One of music's most notorious frontmen leads a headbanging, voyeuristic odyssey into sex, drugs, and rock 'n' roll that rivals Motley Crue's The Dirt and Aerosmith's Walk This Way. He made Keith Richards look like a choirboy and Mick Jagger look like a nun. And as the head of the legendary band Motorhead, he ploughed his way through so many drugs, so many women, and so muc
One of music's most notorious frontmen leads a headbanging, voyeuristic odyssey into sex, drugs, and rock 'n' roll that rivals Motley Crue's The Dirt and Aerosmith's Walk This Way. He made Keith Richards look like a choirboy and Mick Jagger look like a nun. And as the head of the legendary band Motorhead, he ploughed his way through so many drugs, so many women, and so much alcohol, that he gave a whole new meaning to the term Debauchery. And he changed the face of music, conquering the rock world with such songs as "Ace of Spades," "Bomber," and "Overkill" and inventing a whole new form of music--speed metal. At the age of 57, Lemmy Kilmister remains a rock icon, both for his monumental talent and his hedonistic lifestyle. In White Line Fever, he recounts his incredible, pleasure-filled, and death-defying journey through music history. Born on Christmas Eve, 1945, in Wales, to a vicar and a librarian, Ian Fraser Kilmister learned early, he as he forthrightly puts it, "what an incredible pussy magnet guitars were." A teenager at the birth of rock 'n' roll, Lemmy idolized Elvis and Buddy Holly and soon joined a band of his own. He would eventually head to London, where he became a roadie for Jimi Hendrix, played in Opal Butterfly, and joined space rockers Hawkwind's lineup in 1971. Four years later, speedfreak Lemmy was fired from the band for doing the wrong drugs. Vowing to form the "dirtiest rock 'n' roll band in the world," he formed Motorhead, arguably the heaviest and loudest heavy metal band to ever take the stage. During their twenty-seven-year history, Motorhead would go on to release twenty-one albums, including the #1 record No Sleep 'Til Hammersmith and would earn a Grammynomination. Lemmy would also cheat death on more than one occasion, most notoriously in 1980, when his doctor told him, "I cannot give you a blood transfusion because normal blood will kill you...and your blood would kill another human being, because you're so toxic." But through more than two decades of notorious excess, Lemmy has lived to tell the warts-and-all tale of a life lived over the edge. White Line Fever, a tour of overindulgence, metal, and the search for musical integrity, offers a sometimes hilarious, often outrageous, and always unbridled ride with the leader of the loudest rock band in the world.
...more
Paperback
,
306 pages
Published
January 1st 2004
by Citadel
(first published 2002)
I've read a whole bunch of trashy rock star autobiographies, and this one stands above the rest. While you do get liberal doses of drugs, fucking, and other rock antics, what separates this one from the pack is Lemmy genuinely seems like a good guy. Sure, he's a bad ass and he can out drink/snort anyone, but he doesn't act like he needs to prove it to you. Also, he forgoes a lot of the trash talk a lot of these books have. Lemmy doesn't need to put others down to make himself look good. Even whe
I've read a whole bunch of trashy rock star autobiographies, and this one stands above the rest. While you do get liberal doses of drugs, fucking, and other rock antics, what separates this one from the pack is Lemmy genuinely seems like a good guy. Sure, he's a bad ass and he can out drink/snort anyone, but he doesn't act like he needs to prove it to you. Also, he forgoes a lot of the trash talk a lot of these books have. Lemmy doesn't need to put others down to make himself look good. Even when he talks shit about working with other bands he is quick to point out their good points too. The book is a whole lot of fun and I recommend it to people who don't even dig his music. It reads just like someone's cool uncle telling crazy stories over a few pints.
...more
Lemmy rules. This book is incredible. I devoured it. Read it in no time because it’s interesting as hell. It’s well told. I wish it were twice as long. Lemmy’s story in Lemmy’s words is brilliant. It’s true folklore, history being passed down by oral tradition.
The man has a knack for story telling and he has some fine stories to tell. Of course there are tales of drugs, girls, clubs, promoters, constabulary officials, recording engineers, record labels, defections, new recruits, crashes, burns a
Lemmy rules. This book is incredible. I devoured it. Read it in no time because it’s interesting as hell. It’s well told. I wish it were twice as long. Lemmy’s story in Lemmy’s words is brilliant. It’s true folklore, history being passed down by oral tradition.
The man has a knack for story telling and he has some fine stories to tell. Of course there are tales of drugs, girls, clubs, promoters, constabulary officials, recording engineers, record labels, defections, new recruits, crashes, burns and miraculous recoveries. Of COURSE this book is FULL of that. That’s the story of Motorhead. What makes it grand is the way Lemmy dishes it out. You love it. You eat it up. You can’t get enough.
I’m always a big fan of yarns about the formative days of bands I like. I do wish the book were twice as long and most of that was about The Sundowners/DeeJays, Sapphires, Rainmakers, Motown Sect, Reverend Black & The Rocking Vicars and Hawkwind. Not to mention his days as a Hendrix Experience roadie. It’s safe to say there’s a book in there alone. Take note, Mr. Kilmister.
I’ve had the opportunity to see Motorhead live only very few times. Lemmy is an astounding, intense, earthy performer. His rapport with the audience is visceral and often personal. He has certainly transcended what many consider to be his genre (hard rock/heavy metal) and has become something akin to a mythical figure. Of course he’s a regular guy but what he’s done and seen in his time to date sets him apart from the average joe, even the average famous musician joe.
The striking thing is that, as Lemmy tells his stories, he seems to speak highly or at least civilly even of those who have done him wrong. He is gracious with his associates, professional in his dealings and true to himself to a fault. As much as he is a legend and a killer vocalist, singular songwriter, identifiable bassist and all around head case, he is also a good human being. Cheers to Lemmy.
...more
I think Lemmy is best tolerated in short doses, like at some filthy taproom where you could easily walk out after he's bored you shitless with these tales of how much crank, ass & liquor he's scored in his lifetime. Haven't we all? If I were that fascinated by numbers, I'd have taken up accounting. Halfway through you may find yourself praying for the end. Of the book, your life, whatever. But no; the text continues. In all fairness to His Royal Majesty, the tone of the ghosting kills the bo
I think Lemmy is best tolerated in short doses, like at some filthy taproom where you could easily walk out after he's bored you shitless with these tales of how much crank, ass & liquor he's scored in his lifetime. Haven't we all? If I were that fascinated by numbers, I'd have taken up accounting. Halfway through you may find yourself praying for the end. Of the book, your life, whatever. But no; the text continues. In all fairness to His Royal Majesty, the tone of the ghosting kills the book. You don't hate Lemmy, rather you wish that he would have vetted his writer/editor more carefully. I've been indulging in some "rock star/celebrity" bios lately, and both Anthony Kiedis (ghosted) and Errol Flynn (possibly ghosted) have proved difficult to best. Of course, your mileage may vary. Interested in reading White Line Fever? I'll gladly leave this baby on the doorstop for you...
...more
Recommends it for:
speed freaks, the hearing impaired
Recommended to Ben by:
Rod McKuen
Very much an oral history, sort of like several nights in a pub listening to the rantings of one of the more entertaining characters you've ever met, who you're also not going to interrupt. Very, very funny, not surprising if you've ever read or heard an interview with Lemmy, and packed with interesting tidbits about life in the fast lane of the twilight zone.
He's opinionated as hell but impressively even-handed in assessments of fellow musicians and other deranged individuals he has encountered
Very much an oral history, sort of like several nights in a pub listening to the rantings of one of the more entertaining characters you've ever met, who you're also not going to interrupt. Very, very funny, not surprising if you've ever read or heard an interview with Lemmy, and packed with interesting tidbits about life in the fast lane of the twilight zone.
He's opinionated as hell but impressively even-handed in assessments of fellow musicians and other deranged individuals he has encountered. I still can't quite fathom the levels of ingestion of speed and psychedelics in his binge years/decades, but I guess there will always be wonders of nature that prove the exception to the rule.
...more
This is the most half-assed autobiography I've ever read. You get as much out of it as you would sitting around drinking with the guy. And it's written just about that coherently. Avoid.
When i picked up this book somewhere on the cape, i didn't expect anything less and i wasn't disappointed. Lemmy was straight up with every little detail ranging from his drug & alcohol use during the various incarnations of Motorhead. He also didn't hold anything back when he gave his honest opinion about the various record labels, band members, tour managers, etc. If he didn't like someone, then he definitely let you know it in this book. Also he admits that there are some things that to t
When i picked up this book somewhere on the cape, i didn't expect anything less and i wasn't disappointed. Lemmy was straight up with every little detail ranging from his drug & alcohol use during the various incarnations of Motorhead. He also didn't hold anything back when he gave his honest opinion about the various record labels, band members, tour managers, etc. If he didn't like someone, then he definitely let you know it in this book. Also he admits that there are some things that to this day still irk him about America despite the fact that he choose to live here. Either way t think that reading this book might be somewhat like sitting next to Lemmy at his house in LA or during a break in touring and just sitting there next to him and letting him tell u all these story's about what life was like when he was younger and all the various adventures that he has had. To any Motorhead fan, Lemmy Killmister fan, or any one that just want a straight up, no beating around the bush book by a musician who to this day is revered as a rock god, i highly recommend this book for you
...more
Lemmy presents an hilarious tale of drugs and parties, while always staying focused on the most important subject: the music. All the different bands he's been a part of, met, collaborated with, and been inspired with is what takes up the bulk of the book. Drugs, parties and women is also there all the time, but only ever as an aside, as something that comes along with the rock n' roll lifestyle. There is never any question that what drives Lemmy to go on is the music itself, not the money and f
Lemmy presents an hilarious tale of drugs and parties, while always staying focused on the most important subject: the music. All the different bands he's been a part of, met, collaborated with, and been inspired with is what takes up the bulk of the book. Drugs, parties and women is also there all the time, but only ever as an aside, as something that comes along with the rock n' roll lifestyle. There is never any question that what drives Lemmy to go on is the music itself, not the money and fame that Motörhead never saw much of anyway. Of course, he does admit to starting with music to get girls, but it's apparent that once he had begun, his passion for playing was what kept him going. The years in which he's been active have been very eventful, he talks a lot about the early days of rock n' roll bands like The Beatles and Jimmy Hendrix and the drugs that were flowing so freely in the sixties. He also proves to be a very reasonable and fair guy with a "live and let live" attitude, free from prejudice and very keen on honesty and treating people right. All in all, he comes of as a good guy with a very free and open attitude towards people's right to live the way they want. This great impression of the man himself and the hilariousness of the anecdotes, makes this an incredibly enjoyable read.
...more
Heavy metal has had it share of wild characters: Ozzy Osbourne, David Lee Roth, Tommy Lee, but none of them have written an autobiography as entertaining as Lemmy's. Why? Probably because he's enjoyed a more seasoned history than the others, playing prog rock with Hawkwind, cutting vicious sides for Stiff Records during the '77 punk era (Damned, Larry Wallis, etc.), and of course making his mark with the fabulous Motorhead.
The wit and candor Lemmy displays through the book never fails to entert
Heavy metal has had it share of wild characters: Ozzy Osbourne, David Lee Roth, Tommy Lee, but none of them have written an autobiography as entertaining as Lemmy's. Why? Probably because he's enjoyed a more seasoned history than the others, playing prog rock with Hawkwind, cutting vicious sides for Stiff Records during the '77 punk era (Damned, Larry Wallis, etc.), and of course making his mark with the fabulous Motorhead.
The wit and candor Lemmy displays through the book never fails to entertain, and there's no shortage of gossip about stars past and present: Samantha Fox, Frankie Goes To Hollywood, Megadeth, Thin Lizzy, Ozzy & Sharon and countless others. Docks a star for excessive preaching and flagrant theft of Frank Zappa quotes ("If we lived next door to you your lawn would die").
...more
Lemmy's career, as told through his eyes, is the essence of rock n roll as well as one of the most hilarious books I've ever had the pleasure to read.
As well, it evokes wonderfully the passage of years. From seeing Buddy Holly live, to being a roadie for Jimi Hendrix, opening for Ozzy's first solo tour, to seeing the Rodney King riots outside the studio window.
Quote:
My earliest memory is shouting: at what and for what reason, I don't know. Probably a tantrum; or I may have been rehearsing. I w
Lemmy's career, as told through his eyes, is the essence of rock n roll as well as one of the most hilarious books I've ever had the pleasure to read.
As well, it evokes wonderfully the passage of years. From seeing Buddy Holly live, to being a roadie for Jimi Hendrix, opening for Ozzy's first solo tour, to seeing the Rodney King riots outside the studio window.
Quote:
My earliest memory is shouting: at what and for what reason, I don't know. Probably a tantrum; or I may have been rehearsing. I was always an early starter.
My father was not pleased. I suppose you could say me and my father didn't hit it off - he left three months later. Perhaps it was the hair falling out; perhaps he thought I was already taking after him.
...more
I was left slightly disappointed by this autobiography - I expected more tales of on the road experiences than lemmy recounts in this book.
A recurring theme was the fact that no-one is able to maintain the pace for Motorhead, which I can believe, but gets a bit dull after several repetitions.
There are some interesting insights, particularly in the way that Motorhead record, and the tribulations of record contracts and labels doing the dirty on them.
I guess I expected more salaciousness than the
I was left slightly disappointed by this autobiography - I expected more tales of on the road experiences than lemmy recounts in this book.
A recurring theme was the fact that no-one is able to maintain the pace for Motorhead, which I can believe, but gets a bit dull after several repetitions.
There are some interesting insights, particularly in the way that Motorhead record, and the tribulations of record contracts and labels doing the dirty on them.
I guess I expected more salaciousness than the book delivered, and the book is couched in terms of half apologising and half criticising: not something I expected from Lemmy, I'd rather that he'd let rip and told it how he really saw it.
...more
What can I say? Where would the music scene in general much less the metal scene be without Lemmy and Motorhead. I know Lemmy is a popular guy, but I don't think people really know how smart and how good a songwriter he really is. Of course everyone knows about "Ace of Spades", but also he co-wrote "Mama, I'm coming home", "Road to Nowhere", "I don't want to change the world", and "Hellraiser" with Ozzy, "Doctor Alibi" with Slash, and even wrote the song "R.A.M.O.N.E.S." for the Ramones as an ex
What can I say? Where would the music scene in general much less the metal scene be without Lemmy and Motorhead. I know Lemmy is a popular guy, but I don't think people really know how smart and how good a songwriter he really is. Of course everyone knows about "Ace of Spades", but also he co-wrote "Mama, I'm coming home", "Road to Nowhere", "I don't want to change the world", and "Hellraiser" with Ozzy, "Doctor Alibi" with Slash, and even wrote the song "R.A.M.O.N.E.S." for the Ramones as an example. Read this if you are into Lemmy, Motorhead, Metal or just want a fun read!
...more
Motorhead is one of the most underrated and underappreciated hard rock/metal bands ever! Lemmy provides us a glimpse into the difficult but somewhat rewarding progress of the band in its myriad versions.
What stuck out amongst the tales of drugs, girls, band drama, and rock 'n' roll, was the brutal determined attitude demonstrated in his tenacity (along with most of the more permanent band members) to stick at what he loved doing, even if it cast him as a troublemaker, outsider, or outlaw (monik
Motorhead is one of the most underrated and underappreciated hard rock/metal bands ever! Lemmy provides us a glimpse into the difficult but somewhat rewarding progress of the band in its myriad versions.
What stuck out amongst the tales of drugs, girls, band drama, and rock 'n' roll, was the brutal determined attitude demonstrated in his tenacity (along with most of the more permanent band members) to stick at what he loved doing, even if it cast him as a troublemaker, outsider, or outlaw (monikers which within most perspectives lack proper respect).
...more
I'm only a casual Motorhead at best, in fact I'm one of those guys who obviously annoys Lemmy because I only really know Ace of Spades (yeah, ok, maybe a handful more – after all they've been around for ages at this point). Still, the man is a legend in the rock world, particularly for his hard-partying lifestyle. His autobiography - now written 12 years ago and he's still going strong! – reads like a barroom conversation, for both better and worse. It's a breeze to read, it's super funny at poi
I'm only a casual Motorhead at best, in fact I'm one of those guys who obviously annoys Lemmy because I only really know Ace of Spades (yeah, ok, maybe a handful more – after all they've been around for ages at this point). Still, the man is a legend in the rock world, particularly for his hard-partying lifestyle. His autobiography - now written 12 years ago and he's still going strong! – reads like a barroom conversation, for both better and worse. It's a breeze to read, it's super funny at points but just like the drunk in the bar Lemmy tends to repeat himself and jump all over the place.
There's a whole lot of "and this guy joined the band, and then we got this guy as a producer and then our record label fucking blew it". I suppose if I knew Motorhead's catalogue better I might have gotten more out of this. As it was, I needed a light breezy read and this fit that bill perfectly. It was fun enough and had its moments but it will hardly go down as one of the best rock books I've read. The Dirt by Motley Crue
was way better
, and I barely like them either (don't bother asking why I read biographies of rock acts I'm only marginally interested in. It's a weakness, I guess...)
...more
I galloped through this cracking yarn in a couple of sittings. It's written in a fast paced conversational style, almost as if Lemmy is sitting right beside you telling his stories over a glass of Jack Daniels and coke. As rock biographies go it's fairly unbeatable for dry humour, razor sharp wit and astute observations about the music business.
Lemmy begins his tale with an observation about the Christian faith of his parents, one of whom was a preacher who deserted the family when he was just
I galloped through this cracking yarn in a couple of sittings. It's written in a fast paced conversational style, almost as if Lemmy is sitting right beside you telling his stories over a glass of Jack Daniels and coke. As rock biographies go it's fairly unbeatable for dry humour, razor sharp wit and astute observations about the music business.
Lemmy begins his tale with an observation about the Christian faith of his parents, one of whom was a preacher who deserted the family when he was just a kid. As the Lemster puts it "I mean you teach people that the Messiah was the offspring of a vagabond's wife (who is a virgin) and a ghost. And this is a basis for a worldwide religion? I'm not so sure. I figured if Joseph believed that one he deserved to live in stables".
And so, after Lemmy states his position clearly on life's big question, he then describes in lurid detail how he pursued a different, if somewhat less wholesome, existence coupling with girl guides in Anglesey as a teenager, discovering Elvis and rock'n'roll and playing guitar in various local R&B outfits during the 60s. Along the way he drank like a fish and took lots of drugs, including LSD between 1967 until the mid 70s, and has been on amphetamine sulphate ever since. He also sowed his oats with any willing female who happened to be hanging around back stage.
Most of the book is inevitably devoted to his musical career in early Hawkwind, from which he was sacked in 1975 after being falsely accused by the Canadian border police of trafficking cocaine (when it was actually his personal speed stash) and then Motorhead, the loudest and meanest band in the history of heavy duty rock'n'roll. There are some interesting tales of Lemmy and his pals living a fairly bleak existence in London's bedsit underbelly before Motorhead finally got a break and found their niche right in the middle of the punk rock phenomenon. Lemmy's sharp ear for musical trends and lyrical talent for catchy heavy metal rock'n'roll songs then took the band to chart success within a few years.
As Dave Grohl put it when he reviewed the book "Lemmy is the last man standing and no one comes close".
...more
Man, if Neil Strauss had had something to do with this it would've been great. As it was, it seemed there was fairly little editing done to it, and Lemmy dictates his life story exactly the way he talks. Entertaining to see, but a little dull to try and follow. Despite that, the stories are good if you can get past all the monotony of the beginning (which is basically just "And then we played this show, and then I joined this band, and we played a show, and then I joined a different band..." and
Man, if Neil Strauss had had something to do with this it would've been great. As it was, it seemed there was fairly little editing done to it, and Lemmy dictates his life story exactly the way he talks. Entertaining to see, but a little dull to try and follow. Despite that, the stories are good if you can get past all the monotony of the beginning (which is basically just "And then we played this show, and then I joined this band, and we played a show, and then I joined a different band..." and on).
...more
Oh Lemmy, what a strange being you are, but how glad I am that you exist. This book is no literally feat but it is extremely interesting and did make me like Lemmy more than I ever thought I would. It's mainly just fascinating to ready about the ultimate rock and roll star ever - one who not only has been in bands longer than I've been alive, but has also had a daily speed habit longer than I've been alive.
"The industry's building all the time, but they're killing the music. They're trying to, anyway, but I won't let them as long as I'm alive. Fuck 'em, you know. They are disgraceful, stupid, arrogant, forgettable bastards - that's right, forgettable, because people are gonna remember me, but the suits will be forgotten. Fuck 'rm. Who are they? Somebody who worked for Sony? Ha! You'll have to do better than that!"
If there is one word that can sum up my impression of Lemmy Kilmister, it's attitude.
"The industry's building all the time, but they're killing the music. They're trying to, anyway, but I won't let them as long as I'm alive. Fuck 'em, you know. They are disgraceful, stupid, arrogant, forgettable bastards - that's right, forgettable, because people are gonna remember me, but the suits will be forgotten. Fuck 'rm. Who are they? Somebody who worked for Sony? Ha! You'll have to do better than that!"
If there is one word that can sum up my impression of Lemmy Kilmister, it's attitude. The man is a living force of nature, a relic from a time when men weren't scared to be men or speak their mind. While I appreciate and love the progress we've made as a society in the meantime, it is also refreshing to know that Lemmy is still out there, showing all of us pussies what a badass is all about.
Before I get into what I think of the book, I think it is important to note that the prose of this beast of an autobiography is crap. Sentence structure is absurd, the exclamation point may be the most used form of punctuation, and there are paragraphs that take up a couple of pages. However, you are not reading this for style and structure, so shove it right up your ass. What you hold in your hands are the memories of Lemmy, and if there is anything I have learned from reading this book, it is fuck all that noise.
It took me a long time to finish this book. It's not that it wasn't interesting, or that it wasn't entertaining, it was that it is a hard read because it is a stream of memories from start to finish, with very little context connecting one thought to the next. It makes for a somewhat disjointed journey, but at the same time, that's what memory is, isn't it?
Another thing about Lemmy that I can see putting people off is his usage of language that, while perfectly acceptable in his time, has become abhorrent in ours. It is important to note that he is neither sexist nor homophobic, however. I can only tell you that after having the read entirety of the text, of how he later recounts his gay flatmate was beaten, brutalized, and ultimately murdered. When reading that section, you can feel the sorrow Lemmy felt over what happened. He doesn't hate gays, he doesn't think of them as any different as anyone else. Likewise, he clearly has a lot of respect for women, especially women musicians.
One thing he does do, however, is put people in the category of either 'birds' or 'geezers,' and that's where you see the misogyny and general disregard. In that, I have some social and moral differences with Lemmy, but then again, there are thirty years difference between our birth dates. Not to make excuses for the generations past, but is by their actions (better than the generations before them) that we have become better, just as one day people will be apologizing for us and our 'old ways.'
The first half of this book is the clear winner, recounting the early days of Lemmy picking up a guitar to get chicks, through his days of playing blues and Beatles covers, leading up to early bands The Rockin' Vicars, Hawkwind, and eventually forming Motorhead. From the beginning you really see exactly what Lemmy brought to the world of metal and hard rock, both in terms of attitude and skill. He really is the man that will never sell out, and from the very beginning, that's how he's approached music.
Once with Motorhead, the book becomes a succession of albums, tours, and band members, each with their own associated stories and recollections. Their fights with producers, labels, and an especially clueless Norwegian promoter, are interesting but not especially exciting. After a while, reading through some of the tours feels like a bit of a slough, and that's why I had to underrate the book a bit. It's not the Lemmy isn't awesome, it's just the last two-thirds of the book especially drag. When the tours are broken up with bits of insight or one of his stories is when it shines through, and as much as the touring aspect is revealing, it isn't especially all that interesting.
I loved the book, and I definitely recommend it, but you have to have a hearty constitution to get all the way trough it. I would expect no less from a man that simply can not be killed. I leave with this quote from Airheads:
Chaz: Alright, alright, alright. Who'd win in a wrestling match, Lemmy or God?
Harold Ramis Fake Producer: Lemmy.
Rex: EEEEENT!
HRFP: God!
Rex: Wrong, dickhead, trick question. Lemmy is God.
...more
A great autubiography by one of the true grandfathers of rock. It takes you from his childhood to his roadie days and through all the ups and downs of his rock'n roll life. You don't have to be a big Mötorheadfan to get something out of this book. I'm not and I really enjoyed it.
I’m a sucker for Rock'n'roll autobiographies, fan or not. Thinking this might be the Headbanger's Ball any given day. They don’t come tougher than Lemmy Kilmister. I was prepared for the most dysfunctional book ever written - My stomach was twisted in knots and almost feeling sick. Honestly!
Instead I found a book that failed miserable. It might have been mine over-expectation or the really poor effort made by the co-writer Janiss Garza. She failed to turn an oral story into an interesting writt
I’m a sucker for Rock'n'roll autobiographies, fan or not. Thinking this might be the Headbanger's Ball any given day. They don’t come tougher than Lemmy Kilmister. I was prepared for the most dysfunctional book ever written - My stomach was twisted in knots and almost feeling sick. Honestly!
Instead I found a book that failed miserable. It might have been mine over-expectation or the really poor effort made by the co-writer Janiss Garza. She failed to turn an oral story into an interesting written book. I felt the book going in circles. It would have been a necessity of expanding and thinning out parts of it.
Otherwise, a couple of good laughs and the approach to life are pictured in an entertaining way.
...more
Cuando uno lee o escucha la palabra Rock & Roll es imposible que no venga a la memoria los abusos y excesos de muchos de los principales exponentes de este género musical, cuatro de los que no solo recuerdo por sus historias ya que también disfruto de su música son Ozzy Osbourne, GG Allin, Iggy Pop, Keith Richards y de quien voy a extenderme con mucho placer Lemmy Kilmister vocalista, bajista y mente maestra detrás de esa máquina sonora llamada Motorhead. Lemmy es uno de los mejores ejemplos
Cuando uno lee o escucha la palabra Rock & Roll es imposible que no venga a la memoria los abusos y excesos de muchos de los principales exponentes de este género musical, cuatro de los que no solo recuerdo por sus historias ya que también disfruto de su música son Ozzy Osbourne, GG Allin, Iggy Pop, Keith Richards y de quien voy a extenderme con mucho placer Lemmy Kilmister vocalista, bajista y mente maestra detrás de esa máquina sonora llamada Motorhead. Lemmy es uno de los mejores ejemplos de lo que es ser un sobreviviente del Rock & Roll como pocos, su vida es la de un hombre lleno de anécdotas de todo tipo que camina y da conciertos hasta el día de hoy ya con 71 años de edad, aunque recientemente ha tenido que suspender algunas presentaciones por problemas de salud. Una niñez rebelde, ser roadie de Jimmy Hendrix, sobrevivir a la movida de los Hippies a quienes detestaba a muerte, dejar un par de hijos regados por el mundo, beber sin parar y experimentar con muchas drogas ha sido la vida de Ian Fraser Kilmister (Burslem, 1945) o quienes lo adoramos como a un Dios lo llamamos simplemente “Lemmy”, una montaña rusa extrema es lo que nos cuenta y este libro es su historia.
Lemmy decidió dejar por escrito su autobiografía en el año 2002 acompañado por la periodista musical Janiss Garza quien fue redactora en jefe de aquella maravillosa revista de nombre RIP, publicación que nos acompañó a muchos cuando buscábamos desesperadamente noticias actuales de la música extrema y el rock en general en esa era pre internet, una biografía que era necesaria escribirse para conocer no solo gran parte de su vida sino toda la situación que se vivía en Inglaterra y que dio al mundo bandas clásicas como Black Sabbath, Judas Priest, Iron Maiden, The Sex Pistols, The Clash y por supuesto Motorhead entre otras. “Lemmy – La autobiografía” es un libro editado en español por Es Pop Ediciones quienes una vez mas presentan una hermosa obra como libro / objeto y que como era de esperarse el contenido es crudo, en el que su autor no le importa en lo mas mínimo si incomodará al lector o a los políticamente correctos, de hecho quiere contar su historia con toda la intención de molestarlo y de mostrar que ya mucha de esa pasión por romper barreras e intentar hacer pensar al publico pareciera no estar en muchas o en casi ninguna de las bandas dentro del Rock hoy en día.
Lemmy desde que nace ya tiene algo muy particular que contar ya que pocos días luego de su llegada al mundo perdió todo el cabello y hasta las uñas, hijo de una madre abandonada por su esposo y como era de esperarse muchos factores de su entorno hicieron que gran parte de su niñez y mas allá de la adolescencia la dedicara a la rebeldía y a dar buenos dolores de cabeza a maestros, familiares y vecinos aunque siempre ha dicho que un buen pescozón ayuda en los colegios, ya eso no se permite y por eso todos hacen lo que le da la gana, su madre, su abuela y un padrastro fueron sus guías o al menos intentaron serlo. La música llega a su vida de golpe gracias a Buddy Holly, Little Richard y por supuesto a Elvis Presley, aunque no teme decir que dedicarse a la música solo lo hizo por la sencilla razón de que guindarse una guitarra al hombro le aseguraba acostarse con muchas chicas. Esta autobiografía se encuentra repleta de todo tipo de anécdotas que algunas pueden ser verdaderamente difíciles de creer sobre todo en lo que respecta a su interés por experimentar con drogas de todo tipo excepto con la heroína que probó un par de veces pero se dio cuenta a tiempo que es la que mas gente se ha llevado a la tumba, muchos de ellos amigos cercanos y hasta a su primer amor, aunque asegura que si la heroína no fuese una droga que necesita casi de un ritual antes de inyectársela a lo mejor también se hubiese enganchado a ella. La anécdota mas difícil de creer es el día que experimentó con Dexedrina, Mandrax, LSD, Mescalina, Mandrax, Speed, luego se va a un concierto en el que todos los músicos fumaban marihuana y el humo era imposible no respirarlo, siguió Cocaína, ocho Anfetaminas (Bombardero Negro) y finalmente Acido todo esto antes de montarse en una tarima a tocar, Lemmy jura que esta experiencia es totalmente cierta, otra historia imperdible es cuando intentó purificarse toda la sangre después de tantos años de abusos y excesos, luego de una gran cantidad de exámenes el médico determinó que es imposible hacerlo ya que su sangre se encuentra tan envenenada que sería imposible llevar a cabo la limpieza en sus venas. Lemmy se atreve sin miedo alguno a decir que le teme a Ozzy Osbourne porque según sus palabras “está loco!” como también dice que el difunto Randy Rhoads no era el impresionante guitarrista que todos dicen que era, ya que simple y claro “era un buen guitarrista y nada mas”, basta que mueras para que todos digan que eres una maravilla y el mejor “¿qué dirán de mí cuando yo muera?”.
Motorhead es el nombre cómo se conoce normalmente a la droga Speed y sería el nombre de la banda que lo llevó a estar en la punta de la fama y el éxito aunque ahora Lemmy habla con alegría pero también con algo de tristeza de que fueron grandes en un pasado, no muchas bandas se han sostenido como ellos, con mas de veinte discos grabados, diez en vivo, unos cuantos recopilatorios y EP’s, considerables cambios de formación, de disqueras, managers, abogados y cientos de giras alrededor del planeta. Lemmy no entiende el mundo de hoy donde hay que pensar mil veces antes de decir algo porque hay feministas frígidas, homosexuales sensibles, tener una esvástica es un pecado mortal o coleccionar memorabilia de la Segunda Guerra Mundial es casi que criminal, vegetarianos, veganos y todo tipo de personas que se encuentran con la piel demasiado sensible ante cualquier chiste o comentario que les parezca fuera de lugar, las bandas de rock ya no parecen ser polémicas, todas se comportan con miedo al que dirán, los jóvenes de hoy son los hijos de los padres contra los que él luchó en su juventud, pareciera que no se logró absolutamente nada al verlos ahora de adultos, este mundo es menos tolerante, menos espiritual y educado de lo que alguna vez fue.
La banda Motorhead sigue en pie y lo seguirá estando mientras Lemmy Kilmister continúe con su bajo al hombro a pesar de los 71 años de edad que tiene actualmente y de todos los abusos que tuvo y sigue teniendo. Recientemente ha tenido que cancelar algunos conciertos como dije anteriormente asegurando que “ya no puede”, espero que no sea así y siga regalándonos sus Rock & Roll y sus polémicos comentarios tan necesarios en el mundo. Lemmy es uno de los fundadores del Rock & Roll ruidoso, de tener mujeres alrededor en las giras y fuera de ellas, de pasarla bien como sea y donde sea. No muchos pueden decir con mucho orgullo que son sinceros y fieles a lo que hacen, dicen o crean, Lemmy Kilmister lo puede decir tranquilamente y nadie se lo puede refutar. Lemmy es DIOS!
...more
For some reason I like reading about musicians and often pick up cheap autobiographies or even borrow expensive ones from the library! I am not familiar with much of Lemmy's music. I saw a Hawkwind concert once in 1972 or 1973 when Lemmy may have been with them though I do have some records he has played on. I liked Sam Gopal's "Escalator" LP for which apparently Lemmy wrote and sang most of the songs. I also bought a few Motorhead singles - "Motorhead" 12", "White line fever" (on the Skydog lab
For some reason I like reading about musicians and often pick up cheap autobiographies or even borrow expensive ones from the library! I am not familiar with much of Lemmy's music. I saw a Hawkwind concert once in 1972 or 1973 when Lemmy may have been with them though I do have some records he has played on. I liked Sam Gopal's "Escalator" LP for which apparently Lemmy wrote and sang most of the songs. I also bought a few Motorhead singles - "Motorhead" 12", "White line fever" (on the Skydog label) and "St Valentine's Day Massacre" (with Girlschool). A few years ago I saw the "On parole" CD for £3.00 so I bought it but only listened to it a couple of times.
However I did enjoy this book. OK I imagine some of the stories are exaggerated but he tells them well. For an arrogant guy he is surprisingly down to earth and it comes across that he is actually a nice guy. This book was apparently written in 2002 so it is not up to date but it gives a good insight of what it must have been like to be in bands in the 1960s, 1970s and 1980s though it is a bit patchy about the 1990s. Well worth a read.
...more
A fun, quick read for anyone interested in the music of Hawkwind or Motorhead, White Line Fever is Lemmy Kilmister being as honest and goofy as one would think.
Lemmy hates the longbox packaging of CDs from the early 90s. He brings it up three times over the course of his 2002 autobiography White Line Fever (Citadel, 0806525908), and while he’s not as scatterbrained and God-sized as David Lee Roth (Crazy From the Heat) or as into faux-debauchery as Motley Crue (The Dirt), it’s these repeated comp
A fun, quick read for anyone interested in the music of Hawkwind or Motorhead, White Line Fever is Lemmy Kilmister being as honest and goofy as one would think.
Lemmy hates the longbox packaging of CDs from the early 90s. He brings it up three times over the course of his 2002 autobiography White Line Fever (Citadel, 0806525908), and while he’s not as scatterbrained and God-sized as David Lee Roth (Crazy From the Heat) or as into faux-debauchery as Motley Crue (The Dirt), it’s these repeated complaints that remind the reader why Lemmy made it in the first place: he’s just a nerd.
Oldies but Goodies
The fact that drugs will never kill him helps, but the nerd thing just seals it. His ramblings about the Liverpool scene in the 50s and 60s are a carbon copy of any record store dude’s experience of living through Seattle in the early 90s, the Sunset Strip in the late 80s, or Washington DC in the early 80s.
However, unlike the parade of delusion the numerous former grunge or metal or hardcore scenesters march in, Lemmy isn’t stuck in that era. He shows an obvious affinity for his roots, but he stays the same throughout his entire life. While a static personality might not be the best attribute in a person, Lemmy comes off as charming, a true rock and roll soul in a world full of irony and posing.
A Great Read, but Only for the Initiated
Picking this up as a fan of Hawkwind or Motorhead – or rock biographies in general – is a fantastic idea. The tone is laid back, the text is huge, and the details are there. That said, there may not have much appeal to those who don’t follow Lemmy and his projects (as opposed to a book like Motley Crue’s autobiography The Dirt, which is dumb and ridiculous enough to warrant a read by anyone).
Sure, there are lots of pills, lots of girls, and lots of pranks, but nothing is so over the top that a person will read it and immediately recommend it to her buddy who enjoyably listens to Top 40 radio and has no interest in music. This is certainly geek-food.
For the initiated, this story is stripped down and forward moving, occasionally senseless and always honest. The tone is pub-talk, as if Lemmy’s buying the reader shots and letting loose a gem of a story.
Lemmy leads a life filled with women, songs, and stories, and he treats them all the same. If there is one thing we learn about Lemmy from his book, it’s that he like it fast and loose. And, of course, that he hates the longbox.
...more
Lemmy is a very funny man. He also loves a bit of a moan. By the end of the book I felt I had gone through all the stages of a long term relationship: the initial charm of novelty followed by the disillusion of recognizing a person’s quirks and ultimately just loving the whole package. This book is a great romp through Lemmy’s adventures as a rock star from his first aspirations in music to his ultimate almost-legend status. I loved reading about his relationships with other bands like Black Sab
Lemmy is a very funny man. He also loves a bit of a moan. By the end of the book I felt I had gone through all the stages of a long term relationship: the initial charm of novelty followed by the disillusion of recognizing a person’s quirks and ultimately just loving the whole package. This book is a great romp through Lemmy’s adventures as a rock star from his first aspirations in music to his ultimate almost-legend status. I loved reading about his relationships with other bands like Black Sabbath, The Damned and Twisted Sister and his love for his own band members in Motorhead, particularly drummer, Mikkey Dee. Ironically, Lemmy has made more money through penning songs for Ozzy than through all of Motorhead’s albums, but he laughs about the whole thing. There are plenty of tales of women, drugs and debauchery, all told with gusto. Although he has been accused of being sexist and racist, Lemmy comes across as a very open human being with no preconceived notions against anyone. He also has a few words of wisdom, such as, “There are really only two kinds of people: those who are for you and those who are against you. Learn to recognize them, for they are often and easily mistaken.” If you like rock memoirs, this is a great read.
...more
heh, i had white line fever once, too. had it for a few years!
Motörhead!!
If you like to gamble, I tell you I'm your man
You win some, lose some, it's - all - the same to me
The pleasure is to play, it makes no difference what you say
I don't share your greed, the only card I need is
The Ace Of Spades
The Ace Of Spades
Playing for the high one, dancing with the devil,
Going with the flow, it's all a game to me,
Seven or Eleven, snake eyes watching you,
Double up or quit, double stakes or split,
The Ace Of
heh, i had white line fever once, too. had it for a few years!
Motörhead!!
If you like to gamble, I tell you I'm your man
You win some, lose some, it's - all - the same to me
The pleasure is to play, it makes no difference what you say
I don't share your greed, the only card I need is
The Ace Of Spades
The Ace Of Spades
Playing for the high one, dancing with the devil,
Going with the flow, it's all a game to me,
Seven or Eleven, snake eyes watching you,
Double up or quit, double stakes or split,
The Ace Of Spades
The Ace Of Spades
You know I'm born to lose, and gambling's for fools,
But that's the way I like it baby,
I don't wanna live forever,
And don't forget the joker!
Pushing up the ante, I know you've got to see me,
Read 'em and weep, the dead man's hand again,
I see it in your eyes, take one look and die,
The only thing you see, you know it's gonna be,
The Ace Of Spades
The Ace Of Spades
...more
Rock legend Lemmy's autobiography comes across not so much as a run-of-the-mill rock star diary but as a friendly and honest conversation with the man himself. In a beat-up old bar, preferably. With some Motorhead tunes blasting out of the speakers.
Going through the book, I couldn't help but picture it being read in Lemmy's hoarse voice. The majority of it might be transcribed from various interviews, but its spontaneous and genuine nature is precisely what makes it such a fun read. It's more li
Rock legend Lemmy's autobiography comes across not so much as a run-of-the-mill rock star diary but as a friendly and honest conversation with the man himself. In a beat-up old bar, preferably. With some Motorhead tunes blasting out of the speakers.
Going through the book, I couldn't help but picture it being read in Lemmy's hoarse voice. The majority of it might be transcribed from various interviews, but its spontaneous and genuine nature is precisely what makes it such a fun read. It's more like a collection of anecdotes, with Lemmy's trademark dark humour shining through.
Starting with his humble beginnings in Staffordshire and Wales, Lemmy takes us on a frantic rollercoaster ride through his life. We get a good look at the 60s and early 70s rock scene in England, with all the expected tales of debauchery and drugs and loud music, all told in a matter-of-fact tone. It becomes clear during Lemmy's early stint in Hawkwind that he's a no-nonsense kind of guy, and the only reason that Motorhead is still going strong after all these years. Aside from the occasional collaboration, Motorhead is the main focus point here. This is his life's work, and the stories Lemmy tells all revolve around the band.
While being quite personal at times, Lemmy still manages to maintain an air of detachment, and doesn't delve too deeply in his personal life. He's still an englishman at heart. Nevertheless, his manner is sincere and unpretentious. He may be considered a living legend, but Lemmy's yarn is nothing but down-to-earth. It's a refreshing and enjoyable read.
Let's face it...the only reason you are reading this is because you want the full dirt on what it's like to be Lemmy:the sex...the drugs and the rock and roll. Lemmy delivers the goods here in spades (pun intended). The writing style is perfect for the subject matter, as Lemmy goes off on informal, rambling tangents that resemble a drunken chat at the pub and yield some incredibly quotable moments. For sure enjoyment, one of the better rock biographies/memoirs I have ever read.
You know that Lemmy barely penned a word of this and most of it was transcribed from interviews; but that's not a criticism. In fact, it's the raw and conversational quality of the writing that sells what is basically a collection of anecdotes from the mononym himself, Lemmy.
The book reveals quite a bit about his childhood, with the bulk spent on the period up to the founding of Motorhead. Hardcore Motorhead fans might be disappointed, in fact, at how little time is spent on Motorhead. Further,
You know that Lemmy barely penned a word of this and most of it was transcribed from interviews; but that's not a criticism. In fact, it's the raw and conversational quality of the writing that sells what is basically a collection of anecdotes from the mononym himself, Lemmy.
The book reveals quite a bit about his childhood, with the bulk spent on the period up to the founding of Motorhead. Hardcore Motorhead fans might be disappointed, in fact, at how little time is spent on Motorhead. Further, the conversational writing style referenced above means that you're basically listening to Lemmy tell stories in front of his beloved video poker machine at Rainbow. He's also given to tangents and rants about this that or the other thing that old men complain about.
All told, reading the book is a bit like having Lemmy over for the night and watching him slowly get drunk. Whether or not you think that's a good thing will largely determine whether or not you enjoy this book.
...more
"If you think you're too old for rock and roll then you are"
Lemmy's autobiography tells us the history of Motörhead in a way no now one else could. And I think thats why I bought the book in the first place. Sure it does chronicle the decades of partying and drug use you would expect to read about (clearly the publisher wanted the reader to think it was primarily about this given the synopsis on the back cover.) I suppose part of me really wanted to read those stories, but I was not disappointe
"If you think you're too old for rock and roll then you are"
Lemmy's autobiography tells us the history of Motörhead in a way no now one else could. And I think thats why I bought the book in the first place. Sure it does chronicle the decades of partying and drug use you would expect to read about (clearly the publisher wanted the reader to think it was primarily about this given the synopsis on the back cover.) I suppose part of me really wanted to read those stories, but I was not disappointed that there was more substance to the book. I think what makes it more meaningful is that we get a first hand account of it all that is at once both genuine and humble. Everything from the fans and bandmates to the managers and record producers. Really doesn't feel like you're being fed a bunch of rockstar bullshit.
Recommended to all rock and roll lovers out there.
...more
I like Lemmy, and I luv Motörhead. But there was something missing from this book. Firstly, the language was very dull and repetitive. I hated it when Lemmy kept asking "you know?" in every fifth sentance. And the constant use of exclamation marks just tells of lacking literal skills. The structure of the book was badly disorganized; it jumped in and out of places and people all the time, and it was hard to keep track of it all. Though that must be because Lemmy doesn't quite remember everything
I like Lemmy, and I luv Motörhead. But there was something missing from this book. Firstly, the language was very dull and repetitive. I hated it when Lemmy kept asking "you know?" in every fifth sentance. And the constant use of exclamation marks just tells of lacking literal skills. The structure of the book was badly disorganized; it jumped in and out of places and people all the time, and it was hard to keep track of it all. Though that must be because Lemmy doesn't quite remember everything himself very well.
Nevertheless, the story of Lemmy was very good and interesting. That's what saved this book from getting only two stars from me. I learned a lot that I didn't know beforehand. Lemmy is a legend, that's for sure.
PS. How come there wasn't even a mention of Dorothy Pesch? Are they not friends anymore or what is it? :(
...more
“...the Beatles were hard men too. Brian Epstein cleaned them up for mass consumption, but they were anything but sissies. They were from Liverpool, which is like Hamburg or Norfolk, Virginia--a hard, sea-farin' town, all these dockers and sailors around all the time who would beat the piss out of you if you so much as winked at them. Ringo's from the Dingle, which is like the f***ing Bronx. The Rolling Stones were the mummy's boys--they were all college students from the outskirts of London. They went to starve in London, but it was by choice, to give themselves some sort of aura of disrespectability. I did like the Stones, but they were never anywhere near the Beatles--not for humour, not for originality, not for songs, not for presentation. All they had was Mick Jagger dancing about. Fair enough, the Stones made great records, but they were always s**t on stage, whereas the Beatles were the gear.”
—
11 likes
“Motörhead is nothing if not democratic, but I don't think it's fair to be waving your dick around when people are minding their own business and might not want to see it.”
—
11 likes