This is a fascinating book and once I started reading it I didn't want to put it down. Because Ivor the Engine, the Clangers, Noggin the Nog and Bagpuss are great favourites of mine I especially liked those sections about how Oliver Postgate and his co-creator Peter Firman created the characters and made the films. But I also thought the sections where he reveals his thoughts and emotions are particularly moving.
An exceptional life; a truly creative and inventive man.
This was, quite simply, lovely. A story of the ways we muddle through life and how that can be extraordinary from someone who's a little awkward, not brilliant in school or excited about business or career, just very clever at building things and wonderfully creative. Of course, hearing about the making of Bagpuss and Clangers and all the rest is marvelous, just as the casual references to Bertrand Russell and G.D.H. Cole and his grandfather George Lansbury. This is also about love and loss and
This was, quite simply, lovely. A story of the ways we muddle through life and how that can be extraordinary from someone who's a little awkward, not brilliant in school or excited about business or career, just very clever at building things and wonderfully creative. Of course, hearing about the making of Bagpuss and Clangers and all the rest is marvelous, just as the casual references to Bertrand Russell and G.D.H. Cole and his grandfather George Lansbury. This is also about love and loss and aging and illness and all those things that all of us face. It's wonderful.
One of the things that struck me most was the luck involved in Oliver Postgate being able to make such wonderful shows at all, and that it was only possible because the BBC was run in a very different way than it is now. Not that it was too wonderful then, but open to the shoestring, the untried, and the...how to describe these amazing flights of fancy that he created, like Noggin the Nog? And you could make a living at it, even if a little precarious. That seems fairly impossible today, and that is tragic.
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Oliver Postgate is one of the recognised fathers of British Whimsy, as entrenched as A. A. Milne or P.G. Wodehouse. His television creations delighted children, who grew up to be adults who
remained
delighted by them, because they were endearing and memorable.
Unsurprisingly, his memoir is equally as endearing, often a bit sad, but a reflection of a life in which confusion and anxiety were the flip side of the marvellous imagination and ability to lose himself in the creation of anything that im
Oliver Postgate is one of the recognised fathers of British Whimsy, as entrenched as A. A. Milne or P.G. Wodehouse. His television creations delighted children, who grew up to be adults who
remained
delighted by them, because they were endearing and memorable.
Unsurprisingly, his memoir is equally as endearing, often a bit sad, but a reflection of a life in which confusion and anxiety were the flip side of the marvellous imagination and ability to lose himself in the creation of anything that imagination presented him. Rather than let the reader stumble, unaided and unhappy, through the times where that state of anxiety prevailed, he colours everything in for us; the sometimes isolated childhood, a confusing school experience, a diverse war-time career at home in Britain (putting the ‘conscientious’ in conscientious objector), a hectic family life, with layers of charming detail. Small anecdotes describe the landscape, making this one of the most gentle and easy-going memoirs I’ve read, but that’s not to say that he was completely unaware of the world’s edges. He just made himself very reasonable when pointing them out (a quick visit to oliverpostgate.com gives a slightly schizophrenic feel to the man’s interests… 70’s children’s characters and global politics are a trippy combination).
There’s a good balance of technical description, career peaks and troughs, family history and, of course, whimsy to Oliver Postgate’s memoirs. I am left with a definite impression of
liking
Oliver Postgate, not just for the wonderfully absurd legacy of the Clangers and their ilk, but for being the adult version of an early school report comment: ‘a loveable wee fellow’ with ‘delightful manners’.
This is automatically one of my favourite ‘celebrity’ memoirs, if only because Oliver Postgate was (ironically, given his childhood struggle for attention) the antithesis of ‘celebrity’… his writing suggests a chap with talent for creation who meandered gently into public perception with a flattered, friendly, and slightly diffident smile, while trying to forge a career out of a head full of ideas.
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First of all I must confess that I had never heard of Oliver Postgate before and I blame it on the fact that I'm not living in the UK, thus not knowing about his works. Secondly, I rarely read biographies. Though there was the wish to read this one for one simple reason - to catch a glimpse into the mind of such a creative person.
As much as I don't know the series and characters from TV I was hooked from page one and couldn't put the book down. Postgate's writing is full of humour, warmth and qu
First of all I must confess that I had never heard of Oliver Postgate before and I blame it on the fact that I'm not living in the UK, thus not knowing about his works. Secondly, I rarely read biographies. Though there was the wish to read this one for one simple reason - to catch a glimpse into the mind of such a creative person.
As much as I don't know the series and characters from TV I was hooked from page one and couldn't put the book down. Postgate's writing is full of humour, warmth and quirkiness, and you immediately realize that he's not only inventive, but also a fabulous storyteller. Sharing memories from early childhood, all through creating his famous characters, straight to his private life, this is one of the most engaging books I've read in a while. I can't believe he never considered a career as a writer too, he'd been cut out for it for sure.
Obviously, I wished I had the chance to actually watch his ideas come to live on the screen! For now it's enough that this book made Bagpuss and the rest of the bunch come to live in my mind.
In short: A delightful and moving memoir of a truly creative man!
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This is a brilliant read about an interesting man who has had an amazing life and approached it in a really positive way. Great if you liked his TV stuff or had very little interest in it. As he was an innovator and an inventor who liked to try things out by doing them himself. Everything is told in a warm, humourous and self-deprecating style that recalls the tone of the stories he told on television. But it also covers his personal life in the same tone.
Oliver Postgate was a small man in a big world. He made small films – his business was in fact called Smallfilms – and never aspired to make big ones. He lived a quiet life mostly in small towns in middle England pottering away at whatever happened to come his way; his life had no grand plan. Not that many people will instantly recognise his name, not in the same way that the name Gerry Anderson is known, but his work
is
known and loved and has been cherished by generations of British children m
Oliver Postgate was a small man in a big world. He made small films – his business was in fact called Smallfilms – and never aspired to make big ones. He lived a quiet life mostly in small towns in middle England pottering away at whatever happened to come his way; his life had no grand plan. Not that many people will instantly recognise his name, not in the same way that the name Gerry Anderson is known, but his work
is
known and loved and has been cherished by generations of British children many of whom are now in their sixties and, I dare say, seventies.
It’s enough simply to provide a list:
Ivor the Engine
,
Bagpuss
,
Noggin the Nog
,
The Clangers
. Everyone will have their favourite. But if you think his life was spent in a converted cow shed pushing around puppets think again.
Postgate was the wonderful man who made my childhood a place of magic and safety with Bagpuss and this autobiography is just wonderful. Postgate was an extraordinary man, born to socialist parents whom he called by their first names and who worked from first principles without any engineering expertise to solve any mechanical problem, ending up in animation via a wide range of jobs from stage, farm and charity work in post war Germany. He speaks of his worlds as something that came through him r
Postgate was the wonderful man who made my childhood a place of magic and safety with Bagpuss and this autobiography is just wonderful. Postgate was an extraordinary man, born to socialist parents whom he called by their first names and who worked from first principles without any engineering expertise to solve any mechanical problem, ending up in animation via a wide range of jobs from stage, farm and charity work in post war Germany. He speaks of his worlds as something that came through him rather than from his imagination, as having a life outwith him, and his philosophies had a lot to teach me.
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A warts-and-all expose full of salacious detail and debauchery. No, not really, just a thoroughly pleasant and warm-hearted memoir by my generation's favourite uncle. As gently witty and eccentric as you might expect, though the knowledge that he only lived for a few more years after its publication caused a lump in my throat as I approached the end.
Very readable - part nostalgia, part refreshingly cranky take on life, not sure how much empathy he had which made him less sympathetic than I expected.
Oliver Postgate was an English animator, puppeteer and writer. He was the creator and writer of some of Britain's most popular children's television programmes. Pingwings, Pogles' Wood, Noggin the Nog, Ivor the Engine, Clangers and Bagpuss, were all made by Smallfilms, the company he set up with Peter Firmin, and were shown on the BBC between the 1950s and the 1980s, and on ITV from 1959 to the pr
Oliver Postgate was an English animator, puppeteer and writer. He was the creator and writer of some of Britain's most popular children's television programmes. Pingwings, Pogles' Wood, Noggin the Nog, Ivor the Engine, Clangers and Bagpuss, were all made by Smallfilms, the company he set up with Peter Firmin, and were shown on the BBC between the 1950s and the 1980s, and on ITV from 1959 to the present day. In a 1999 poll, Bagpuss was voted the most popular children's television programme of all time.
In 1957 he was appointed a stage manager with Associated-Rediffusion, which then held the ITV franchise for London. Attached to the children's programming section, he thought he could do better with the relatively low budgets of the then black and white television productions. Postgate wrote Alexander the Mouse, a story about a mouse born to be king. Using an Irish-produced magnetic system – on which animated characters were attached to a painted background, and then photographed through a 45 degree mirror – he persuaded Peter Firmin, who was then teaching at the Central School of Art, to create the background scenes. Postgate later recalled they undertook around 26 of these programmes live-to-air, which were made harder by the production problems encountered by the use and restrictions of using magnets.
After the success of Alexander the Mouse, Postgate agreed a deal to make the next series on film, for a budget of £175 per programme. Making a stop motion animation table in his bedroom, he wrote the Chinese story The Journey of Master Ho. Setting up their business in a disused cowshed at Firmin's home in Blean near Canterbury, Kent, Postgate and Firmin worked on children's animation programmes. Based on concepts which mostly originated with Postgate, Firmin did the artwork and built the models, while Postgate wrote the scripts, did the stop motion filming and many of the voices.
They started in 1959 with Ivor the Engine, a series for ITV about a Welsh steam locomotive who wanted to sing in a choir. It was remade in colour for the BBC in 1976 and 1977. This was followed by Noggin the Nog for the BBC, which established Smallfilms as a reliable source to produce children's entertainment, when there were only two television channels in the UK. The Clangers and Bagpuss, perhaps their most popular works, followed in the early 1970s.
In the 1970s and 1980s Postgate was active in the anti-nuclear campaign, addressing meetings and writing several pamphlets including The Writing on the Sky. In 1986, in collaboration with the historian Naomi Linnell, Postgate painted a 50-foot-long (15 m) Illumination of the Life and Death of Thomas Becket for a book of the same name, which is now in the archive of the Royal Museum and Art Gallery, Canterbury. In 1990 he painted a similar work on Christopher Columbus for a book entitled The Triumphant Failure. A Canterbury Chronicle, a triptych by Postgate commissioned in 1990 hangs in the Great Hall of Eliot College on the University of Kent's Canterbury campus.
In his later years, he blogged for the New Statesman. Postgate's voice was heard once more in 2003, as narrator for Alchemists of Sound, a television documentary about the BBC Radiophonic Workshop. In 1987 the University of Kent at Canterbury awarded an honorary degree to Postgate, who stated that the degree was really intended for Bagpuss, who was subsequently displayed in academic dress.
After his death there was huge recognition of his influence and effect on British culture, and affection for the role his work had played in many people's lives. His work was widely discussed in the UK media and many tributes were paid to him and his work across the internet. Charlie Brooker dedicated a portion of his Screenwipe show to Oliver Postgate, and the way he influenced his own childhood, on an episode that was to be broadcast the day after Postgate's death.
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