Postscript by Vincent ScullyBased on notebooks composed since 1971, Aldo Rossi's memoir intermingles his architectural projects, including discussion of the major literary and artistic influences on his work, with his personal history. His ruminations range from his obsession with theater to his concept of architecture as ritual. The illustrations--photographs, evocative i
Postscript by Vincent ScullyBased on notebooks composed since 1971, Aldo Rossi's memoir intermingles his architectural projects, including discussion of the major literary and artistic influences on his work, with his personal history. His ruminations range from his obsession with theater to his concept of architecture as ritual. The illustrations--photographs, evocative images, as well as a set of drawings of Rossi's major architectural projects prepared particularly for this publication--were personally selected by the author to augment the text.
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Paperback
,
125 pages
Published
April 26th 1984
by MIT Press (MA)
(first published January 1st 1981)
This book is less of an autobiography and more a collection of very poetic musings on architecture, written by this iconic Italian architect. I read this for my first semester studio class, but I found myself constantly reminded of why I was an English major in college: so many sentences that are beautiful not for what they describe but for what they themselves are . . . "the stasis of those timeless miracles, to tables set for eternity, drinks never consumed, things which are only themselves."
Aldo Rossi ( was an Italian architect and designer who accomplished the unusual feat of achieving international recognition in four distinct areas: theory, drawing, architecture and product design.
Rossi was born in Milan, Italy. In 1949 he started studying architecture at the Politecnico di Milano where he graduated in 1959. Already in 1955 he started writing for the Casabella magazine, where he b
Aldo Rossi ( was an Italian architect and designer who accomplished the unusual feat of achieving international recognition in four distinct areas: theory, drawing, architecture and product design.
Rossi was born in Milan, Italy. In 1949 he started studying architecture at the Politecnico di Milano where he graduated in 1959. Already in 1955 he started writing for the Casabella magazine, where he became editor between 1959–1964.
Aldo Rossi died in a car accident in September 1997 in Milan.
Aldo Rossi won the prestigious Pritzker Prize for architecture in 1990. Ada Louise Huxtable, architectural critic and Pritzker juror, has described Rossi as "a poet who happens to be an architect."
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