The candid memoirs of a great character actor Steven Spielberg called him "the best actor in the world," about which Postlethwaite said: "I'm sure what Spielberg actually said was, 'the thing about Pete is that he thinks he's the best actor in the world.'" This is the story of a diverse and multi-talented actor's eventful life, told in his own vibrant words as he was at th
The candid memoirs of a great character actor Steven Spielberg called him "the best actor in the world," about which Postlethwaite said: "I'm sure what Spielberg actually said was, 'the thing about Pete is that he thinks he's the best actor in the world.'" This is the story of a diverse and multi-talented actor's eventful life, told in his own vibrant words as he was at the end of it. He covers his early years, when after training as a teacher, he started his acting career at the Liverpool Everyman Theatre with colleagues including Bill Nighy, Jonathan Pryce, Antony Sher, and Julie Walters. After routine early appearances in small parts for television, his first success came with the acclaimed British film "Distant Voices, Still Lives" in 1988. He then received an Academy Award nomination for his role in "The Name of the Father" in 1993. His performance as the mysterious lawyer "Kobayashi" in "The Usual Suspects" is well known, and he appeared in many successful films including "Alien 3," "Brassed Off," "The Constant Gardener," "The Shipping News," "Romeo + Juliet," and" Inception." A beloved and widely admired character actor tells his own story here.
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Paperback
Published
October 1st 2012
by Phoenix
(first published July 14th 2011)
Pete Postlethwaite was one of my favourite actors and it was a sad and real loss to the acting world when he passed away in early 2011 at the age of only 64.
I read Pete's autobiography for some reason sort of back to front, not a thing I normally do! I don't know if it was because I ended up with the large print edition from the library that had very dark print or it was just the way it was written, but I found the beginning chapters a bit of a chore, whereas I really enjoyed the second half of
Pete Postlethwaite was one of my favourite actors and it was a sad and real loss to the acting world when he passed away in early 2011 at the age of only 64.
I read Pete's autobiography for some reason sort of back to front, not a thing I normally do! I don't know if it was because I ended up with the large print edition from the library that had very dark print or it was just the way it was written, but I found the beginning chapters a bit of a chore, whereas I really enjoyed the second half of the book.
The final chapter is sad to read, knowing that Pete died a short time after completing the book. He wrote that he intended to live long enough to see his 65th birthday in February but sadly that didn't happen, passing away from pancreatic cancer on the 2nd of January.
Saw Pete in The Tempest at Manchester Royal Exchange Theatre. The greatest English actor at the greatest British theatre - lush. Oh and once had pizza with him in Chichester - He was at the next table but you know what I mean!
An interesting memoir, especially poignant at the end chapter which was written whilst Pete's prognosis was bleak & terminal. I really enjoyed reading all about his career in the beginning as a teacher & then his rise to fame as one of Britain's well loved actors. True to himself & his artistic & personal values; this man was understated & brilliant. He always considered himself to be a 'jobbing actor' at heart with no real interest in money or the trappings of fame. I especi
An interesting memoir, especially poignant at the end chapter which was written whilst Pete's prognosis was bleak & terminal. I really enjoyed reading all about his career in the beginning as a teacher & then his rise to fame as one of Britain's well loved actors. True to himself & his artistic & personal values; this man was understated & brilliant. He always considered himself to be a 'jobbing actor' at heart with no real interest in money or the trappings of fame. I especially enjoyed reading about his party loving antics including a ride on a ghost train at The Spanish City Whitley Bay (out of season) then running on the beach laughing his head off with a bag of chips & a bunch of great mates.
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Pete Postlethwaite was a one-off, a loving, generous, decent man who realised in his teens that "acting" is not a frivolous pursuit. Done in the right spirit, acting is Art - a way to open our lenses of perception beyond superficial interactions with each other. The Art in acting is to reveal us to ourselves at one remove so that we see our deepest secrets writ large on the stage of life. When acting is Art we are changed by it, by deeply witnessing it and letting our hidden selves connect with
Pete Postlethwaite was a one-off, a loving, generous, decent man who realised in his teens that "acting" is not a frivolous pursuit. Done in the right spirit, acting is Art - a way to open our lenses of perception beyond superficial interactions with each other. The Art in acting is to reveal us to ourselves at one remove so that we see our deepest secrets writ large on the stage of life. When acting is Art we are changed by it, by deeply witnessing it and letting our hidden selves connect with the profound revelations the actor offers us. Pete was born for that, for drama and comedy in the classical sense, to probe the deepest recesses of human motive, delusion, dis-illusion, and to choose transformation - however painful - over dissolution of the Self. Art offers us the opportunity to stop short of creating tragedy, to resolve conflicts rather than pursue them to satisfy the needs of the Ego to "triumph". Indeed, Art in acting leads us to the inescapable conclusion that there is no genuine "triumph" in abusing power over others. Triumph is about choosing our better nature over the alternatives. Pete Postlethwaite lived for those moments on stage when through acting - silently or in the words of great playwrights -he experienced the struggle with what Jung called our Daimon, the shadow self that is capable of all things including the basest evil. But Postlethwaite was not a one-dimensional actor; he explored every nook of the human psyche including moments of high comedy, low comedy, irony, and outright farce as well. He was an "actor's actor", an Artist to the manor born.
His autobiography is achingly funny and sad by turns. His self-portrayals brutally frank but also accepting of his limitations (few though they were in my estimation) as part of the deal we all make when we agree to live a human life. Pete was aware that life is choice, always choice, and false contraints like those imposed by religion or rigid systems of any kind are designed to eliminate choice in favour of obedience. But we cannot abdicate choice, ever. Even refusing to choose is a choice. Pete chose Art as a way of life. He also chose love and family and those were his anchors, what kept him real when he stepped off-stage or the cameras shut down. Pete was extraordinary in the way truly good people are: he was principled but not judgmental of others, accepting but not a push-over, and when the final shadows closed in he met them with grace. Cancer took his body in the end but no one took his spirit from us.
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Pete Postlethwaite is the kind of actor that can become one of your favorites from a single role. Although I must have seen him in things like
The Lost World
when I was a bit younger, I first noticed Pete's capability in his Oscar-nominated role as Giuseppe Conlon alongside Daniel Day-Lewis in
In the Name of the Father
. It is the kind of performance that begs recognition, and really should have won the Oscar (Tommy Lee Jones won for
The Fugitive
instead. TLJ is great, but that's a bit silly).
I d
Pete Postlethwaite is the kind of actor that can become one of your favorites from a single role. Although I must have seen him in things like
The Lost World
when I was a bit younger, I first noticed Pete's capability in his Oscar-nominated role as Giuseppe Conlon alongside Daniel Day-Lewis in
In the Name of the Father
. It is the kind of performance that begs recognition, and really should have won the Oscar (Tommy Lee Jones won for
The Fugitive
instead. TLJ is great, but that's a bit silly).
I didn't even know this book was out; I wonder if it is even available in the states. I saw it in a book store though on my travels and had to have it, and I'm glad I read it. I've been disappointed by autobiographies of some of my favorite people in the past (Stephen Fry's
The Fry Chronicles
comes to mind, a rather overly long, boring, and unfocused memoir) but ended up really enjoying this. It is a fun book to read, but also very informing and in the end, heartbreaking. It provided me with a whole list of films I haven't seen that I need to seek out.
The book starts towards the end, with Pete preparing for his performance in the titular role of Shakespeare's
King Lear
, but then returns to the beginning of his career and goes chronologically from there. I liked the way this book was presented, as I have no tolerance for autobiographies who spend the whole time jumping around out of order. I wish he had been more clear with dates; you get very few, and basically are left with only knowing something came after this and before that, but he rarely gives an idea of time. That would be my only criticism.
As hard as it must have been, I'm really glad that Pete decided to take the time to write this book in his few remaining months before he succumbed to kidney cancer. Cancer is an unfortunate thing that takes so many lives away, but we still like to think of our celebrity idols as immune to it. Unfortunately, this isn't the case. Still, Postlethwaite has an excellent legacy in his career and in this very enchanting memoir.
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This is the autobiography of the British actor whom Steven Spielberg called "the best actor in the world". Nominated for an Oscar for his powerful performance in the movie "In the Name of the Father", Pete Postlethwaite, who died earlier this year, was a well-respected veteran of the stage, TV, and movies.
The book focuses mainly on his career, full of interesting anecdotes about his development as an actor, and of the projects and people he worked with. It is an unfailingly honest story, where h
This is the autobiography of the British actor whom Steven Spielberg called "the best actor in the world". Nominated for an Oscar for his powerful performance in the movie "In the Name of the Father", Pete Postlethwaite, who died earlier this year, was a well-respected veteran of the stage, TV, and movies.
The book focuses mainly on his career, full of interesting anecdotes about his development as an actor, and of the projects and people he worked with. It is an unfailingly honest story, where he presents his foibles in an unapologetic, matter of fact way, as well as his strengths and achievements.
His passion for acting and the deep love he had for his family and friends make this book shine, as well as his utter lack of arrogance. He was a man who never forgot where he came from and was always a regular, down-to-earth guy.
The last chapter, where he tells the story of his final days bravely battling terminal cancer and taking stock of his life, when he was no longer able to pursue his life's work and ends scant weeks before his death, brought a lump to my throat and tears to my eyes.
Though I'd seen him years ago in Jurassic Park - The Lost World, I unfortunately did not really discover Pete Postlethwaite until 2010. This was when I watched him playing the role of Obadiah Hakeswill in the Sharpe films that I'd borrowed from the library. These had been recommended to me by someone who thought I'd enjoy watching Sean Bean. I did like Sean, but it was Pete who stole the show and immediately grabbed my attention -- and sent me looking for other movies of his to watch. It wasn't long before I knew that Steven Spielberg had spoken the truth in his assessment of Pete.
It was fairly obvious in some passages that this book was written and organized in a hurry. But that is perfectly understandable because Pete knew he was dying and that the clock was winding down on him as he wrote this book. This, perhaps, makes the book even more poignant than if he'd had the time to work on it in his leisure and had been able to include more details.
The best autobiographies delve deep into a character's soul, giving us hidden and illuminating insights. Pete Postlethwaite was a fine actor and gregarious man. He wasn't perfect, though, and he was the first to admit it. Passionate and difficult, at times, he wanted to challenge himself at every turn. For that we should be grateful as evidenced by his stellar career and love for those close to him.
I've long been a fan of this - in my opinion - underrated actor, so when I saw this autobiography on the returns trolley at the library, I knew I had to check it out.
The account is honest and open. Postlethwaite tells it like it is - warts and all - which is the essence of who he was. A fascinating and moving read.
Pete was taken from us too soon. He is missed.
Enjoying this book. He Played the Father in Distant voices very well which was an unusual part for him especially after Brassed off. What a pity he died so young at 64. Who knows what more he might have achieved