John Sibley Williams' poems carry Michael McClure's conversational tone along with H.D.'s explorations in an auto-mythology. we are taken to the poet's place of parallel lines along the path to a city still being constructed at once with doors, bridges, hydrangeas and rhododendrons. the machine in the garden rusts here as the poet pleads, sings and questions for all that i
John Sibley Williams' poems carry Michael McClure's conversational tone along with H.D.'s explorations in an auto-mythology. we are taken to the poet's place of parallel lines along the path to a city still being constructed at once with doors, bridges, hydrangeas and rhododendrons. the machine in the garden rusts here as the poet pleads, sings and questions for all that is solid to melt into air with the feverish flight of the hummingbird.
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John Sibley Williams is an award-winning writer of fiction and poetry. He works as Book Marketing Manager of Inkwater Press, as well as a freelance literary agent, and lives in Portland, Oregon. John is the author of Controlled Hallucinations (forthcoming 2013 by FutureCycle Press), as well as seven chapbooks. John is the winner of the 2011 HEART Poetry Award, and finalist for the Pushcart, Rumi,
John Sibley Williams is an award-winning writer of fiction and poetry. He works as Book Marketing Manager of Inkwater Press, as well as a freelance literary agent, and lives in Portland, Oregon. John is the author of Controlled Hallucinations (forthcoming 2013 by FutureCycle Press), as well as seven chapbooks. John is the winner of the 2011 HEART Poetry Award, and finalist for the Pushcart, Rumi, and The Pinch Poetry Prizes. He has served as Acquisitions Manager of Ooligan Press and publicist for various presses and authors, and holds an MFA in Creative Writing and MA in Book Publishing.
John has also worked with organizations such as the Regional Arts and Culture Council and Lewis & Clark College’s “Oregon Poetic Voices”. He cofounded the Inflectionist poetry movement, edits its journal, The Inflectionist Review, acts as co-director of Walt Whitman 150, and works with the Moonlit Poetry Caravan critique group. He frequently performs his poetry and hosts discussions and workshops. A few previous publishing credits include: Inkwell, Bryant Literary Review, Cream City Review, The Chaffin Journal, The Evansville Review, RHINO, Rosebud, and various anthologies.