Shankar, a sitar player known as the godfather of world music for his role in opening Western ears to sounds from the East, gives an honest, in-depth look at his life and work in this prodigious autobiography. Like a fine musical composition, Shankar beautifully narrates his life's milestones--his early years in India, his travels as a performer in Paris during the 1930s,
Shankar, a sitar player known as the godfather of world music for his role in opening Western ears to sounds from the East, gives an honest, in-depth look at his life and work in this prodigious autobiography. Like a fine musical composition, Shankar beautifully narrates his life's milestones--his early years in India, his travels as a performer in Paris during the 1930s, his breakthrough in the West and rise to stardom during the '60s, his turbulent personal life in the '70s and '80s--while periodically returning to his basic theme: his love of music and the sitar. Throughout, Shankar builds on his 1968 book, My Music, My Life, which provided a general introduction to Indian music. He describes his performances in U.S. music festivals (Woodstock, he says, was " a terrifying experience" where "the music was incidental"); he also weaves in tales of people he affected (Gene Kelly, Richard Burton, Peter Sellers, Marlon Brando and, of course, editor Harrison), and those who influenced him--most importantly Ustad Allauddin Khan, the classical musician and pioneer of modern Hindustani instrumental music. Along with the enormous number of photographs that accompany this dense and lengthy work, Shankar presents letters and musical transcriptions to produce a history of Indian music during the 20th century. Although Shankar has been somewhat taken for granted in recent years due to his long-standing popularity, this book convincingly reasserts his historical importance.
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Hardcover
,
236 pages
Published
October 1st 1999
by Welcome Rain
(first published 1995)
As a book - a composite of content, illustrations, photographs, paper quality, the heft of its size and the sheer abundance of old ink - this one's a collector's item.
The main thing I've taken away from this study of the maestro's life is that he not only had immense talent, but also the discernment about which opportunities to pick. So, to some extent, his success looks effortless and his breaks, lucky - maybe the struggle and the long hours of practice are underplayed.
If you're looking for de
As a book - a composite of content, illustrations, photographs, paper quality, the heft of its size and the sheer abundance of old ink - this one's a collector's item.
The main thing I've taken away from this study of the maestro's life is that he not only had immense talent, but also the discernment about which opportunities to pick. So, to some extent, his success looks effortless and his breaks, lucky - maybe the struggle and the long hours of practice are underplayed.
If you're looking for details about his personal life - read women - there's not too much of it as the book revolves primarily around the man and his music.
I loved this book and still do. The life story of the one man perhaps most responsible for bringing Indian music and through it, culture, to the West.
Beginning with his life on tour as a dancer in his brother's band, continuing through his scholarship under Alluadin Khan, moving through years of touring places like France, Russia, and his work with the India Radio Orchestra, it glides up until his meeting with George Harrison and the years he recorded for Pacific Records in Los Angeles. He manag
I loved this book and still do. The life story of the one man perhaps most responsible for bringing Indian music and through it, culture, to the West.
Beginning with his life on tour as a dancer in his brother's band, continuing through his scholarship under Alluadin Khan, moving through years of touring places like France, Russia, and his work with the India Radio Orchestra, it glides up until his meeting with George Harrison and the years he recorded for Pacific Records in Los Angeles. He manages to explain the spiritual side of his music and how each improvisational performance is tuned to a specific emotional idiom. He makes some points about his relationship to the hippie culture which was introduced to him via the Monterey Pop Festival, and also some views about that culture and its use of drugs. Drugs, he insisted, are not necessary to enjoy and realize meaning from it. The
very purpose
of the music is to get you high. As for the young & drugs he argues "isn't being young enough of a high itself?" That kind of pure simplicity I find absolutely charming and a wonderful lesson (when considered in hindsight!) however, it was what it was, that era. which is not to say that he says
absolutely
no place for drugs in life-(in some places he does) but rather "they ought to be a reward for adult accomplishment rather than a way of life." Often I wished a lot of my peers could have or would have taken it to heart, there might be a few dozen more of them around. And despite slight disagreements over things like that, I love the guy & his musical philosophy and skills so much that at 90 years old now, I hope he keeps on playing until he's 100. He's a world treasure. Maybe by then he'll have helped us all vibrate up to a higher level of planetary consciousness.
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Wonderful self telling of one of the worlds masters life, from childhood in the Indian Opera up to the Beatle Years and after to present day! His relationship with George Harrison, world dignitaries, it is a wonderfully enriching tale.
A sincere and revealing book , inspiring for music lovers. The tale of a life devoted to music.
A great inspiration if you are curious about serious music forms other tahn western classical music.
Not sure how much you would like it if you are not a fan- but regardless- RS had lived a fascinating life and I bet most readers would enjoy it. For fans I would say required reading.
Ravi Shankar (Bengali: রবি শংকর; born Robindro Shaunkor Chowdhury on 7 April 1920), often referred to by the title Pandit, is an Indian musician and composer who plays the plucked string instrument sitar. He has been described as the best known contemporary Indian musician.
In 1956, he began to tour Europe and America playing Indian classical music and increased its popularity there in the 1960s th
Ravi Shankar (Bengali: রবি শংকর; born Robindro Shaunkor Chowdhury on 7 April 1920), often referred to by the title Pandit, is an Indian musician and composer who plays the plucked string instrument sitar. He has been described as the best known contemporary Indian musician.
In 1956, he began to tour Europe and America playing Indian classical music and increased its popularity there in the 1960s through teaching, performance, and his association with violinist Yehudi Menuhin and George Harrison of The Beatles. Shankar engaged Western music by writing concerti for sitar and orchestra and toured the world in the 1970s and 1980s. From 1986 to 1992 he served as a nominated member of the upper chamber of the Parliament of India. Shankar was awarded India's highest civilian honor, the Bharat Ratna, in 1999, and received three Grammy Awards. He continues to perform in the 2000s, often with his daughter Anoushka.
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