years or so. Hmmm. I found that kind of intriguing but she definitely does not want to discuss it with her readers. Also, she seems to go at some length to defend herself in certain situations that I knew nothing about, so it felt like she was careful to explain how she WASN'T really a bad person and how wrong other people were, to somewhat bitchy lengths in some cases, and I can't really judge whether she is giving too much weight to situations that are really irrelevant. Those who are devoted to her literature will either be pleased or disconcerted to discover how autobiographical most of her works are (is this just typical of most arists, or, is this lazy? You be the judge.).
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I like Muriel Sparks a lot, most anything she has written. She wrote this autobiography when she was 37, partly, I think to offset untruths that were already emerging. She is mostly kind and witty about these people who are dishing out nonsense, but she is a woman who has a firm grip on reason. I enjoyed this; just not as much as some of her fiction.
Witty, spunky, high-spirited. I haven't read any of Spark's work previously, and I plan to. A wonderfully observant and detailed romp through Edinburgh in the 1930s; thoughts on being white in Southern Rhodesia (Zimbabwe) and South Africa around 1940; wartime UK; and delightfully narrated nasty little trials and tests of a young woman in a position of professional authority. Great fun, though I don't disagree with other readers' comments that the subject of Spark's son seems a bit dubious. It is
Witty, spunky, high-spirited. I haven't read any of Spark's work previously, and I plan to. A wonderfully observant and detailed romp through Edinburgh in the 1930s; thoughts on being white in Southern Rhodesia (Zimbabwe) and South Africa around 1940; wartime UK; and delightfully narrated nasty little trials and tests of a young woman in a position of professional authority. Great fun, though I don't disagree with other readers' comments that the subject of Spark's son seems a bit dubious. It is indeed strange that, since she does tell of him, she seems a bit detached (given the circumstances of their longtime separation during his formative years). Even so, I am in no position to pass judgment on the author's personal choices or her chosen method of writing about them. The writing is first-class.
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Snagged on a whim from the recently returned library book cart after seeing the first three sections in the first chapter are subtitled Bread, Butter and Tea. I need cozy in the summertime you see.
I adore Muriel Sparks' novels. Reading her memoir illuminates context for several of her novels and characters, not least Jean Brodie. Unfortunately, what also comes through is that Spark can be very petty, carrying grudges over seemingly minor matters for decades, and airing them against people who are dead or who are not writers and therefore can't effectively answer. It's not an admirable aspect of her character. But overall, I loved the book, as I do all her writing.
I liked this, but started reading it at a bad time. I got about 1/3 of the way through before the library started breathing down my back and I had to return it (after several renewal attempts!). However, that said, I will get back to this. I really enjoyed what I did accomplish, but it's a relatively directionless memoir, so there wasn't anything enticing enough to pull me through it despite distractions.
Brilliantly written (as you would expect). Very interesting on her childhood in Edinburgh and her semi-secret war work. A bit light on how she felt about things.
I particularly disliked the part where she was spiteful about someone she didn't get on with. In my opinion a public work of literature is not the place for personal vendettas.
If you haven't read Spark before, this probably isn't the starting place. But it was delightful if you already know her work. Some fragments are brilliant, others are just interesting. Read it on a flight.
Dame Muriel Spark, DBE was a prolific Scottish novelist, short story writer, and poet whose darkly comedic voice made her one of the most distinctive writers of the twentieth century. In 2008 The Times newspaper named Spark in its list of "the 50 greatest British writers since 1945".
Spark received the
James Tait Black Memorial Prize
in 1965 for
The Mandelbaum Gate
, the
Ingersoll Foundation TS Eli
Dame Muriel Spark, DBE was a prolific Scottish novelist, short story writer, and poet whose darkly comedic voice made her one of the most distinctive writers of the twentieth century. In 2008 The Times newspaper named Spark in its list of "the 50 greatest British writers since 1945".
Spark received the
James Tait Black Memorial Prize
in 1965 for
The Mandelbaum Gate
, the
Ingersoll Foundation TS Eliot Award
in 1992 and the
David Cohen Prize
in 1997. She became Dame Commander of the Order of the British Empire in 1993, in recognition of her services to literature. She has been twice shortlisted for the
Booker Prize
, in 1969 for
The Public Image
and in 1981 for
Loitering with Intent
. In 1998, she was awarded the
Golden PEN Award
by English PEN for "a Lifetime's Distinguished Service to Literature". In 2010, Spark was shortlisted for the
Lost Man Booker Prize
of 1970 for
The Driver's Seat
.
Spark received eight honorary doctorates in her lifetime. These included a Doctor of the University degree (Honoris causa) from her alma mater, Heriot-Watt University in 1995; a Doctor of Humane Letters (Honoris causa) from the American University of Paris in 2005; and Honorary Doctor of Letters degrees from the Universities of Aberdeen, Edinburgh, London, Oxford, St Andrews and Strathclyde.
Spark grew up in Edinburgh and worked as a department store secretary, writer for trade magazines, and literary editor before publishing her first novel in 1957.
The Prime of Miss Jean Brodie
, considered her masterpiece, was made into a stage play, a TV series, and a film.
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“The sparkle and morning-freshness of the shop, and the butter-conjuring girl, formed a mind-picture which accompanied the whole of my youth.(about the Buttercup Dairy)”
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