From his sheltered childhood in Orkney to the turmoil of industrial Glasgow, Edwin Muir was witness to some of the most traumatic years and events of our modern age. And yet, in his life and in his art, he was constantly haunted by the symbolic 'fable' which he longed to find beneath the surface reality of the everyday. From his dream notebooks to his travels in Eastern Eu
From his sheltered childhood in Orkney to the turmoil of industrial Glasgow, Edwin Muir was witness to some of the most traumatic years and events of our modern age. And yet, in his life and in his art, he was constantly haunted by the symbolic 'fable' which he longed to find beneath the surface reality of the everyday. From his dream notebooks to his travels in Eastern Europe, Muir paints an unforgettable picture of the slow and sometimes painful growth of a poet's sensibility as he comes to terms with his own nature amidst the terror and confusion of the twentieth century.
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Paperback
,
320 pages
Published
October 1st 2000
by Birlinn Ltd
(first published 1954)
Edwin Muir's life as set out in his autobiography crossed many currents of the twentieth century.
He was born in the Orkneys in a farming community however the family was disconnected from a life bound by the seasons and rural traditions and moved to Glasgow when he was fourteen. There one by one his parents and siblings died over a short period of time. In his later poetry there is the sense of both an intense connection to the natural world and alienation from it. Something of that comes throug
Edwin Muir's life as set out in his autobiography crossed many currents of the twentieth century.
He was born in the Orkneys in a farming community however the family was disconnected from a life bound by the seasons and rural traditions and moved to Glasgow when he was fourteen. There one by one his parents and siblings died over a short period of time. In his later poetry there is the sense of both an intense connection to the natural world and alienation from it. Something of that comes through in
The Horses
.
He survived the first world world by volunteering for, but being rejected for service, and married the school teacher Willa Anderson, later as writer herself known as
Willa Muir
, after writing
We Moderns
in which among other things he enthusiastically promoted the philosophy of Nietzsche - in the versions and translations that it was available to him at that time.
The next step in living through the collision of man into modernity was for the newly married couple to leave Scotland, travel in France and Germany and learn enough German to knock out translations of
Franz Kafka
which were for many years to remain the standard ones available in English. Our understanding of Kafka in English has been profoundly shaped by their translations.
Back in Britain Freudian psychotherapy allows him to unlock a rich dream world which fed into his development as a poet, although he gave up the therapy because it was clearly to much for him once he started to have waking dreams of being in a rowing boat under attack by sea monsters in the middle of the afternoon.
His death during the Nuclear Age seems to tie a knot on the threads of his life, the rush in to a modern age that is all consuming.
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This is still (more than 50 years after it was written) an engrossing account of an extra ordinary life. Not so much to do with external events, more the process of recollection and the significance for Muir as a writer and thinker. There is some recent doubt over whether Muir's account of growing up on an Orkney farm would have been quite as idyllic as he portrays it. In a sense this doesn't really matter: the book is very much concerned with what the intentions are behind writing autobiography
This is still (more than 50 years after it was written) an engrossing account of an extra ordinary life. Not so much to do with external events, more the process of recollection and the significance for Muir as a writer and thinker. There is some recent doubt over whether Muir's account of growing up on an Orkney farm would have been quite as idyllic as he portrays it. In a sense this doesn't really matter: the book is very much concerned with what the intentions are behind writing autobiography. The fable v. the story.
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An excellent poetic account of a life begun on an Orkney farm and later including time in Prague and Dresden amongst other cities. Muir with his wife provided early and impressive translations of Kafka and wrote some lovely poetry.
This book was an excellent read. It is not an easy read. While the author’s life has been interesting it is his careful use of the language and his reflection on his life that makes this autobiography so appealing to me. I read about this book in something Wendell Berry wrote - and I don’t think I would have paid any attention to it otherwise. I’m glad I did pay attention to it. This book - more than almost any other I’ve read made me see his own time period for what it must have seemed and felt
This book was an excellent read. It is not an easy read. While the author’s life has been interesting it is his careful use of the language and his reflection on his life that makes this autobiography so appealing to me. I read about this book in something Wendell Berry wrote - and I don’t think I would have paid any attention to it otherwise. I’m glad I did pay attention to it. This book - more than almost any other I’ve read made me see his own time period for what it must have seemed and felt like to many people - in the places he lived and the people with whom he dwelt. It was beautifully and thoughtfully rendered.
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I could do without the Viennese / psychotherapy interlude, but the opening chapters on growing up lonely in the Orkney Islands made me woozy with delight.