THE REAL STORY BEHIND INXS'S RISE TO FAME -- AND HOW THEY HELPED DEFINE THE MUSIC OF A GENERATION.
INXS broke new musical ground. This Australian band, made up of three brothers and their three best mates, took the world by storm, turning rock, pop, and funk into a cutting edge, danceable style, and selling more than thirty million albums worldwide. "INXS: Story to Story" t
THE REAL STORY BEHIND INXS'S RISE TO FAME -- AND HOW THEY HELPED DEFINE THE MUSIC OF A GENERATION.
INXS broke new musical ground. This Australian band, made up of three brothers and their three best mates, took the world by storm, turning rock, pop, and funk into a cutting edge, danceable style, and selling more than thirty million albums worldwide. "INXS: Story to Story" tells the tale of their incredible journey, from playing the world's biggest concert venues to living a high life rivaling any in rock history, filled with sex, drugs, and supermodels. Now for the first time, they reveal everything they experienced in their more than two decades of making music -- the partying, the pressure, the wild times on the road, the heights and depths of rock-star life, and the bonds of brotherhood and friendship that not only got them through the tough times but made the fun times even more intense. They also talk about the sadness of watching their closest friend and collaborator, Michael Hutchence, slipping away from them, and share their thoughts about why he left them far too soon.
Fully authorized and reflecting the band's firsthand point of view, this is the real story behind the phenomenon that is INXS -- and the book every rock fan will need to own.
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Paperback
,
304 pages
Published
November 7th 2006
by Atria Books
(first published October 1st 2005)
As I read this one, I was reminded of just how much I loved INXS when they were at their peak...and how saddened I was by Michael Hutchence's death. He is one of my all-time favorite singers and I still love hearing his voice when I listen to my favorite INXS albums. I've always thought that if he'd lived, INXS would have been one of those bands with the same staying power as U2, R.E.M., and some of my other favorites from the mid-1980's. I learned a lot (maybe TOO much, in some regards ;)) that
As I read this one, I was reminded of just how much I loved INXS when they were at their peak...and how saddened I was by Michael Hutchence's death. He is one of my all-time favorite singers and I still love hearing his voice when I listen to my favorite INXS albums. I've always thought that if he'd lived, INXS would have been one of those bands with the same staying power as U2, R.E.M., and some of my other favorites from the mid-1980's. I learned a lot (maybe TOO much, in some regards ;)) that I hadn't previously known, such as how close Michael and Bono were and the "tall poppy" phenomenon in Australia. I had a hard time putting the book down the closer I came to the end, even though I knew how the story was going to turn out. It's great to see the other band members still making music today ("Rock Star: INXS" was such a guilty pleasure of mine while it was on :)).
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Yes, another saga of sex, drugs, and rock and roll. Lots of juicy stories involving Queen, Adam Ant, etc. But aside from that, it's clear that the bands Australian constituents were unpretentious and humble...although poor Michael Hutchence seemed to veer from the track as his fame grew. One thing I learned that I did not know all these years...three of these boys are brothers. Surprisingly, there was no musical past in that family; simply two parents that supported and urged their kids to pick
Yes, another saga of sex, drugs, and rock and roll. Lots of juicy stories involving Queen, Adam Ant, etc. But aside from that, it's clear that the bands Australian constituents were unpretentious and humble...although poor Michael Hutchence seemed to veer from the track as his fame grew. One thing I learned that I did not know all these years...three of these boys are brothers. Surprisingly, there was no musical past in that family; simply two parents that supported and urged their kids to pick up instruments and fiddle around. Amazing what a little support can do. And one more thing...INXS was definitely easy on the eyes!
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This book doesn't really reveal whether Michael Hutchence's death was a suicide or an accident but it does hint that the rest of the band are also still unsure themselves, of what exactly happened to their band mate and childhood friend. It highlights perhaps their differing opinions on the events of that tragic morning and also their great sorrow, even to this day, of the loss of their friend. A great insight into the early days of touring outback and seaside Australia and the later, much grand
This book doesn't really reveal whether Michael Hutchence's death was a suicide or an accident but it does hint that the rest of the band are also still unsure themselves, of what exactly happened to their band mate and childhood friend. It highlights perhaps their differing opinions on the events of that tragic morning and also their great sorrow, even to this day, of the loss of their friend. A great insight into the early days of touring outback and seaside Australia and the later, much grander days of touring the world- complete with private jet. A great read if your a fan.
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Fanboy much? At times it was an interesting insight into the rise of the band and management of its career trajectory but mostly it was just Bozza geeking out. It's interesting that it stopped short of the whole Rockstar: INXS/J.D. Fortune debacles though Rockstar is mentioned in one of the blurbs printed in the book. Why not explore that side of the band's history? Also, no speaking with J.D. Fortune? I mean, wasn't he technically a part of the band albeit for a short period?
This band continue
Fanboy much? At times it was an interesting insight into the rise of the band and management of its career trajectory but mostly it was just Bozza geeking out. It's interesting that it stopped short of the whole Rockstar: INXS/J.D. Fortune debacles though Rockstar is mentioned in one of the blurbs printed in the book. Why not explore that side of the band's history? Also, no speaking with J.D. Fortune? I mean, wasn't he technically a part of the band albeit for a short period?
This band continued on (or more accurately, stumbled on) for 15 years after Hutchence's death; those 15 years would have been interesting to hear about as well as the "oh my gosh, they are such bad ass but down to Earth rock stars." Could it be that those 15 years would have been a little more critical and a little less "OMG! They are awesome!"? I get that Hutchence was a central figure to this band's story, but ignoring the efforts of the other members post-1997 I think further debases their roles in the overall picture of the band's history.
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i've been reading band bio's in between earnest reading, pretty much only if they are autobio's. this one broke my heart with the loss of Hutch, but as a fan of Geldof, it was interesting to hear Sir Bob and Bono share in here the "rest of the story" in regards to the loss of the bandmember and Bob's wife.
Learned all I ever could from this book about Inxs and the members! Great stuff!!! I especially loved the "band stories" that they share!!! They are memorable!!!! It still makes me angry to this day about what could have been!
A very good history of the band especially the early years. And plenty of insight about how the band interacted with one another and their song building/structure. And it does shed some light on Michael Hutchence and his struggles later in his life. Very insightful for sure. However the read, at times, gets annoying as the author fawns over them a bit much. And the author is far too liberal and repetitive about how big their influence was/is. They were without question one of the finest bands of
A very good history of the band especially the early years. And plenty of insight about how the band interacted with one another and their song building/structure. And it does shed some light on Michael Hutchence and his struggles later in his life. Very insightful for sure. However the read, at times, gets annoying as the author fawns over them a bit much. And the author is far too liberal and repetitive about how big their influence was/is. They were without question one of the finest bands of the mid to late 1980s. But he constantly goes far above this...too much 'fanboy' hyperbole to get thru at times. Having said this I do recommend the book if you were a fan of INXS.
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Yes, this is a very well-researched, authorized book, but there is way too much fawning going on. Bozza is clearly a fan, but lets too much fanboy praise cloud the story.
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So, I picked up this autobiography about one of Australia’s most iconic band because I had recently watched the telly movie that was made and rediscovered my love for the band and their music. This is the first biography I have been able to finish and I loved every minute of it. The start where the boys all met at school to the early days travelling around Australia and playing at local clubs to the live performances world-wide and to the tragic death of the late Michael Hutchence. This biograph
So, I picked up this autobiography about one of Australia’s most iconic band because I had recently watched the telly movie that was made and rediscovered my love for the band and their music. This is the first biography I have been able to finish and I loved every minute of it. The start where the boys all met at school to the early days travelling around Australia and playing at local clubs to the live performances world-wide and to the tragic death of the late Michael Hutchence. This biography really opened my eyes to what life was like in the 70's and 80’s and how much effort had to be put into getting a label and the tours. How fame effected the members of INXS in both positive and negative ways.
As I was reading this biography I came across some moments and quotes that left me astounded, others made me laugh and the end leaving me in tears.
There were two quotes in this book that caught my attention the most, the first one being.
‘Hello! We’re Australian, we’re men, we’re confident and we love to f*ck. How are you tonight,’ Garry Beers quote made me laugh out loud
And the last was a quote from Anthony Bozza the author, ‘The old Michael reached out to them, and though they did what they could, as much as he’d allow that Michael slipped away in an instant, trailing questions and recollections that won’t fade with time.’ it was a quote that just hit me so hard with emotion that I couldn’t not write it down to remember.
As good as their story was and as much as they achieved it was just as sad at the loss of their lead singer, best friend and brother and the way his death affected each member individually.
I honestly loved this biography and would recommend it to any reader interested in reading about INXS, and their climb to fame.
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So, you think that you knew INXS. Think you really know what happened to Michael Hutchence? Unless you read this book you do not.Maybe what you knew was what you read or saw on TV. Well, here's your opportunity to know the truth as this is the only biography of the band that is sanctioned and participated in by the band. INXS is a band of brothers, three blood brothers, Farriss, and three soul-brothers, Beers, Pengilly, and Hutchence. This is a book that allows the reader an opportunity to see a
So, you think that you knew INXS. Think you really know what happened to Michael Hutchence? Unless you read this book you do not.Maybe what you knew was what you read or saw on TV. Well, here's your opportunity to know the truth as this is the only biography of the band that is sanctioned and participated in by the band. INXS is a band of brothers, three blood brothers, Farriss, and three soul-brothers, Beers, Pengilly, and Hutchence. This is a book that allows the reader an opportunity to see a glimpse of their rise to fame, their perserverence in an often difficult music world, and the tragic events that led to Hutchence's departure from this world.
The reader is allowed to glance at the remaining band members' sorrow and their soul searching that Hutchence's death brought about. It is also the story of a journey, of the path that led the remaining members of the INXS family to seek a new member of the band, not to replace Hutchence, but to continue the musical journey that was begun by all six members of the band. This is a band whose light was dimmed by the loss of Hutchence, but whose light was never completely doused. This is a band who, like the family that they are, needed private moments to reflect, needed to wrap their minds around the events that led to their brother's death, and needed to have an outlet to express themselves. Music has always been INXS' outlet and has always allowed them the opportunity to work out their problems, insecurities, and dreams. And the music had ended without an encore in November of 1997.
Any true fan of INXS should read this book. Please read the book with an open mind. Even those fans who believe that replacing Hutchence through the reality TV series Rock Star INXS was tastless and commercial should read this book. Listen to what the remaining band members say. Listen to how they describe themselves and listen to how they describe Hutchence. It is plain to see that these are men who have done an incredible amount of soul searching, who have blamed themselves for not being able to stop their brother's downward spiral, who have replayed those final hours in their minds so many times that they became raw from the experience. This book is about the hope that they each have been able to take from their self-reflection and about the vision that they each believe INXS has yet to complete. Finally, ask yourself as you read this book, if I died would I want my family to break apart and not be the same family ever again, or would I want my family to try to continue as a family? I, personally, would want my family to try to move on without me. I would never want my family to disentigrate because of my death.
Finally, this book is about healing. The band's healing from the death of Hutchence and about the fan's healing through an understanding of the true personalities of the remaining members of INXS. As a true INXS fan from the early moments of their careers, I am happy that they participated in this book and I am happy that, once again, the bright beacon of INXS music is being heard throughout the world. And I am pleased that INXS went about the task of finding a lead singer in such a fan-friendly way as to allow the fans the opportunity to participate in their three month live audition to find a new lead singer. I am also thrilled that, like me, JD Fortune is a huge INXS fan. He, like other INXS fans, is aware of and in awe of Hutchence and will always keep Hutchence's light shining. To INXS, I say, good on ya, mates!
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When I picked up this book, after hearing a radio retrospective on INXS, I certainly wasn't expecting much of it. "How exciting can it be; they're just a little pop band," was generally my thinking...
Um, NO! They had a genuinely amazing rise from their days as The Farriss Brothers in the wild Australian bar scene of the 1970s, a couple shows playing to wild mining communities where they almost lost their lives crossing the desert from Perth, and odd surfer parties around Sydney, to touring with
When I picked up this book, after hearing a radio retrospective on INXS, I certainly wasn't expecting much of it. "How exciting can it be; they're just a little pop band," was generally my thinking...
Um, NO! They had a genuinely amazing rise from their days as The Farriss Brothers in the wild Australian bar scene of the 1970s, a couple shows playing to wild mining communities where they almost lost their lives crossing the desert from Perth, and odd surfer parties around Sydney, to touring with the likes of Adam Ant, Queen, and other bands in the 1980s.
I got an appreciation for just how -different- things were growing up in 1970s Australia, a culture hinted at in the Aussie-film-retrospective documentary Not From Hollywood.
Also, INXS were easily as wild and debauched a band as Led Zeppelin or Aerosmith, but with an added good nature and lack of pretentiousness common to their country. Yes, this book was as wild as Hammer Of The Gods or Walk This Way... but you're rooting harder for the INXS guys, because they just seem so much less callous and self-absorbed than those musicians did. They even have an anti-corporate/advertising stance uncommon in these bios. (At one festival, they were forced by promoters to play in front of a giant inflated Budweiser can; thinking quickly backstage, Hutchence found a chair leg to murder the can with.)
They also had an intense dedication to the quality of their music. One example is when the band found they could use a saxophone in some of their work; Kirk Pengilly took it upon himself to master playing it in a matter of weeks.
I've read rock bios this interesting, but none MORE interesting!
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OK, this is the "official autobiography" of INXS, so it's somewhat filtered, I'm assuming. That said, it's pretty well researched and fairly well written, although the author is an obvious fan boy and makes INXS out to be pretty much the greatest band of all time, which annoyed the hell out of me.
It was enjoyable to read about the band's beginnings in Australia, when they were high and middle school students. How they played the pub scene for years, all around the country, sometimes three shows
OK, this is the "official autobiography" of INXS, so it's somewhat filtered, I'm assuming. That said, it's pretty well researched and fairly well written, although the author is an obvious fan boy and makes INXS out to be pretty much the greatest band of all time, which annoyed the hell out of me.
It was enjoyable to read about the band's beginnings in Australia, when they were high and middle school students. How they played the pub scene for years, all around the country, sometimes three shows a night. They certainly paid their dues. Their manager was an apparent asshole, but a visionary and he had a plan to turn these boys into successes, something he ultimately did.
I first heard INXS circa 1981 when I somehow got my hands on an import LP with a post-punk song called "We Are The Vegetables" on it. I loved it and have been following the band ever since, enjoying Shabooh Shabbah and The Swing to Listen Like Thieves and Kick. I sort of lost interest as the '90s rolled around and they released X, which did fairly well, but it was their last really decent selling album.
It was interesting to read about the international tours they went on. They played America, opening for Adam Ant and blowing him off the stage. Eventually he would have nothing to do with them. They opened for the Go-Gos, and in Europe, for Queen, which I think would have been cool. They also headlined at clubs to build a greater following. Of course they had MTV to thank for introducing Americans to the band, with the channel's heavy rotation of their music videos.
I learned something I didn't know about the band. They were as into hardcore partying nearly as much as Zeppelin! I mean sex, drugs, rock and roll. Trashed hotel rooms, groupies, coke and booze. I had no idea. Some of the band members were married or had girlfriends, but the others took advantage of the opportunities such touring afforded them.
Listen Like Thieves was really their first American hit album. I still listen to it a lot. But they hit it really big with Kick, which was nominated for a Grammy. I was in college at the time, circa '88 I think, and I remember camping out for concert tickets in Knoxville with some friends and going to the show. It was great; I really enjoyed it. High energy. We all had a blast.
That was the pinnacle for INXS. At the time, they were probably as big as U2 and REM, ie, the biggest bands in the world. Everything seemed great for them. However, they had been touring for so many years that they just got tired out and took some time off before regrouping to record X. Also, something happened to them in Australia that was rather odd. They had always been local boys made good in the press, but now that they had gotten so big internationally, they were trashed in the press, as though they were too good for the locals, which wasn't the case at all. However, their reputation in Australia never really recovered, which is a shame.
I didn't know that Michael Hutchence was such good friends with U2's Bono. They spent a lot of time together and probably influenced each other a great deal. I also didn't know that the members of the band lived in England, France, and Hong Kong, as well as Australia. The distance eventually drove a wedge between the band members. Pity.
Everyone probably remembers the occasion of Michael Hutchence's death. I was horrified and felt really badly for his family and the band, just for the way in which it was portrayed. The author doesn't really tell us whether Michael Hutchence's death was a suicide or an autoerotic accident, but he does indicate that the rest of the band members remain unsure, themselves, of what exactly happened to Michael. The band members really have differing opinions of what happened. One thing that could have led to a suicide was an accident he had in Denmark, when a taxi cab driver beat him so severely that he was in the hospital for two weeks and permanently lost his sense of smell. He also got a brain injury that caused him to become angry and violent. He would lash out at people for no reason. It wasn't entirely his fault. It's just a shame that it happened like that. Toward the end, he had hooked up with Bob Geldoff's ex-wife and they had had a daughter. You would think this would have stabilized his partying, but he was hooked on heroin by then, as well as other substances, and was in a deep depression. That said, the last day of his life, he seemed to be in a good mood as the band prepared to record a new album. He died at 10 AM the next morning in a hotel room.
The writing in the book is straightforward and probably honest, but it's certainly not challenging. Rather like reading People magazine. One thing that irritated me about the author, as I've already noted, is his willingness to fawn over INXS like they were the greatest band ever. Listen to this:
"...in 1988, it [Kick] spurred every major label to seek out and sign some kind of slinky, sexy, romantic, rock and rhythm-and-blues band. They found them all all right, crap or not, from the Fine Young Cannibals to General Public to Faith No More to the Red Hot Chili Peppers to the Fixx. INXS put punk, funk, soul, and rock together better than those bands could ever hope to, for one simple reason; INXS could and still can play them into oblivion."
Wow. Seriously? OK, I can agree on Fine Young Cannibals and Faith No More, both good for one or two albums, and who cares about General Public? But The Fixx put out some good albums, and they're still producing music, putting out a decent album which I bought just last year. And most importantly, the Red Hots? Seriously? I've read about the Red Hots and I really doubt if INXS was an influence on them. Shabooh Shabbah was released in 1982, one year before the Red Hots formed. And the Reds had it from the beginning. If anyone was influencing anyone else, it was the Red Hots. THEY had punk, funk, soul, and rock down much better than INXS did or more any other group, for that matter. Also, let's talk stats. INXS sold 35 million albums and never won a Grammy. The Red Hots have sold 80 million albums and have won 7 Grammy Awards. 'Nuff said. Don't go overboard in your idealizations, Mister Bozza. It's stupid and unfounded.
Aside from my annoyance with the author's constant praise of the boys in the band, it wasn't a bad book to read, and as a fan, I enjoyed learning some things I hadn't formerly known about the band. If you like INXS or just dig '80s music at all, you might like reading this book. Cautiously recommended.
A thoroughly researched, well-written account of the lives for six lads from Australia who formed a band and - however briefly - conquered the world with it. From the earliest beginnings, through the formation of nascent bands that led them to each other, this doesn't skimp anything - the sex, drugs or rock 'n roll. Once things start to move, the rollercoaster kicks in and it's fascinating, seeing how they took Australia, then Europe (London being a problem for them, it appears), then the US on
A thoroughly researched, well-written account of the lives for six lads from Australia who formed a band and - however briefly - conquered the world with it. From the earliest beginnings, through the formation of nascent bands that led them to each other, this doesn't skimp anything - the sex, drugs or rock 'n roll. Once things start to move, the rollercoaster kicks in and it's fascinating, seeing how they took Australia, then Europe (London being a problem for them, it appears), then the US on the wave of the newly formed MTV (which took to their videos like a duck to water). With contributions from the surviving members, a lack of gloss over Hutchence's untimely demise and a straight-forward look at what the future holds, this is a great book, a real tribute to a fantastic band and highly recommended by me - a big fan (I saw them at Summer XS in Wembley, the Get Out Of The House Tour in Leicester and at the NEC for Elegantly Wasted - and I wish I'd seen them earlier too).
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I loved these guys in the '80s and '90s. And that Michael Hutchence, what a voice. This is a great rock and roll story, and a tragic story. The thing that struck me was how the rest of the band was and is still grieving Hutchence's death as if it had happened yesterday. Although, it's totally understandable. How do you make sense of a totally senseless end - the terrible, slow decline and ultimate suicide of such a vibrant, brilliant talent?
Really enjoyed the first account stories from the members of the band. INXS is Aussie rock royalty and this book reminds us how they earned their fame by creating their own sound.
Beautifuly written account of this iconic bands' rise to stardom. I must admit to shedding a few tears reading the sad demise of a true rock and roll star. Was it suicide or an act of autoeroticism? Only one things for sure - the world will never see another Michael Hutchence.
Disappointed with the writing style in this book, in particular I found the explanations of the differences between English/American culture and Australian culture a little annoying although it may have been aimed at the insular American readers more than us English folk (OOOHH handbags at the ready) I felt the writing style did not grip me especially as the anecdotes and storeys of the INXS boys rise to fame had all the ingredients for a thoroughly good read.
If you are an INXS fan, you must read this book. There are all kinds of wonderful tidbits of information and stories from the band. I loved it. I will probably re-read certain parts. It's an easy, quick, interesting book. Loved it.
I really enjoyed getting to know more about the guys in INXS, the music scene in the 80's and Australia. But I have to say that if you're not a big fan, it's probably not the book for you.
Anthony Bozza is living the life many only dream about. As the bestselling author of seven books, including the autobiographies of Slash, Tommy Lee, Artie Lange and Tracy Morgan, Bozza has both the ear and the trust of rock and pop culture royalty. He is currently co-writing Wyclef Jean’s autobiography as well as publishing up-and-coming authors and cutting edge non-fiction via his Igniter Literar
Anthony Bozza is living the life many only dream about. As the bestselling author of seven books, including the autobiographies of Slash, Tommy Lee, Artie Lange and Tracy Morgan, Bozza has both the ear and the trust of rock and pop culture royalty. He is currently co-writing Wyclef Jean’s autobiography as well as publishing up-and-coming authors and cutting edge non-fiction via his Igniter Literary Group, an imprint of Harper Collins’ It Books. Bozza co-founded Igniter with fellow bestselling author Neil Strauss.
Bozza’s writing career began with an internship at Rolling Stone, where he did the usual fact-checking and assistant work that comes with the job. But his knowledge and love of music quickly let to his big break after a friend turned him on to a then-unknown white rapper called Eminem. Bozza championed Eminem, singing his praises to his editors a year before he was even signed to a record deal. In 1999, when Rolling Stone decided to do a cover story on Slim Shady’s debut release, they assigned Bozza, who made the most of the opportunity. That defining portrait of Eminem led to six other cover stories, numerous features and countless articles over Bozza’s seven year tenure at the iconic magazine. During that time he also wrote and edited the “Random Notes” section, following in the footsteps of legendary culture critics like writer-director Cameron Crowe as well as MTV’s Kurt Loder. By 2002, Bozza had done it all, so he left Rolling Stone to focus on writing books, but by no means has he lost his love for the music scene and how it speaks to and reflects the state of our society.
His cover stories and multiple features on Eminem evolved into Bozza’s first book, Whatever You Say I Am: The Life and Times of Eminem. It was deemed a “compelling” investigation of the “Shadyification of America” by New York Times’ critic Janet Maslin and became an international bestseller. The book wisely focused not only on Eminem himself, but on how his success as a white rapper spoke to the state of race and culture in America. From there, Bozza has never looked back. He collaborated with Mötley Crüe drummer, Tommy Lee, then Guns n’ Roses guitarist, Slash, on their respective autobiographies, Tommyland and Slash - both bestsellers. He went on to work with comedian Artie Lange, whose autobiography Too Fat to Fish debuted at #1 on The New York Times bestseller list and remained on the list for 22 weeks. Bozza’s next two books were Why AC/DC Matters and I Am the New Black, the autobiography of 30 Rock and SNL star Tracy Morgan. Bozza has written for magazines and newspapers worldwide, including Spin, Maxim, The New York Times, The Guardian/Observer (U.K.), Q, Mojo, Paper, Nylon, Blender and Radar, and continues to do so as often as possible.
Never one to rest on his past success, Bozza is in the midst of his next collaboration, this time with Wyclef Jean of the Fugees, a story that will be both uplifting and heartbreaking in light of the recent tragedy in Jean’s home country of Haiti. Bozza has also sought out new and exciting challenges as co-publisher of Igniter Literary Group, which will be distributed by Harper Collins’ It Books. The imprint’s first release, The Last Living Slut: Born in Iran, Bred Backstage, will redefine the rock groupie memoir upon its release in June 2010. Igniter’s next title, The Man Behind the Nose, is the autobiography of Larry “Bozo the Clown” Harmon and will be released in August 2010. And as if all that weren’t enough, Bozza is shopping a TV show that will feature him in the field, chasing down interviews with pop culture’s most notoriously elusive and difficult subjects.