WHO SHOT WALTER KURTZ?
Nobody. Walter Kurtz doesn’t exist. He’s the alter ego of me, Peter Kuper. But, if he were real, perhaps his obituary would read something like this:
Walter Kurtz, illustrator and self-exposing cartoonist, dies of embarrassment at 48.
Walter Alan Kurtz, born September 22,1958, in Cleveland, Ohio, to Harvey and Olive Kurtz (an Ellis Island rewrite from K
WHO SHOT WALTER KURTZ?
Nobody. Walter Kurtz doesn’t exist. He’s the alter ego of me, Peter Kuper. But, if he were real, perhaps his obituary would read something like this:
Walter Kurtz, illustrator and self-exposing cartoonist, dies of embarrassment at 48.
Walter Alan Kurtz, born September 22,1958, in Cleveland, Ohio, to Harvey and Olive Kurtz (an Ellis Island rewrite from Kurtzberg), was pronounced dead at Mt. Sinai Hospital on Monday. He was rushed there following his collapse at the publication party for his coming-of-middle-age novel,
Stop Forgetting to Remember.
Kurtz was among the wave of cartoonists who helped to redefine the medium of comics and ushered in an explosion of interest in the graphic novel. He was noted for drawing the world-famous “Ebony vs. Ivory” for
Nuts
magazine every month and for cofounding the political zine
Bomb Shelter
with his lifelong friend Saul Blockman.
As an educator and lecturer, Kurtz has encouraged legions of aspiring cartoonists to avoid entering the field. He was a successful illustrator whose work appeared in numerous newspapers and magazines, but his heart belonged to cartooning until the end.
Survived by his wife, Sandra B. Russ, and their only child.
Of course, a laundry list of Walter Kurtz’s accomplishments barely scratches the surface of the cartoon character. Are professional details what define an alter ego?
“Brilliantly insightful,” “Painfully hilarious,” and “Pow! Blam! Bang! Comics aren’t just for kids anymore!” are words I’ve heard to describe Walter Kurtz’s work.Yet I can’t keep from wondering whether this excessive praise comes from people who are ignorant of the medium’s capacity to address serious subject matter like parenting and masturbation. But jealousy aside, the truth is, I could never bring myself to delve as deep and reveal as many embarrassing details as he has bravely (?) done in this book. The idea of exposing one’s shameful history for all to see is beyond me, and frankly I’m still baffled by what motivates him. One can only imagine the discomfort this must have created for friends and family, most especially for his long-suffering wife, Sandra. My spouse would have killed me!
But let me not end these flaps on a down note. I personally believe his self-immolation illuminates our understanding of the human condition and helps comics take another step closer to receiving the recognition they deserve as a serious art form. The best obituary that will ever be written about Walter Kurtz is the graphic novel you hold in your hands.
I didn't finish it so perhaps I shouldn't rate it, but I didn't finish it because I found it to be pretty dreadful. Guy talking about being a comic artist, something of a fictionalized memoir all about being a nerd as a kid, doing a lot of drugs, trying to get laid. There are parts that take place in the present, with his wife, with his old friend, kind of connecting the flashbacks. The third of the book I read I find to be smug, self-absorbed, cliched, creepily objectifying of women. I've r
Ick.
I didn't finish it so perhaps I shouldn't rate it, but I didn't finish it because I found it to be pretty dreadful. Guy talking about being a comic artist, something of a fictionalized memoir all about being a nerd as a kid, doing a lot of drugs, trying to get laid. There are parts that take place in the present, with his wife, with his old friend, kind of connecting the flashbacks. The third of the book I read I find to be smug, self-absorbed, cliched, creepily objectifying of women. I've read a lot of books that have some similar subject matter. "The Alcoholic", "Brooklyn Dreams" are two I can name right off. Those books are interesting and captivating, they dig a lot deeper. And I recently read "The Worst Idea Ever." It's a much more kid-friendly book, but still, in a way, similar, and a lot more charming and soulful. "Perfect Example" by John Porcellino could be thought of as similar in subject matter, too. It's a lot more complex, subtle, emotionally present. Gabrielle Belle's writing about writing, the life of a comic artist, and maybe Ariel Schragg's too, and her writing about high school. Jeffrey Brown. There are a lot of comics who write about writing comics, and who write about their frustrating or painful teenage years and I've liked them all. I guess this one's just not for me.
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I would have called it two stars, but Peter Kuper is a really talented artist, with all the brilliant woodcut work in his version of The Metamorphisis, his version with David Mazzucchelli of Paul Auster's City of Glass, rich, sophisticated, nuanced, insightful, helping us rethink the nature of narrative... brilliant artwork.. and the art in this story, which is essentially the autobiography of Kuper, depicting Kurtz as a kind of alter-ego (?) , and for what reason, and it is really not that funn
I would have called it two stars, but Peter Kuper is a really talented artist, with all the brilliant woodcut work in his version of The Metamorphisis, his version with David Mazzucchelli of Paul Auster's City of Glass, rich, sophisticated, nuanced, insightful, helping us rethink the nature of narrative... brilliant artwork.. and the art in this story, which is essentially the autobiography of Kuper, depicting Kurtz as a kind of alter-ego (?) , and for what reason, and it is really not that funny or insightful or compelling. Not anything like the depth of Kafka, trust me. Included for humor's sake is what seems to be the obligatory memoir story of the shy, awkward comic would-be comic book artist nerd's long, painful process of getting laid for the first time... but not worth going out of the way to read, trust me. Nor are his not so insightful stories of getting stoned with his perpetually juvenile friend for decades, nor his stereotypically reluctant move to grow up and parent... meh. Stick to adaptation, Kuper, so you fan focus on your considerable artistic skills. Since this is a book written some time ago, looks like he actually took this advice.
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It is a truth universally acknowledged that the only thing worse than hearing one of your friends brag about his acid trips is hearing two of your friends brag about their adorable baby. Similarly, the only kind of autobiographical comic I dread reading more than the teenage drug fiend story is the "let's have a baby" story. The hipster and the bourgeoisie are the twin horns of lame, and these two emblematic narratives are like their spoor, left behind when they pass.
So Peter Kuper's Stop Forget
It is a truth universally acknowledged that the only thing worse than hearing one of your friends brag about his acid trips is hearing two of your friends brag about their adorable baby. Similarly, the only kind of autobiographical comic I dread reading more than the teenage drug fiend story is the "let's have a baby" story. The hipster and the bourgeoisie are the twin horns of lame, and these two emblematic narratives are like their spoor, left behind when they pass.
So Peter Kuper's Stop Forgetting to Remember focuses on drug use and babies, which is on the face of it a big problem. It also contains a "how I lost my virginity story" and a "I'll teach that bitch who didn't love me a lesson" story, all tied together by a chatty narrator ("Okay, okay! We get the picture! Jesus, don't you ever shut up??" one character complains. "Can't you see I'm trying to sleep?"); if you're starting to get worried, you're not the only one.
(Of course Stop Forgetting to Remember isn't technically autobiographical; the protagonist is named Walter Kurtz (a nod to both Howard Kurtzman and Jacob "Jack Kirby" Kurtzberg as well as Walt Kelly), and Seth Tobocman is named Saul, etc. There may be other minor differences that those familiar with the minutiae of Kuper's life can seek out, but, really, Kurtz is an authorial stand-in if there ever was one.)
Adding to the problem is the fact that Kuper has incorporated a couple of older pieces into the text. When Pynchon did this in V., he rewrote the interpolated story so its style would match the main narrative, but revising comics is really hard and time-consuming, and so the old material tends to stick out like a sore thumb, especially since it's not always well-integrated. The Richie Bush parody from World War Three Illustrated seems particularly shoehorned in, but then even a lot of the new material is awkwardly shoehorned in.
If all of this makes Stop Forgetting to Remember sound terrible--well, it's better than it sounds. Kuper's storytelling is strong, he's just telling the wrong stories. And his art, although uneven, is at its best very striking; his distinctive woodcut style is abstracted enough that it lets Kuper slip in surreal or cartoony moments when it suits his purpose. When running like a scared rabbit, a character turns into a rabbit. When dizzy and confused, a character turns into a dreidel. This sounds rather simplistic and overly literal, but its execution is charming.
In the end, the real problem with Stop Forgetting to Remember (in addition to all the ones enumerated above) is, I think, one of distance. Kuper's neither removed enough from his experiences that he can look back dispassionately and analyze it (as, say, Chester Brown does) nor close enough to them to make us feel that the emotions are happening now and the trauma is our own (as, say, Lynda Barry does). The in between stage just feels kind of...awkward. The best part of the collection is probably the account of Kurtz's experiment with bisexuality, if only because straight men having gay sex is still taboo enough to require some courage to write about, which creates an interesting dynamic the rest of the book lacks. The fact that this portion of the book ends with a horrible girlfriend crawling like a worm, even turning into a little cartoon worm as she grovels over the phone--well, this is typical of the maturity level of the book.
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Hace poco empecé a leer novela gráfica y me he convertido en fan. La novela gráfica a diferencia del comic es una historia de extensión larga, ilustrada por viñetas y escrita por un solo autor (apuesto a que hay muchas más diferencias, pero esta definición me pareció muy práctica).
Hay alguien del que me he enamorado perdidamente Peter Kuper, él ha colaborado en publicaciones como Newsweek, Time, The New York Times y MAD (revista en la que dibuja la tira Spy vs.Spy) además de ser autor de numeros
Hace poco empecé a leer novela gráfica y me he convertido en fan. La novela gráfica a diferencia del comic es una historia de extensión larga, ilustrada por viñetas y escrita por un solo autor (apuesto a que hay muchas más diferencias, pero esta definición me pareció muy práctica).
Hay alguien del que me he enamorado perdidamente Peter Kuper, él ha colaborado en publicaciones como Newsweek, Time, The New York Times y MAD (revista en la que dibuja la tira Spy vs.Spy) además de ser autor de numerosas novelas gráficas (algunas de ellas autobiográficas) así como de diarios ilustrados, otra de las cosas que ha hecho es ilustrar historias ya conocidas como la Metamorfosis y A través del espejo.
Una de las tantas cosas que me gustaron de Kuper fue su particular postura tanto política como de vida, él ha sido un crítico del gobierno de Bush y del gobierno gringo, en los distintos diarios que ha hecho de sus viajes muestra los diferentes matices de los países que ha visitado, para él ”es importante tratar de hacer mi parte para buscar comunicación con otras personas, para decir algo y tratar de cambiar las cosas”, creo que estas palabras resumen a la perfección el trabajo de Kuper y la razón por la que lo encontré maravilloso.
Si quieren comenzar a leerlo recomiendo estos libros,
Diario de Oaxaca
Mi favorito, habla de su paso por Oaxaca durante el conflicto de maestros en 2006, no solo explica la visión que tuvo del problema sino que muestra pasajes muy bonitos de la vida en Oaxaca, desde los olores que percibió, los insectos, la comida y las diferentes expresiones gráficas que podían verse en las calles.
Diario de Nueva York
En este diario nos muestra la historia y aventuras en esta ciudad, particularmente su paso por Brooklyn, así como su experiencia durante los hechos del 11 de septiembre. Este libro tiene poco texto y más imágenes.
No te olvides de recordar
¡Uy! este es otro que me encantó, es una especie de autobiografía en donde nos cuenta su historia, recuerdos de su niñez, adolescencia así como su experiencia como padre primerizo y el proceso mediante el cual se convirtió en ilustrador y escritor.
Me gusta porque se me hace un libro honesto narrado de manera agridulce, sin ser ñoñisimo ni sensiblero, logra conmover, reír y reflexionar :)
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An autobiography of cartoonist Peter Kuper, billed as "The Autobiography of Walter Kurtz," is a step or two removed from the author. In fact, it is also removed from the readership.
Kuper, famed New York-based cartoonist behind such as
Sticks and Stones,
Give it Up! and Other Stories by Franz Kafka,
and
Stripped
, hides behind his alter ego of Walt Kurtz, presumably for reasons of privacy (more specifically, that of the secondary characters herein). However, he also relies heavily on the use of st
An autobiography of cartoonist Peter Kuper, billed as "The Autobiography of Walter Kurtz," is a step or two removed from the author. In fact, it is also removed from the readership.
Kuper, famed New York-based cartoonist behind such as
Sticks and Stones,
Give it Up! and Other Stories by Franz Kafka,
and
Stripped
, hides behind his alter ego of Walt Kurtz, presumably for reasons of privacy (more specifically, that of the secondary characters herein). However, he also relies heavily on the use of storybook narration - that is, each encounter in his life is depicted in the form of a narrated minicomic, and the tale is presided over by the adult "Kurtz" character.
The book itself is a feel-good, enjoyable read, and is filled with humour one might expect from Kuper - self-debasing anecdotes from his childhood, and the occasional self-parodic entry (his "Ebony vs. Ivory" spoofs his work in
MAD Magazine
, for example) keep the tone light and fun. Sadly, since the book was prepared over a span of a decade or more, it seems to lack a lot of the spontaneity or extemporization that a more contemporary effort would attain.
Not by any means a
bad
book, but a somewhat underwhelming one from this artist of renown.
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It seems that if you have read one autobiographical comic you may have read them all.
As a rule of thumb (so that you know) comic artists and cartoonists live very boring lives enriched only by tattle tale sex lives that they illustrate very well on paper. Everyone of them will complain about the industry and go on about their struggle as artists.
That's the males, anyway.
After you've read a few they seem so same ole same ole -- often varying only in their penchant for misogyny.
Peter Kuper's eff
It seems that if you have read one autobiographical comic you may have read them all.
As a rule of thumb (so that you know) comic artists and cartoonists live very boring lives enriched only by tattle tale sex lives that they illustrate very well on paper. Everyone of them will complain about the industry and go on about their struggle as artists.
That's the males, anyway.
After you've read a few they seem so same ole same ole -- often varying only in their penchant for misogyny.
Peter Kuper's efforts are better than others. More respectful of his female partners, more mature, more keenly observant of the rest of the world. Throw in his engaging and very inventive graphic style and you get a biopictorial better than most of the pack.
There's more confidence here. Less indulgent dross. It may meander a bit ..and in the end , not go anywhere special, but it works. If you are into the genre,
Stop Forgetting to Remember
is an essential read .
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This one has been on my to-read list for a long time, and what finally prompted me to get off my ass and read it was Kuper's brief bio of Harvey Kurtzman in the new Masterful Marks collection. And as with that bio, this "autobiography" -- Kuper frames his own story as a fiction, in many ways -- is presented in an unconventional manner, which is one of the narrative's greatest strengths. The last 1/5 of the book becomes less reflective of the past (and the implications of that in the present) and
This one has been on my to-read list for a long time, and what finally prompted me to get off my ass and read it was Kuper's brief bio of Harvey Kurtzman in the new Masterful Marks collection. And as with that bio, this "autobiography" -- Kuper frames his own story as a fiction, in many ways -- is presented in an unconventional manner, which is one of the narrative's greatest strengths. The last 1/5 of the book becomes less reflective of the past (and the implications of that in the present) and more of a commentary on the current events during which this book was finished: 9/11, the Bush presidency, etc. In this way, that last part has less of a personal feel and more of a tone like you'd find in Kuper's World War III anthology. But that's fine, as the impact of that part is still effective. But as a result, the narrative has a different tone at the end than what had come before.
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Brilliant. Absolutely brilliant graphic novel, autobiography of the artist. A 50ish guy reflects on growing up in the 60s, school, marriage, children, trying to earn a living, drugs, sex, politics, friendship, . . . everything. I loved every minute of this. Every guy in that certain age bracket will identify with many parts of this story.
Peter Kuper segue neste livro a tão americana tradição do comic auto-biográfico. Misturando reminiscências da adolescência com reflexões sobre momentos íntimos da vida contemporânea,
Stop Forgetting to Remember
segue à risca o cânone deste género de banda desenhada tão querida dos criadores independentes americanos. Mas deste autor espera-se mais do que recordações de charros fumados, reminiscências de antigas namoradas ou colisões com o mundo das fraldas. O artifício de criar uma autobiografia
Peter Kuper segue neste livro a tão americana tradição do comic auto-biográfico. Misturando reminiscências da adolescência com reflexões sobre momentos íntimos da vida contemporânea,
Stop Forgetting to Remember
segue à risca o cânone deste género de banda desenhada tão querida dos criadores independentes americanos. Mas deste autor espera-se mais do que recordações de charros fumados, reminiscências de antigas namoradas ou colisões com o mundo das fraldas. O artifício de criar uma autobiografia de um cartoonista fictício modelado no autor é intrigante mas o poder de Kuper está na sua linguagem visual, que neste livro não é levada ao seu nível habitual. Este género de banda desenhada é tão explorado que é difícil não ultrapassar o banal, e Kuper só o consegue quase nas últimas páginas da graphic novel, quando o choque do 11 de setembro se faz sentir na sua vida.
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Even for an alter-ego, Walter Kurtz seems to be drawn dangerously close to the reality of artist-author Peter Kuper, but the obscured lines between fact and fiction serves to ground the story and make it accessible to anyone who reads it.
Walter narrates the reflections on his past, leaving no humiliating detail unexamined, starting with his hormone- and drug-fueled adolescence. The pains of growing up are interspersed with his pains of being grown up: parenthood, losing touch with old friends an
Even for an alter-ego, Walter Kurtz seems to be drawn dangerously close to the reality of artist-author Peter Kuper, but the obscured lines between fact and fiction serves to ground the story and make it accessible to anyone who reads it.
Walter narrates the reflections on his past, leaving no humiliating detail unexamined, starting with his hormone- and drug-fueled adolescence. The pains of growing up are interspersed with his pains of being grown up: parenthood, losing touch with old friends and coping with 9/11 and the war that followed.
It feels extremely personal, that even if the details are a work of the imagination, the emotions are real. The story intertwines past and present seamlessly with an honesty that’s almost painful to read at times, but it’s irresistible and expertly illustrated to capture the often surreal journey of life.
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Imagine: I'm happily pedaling along on the stationary bike, reading this book, when barely a dozen pages in--RRRRAAAAAARRRRKKKK! The demon storyline rears its ugly head yet again! I came
this
close to bursting out in tears right in the middle of the gym. I left in a hurry, hopped in my car and shoved the hated thing in the library's deposit chute before it could infect me further.
If only
I
could forget to remember. As it is, if I kept reading I was at risk to stop forgettin
I couldn't finish it.
Imagine: I'm happily pedaling along on the stationary bike, reading this book, when barely a dozen pages in--RRRRAAAAAARRRRKKKK! The demon storyline rears its ugly head yet again! I came
this
close to bursting out in tears right in the middle of the gym. I left in a hurry, hopped in my car and shoved the hated thing in the library's deposit chute before it could infect me further.
If only
I
could forget to remember. As it is, if I kept reading I was at risk to stop forgetting the location of the keys to the gun safe and start remembering the correct angle to point that nice shiny Springfield so it'll take out my brainstem in a millisecond. (Whew! That one sure felt like a bullseye!)
Thanks for destroying my life! Yippee, see you later!
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There's plenty in this that seems all too familiar ...another graphic novel by a comic artist about a comic artist..about singles scene...about coming of age...teenage masturbation and drugs..troubles with women etc. But despite all this, i really enjoyed it. Kuper's cleverness humour and honesty save him. His attitude to women is not misogynist (as one reviewer below says) it's honest- and this is a good book to see a man's point of view. I don;t love his art which often feels boxy and stiff, b
There's plenty in this that seems all too familiar ...another graphic novel by a comic artist about a comic artist..about singles scene...about coming of age...teenage masturbation and drugs..troubles with women etc. But despite all this, i really enjoyed it. Kuper's cleverness humour and honesty save him. His attitude to women is not misogynist (as one reviewer below says) it's honest- and this is a good book to see a man's point of view. I don;t love his art which often feels boxy and stiff, but he does well here and with much nicer lettering than in his usual books...I spent a very pleasant afternoon with it.
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The autobiography of Walter Kurtz, but really an only slightly fictionalized version of the life of Peter Kuper. Really one of the better graphic novels I've read in a while. Covers all the normal territory of autobio-gns, but the art is so sophisticated and the content is well thought out, meta-treated, and downright deep. Quality stuff. Read it in one sitting. I especially appreciated Kuper's integration of experimental techniques (elements of fantasy/magic realism, creative use of color...) i
The autobiography of Walter Kurtz, but really an only slightly fictionalized version of the life of Peter Kuper. Really one of the better graphic novels I've read in a while. Covers all the normal territory of autobio-gns, but the art is so sophisticated and the content is well thought out, meta-treated, and downright deep. Quality stuff. Read it in one sitting. I especially appreciated Kuper's integration of experimental techniques (elements of fantasy/magic realism, creative use of color...) into the more traditional autobio context.
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This guy is a dick. I had picked this up since it was a graphic novel. When I was flipping through it he (towards the end of the novel) talks about parenthood and it sparked my interest. I read it yesterday and I'm still pissed. He has no respect for women and it makes me sick to my stomach that he has a daughter that someday might read his vacant, self-serving, diatribe that reeks of disrespect for women. Women are not stepping stones on your path through life Peter Kuper, (or things to ogle li
This guy is a dick. I had picked this up since it was a graphic novel. When I was flipping through it he (towards the end of the novel) talks about parenthood and it sparked my interest. I read it yesterday and I'm still pissed. He has no respect for women and it makes me sick to my stomach that he has a daughter that someday might read his vacant, self-serving, diatribe that reeks of disrespect for women. Women are not stepping stones on your path through life Peter Kuper, (or things to ogle like the waitress!!!) get your shit together.
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I really liked this book - I will probably buy it sometime. The idea is really cool and is carried out with the art very well. Essentially, the writer is getting married and having a child and doesn't want to forget his sometimes awkward/embarrassing past. The present is drawn in black and white; the past is red and white. Extremely honest and open while almost making fun of himself, the story is entertaining, to say the least. Lots of sex and drug use for those worried about it, but a really go
I really liked this book - I will probably buy it sometime. The idea is really cool and is carried out with the art very well. Essentially, the writer is getting married and having a child and doesn't want to forget his sometimes awkward/embarrassing past. The present is drawn in black and white; the past is red and white. Extremely honest and open while almost making fun of himself, the story is entertaining, to say the least. Lots of sex and drug use for those worried about it, but a really good read.
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This book has all of the stuff I like most from Peter Kuper - not too political, though there's a little of that, and funny. It's a pretty quick read. I'm not so sure about having the book talk about trying to get the book published - maybe a little too self referential - and there was definitely room to develope alot of things he didn't, like fatherhood, reactions to Bush, etc. so maybe there'll be a follow up some day.
I'm a sucker for graphic novels, especially those that are autobiographical. Except I yearn for GN's that aren't so resolutely male - the never-ending references to masturbation, big tits, a wife who doesn't put out enough...I guess these are real concerns and likely strike a chord with someone other than me. But when you're chronicling becoming a Father, aren't there other things to talk about? Maybe?
First, the title is great. Second, I was not disappointed in the real life story of the guy who superbly inked and adapted the Kafka short story, The Hunger Artist, in Give It Up! A chronic pot head and comicbook reading, masturbating teen in the 70's, a perpectual doormat boyfriend in the eighties, and a pissed off new dad in the 90's, this is a deliciously salacious memoir.
This book was terrific. I picked it up while randomly perusing the excellent graphic novel selection in the Redmond library and struck gold. I can't give it 5 stars because it's yet another coming of age book, excellently done. I have said it before and I will say it again. If it wasn't for the coming of age story, graphic novels wouldn't exist. Let's try something else guys ...
Kuper was also at the UND Writers Conference this year and that is what led me to read one of his books. I actually saw him read and THEN bought the book. I didn't love this one (more than a little explicit in parts) but I enjoy the genre and I liked what he had to say about art and graphic novels and politics.
Well-structured book, although maybe a little too...male centered for me. The female characters were never really fleshed out like the men. This is my first encounter with Peter Kuper's work. The art didn't really grab me, but I found the pigeon that flitted between the chapters to be endearing.
What initially got me interested in this very cool graphic novel spanning several years in the life of the author was the masterful use of the comics vehicle to tell a life story, to embellish things, then to show them as they really were. This book is a little gem.
Kuper is a fantastic artist and, with this graphic novel, shows himself to be an excellent writer as well. He manages to mix the memoir with introspection without being overbearing and hysterical, a quality many graphic memoirists would do well to develop.
Autobiografía ambientada en Nueva York que abarca varias facetas del autor, especialmente las relacionadas con el sexo (o la iniciación al mismo) y las drogas. Me suelen gustar este tipo de historias y esta no me ha decepcionado nada.
As far as graphic novels go, not one of my top picks. Enjoyable enough to read, particularly in some of the more compelling flashbacks, but I found the whole thing a little self-indulgent, particularly the ending.
Autobiográfica, onírica y a ratos emocionante, la novela gráfica de Peter Kuper es una revisión lo más honesta posible de aciertos y errores que invita de paso a ahondar en nuestros propios pasos.
This was my first graphic novel and I have to say, I loved it. I never knew how fast graphic novels read - I will have to take my time with the next one. This one went way too fast!
American alternative cartoonist and illustrator, best known for his autobiographical, political, and social observations.
Kuper's work in comics and illustration frequently combines techniques from both disciplines, and often takes the form of wordless comic strips. Kuper remarked on this, "I initially put comics on one side and my illustration in another compartment, but over the years I found th
American alternative cartoonist and illustrator, best known for his autobiographical, political, and social observations.
Kuper's work in comics and illustration frequently combines techniques from both disciplines, and often takes the form of wordless comic strips. Kuper remarked on this, "I initially put comics on one side and my illustration in another compartment, but over the years I found that it was difficult to compartmentalize like that. The two have merged together so that they're really inseparable."[1]
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