Scientist and grand master of the genre (2001: A Space Odyssey) Clarke has given us a memoir of his youth. It centers on three editors, Harry Bates, F. Orlin Tremaine, and John W. Campbell, who created the magazine now known as Analog (until 1960 it was called Astounding Science Fiction). Clarke gives his reaction to the writers and illustrators who fir
From Library Journal
Scientist and grand master of the genre (2001: A Space Odyssey) Clarke has given us a memoir of his youth. It centers on three editors, Harry Bates, F. Orlin Tremaine, and John W. Campbell, who created the magazine now known as Analog (until 1960 it was called Astounding Science Fiction). Clarke gives his reaction to the writers and illustrators who first aroused his interest in science fiction. The scientific ferment of the 1930s and the 1940s is related to the ideas of the period and to the author's work in rocketry and radar. A sweeping view of popular science and popular fiction.
- Katherine Thorp, St. Louis Univ. Lib.
Copyright 1990 Reed Business Information, Inc.
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Paperback
,
256 pages
Published
April 1st 1990
by Gollancz
(first published February 1st 1990)
Outside of the constant ego-burps, this is a lovely, nostalgia-tinged--but at times overly digressive (Locus called it "chatty")--evocation of the early days of Astounding. Through this book I learned a fair amount about pre-1939 SF (and of course how it influenced Clarke). So why 3 stars? The section covering Harry Bates was easily worth four stars, and generally that same level held when discussing Tremaine's reign. But as time passes for the magazine, Clarke discusses fewer and fewer of the s
Outside of the constant ego-burps, this is a lovely, nostalgia-tinged--but at times overly digressive (Locus called it "chatty")--evocation of the early days of Astounding. Through this book I learned a fair amount about pre-1939 SF (and of course how it influenced Clarke). So why 3 stars? The section covering Harry Bates was easily worth four stars, and generally that same level held when discussing Tremaine's reign. But as time passes for the magazine, Clarke discusses fewer and fewer of the stories, instead filling up chapters with tangents and tangents-upon-tangents. One of his favorite devices is "As it happens, I have just found a document which..." or equivalent--nothing wrong with that, but it's only cute the first fifty or so times. There is also too much self-quoting for me in the last third of the book, and random assembly of "connections", that mostly involve dropping names and pointing out inaccuracies in others' predictions. Perhaps it's inevitable that as Clarke read less and less SF in general and Astounding/Analog in particular, his autobiographical insights into their histories should become more limited, but I didn't enjoy what he offered in their stead quite as much. If you're going to mention some of the legendary Campbell-era stories, please actually *say* something about them!
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For those only familiar with the late Sir Arthur's award-winning, best-selling science fiction, this is an eye-opener to the fact that he could just as skillfully write engaging, humor-laced non-fiction essays filled with information, inside dope on his many famous contemporaries/friends (including John W. Campbell Jr., Wernher von Braun and Willy Ley), and fond reminiscences from childhood on. This book is actually one-half of Clarke's two-pronged memoirs; the other half is the chronicle of his
For those only familiar with the late Sir Arthur's award-winning, best-selling science fiction, this is an eye-opener to the fact that he could just as skillfully write engaging, humor-laced non-fiction essays filled with information, inside dope on his many famous contemporaries/friends (including John W. Campbell Jr., Wernher von Braun and Willy Ley), and fond reminiscences from childhood on. This book is actually one-half of Clarke's two-pronged memoirs; the other half is the chronicle of his scientific/engineering career,
Glide Path
. This one details how he helped organize Britain's first SF fan group that was also keen to advance real-life scientific progress, to the point of helping develop instrumentation for what they hoped would be the first rocket to the moon.
Sir Arthur was tragically taken from us in 2008 (before he even got to see what
really
happened in 2010), but reading this one feels as if he is not only still alive, but sitting in a comfy chair right next to you, chatting freely and occasionally grinning and winking at you. Readers will delight in his droll sense of humor and becoming humility even after achieving Grand Master status, and his lifelong love of learning and exploration. Both of these, as well as his endless enthusiasm for the genre he helped legitimize, shine through in this memoir. A must-have for Clarke fans and for anyone interested in the early days of modern SF and its fandom.
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The constant horn-tooting grew tiresome after a while; also too much quibbling over science points. Would've been better if it had stayed back in the era of his youth. Oddly seems too personal--or not personal enough; merely telling of the chaps he's met and knows throughout his life and not enough (though there is some early on) of the wonder of the stuff that drew him to it early on. Comes across as a real Asimov type--a science geek who never quite grew up all the way (never really had to, I
The constant horn-tooting grew tiresome after a while; also too much quibbling over science points. Would've been better if it had stayed back in the era of his youth. Oddly seems too personal--or not personal enough; merely telling of the chaps he's met and knows throughout his life and not enough (though there is some early on) of the wonder of the stuff that drew him to it early on. Comes across as a real Asimov type--a science geek who never quite grew up all the way (never really had to, I suppose). A life member of the A/V squad. Maybe it's just being a geezer that has taken a lot of the juice out of him. But all that arguing back and forth about rocketry was strictly for trolls: took me back to the days of the high school chess club.
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One big caveat to the 4-star rating: You need to be either a fan of Mr. Clarke or interested in Golden-Age magazine science fiction in order to enjoy this nerdy memoir/analysis. If, however, you fit into one of those categories, then this book should prove to be great fun, and educational too.
An anecdotal look at some of the writers who appeared in Astounding Stories during the 1930s and 1940s. It's a loose account, with plenty of tangents, but Clarke makes for an expert and personable guide. Another distant place Clarke takes us to.
Arthur C. Clarke was one of the most important and influential figures in 20th century science fiction. He spent the first half of his life in England, where he served in World War Two as a radar operator, before emigrating to Ceylon in 1956. He is best known for the novel and movie
2001: A Space Odyssey
, which he co-created with the assistance of Stanley Kubrick.
Clarke was a graduate of King's Co
Arthur C. Clarke was one of the most important and influential figures in 20th century science fiction. He spent the first half of his life in England, where he served in World War Two as a radar operator, before emigrating to Ceylon in 1956. He is best known for the novel and movie
2001: A Space Odyssey
, which he co-created with the assistance of Stanley Kubrick.
Clarke was a graduate of King's College, London where he obtained First Class Honours in Physics and Mathematics. He is past Chairman of the British Interplanetary Society, a member of the Academy of Astronautics, the Royal Astronomical Society, and many other scientific organizations.
Author of over fifty books, his numerous awards include the 1961 Kalinga Prize, the AAAS-Westinghouse science writing prize, the Bradford Washburn Award, and the John W. Campbell Award for his novel
Rendezvous With Rama
. Clarke also won the Nebula Award of the Science Fiction Writers of America in 1972, 1974 and 1979, the Hugo Award of the World Science Fiction Convention in 1974 and 1980, and in 1986 became Grand Master of the Science Fiction Writers of America. He was awarded the CBE in 1989.
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