Queen Elizabeth has gone AWOL from Balmoral and no one can find her. Where has she gone and why? This winsome, if unlikely, account of the Queen's disappearance, recounts the monarch's solo journey to the Caribbean island of St. Lucia, to take possession of her recently purchased home in the idyllic-sounding Joli Estate. Here, after more than half a century on the throne,
Queen Elizabeth has gone AWOL from Balmoral and no one can find her. Where has she gone and why? This winsome, if unlikely, account of the Queen's disappearance, recounts the monarch's solo journey to the Caribbean island of St. Lucia, to take possession of her recently purchased home in the idyllic-sounding Joli Estate. Here, after more than half a century on the throne, she will recall the years of her reign in peace and tranquility in the guise of her new identity as Gloria Smith. But the house is no more than a muddy hole in the ground, and the Queen must punt. She is not used to asking for anything, carrying cash, fending for herself, introducing herself, or being ignored. The story of the sovereign's sojourn in her former colony is a funny and touching account of the sometimes contentious and occasionally baffling friendship between Her Majesty Queen Elizabeth and a scruffy young St. Lucian, Austin Ford. How this radical change of life and circumstance affects the Queen and how she changes as a result make for a hilarious and moving tale in which her need for her subjects is as marked as their dependence on her staying on the throne.
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Hardcover
,
218 pages
Published
April 1st 2008
by Bliss Books
(first published April 1st 2007)
The Autobiography of the Queen is the 46th novel by British author, Emma Tennant. When one annus horribilis seems to be following another for Her Majesty, what with kiss-and-tell scandals enveloping the family, the European Union insisting on laws that are unfriendly to the monarchy, the prospect of paying tax and losing land rights, she begin to feel she no longer has a part to play in her Empire. She decides to retire from the stresses and strains of life as the Nation’s Head, move to a house
The Autobiography of the Queen is the 46th novel by British author, Emma Tennant. When one annus horribilis seems to be following another for Her Majesty, what with kiss-and-tell scandals enveloping the family, the European Union insisting on laws that are unfriendly to the monarchy, the prospect of paying tax and losing land rights, she begin to feel she no longer has a part to play in her Empire. She decides to retire from the stresses and strains of life as the Nation’s Head, move to a house bought off plan on a Caribbean Island and write her autobiography. Arrangements are made in secret by a footman, Brno, who is very generously rewarded for his silence, and Mrs Gloria Smith is on her way to St Lucia. Tennant gives the reader a plot with the potential for plenty of humour; indeed, the Queen is described partaking in many activities foreign to a monarch: packing her own bag; catching a mini-cab; being refused entry to a bar; wearing a T-shirt and flip-flops; serving cocktails; hiding from Palace staff; having the contents of her handbag stolen; and travelling economy class. But if readers who enjoyed Alan Bennett’s “The Uncommon Reader” or William Kuhn’s “Mrs Queen Takes The Train” are expecting something similar, they may well be disappointed. In comparison, this novel is less believable, the characters are less appealing, the story is less sympathetic to Her Majesty, it is just not as funny and unfortunately falls rather flat.
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This was a short and sweet, but completely ridiculous (and I suspect, instantly forgettable), read, imagining the Queen chucking in her monarchy for the chance to retire to the Caribbean. It was quite enjoyable, and good for a laugh, although I did feel that it dragged a little (despite being only 217 pages long) and became a bit repetitive after half-way.
I wanted to like this book. The idea that the Queen might desire to leave behind her royal responsibilities and retire to a tropical paradise is not outside the bounds of reason. We've all had fantasies, now and then, about changing our lives. And it makes sense that the Queen would be clueless about many of the particulars of navigating common life, since much of her life is planned--and the way smoothed--by others.
However, I found it unbelievable that she would up and leave without greater for
I wanted to like this book. The idea that the Queen might desire to leave behind her royal responsibilities and retire to a tropical paradise is not outside the bounds of reason. We've all had fantasies, now and then, about changing our lives. And it makes sense that the Queen would be clueless about many of the particulars of navigating common life, since much of her life is planned--and the way smoothed--by others.
However, I found it unbelievable that she would up and leave without greater foresight and better plans in place, even though those plans would have been woefully unrealistic and inadequate. Instead, the Queen is presented as both childlike and doddering. If it weren't for the occasional mentions of other members of the royal family, the Queen's abandoned corgis, and her large purse, the main character could be any elderly woman seemingly in mental decline. It's too easy for the reader to view the Queen the way some of the other characters do, as an apparently dotty old woman whose actions cause feelings of pity and irritation.
The book would have been much improved by a couple of things. First, there's a fair amount of rambling sentence construction and quite a few parenthetical comments. Well-crafted complex sentences are an asset to a work, but some of these tried to cover more territory than one sentence should have to handle. Second--and much more importantly--the characters really needed more depth. Most of the other characters had distinct actions in the plot, but it all fell flat--mainly because there was inadequate context (no inner depth or complexity) as to why the characters did what they did. The Queen would have been more believable and a more sympathetic character if we understood her motivations and her inner reasoning.
All in all, the characters don't meaningfully connect--with each other or with their own actions--and the Queen doesn't seem enough like her real-world self for the reader to suspend disbelief and invest in the initial excitement and ultimate pitfalls of her impulsive getaway.
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The Queen decides it's time e to retire from the throne and move to the Carribean. I came in expecting a fun and quick read and that's what I got. I laughed through most of it and really enjoyed it which is surprising as I don't really like humorous books. It was slightly repetitive but it could have been longer I'd more and different things happened during her time away.
I have never read any books by this author before but I thought that this storyline sounded interesting and a bit different. After reading previous reviews on this page I was quite intrigued by the plot. I have to say that I was hugely disappointed. I felt that the story started out quiet strong and I believed it would carry on in that way but it didn't. The Queen was portrayed as a forgetful old woman who knows nothing about real life and even manages to loose her passport and tickets. The othe
I have never read any books by this author before but I thought that this storyline sounded interesting and a bit different. After reading previous reviews on this page I was quite intrigued by the plot. I have to say that I was hugely disappointed. I felt that the story started out quiet strong and I believed it would carry on in that way but it didn't. The Queen was portrayed as a forgetful old woman who knows nothing about real life and even manages to loose her passport and tickets. The other characters are weak and very unbelievable and I didn't find them amusing. I would give this one a miss.
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It starts off really well, and then gets rather pathetic, I'm sorry to say. The premise is great - the Queen wants to escape and goes AWOL. In this story, however, she is a doddering old fool after a while, and the whole thing fell apart. Oh well. Back to the superb Alan Bennett and Sue Townsend....
This book was short - and extremely quick read with 3-4 page chapters. Tennant's prose was difficult for me to follow at times - I don't know if this is due to her writing, or due to my reading as an American (much of it was "proper" long-winded English/British-speak). Premise of the novel was cute, if not far-fetched; a fun little get-away read.
Mrs Tennant imagines how the Queen escapes to St. Lucia, naturally experiencing some unusual situations and meeting unusual people, from her (the Queen's) point of view. An agreeable, but not truly engrossing, gripping or surprising read. The book was a present, I would not have bought it myself.
a delightful read with surprisingly little dialog. With wry observations on what it would be like it the Queen decided she had enough and essentially ran away. And getting used to things such as being spoken to without speaking first. Fabulous.
Since the early 1970s, when she was in her mid-thirties, Emma Tennant has been a prolific novelist and has established herself as one of the leading British exponents of "new fiction." This does not mean that she is an imitator of either the French nouveaux romanciers or the American post-modernists, although her work reveals an indebtedness to the methods and preoccupations of some of the latter.
Since the early 1970s, when she was in her mid-thirties, Emma Tennant has been a prolific novelist and has established herself as one of the leading British exponents of "new fiction." This does not mean that she is an imitator of either the French nouveaux romanciers or the American post-modernists, although her work reveals an indebtedness to the methods and preoccupations of some of the latter. Like them, she employs parody and rewriting, is interested in the fictiveness of fiction, appropriates some science-fiction conventions, and exploits the possibilities of generic dislocation and mutation, especially the blending of realism and fantasy. Yet, although parallels can be cited and influences suggested, her work is strongly individual, the product of an intensely personal, even idiosyncratic, attempt to create an original type of highly imaginative fiction.
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