Newly edited by D.J. Natelson, Israel Rank is the black comedy that inspired the 1946 film "Kind Hearts and Coronets" and the award-winning Broadway show, "A Gentleman's Guide to Love and Murder."
Israel Rank has loving parents, a comfortable home, and the charm, brains, attractiveness, and ambition to get him through life with ease. But he's not satisfied. He's an heir th
Newly edited by D.J. Natelson, Israel Rank is the black comedy that inspired the 1946 film "Kind Hearts and Coronets" and the award-winning Broadway show, "A Gentleman's Guide to Love and Murder."
Israel Rank has loving parents, a comfortable home, and the charm, brains, attractiveness, and ambition to get him through life with ease. But he's not satisfied. He's an heir the Gascoyne earldom, a position of power and wealth, and he's determined to get it. All he has to do is kill of everyone in line in front of him, preferably without getting caught.
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Kindle Edition
,
419 pages
Published
August 26th 2014
by D.J. Natelson
(first published 1907)
Este libro no aparecerá en los “blogs especializados” de novela negra y policíaca, ni aparecerá en ninguno de los múltiples festivales de novela negra… pero cualquier buen lector no debería perdérselo por: una premisa inmejorable, un desarrollo colosal, fina ironía y un final cargado de mala leche. Debe aparecer en mi selección del año.
Roy Horniman's 1907 novel
Israel Rank
is better known as the inspiration for the 1949 Alec Guinness film
Kind Hearts & Coronets
, as well as the 2013 Best Musical
A Gentleman's Guide to Love & Murder
. All three entertainments share the similar high concept, in which a low-ranking aspirant to a high-profile estate and title faces the gallows after concocting a series of comic murders designed to make him the sole inheritor.
Black comedy, indeed. What might be interesting to modern readers,
Roy Horniman's 1907 novel
Israel Rank
is better known as the inspiration for the 1949 Alec Guinness film
Kind Hearts & Coronets
, as well as the 2013 Best Musical
A Gentleman's Guide to Love & Murder
. All three entertainments share the similar high concept, in which a low-ranking aspirant to a high-profile estate and title faces the gallows after concocting a series of comic murders designed to make him the sole inheritor.
Black comedy, indeed. What might be interesting to modern readers, however, is how much more thoroughly dark and nasty the novel is in comparison to the giddier pleasures of the film and musical. Horniman's creation is hornier as well, for while the heirs in the adaptations both juggle the sexual attentions of two women, Israel Rank manages to keep on the hook no less than three. Also, Horniman's titular hero is as unreliable and criminally self-deluded a character as his literary serial-murderer cousin, the narrator of James Hogg's
The Private Memoirs and Confessions of a Justified Sinner
—and the results are undeniably comic. Still, the murders in
Kind Hearts
and
Gentleman's Guide
both tend to be bloodless—and
Israel Rank
never lets the reader forget that murder is a dirty, foul business with actual consequences.
In
Israel Rank
the main character's mother is expelled from the noble Gascoyne family for marrying a Jew; its adaptations graciously avoid the sticky issue and rather genteelly look down upon their protagonist's late father for being . . . shudder! . . . a
musician
. Horniman's approach, however, is a more aggressive means of challenging not only the gentry's abundant prejudices, but as well the assumptions of his contemporary readers as well. While it's not as lightweight a confection as either
Kind Hearts
or
Gentleman's Guide
, for lovers of visceral, dark period literature, this little-known novel might prove a gem.
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The book on which Kind Hearts & Coronets was based. It's nicely written, with a beguiling narrator - he's no Humbert Humbert, but we can't helping rooting for him as he bumps off the aristocrats standing in the way of his title. The author has put a lot of work into the way a murderer might think, creates some vivid characters and set-piece moments, and shakes a mean cocktail of sex and death. My quibble, which stops the book from getting 4 stars, is that Israel doesn't have to try very hard
The book on which Kind Hearts & Coronets was based. It's nicely written, with a beguiling narrator - he's no Humbert Humbert, but we can't helping rooting for him as he bumps off the aristocrats standing in the way of his title. The author has put a lot of work into the way a murderer might think, creates some vivid characters and set-piece moments, and shakes a mean cocktail of sex and death. My quibble, which stops the book from getting 4 stars, is that Israel doesn't have to try very hard. Towards the end, when he suffers a catastrophic setback, the story gets very tense indeed. I would have liked a few more moments like that. Still, it feels a lot more agreeable to spend time in Israel Rank's company than that of Hannibal or Dexter.
Incidentally I was very interested in this comment by Dr G Hamilton on Amazon: "[The novel has] a drily epigrammatic and Wildean flavour about it. I suspect that Roy Horniman was much influenced by Wilde's 'The Picture of Dorian Gray'. There are many parallels between the two books. Israel Rank's close friend in Horniman's novel is Graham Hallward,whereas Dorian's great friend is Basil Hallward. Israel falls for Sibella as Dorian does for Sybil.The governess who appears in the Horniman Book and plays a key part in the plot is called 'Gray' and finally Wilde's wife and family adopted the name 'Holland', the same as a major character in 'Israel Rank'. In many respects the script of 'Kind Hearts and Coronets'' adapted from the novel by Robert Hamer and Michael Dighton is a major achievement in its own right,full of droll witticisms and clever asides. The climactic ending though the same in both book and film is better in the film as Sibella attempts to blackmail Louis to avoid execution. The book's ending is less believable and doesn't have quite the same sting in the tail...but reading the one adds to the delight of viewing the other."
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The book was a compelling read, and under other circumstances, I would go with a 4-5 Stars rating because it keeps you reading and it's hard to put down.
However, and neglecting that its probably a product of its time, the thing that put me off more than once is the anti-Semitism. The main character's story is known through the film and musical, and while it's portrayed quite charmingly in the film and musical without the problematic parts (where Bryce Pinkham does his best to assure that you fal
The book was a compelling read, and under other circumstances, I would go with a 4-5 Stars rating because it keeps you reading and it's hard to put down.
However, and neglecting that its probably a product of its time, the thing that put me off more than once is the anti-Semitism. The main character's story is known through the film and musical, and while it's portrayed quite charmingly in the film and musical without the problematic parts (where Bryce Pinkham does his best to assure that you fall for him despite the murder of the his relatives, as well as Dennis Price who does the same for the film viewer), in the book, he is not. He's driven by ambition and it's interesting to read about this particular account of a serial killer. But more often than necessary the main character mentions his Jewish-ness as something that he has to bear, his "oriental tastes" (whatever those are) and generally, having a Jewish person as the main character who is a serial killer leaves a bitter taste after finishing the book because it contributes nothing to the story apart from portraying this Jew as a terrible person in contrast to portraying a Gentleman as a terrible person. The narrator does remark on casual anti-Semitism of the time, but overall it fails to portray this as a despicable thing.
Simon Heffer remarks on it in his introduction to the Faber Finds edition, so the reader can put the story in the correct context while being aware of its problematic parts. The edition partially suffers from poor editing, some chapters are riddled with typos, while others are just fine.
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The film Kind Hearts and Coronets is better in humour but this is the same basic plot and characters. It is a little darker than the film - which is inevitable as it would have been unable to keep up the lighter touch of the film throughout the length of the book - and some of the deaths are a little more gruesome than in the film, such as the death of a toddler - and also no bombs or arrows shooting down hot-air balloons. However, there is a different ending, which means the tension was still k
The film Kind Hearts and Coronets is better in humour but this is the same basic plot and characters. It is a little darker than the film - which is inevitable as it would have been unable to keep up the lighter touch of the film throughout the length of the book - and some of the deaths are a little more gruesome than in the film, such as the death of a toddler - and also no bombs or arrows shooting down hot-air balloons. However, there is a different ending, which means the tension was still kept up even though I had already seen the film. Some have criticised this book due to the ant-Semitic characterisation of Israel Rank, and although some of the slights against the charming anti-hero are of the time, it says more for the views and prejudices of the Edwardian society the protagonist attempts to undermine - which makes it an interesting read.
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I read this book because I first fell in love with the Tony-Award-winning musical A Gentleman's Guide to Love and Murder, which is based on this novel. The premise is essentially the same, but several of the characters names have been changed (Israel=Monty; Edith=Phoebe, etc), as well as the manners of death. There is also one additional female character that plays an important role that the musical removed/combined into Monty's (Israel's) other lover. Overall, the book is not quite a comical as
I read this book because I first fell in love with the Tony-Award-winning musical A Gentleman's Guide to Love and Murder, which is based on this novel. The premise is essentially the same, but several of the characters names have been changed (Israel=Monty; Edith=Phoebe, etc), as well as the manners of death. There is also one additional female character that plays an important role that the musical removed/combined into Monty's (Israel's) other lover. Overall, the book is not quite a comical as the musical, but it is still a very good read.
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Well, its pretty good. Interesting in a lot of ways, almost a forerunner of Patricia Highsmith's Tom Ripley novels in its depiction of a murderer. Some good satire along the way, despite a rather colorless finale. It seems destined to remain in the shadow of the infinitely superior film based upon it, the brilliant KIND HEARTS AND CORONETS.
Witty but can be a bit drawn out at some points. I cannot wait to see the play that inspired me to read this book: A Gentleman's Guide to Love and Murder. I saw a scene from the play last year during the Macy's Day Parade.
He was the owner of The Ladies Review for some years and was a member of the British Committee of The Indian National Congress. As well as acting he became tenant and manager of the Criterion Theatre and wrote many plays as well as adaptations of his own and others’ novels. In his later years he wrote and adapted for the screen. Amongst his notable wor
Roy Horniman (1874–1930) was a British writer.
He was the owner of The Ladies Review for some years and was a member of the British Committee of The Indian National Congress. As well as acting he became tenant and manager of the Criterion Theatre and wrote many plays as well as adaptations of his own and others’ novels. In his later years he wrote and adapted for the screen. Amongst his notable works were Israel Rank: The Autobiography of a Criminal (1907) which was republished by Faber Finds in 2008, on which the 1949 film Kind Hearts and Coronets was based, as well as the 2013 Broadway musical A Gentleman's Guide to Love and Murder. He also wrote The Sin of Atlantis in 1900 and Lord Cammarleigh’s Secret: A Fairy Story of To-Day in 1907.
Roy Horniman served in the Artists Rifles during the First World War.
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