More than thirty years after it was written, the autobiography of Carson McCullers,
Illumination and Night Glare
, will be published for the first time. McCullers, one of the most gifted writers of her generation—the author of
Member of the Wedding, Reflections in a Golden Eye,
and
The Ballad of Sad Cafe
—died of a stroke at the age of fifty before finishing this, her last m
More than thirty years after it was written, the autobiography of Carson McCullers,
Illumination and Night Glare
, will be published for the first time. McCullers, one of the most gifted writers of her generation—the author of
Member of the Wedding, Reflections in a Golden Eye,
and
The Ballad of Sad Cafe
—died of a stroke at the age of fifty before finishing this, her last manuscript. Editor Carlos L. Dews has faithfully brought her story back to life, complete with never-before-published letters between McCullers and her husband Reeves, and an outline of her most famous novel,
The Heart Is a Lonely Hunter
.
Looking back over her life from a precocious childhood in Georgia to her painful decline from a series of crippling strokes, McCullers offers poignant and unabashed remembrances of her early writing success, her family attachments, a troubled marriage to a failed writer, and friendships with literary and film luminaries (Gypsy Rose Lee, Richard Wright, Isak Dinesen, John Huston, Marilyn Monroe), and the intense relationships of the important women in her life.
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Paperback
,
256 pages
Published
December 5th 2001
by University of Wisconsin Press
(first published 1999)
Vorangestellt ist Carson McCullers Autobiographie eine Einleitung vom Herausgeber, Carlos L. Dews. Diese vermittelt, wenn auch nicht unbedingt inspirierend geschrieben, einen ersten zusammenhängenden Überblick über McCullers Leben, was hilfreich ist, da McCullers bei ihrer Autobiographie weder um Vollständigkeit noch um chronologische Abläufe bemüht ist.
Warum in der deutschen Ausgabe der Apparat der von der Autorin überarbeiteten Stellen nicht abgedruckt wurde, der in der Originalausgabe vorhand
Vorangestellt ist Carson McCullers Autobiographie eine Einleitung vom Herausgeber, Carlos L. Dews. Diese vermittelt, wenn auch nicht unbedingt inspirierend geschrieben, einen ersten zusammenhängenden Überblick über McCullers Leben, was hilfreich ist, da McCullers bei ihrer Autobiographie weder um Vollständigkeit noch um chronologische Abläufe bemüht ist.
Warum in der deutschen Ausgabe der Apparat der von der Autorin überarbeiteten Stellen nicht abgedruckt wurde, der in der Originalausgabe vorhanden ist, ist unverständlich. Denn eine kritische deutsche Ausgabe der Autobiographie ist nicht zu erwarten, so dass der deutschsprachige Leser diese Informationen nicht erlangen wird.
"Mein Leben folgte einem Muster, an das ich mich immer gehalten habe. Arbeit und Liebe."
Wenn man sich die Höhen, vor allem aber die Tiefen im Leben der Autorin vergegenwärtigt, ist das eine bedeutsame Reduktion.
Auch zum Thema Sex gibt McCullers Auskünfte:
"Zwischenzeitlich hatte ich mich 1937, in meinem neunzehnten Lebensjahr, in Reeves McCullers verliebt und ihn geheiratet. Zu meinen Eltern sagte ich, ich würde ihn erst heiraten, wenn ich vorher Sex mit ihm gehabt hätte, denn wie sollte ich sonst wissen, ob mir das Verheiratetsein gefallen würde oder nicht. Ich hatte das Gefühl, das meinen Eltern gestehen zu müssen. Ich sagte, die Ehe sei ein Versprechen & wie bei anderen Versprechen wolle ich Reeves nichts versprechen, bis ich mir absolut sicher sei, ob ich den Sex mit ihm mochte. Isadora Duncan & Lady Chatterley zu lesen war eine Sache, aber die persönliche Erfahrung war etwas völlig anderes. Außerdem waren in allen Büchern nur kleine Sternchen zu finden, wenn es zu den Dingen kam, die man wirklich wissen wollte. Als ich meine Mutter fragte, was es mit dem Sex auf sich hätte, zog sie mich hinter die Stechpalme & sagte mit ihrer umwerfenden Schlichtheit: "Sex, mein Schatz, findet da statt, wo man sich draufsetzt." Folglich war ich gezwungen, Handbücher über Sex zu lesen, was die ganze Sache nicht nur extrem langweilig, sondern auch unglaubhaft erscheinen ließ."
So offen und launig liest sich der Anfang der Autobiographie, die McCullers schwerstkrank kurz vor ihrem Tode zu diktieren begonnen hat.
Aber vieles von dem, was dann folgt, ist selbst für einen begeisterten Leser ihrer Romane und Erzählungen nur von sehr bedingtem Interesse.
Natürlich zögere ich zu sagen, dass die Autobiographie oberflächlich und unzusammenhängend geschrieben ist, aber zu vieles erschließt sich dem Leser so überhaupt nicht.
Ihre Beziehung zu ihrem zweimaligen Ehemann Reeves bleibt genauso wenig fasslich wie überhaupt Freundschaften und Beziehungen dieser außergewöhnlichen Autorin. Einerseits erfreulich unlarmoyant und unpathetisch, andererseits nur wenige tiefergreifende Einsichten gewährend, ging es mir bei der erneuten Lektüre wie schon vor 11 Jahren: ein Buch, das ich mit hohen Erwartungen zur Hand nehme, um es dann enttäuscht beiseite zu legen.
Verstehe ich McCullers Absichten nicht oder ist ihre Biographie ein allerletztes, gescheitertes Projekt?
Für mich ist dieses Buch leider eine Enttäuschung.
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After reading The Heart is a Lonely Hunter recently, I wanted to know more about Carson McCullers. This is one book I got - the unfinished autobiography.
McCullers was fifty years old and bedridden when she started this. At times it was very difficult to do - she had to dictate to others, and even speaking was not always easy. Since having rheumatic fever as a child, she had several strokes throughout her life, c
I registered a book at BookCrossing.com!
http://www.BookCrossing.com/journal/12889048
After reading The Heart is a Lonely Hunter recently, I wanted to know more about Carson McCullers. This is one book I got - the unfinished autobiography.
McCullers was fifty years old and bedridden when she started this. At times it was very difficult to do - she had to dictate to others, and even speaking was not always easy. Since having rheumatic fever as a child, she had several strokes throughout her life, culminating in a very bad one that left her in bed, waiting until she could have her leg removed (complications). She died before she finished.
Thus this is a first draft of part of the story. Based on what I've read of her working habits, she would have spent a great deal of time rewriting and editing after finishing a draft. She didn't get the chance, and we are probably the poorer for it.
The title she chose refers to inspirations and blocks in her writing life. It suggests that she intended that her autobiography delve into her writing and her relationships based on her writing, rather than on more personal sides of her. While she did make a note to include letters written between herself and her ex-husband Reeves (whom she married for a second time after WWII), she reveals very little about their relationship. She also skips entirely a significant relationship the two of them had with a third person (noted in the lengthy introduction by Carlos L. Dews). Very little "real" emotion makes it onto the page. I had the sense of her writing so as not to offend or alarm any friends. LIke a soft curtain was placed over the reality.
I was disappointed, therefore, in the autobiography itself. I wish she had had the time to finish it, as it might have become a very different book. I also found the letters between Carson and Reeves as, frankly, tiresome. Although both profess to great love for the other, I simply didn't feel it. I did enjoy reading the lengthy "outline" of "Lonely Hunter". The outline was used to sell the book to the publisher before it was finished, and it worked. It illuminates much in the book for anyone wanting to take it apart and understand the messages. It also reveals how much detail she put into her novels, how much planning and thinking.
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Nur was für ganz harte Fans. Keine Ahnung, ob die Übersetzung derart schlecht ist oder McCullers nicht mehr genug Zeit hatte, um dem Text irgendeinen Schliff zu geben; im Grunde ist es eine Aufzählung von "been there, done that". Ihr Anspruch, dem Leser zu zeigen, wie es ist, schlagartig berühmt zu werden, wird sie nie gerecht. Es wirkt alles ein wenig verzweifelt; sie beschreibt die Tragödien ihrer Ehe, die Zerstörung ihrer Gesundheit im Ton einer Cocktailparty-Konversation. Von dem Schwindel,
Nur was für ganz harte Fans. Keine Ahnung, ob die Übersetzung derart schlecht ist oder McCullers nicht mehr genug Zeit hatte, um dem Text irgendeinen Schliff zu geben; im Grunde ist es eine Aufzählung von "been there, done that". Ihr Anspruch, dem Leser zu zeigen, wie es ist, schlagartig berühmt zu werden, wird sie nie gerecht. Es wirkt alles ein wenig verzweifelt; sie beschreibt die Tragödien ihrer Ehe, die Zerstörung ihrer Gesundheit im Ton einer Cocktailparty-Konversation. Von dem Schwindel, der Dichte und der Kraft ihrer Romane hat das Buch nichts; am Ende bleibt das leere Gefühl, dass McCullers ihre Stoffe sehr viel besser beherrscht hat als ihr Leben (und das bei einer Autorin, die als gnadenlos autobiografisch gilt; vielleicht der interessanteste Widerspruch, den das Buch aufreißt).
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This is not a great autobiography in the traditional sense, but it offers a truly compelling glimpse into how McCullers wanted others to see her. The editors have done a fine job of laying out the specific lapses and questions inherent in any unfinished manuscript, and the text becomes as interesting for what is written as for what feels purposefully left out. If you love McCullers and her work (and I do), this feels as close as possible to having her talk right to you. She's spinning stories at
This is not a great autobiography in the traditional sense, but it offers a truly compelling glimpse into how McCullers wanted others to see her. The editors have done a fine job of laying out the specific lapses and questions inherent in any unfinished manuscript, and the text becomes as interesting for what is written as for what feels purposefully left out. If you love McCullers and her work (and I do), this feels as close as possible to having her talk right to you. She's spinning stories at every turn and I don't believe 3 words out of every 4, but within that willful construction lurks the story I'm most interested in: how McCullers saw herself and her place in the world around her. Of course, this would have been a far better book had she not died before completing and revising the manuscript, but even an early, fragmented draft provides real insight into the persona McCullers was desperate to carve out for herself.
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This is not as polished a manuscript as most of McCullers's books, but it is important nonetheless to show her growing as a writer even near the end of her life. Her turn toward memoir was both painful for her and unusual for the time. It was a brave move for her to examine her own often difficult life.
Carson McCullers (February 19, 1917 – September 29, 1967) was an American writer. She wrote fiction, often described as Southern Gothic, that explores the spiritual isolation of misfits and outcasts of the South.
From 1935 to 1937 she divided her time, as her studies and health dictated, between Columbus and New York and in September 1937 she married an ex-soldier and aspiring writer, Reeves McCul
Carson McCullers (February 19, 1917 – September 29, 1967) was an American writer. She wrote fiction, often described as Southern Gothic, that explores the spiritual isolation of misfits and outcasts of the South.
From 1935 to 1937 she divided her time, as her studies and health dictated, between Columbus and New York and in September 1937 she married an ex-soldier and aspiring writer, Reeves McCullers. They began their married life in Charlotte, North Carolina where Reeves had found some work. There, and in Fayetteville, North Carolina, she wrote her first novel,
The Heart Is a Lonely Hunter
, in the Southern Gothic tradition.
The title, suggested by McCullers's editor, was taken from Fiona MacLeod's poem "The Lonely Hunter." However, many (including Carson McCullers) claim she wrote in the style of Southern Realism, a genre inspired by Russian Realism. The novel itself was interpreted as an anti-fascist book. Altogether she published eight books.
The Heart Is a Lonely Hunter
(1940), written at the age of twenty-three,
Reflections in a Golden Eye
(1941), and
The Member of the Wedding
(1946), are the best-known. The novella
The Ballad of the Sad Cafe
(1951) also depicts loneliness and the pain of unrequited love. She was an alumna of Yaddo in Saratoga, New York.
The Heart Is a Lonely Hunter
was filmed in 1968 with Alan Arkin in the lead role.
Reflections in a Golden Eye
was directed by John Huston (1967), starring Marlon Brando and Elizabeth Taylor. Some of the film was shot in New York City and on Long Island, where Huston was permitted to use an abandoned Army installation.
Many of the interiors and some of the exteriors were done in Italy. "I first met Carson McCullers during the war when I was visiting Paulette Goddard and Burgess Meredith in upstate New York," said Huston in
An Open Book
(1980).
"Carson lived nearby, and one day when Buzz and I were out for a walk she hailed us from her doorway. She was then in her early twenties, and had already suffered the first of a series of strokes. I remember her as a fragile thing with great shining eyes, and a tremor in her hand as she placed it in mine. It wasn't palsy, rather a quiver of animal timidity. But there was nothing timid or frail about the manner in which Carson McCullers faced life. And as her afflictions multiplied, she only grew stronger."
After a lifelong health problems including severe alcoholism, McCullers died of brain hemorrhage.
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