Michael Powell's prolific life as a filmmaker stretched over half a century, almost from the very beginnings of popular cinema. In this, the first volume of his autobiography, Powell captures the startling momentum of his early career, which began while he was still in his teens when a serendipitous meeting with the great silent filmmaker Rex Ingram garnered him a job at V
Michael Powell's prolific life as a filmmaker stretched over half a century, almost from the very beginnings of popular cinema. In this, the first volume of his autobiography, Powell captures the startling momentum of his early career, which began while he was still in his teens when a serendipitous meeting with the great silent filmmaker Rex Ingram garnered him a job at Victorine Studios. From there he went on to apprentice with Alfred Hitchcock and then to Alexander Korda's studio, where he would meet Emeric Pressburger, his principal collaborator for many years. With wit and candor Powell recalls their astounding work together on such classics as Black Narcissus and The Red Shoes -- all of this narrated in his inimitable prose. But A Life in Movies is more than just one man's story. Full of politics, intrigue, glamour, and grit, it's a fast-paced, atmospheric ride that sheds new light on the early days of the film business.
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Hardcover
,
First Edition First Printing
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705 pages
i've been on a michael powell kick watching some of his great movies from the 40's co-directed with Emeric Pressburger... like Black Narcissus, and "I Know Where I'm Going"...
Looking forward to digging into his hard-to-find autobiography.
I got bogged down in it, and after a certain amount of time found the guy extremely irritating! -- that was a surprise.
Excellent autobiography of an idiosyncratic filmmaker, even if some of the stories should be taken with a grain of salt. Does explain well the craft process of how his films came about and were made.
The son of Thomas William Powell & Mabel (nee Corbett). Michael Powell was always a self confessed movie addict. He was brought up partly in Canterbury ("The Garden of England") and partly in the South of France (where his parents ran an hotel). Educated at Kings School, Canterbury & Dulwich College he first worked at the National Provincial Bank from 1922 - 1925. In 1925 he joined Rex Ing
The son of Thomas William Powell & Mabel (nee Corbett). Michael Powell was always a self confessed movie addict. He was brought up partly in Canterbury ("The Garden of England") and partly in the South of France (where his parents ran an hotel). Educated at Kings School, Canterbury & Dulwich College he first worked at the National Provincial Bank from 1922 - 1925. In 1925 he joined Rex Ingram making Mare Nostrum (1926). He learnt his craft by working at various jobs in the (then) thriving English studios of Denham & Pinewood, working his way up to producer on a series of "quota quickies" (Short films made to fulfill quota/tariff agreements between Britain & America in between the wars). Very rarely for the times he had a true "world view" and although in the mould of a classic English Gentleman he was always a citizen of the World. It was therefore very fitting that he should team up with an emigree Hungarian Jew Emeric Pressburger, a foreigner who understood the English better than they did themselves. Between them, under the banner of "The Archers" they shared joint credits for an important series of films through the 1940s & 1950s. Powell went alone to make Peeping Tom (1960) which was so slated by the critics at the time, he couldn't work in England, UK for a very long time. He was "re-discovered" in the late 1960s & after Francis Ford Coppola and Martin Scorsese tried to set up joint projects with him. In 1980, he lectured at Dartmouth College, New Hampshire. He joined was Senior Director in Residence at Zoetrope studio in 1981. He married Thelma Schoonmaker. He died of cancer back in his beloved England in 1990.
(Steve Crook )
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