A man of many names: The hardest working man in show business, King of the one nighters, Soul Brother #1, the sex machine ... but everyone knows who they mean. James Brown: The Godfather of Soul. Since his first chart-topper in 1956, he's outlived, outlasted, and outperformed all rivals. He is the funk-and-soul innovator and rap's driving spirit. His dazzling stage shows a
A man of many names: The hardest working man in show business, King of the one nighters, Soul Brother #1, the sex machine ... but everyone knows who they mean. James Brown: The Godfather of Soul. Since his first chart-topper in 1956, he's outlived, outlasted, and outperformed all rivals. He is the funk-and-soul innovator and rap's driving spirit. His dazzling stage shows are legendary. Now James Brown tells his own story, just as he plays his music: loud, proud, and soulful. From his dirt-poor childhood in an Augusta brothel to wealth and world fame and his recent incarceration, James Brown takes a unique look behind the closed doors of poverty, segregation, politics, and the music industry. With photo inserts, brilliant anecdotes about Little Richard, Elvis, Tina Turner, Otis Redding, Tammi Terrell, Michael Jackson, and many others, plus a new updated introduction and epilogue and an exhaustive discography. "Fine blend of social responsibility, cranked-up ego, and pronouncements on his own music and its place in the world"—Amazon.com
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Paperback
,
384 pages
Published
January 10th 2003
by Da Capo Press
(first published November 1986)
James Brown is a master showman and a great storyteller too. But the problem with this autobiography is that he's only interested in telling stories that make him look heroic, generous, courageous, and unselfish. I don't doubt he was a good man, but he had plenty of failings and flaws and this book doesn't even hint at them. It's a lot less soulful than his music!
Although JB was a lot of things to a lot of folks foremost being The Godfather of Soul, I also like to call him the one who made African Americans believe in themselves mostly for the first time. So I call him the Bearer of Black Pride and Self Esteem too. This book details his life as a preemie who was given up for dead if the midwife didn't keep trying to get him to breathe on his own. If it wasn't for her efforts, there would be NO Godfather of Soul. His parents split when he was 4, he grew u
Although JB was a lot of things to a lot of folks foremost being The Godfather of Soul, I also like to call him the one who made African Americans believe in themselves mostly for the first time. So I call him the Bearer of Black Pride and Self Esteem too. This book details his life as a preemie who was given up for dead if the midwife didn't keep trying to get him to breathe on his own. If it wasn't for her efforts, there would be NO Godfather of Soul. His parents split when he was 4, he grew up in a brothel, hustling and making things happen in pre/wartime Augusta Ga. In time, he turned to petty crime and ended up doing time in a reformatory in Toccoa and Rome, Georgia. When released, he lived with friends starting up a band called The Falcons, then in turn The Famous Flames. With them, they started tourning, and recorded their first record, "Please, Please, Please" became their first hit in 1956. When the group broke up, James undeterred kept on performing giving him the title "The Hardest Working Man in Show Business" for over fifty years, he worked hard, built a show and revue band, a couple of radio stations, etc. He also faced some tragedy like losing his eldest son, Teddy in 1973. Not to be missed, very good book.
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I think "perfunctory" (?) maybe is the word to describe this. James is one of the 3 or 4 most important people in the history of American Music, but this just isn't the most compelling read. I'm sure there's a great bio of him somewhere. It did make me replay a lot of great JB funk.
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In addition to his many other titles, James Brown may also have been "The Godfather of Unreliable Narrators". This might be the paradox of the man - could you call this an honest autobiography if he
isn't
bragging about himself through-out and making unbelievable claims? It does make for great reading - if you can take it with a pinch of salt.
I found many interesting things that I can still recall after reading this book almost ten years ago. I was impressed with how forthright Brown was about h
In addition to his many other titles, James Brown may also have been "The Godfather of Unreliable Narrators". This might be the paradox of the man - could you call this an honest autobiography if he
isn't
bragging about himself through-out and making unbelievable claims? It does make for great reading - if you can take it with a pinch of salt.
I found many interesting things that I can still recall after reading this book almost ten years ago. I was impressed with how forthright Brown was about his drug addiction and the events that led to his incarceration. The strangest part of the book - and the least convincing - is when he talks about rumors that surfaced in the early 'seventies about a homosexual relationship with band member Bobby Byrd. Not only does Brown deny the rumor, he actually claims to have started the rumor as a way of getting publicity. Say what? Not that I really care...but really? While I tend to believe Brown's retelling of how he helped limit the damage caused in the race riots of the sixties (such facts can be checked, after all) I found it amazing that he choose to back Richard Nixon as a presidential candidate, explaining "I wasn't selling out - I was selling in!" He actually believed that the Republican Party would somehow reward him for delivering the black vote. Even though there was little evidence Brown convinced anyone of any skin tone to vote for Nixon, he continued to hold the conviction that the party owed him an enormous debt and was bitterly disappointed that Ronald Reagan did not personally intervene on his behalf when he was famously arrested in 1988. Such was the dream world he sometimes lived in.
Such wild and complex characters make great biographies and this book ranks right up there with Charles Mingus's
Beneath the Underdog
for me.
The first 1/3 is excellent! I really enjoyed reading about his childhood and growing pains (e.g. growing up in a whore house and being forced to drink mint whisky by his dad and aunt for kicks, almost be electrocuted to death, being a 16 year old in jail and hooking up with a fellow female inmate who was also working in the hospital or laundry room where he was while a security guard/prison officer watched the door). However, the majority of the remaining 2/3s made me re-evaluate any positive fe
The first 1/3 is excellent! I really enjoyed reading about his childhood and growing pains (e.g. growing up in a whore house and being forced to drink mint whisky by his dad and aunt for kicks, almost be electrocuted to death, being a 16 year old in jail and hooking up with a fellow female inmate who was also working in the hospital or laundry room where he was while a security guard/prison officer watched the door). However, the majority of the remaining 2/3s made me re-evaluate any positive feelings I had about James Brown as it slowly evolves into a more oblivious, egotistical, and arrogant person as his career takes off (e.g. buying a private jet for himself and making his band drive separately to each show). I still love the man's music but it was definitely a rude-awakening to what he was really like underneath that fantastic hairdo of his.
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James Brown being James Brown, he paints a pretty rosy picture of himself throughout. Although he does get pretty frank about his late-seventies decline, triggered by the deaths of both his son and Elvis. (Those were the only two times anyone had ever seen James Brown cry.) Also, he really really really wants history to note that he had sex with Aretha Franklin.
I especially love the part where he used to believe in the health-bestowing properties of beer, guzzling it by the gallon to replenish
James Brown being James Brown, he paints a pretty rosy picture of himself throughout. Although he does get pretty frank about his late-seventies decline, triggered by the deaths of both his son and Elvis. (Those were the only two times anyone had ever seen James Brown cry.) Also, he really really really wants history to note that he had sex with Aretha Franklin.
I especially love the part where he used to believe in the health-bestowing properties of beer, guzzling it by the gallon to replenish his electrolytes after gigs.
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Informative even if extremely skewed... the Godfather goes to great lengths to put himself in the best light regardless of circumstance, and gives incredible background (which I suppose should be taken w/a grain of salt) on some of the greatest recordings of all time. Oh and some of it hilarious too. R.I.P. Soulbro #1.
Don't buy this book. It is one of those biographies where the subject is heaven sent and can do no wrong. So misunderstood! Framed by the police, never inhaled, treated his women like queens. Basically propaganda. He was interesting no denying, but he wasn't this squeaky clean.
James Joseph Brown, commonly referred to as "The Godfather of Soul" and "The Hardest Working Man in Show Business", was a two-time Grammy Award-winning and mutiple Grammy Award-nominated American entertainer recognized as one of the most influential figures in 20th century po
Librarian Note: There is more than one author in the GoodReads database with this name.
See this thread for more information.
James Joseph Brown, commonly referred to as "The Godfather of Soul" and "The Hardest Working Man in Show Business", was a two-time Grammy Award-winning and mutiple Grammy Award-nominated American entertainer recognized as one of the most influential figures in 20th century popular music. He was renowned for his shouting vocals, feverish dancing and unique rhythmic style.
As a prolific singer, songwriter, bandleader, and record producer, Brown was a pivotal force in the evolution of gospel and rhythm and blues into soul and funk. He left his mark on numerous other musical genres, including rock, jazz, disco, dance and electronic music, reggae and hip hop. Brown's music also left its mark on the rhythms of African popular music, such as afrobeat, jùjú and mbalax, and provided a template for go-go music.
Brown began his professional music career in 1953, and rose to fame during the late 1950s and early 1960s on the strength of his thrilling live performances and string of smash hits. In spite of various personal problems and setbacks he continued to score hits in every decade through to the 1980s. In addition to his acclaim in music, Brown was a presence in American political affairs during the 1960s and 1970s, noted especially for his activism on behalf of fellow African Americans and the poor. During the early 1980s, Brown's music helped to shape the rhythms of early hip-hop music, with many groups looping or sampling his funk grooves and turning them into what became hip hop classics and the foundations of this music genre.
Brown was recognized by a plethora of (mostly self-bestowed) titles, including Soul Brother Number One, Sex Machine, Mr. Dynamite, The Hardest Working Man in Show Business, Minister of The New New Super Heavy Funk, Mr. Please Please Please, The Boss, and the best-known, the Godfather of Soul.
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